I really love the visuals of circuses. I always have. After all, I have a whole pinterest board devoted to them, after all. So, sometimes I draw a circus paper doll like today’s to play with those visual motifs. One of the challenges of circus paper dolls is the color scheme. Generally, I do a black, white, and red for a circus paper doll, but I have played around with pink and blue as well.
For this circus paper doll’s color scheme, I decided to go with more a muted, softer cream over using black and added a moss green to add some depth to the whole thing. I wanted her swimsuit/bodysuit to be really a part of the set, so you can easily layer the skirts or hats with it. There’s no floating tabs for the top-hats, so you may need to make your own. I have faith in you all.
I hoped the addition of the green and the cream would make the whole thing feel more vintage. You might have seen the prototype for today’s paper doll a few weeks ago. In that version, I had played around with some weird lipstick for the doll, but I ended up scrapping it. Sometimes I think something will work and then realize… no, no it really doesn’t. Also, I got rid of the face makeup, because it read “evil clown” to me and that was not the vibe I was going for.
Another inspiration for all this was clowns. I don’t mean creepy party clowns or something, I mean traditional masked clowning which is super hard and very old. Goes back to commedia dell’arte, that semi-improvised form of Italian masked theater which dates back to the 1500s. I mean, we’re talking old old forms of art here. There’s something universal about masked theater. It seems to show up in most cultures in various forms.
As usual, if you love the blog then become a patron. It helps keep the blog on the internet and you get more paper dolls.
I recently rediscovered the show Ru Paul’s Drag Race All-Stars when it showed up on one of the streaming services and I have been watching through the seasons I missed. I mostly just like getting to see the runway looks at the end, but I have never been much for reality TV show drama. Still, I love seeing the looks the drag queens come up with for the end and they always fascinate me.
So, yeah, that’s the context of today’s printable paper doll- I wanted to draw some slightly over the top dresses that really emphasized her curves. Bright colors and rich designs, I thought would be super fun. Not really inspired by Drag Race, but sort of inspired by the idea of evening gowns gone a little more wild than I usually do.
To give credit where credit is due, these dresses were inspired by the contents of my evening gowns pinterest board. However, none of them were specific to any of those I don’t think. At least, I’m pretty sure they weren’t. Who knows? Sometimes my brain doesn’t remember where I get my ideas. Enjoy!
Today’s printable paper doll is all about regencycore. Which does lead to the next logical question… So, what is Regencycore?
Well, it’s sort of a hyper feminine style inspired by the Regency. Not the actual regency (I doubt we’ll see a neck-ruff revival), but the ideas people have of the Regency thanks to shows like Bridgerton. I’m a big Bridgerton fan and I was struck at how much I started noticing this trend in my fashion magazines and my online puttering around.
There’s a nice article about Regency-core from Women’s Wear Daily I think I highlighted this in a newsletter a few weeks back. This was my major inspiration as I designed this particular printable paper doll set. I wanted soft pastels, raised waists and lots of puffy sleeves. I also didn’t want to do a paper doll set of nothing, but basic babydoll dresses (there’s just one) and nothing else. That felt boring and not really modernizing regency. As for the puffy sleeves, I tried to get in as many variations on that shape as possible.
Along with the dresses, there’s a pair of high-waisted pleated front trousers (a trend that is returning which I am not so keen on) and I cropped most of these tops to match. I do like the fact that modern cropped tops are being paired with high-waisted pants. It’s a much better look than the hip-huggers of the 1990s.
The paper doll’s hair is based on the hair cut of Daphne from the Bridgerton tv-show. Normally when I see bangs in historical dramas I wince, because straight bangs were really not a thing in the 19th century for ladies. There were like curled ringlet sort of bangs in the Regency (see examples here), but not the bangs the paper doll or Daphne rocks. However, as mentioned, Bridgerton is a fantasy, so I am willing to embrace the bangs.
All in all, I’m pretty happy with how this turned out.
Meanwhile, I want to let my Patrons know there will be patron exclusive content on Friday! So, look forward to that- Vivian is getting another outfit in her steampunk trousseau.
Classic Lolita fashion inspired today’s printable paper doll. As I know I’ve explained before, but in case anyone is new around here or doesn’t remember- Lolita fashion is a Japanese street alternative fashion style. It is based on Victorian children’s clothing taken to the logical extreme of ruffled absurdity. Lolita fashion also has a bunch of sub-genre’s (like anything in the alt-fashion world). There’s sailor Lolita, gothic Lolita, sweet Lolita, and, of course, classic lolita which is what I’m sharing today. I thought this article was a nice quick overview of the major three styles- sweet, classic and gothic.
Classic Lolita is generally thought to be a much more toned down and refined Lolita style. It’s often called a little more mature, but that’s just in comparison to Sweet Lolita, which can be… a lot. I haven’t done a sweet lolita paper doll printable set yet for the Jewels and Gemstones. So, I’ll link this Sweet Lolita paper doll from my Dames and Dandies collection. You can see the contrast between that illustration and these without much trouble, I think (well, I hope anyway.)
There’s certainly some cottage-core trend filtering into here too. There’s a lot of scholarship about how times of social unrest also tend to be times of feminine dress. The Great Depression, for example, heralded a return to lady-like. There’s really no proof for the so-called Hemline Theory– where skirt length can be tied to economic highs and lows. Personally, I think it’s more likely that people just want a return to what they see as “safe” and “normal”. In times of social upheaval, that’s a return to a pervious time that’s perceived as being idyllic, even if such a time never actually existed. Anyway, I digress…
I keep a Lolita fashion Pinterest board for all my gathering up documentation on this fashion style. This dress and this dress inspired today’s dresses, though I think one is more gothic than classic. This paper doll was one of the few times when I’ve really dived into a color scheme. I don’t tend to use these sorts of muted soft colors that often, which is a pity, because I really love how it looks. Makes me want to use these sorts of colors on more printable paper doll creations.
Whenever I draw mermaids, I end up thinking of Liana of Liana’s Paper Dolls. This sadly defunct site is an amazing ode to all the things you can do with mermaids and paper dolls. (Seriously, if you haven’t ever spent anytime in her archives, it is well worth a gander.) I don’t think my mermaids even get close to hers. Liana had a fascinating entire world around her mermaids and I just don’t think that way. Creating stories around my paper dolls is not my natural tendency, though I am in awe of folks who can do that.
Today’s mermaid set is part of a larger mermaid project. The set got created, because I was somehow inspired to draw mermaids. My long term plan is that collection of drawings will become into something for Etsy. In the meantime, I’m sharing some parts of the set here as smaller creations.
When I design mermaids, I like it when the tails go up over the doll’s bust, so it feels more like an entire outfit, because I can not figure-out why mermaids would wear clothing (seems totally impractical in you’re underwater). Also, I don’t know if they would need to nurse young. Are mermaids mammals? Fish certainly aren’t.
Generally, I don’t base my mermaids on actual fish (questions about mermaid’s mammal status aside). However, clownfish inspired the tail on the left.
Fun Fact: Mermaid tails are one of the only things that usually get a full sized first draft. I need to make sure the curve of the tail makes sense. The tail usually ends up taking several tries on separate paper before I transfer them into my sketchbook for final penciling and inking. This maybe why I don’t do mermaids that often. Years ago, Julie Matthews did a centaur paper doll and I am still in awe over it. I can not even imagine trying to draw that.
Any how, if you want some more mermaid tails for Opal here, there’s been other mermaid paper dolls. Might I direct you to this one with Amethyst and this patron only one with Citrine. Stay tuned, because someday I will get that Etsy set done and there are some really neat mermaid tails in there that I am very proud of. I’ll let you all know when that happens, promise.
I fell in love with the 1980s power fashion clothing as I was looking through these old catalogs. So, clearly, the thing I needed to do was draw a 1980s fashion paper doll ready to take over the board room.
The mix and match options seemed really cool here, because so many pf these clothing pieces were designed to match with the black pencil skirts and black trousers, specifically pleated ones. Pleated trousers are super comfortable, so I can get behind that. One perk of this was that just doing two bottoms and then five tops gives a lot of options which I think is a big part of paper doll functionality- which is a passion of mine. This paper doll has 11 outfits, which is a lot for 9 pieces of clothing.
Listen, some people contemplate how to make the perfect pulled pork bbq, I think about how to make a functional one sheet paper doll. We all have our hobbies.
A few other thoughts- one thing that really struck me about 1980s clothing was how color was used. If you look at the black and white sweater (original here), it’s really the way the shirt is color blocked that makes it 1980s. The pattern could be today, but something about the color blocking really dates it to the decade of the 1980s.
So now Amethyst is ready to go rock the corporate world in huge shoulder pads!
Honestly, the 1940s and the 1980s are both super into the giant shoulder pad thing and I try to get it (I do), but I just don’t. I guess if I’m going to draw a 1980s fashion paper doll I just need to get into the whole shoulder pad thing, but… Oh well, I barely understand modern fashion. I just like drawing paper dolls.
Sometimes when I go through old fashion catalogues, I notice something and then I need to draw it. When I started working on my 1980s paper dolls I ran into a classic problem- the 1980s wasn’t that long ago. While a lot of clothing looks dated, a lot of it looks like things you could wear today (with maybe different hair and less blush). However, one thing stood out as distinctly 1980s- leotards and leggings for the Jazzercise workout craze.
Seriously, I could have filled a whole paper doll book with these looks. They were wild. A few of my favorites were the 1983 Sears Spring/Summer collection which included puff sleeves (why?). The 1988 Sears Spring/Summer Catalog which features some super high cut silhouettes. And my personal favorite, the 1984 Sears Fall/Winter Catalog with its actually flattering color blocking. Montgomery Ward seems to have mostly sold these looks for kids, like in this 1985 Fall/Winter catalog. I didn’t have access to enough Montgomery Ward or JCPenney catalogs to see if they got into the same styles, though I suspect they did.
The 1985 Sears Fall/Winter collection was the inspiration for the color scheme and several of the pieces for this paper doll. I liked the oddly spring feeling colors and I thought they were more fun than the black and dark tones people associate with workout gear. Ruby, the paper doll here has make up, because clearly everyone in the 1980s had perfect lipstick while exercising. (I look like a half-drowned puppy after exercising, but that’s just me!)
One thing that struck me as I looked at these was that they weren’t badly designed, by which I mean there was effort being given to making them flattering. The use of color blocking and the V going down the body are actually slimming on most people. The belts would have called attention to the waist which, again, can be flattering on some people. However, I do think there’s a bit of a problem because leotards in shiny polyester are never going to be a great look.
While I was too young to really remember the Jazzercise craze, I do remember my middle school in the 1990s did a step-aerobics class for gym for a few days and I loved it. I loved that I didn’t have to do a team sport (which I was awful at) and I loved the music. I wonder if there are still step-aerobics classes in this world? Maybe I should go find one. I don’t see why gym classes in the USA are so obsessed with team sports. Not all of us want to play basketball, darn it!
I digress.
I know it has been a while for my patrons on the “1980s fashion” request front, but I hope this paper doll gets us a little closer to some 1980s fashion fun and there’s another 1980s paper doll forthcoming with a more professional wardrobe.
So, when I do historical clothing sets, I’ve learned drawing two takes about the same amount of time as drawing one. Of course, the downside is that I always worry if I make a mistake then I’m likely to repeat it. I’m not 100% sure about the waist lines on these, but that’s okay.
The paper doll is wearing a shift with a gathered neckline which seems to be the style in Italy. It’s a lot more fitted than these would have been for layering reasons. There’s some debate from my research in what women wore under these gowns. There’s not a lot of evidence for stays, but there’s no way to get the smooth line shown on the bust in these portraits without some sort of support either built into the bodice or underneath the bodice. If you look closely at side of the pink gown, you’ll see there’s a fold between where the armpit meets the shoulder and that suggests there is something under the bodice; however, I have not been able to find any evidence on what that undergarment might have looked like.
Later, there’s this Venetian Woman with Moveable Skirt from the 1560s and there might be a set of stays there or it might be an artistic choice to continue the bodice after the skirt is lifted. It’s tough to know. I tend to think it’s likely stays, because the work is erotic art and there’s nothing erotic about a bodice (or is there?). When I do a Venetian set (and I plan to do that someday) I’ll use that as my base design I suspect. However, we’re not working on Venetian clothing today. Today, we are in Florence.
Both of these dresses are again based on portraits. Both sitters are probably from Florence, based on professional folk’s assessments of the paintings. Lucrezia Panciatichi, for example, was the wife of Bartolomeo Panciatichi, a Florentine humanist and politician. The other sitter there’s some debate over, but her clothing does look like that which was worn in Florence according to folks who know more about this than I do which isn’t I grant you a high standard at this point.
Portrait of a Lady in Green by Bronzino?, c. 1528-1532Lucrezia Panciatichi by Angelo Bronzino, 1540
Despite the few small changes I might make to these in the future (and my annoyance that I couldn’t seem to track down a full length portrait to get skirt shapes right), I’m super proud that I did these despite feeling like I don’t “know enough” to do them well.
I will say that I want to do something later in the 1500s from Venice, as I mentioned, because the Venetians had these wild shoes called chopines which were platform shoes so high that women needed help walking in them. They’re so strange and I want to draw them, but I need to do more research on the clothing that would have gone with them. More research!
So, if you want to get to vote in my next paper doll content poll, join us on Patreon.
I have a pretty bad tendency to get super tangled up in myself. For the last few years, my Patrons have been requesting two historical time periods in every poll- the 1980s and Italian Renaissance. In my whole costume book collection, I only own one book on Italian Renaissance clothing and it’s a translation of a 1590s text, so not the most useful when trying to do overview research.
What became abundantly clear to me as I did my digging into the topic was that styles in Italy were not standardized across the entire country, as we know it today. At the time, Italy was a collection of city-states (it remained this way until it unified around the 1870s), so every area had its own fashion which makes things super confusing.
Plus, since most of these are taken from portraits of the period and the identify of the sitters isn’t always known, it’s nigh impossible to be certain where the paintings were painted. Is that lady wearing Naples fashions or those from Rome? Who knows?
Anyway, I got myself all wrapped up in my worry about not being “right” that I avoided drawing anything claiming to be Italian Renaissance for two years. Finally, I realized I was being ridiculous. So, I looked through all the paintings I had collected on my Pinterest Board devoted to Italy. I read what I could find and then I set to work. Here’s what I know- These dresses are based on those in two portraits.
Portrait of a Lady by Pier Francesco Foschi, 1530-1535?La Bella by Titian, c. 1536
The dress on the left is based on Portrait of a Lady by Pier Francesco Foschi. Dress on the right is based on La Bella by Titian. Both painting date from the 1530s.
Pier Francesco Foschi (1502–1567) was an Italian painter active in Florence. It’s possible the lady in this painting is also from Florence. There are other examples of this dress style here and here. Since those are also unidentified, it’s impossible to know exactly where this combination was being worn. The fur trimmed sleeves, black trimmed bodices, raised waists, long gridles, and high collared camisoles seem to be the common elements.
Meanwhile, on the right, Titian was a Venetian painter whose work is well regarded. The person in this painting is unknown, so the area this style of dress was worn is also unknown. Titian worked all over Italy, which adds to the confusion. The low neckline seems to be somewhat unusual for this period, as most dresses I saw had something filling in that space. In my rendition, I think I made the waist too high, but that’s neither here nor there.
A few things I noticed generally, unlike Tudor dress which is super stiff, the sleeves and skirts of these gowns fall more softly. I wasn’t able to find any full length portraits of these dresses, so I am guessing they fell to the floor without knowing for sure.
There’s some debate if these dresses were worn over some sort of stays. I have no idea, but I do know the flattened bust of these dresses wouldn’t have been possible without either some sort of support in the bodice of the dresses or underneath them. It does seem like wide open necked shifts were often worn and are referenced in several books I have.
Anyway, shoes were snagged from a few different places like here and my favorite- Stepping Through Time by Olaf Goubitz. Of course, from Stepping Through Time focuses on Netherlands and this is Italian, so… mileage may vary.
All in all, while there’s things I would change for next time, I’m okay with that. I have one more Italian renaissance foray to share and I just got a few books on order about the period from the library so… there may yet be more of this to come. I’m sure after I’ve done more research, I’ll approach it differently, but I didn’t want my own need to “be sure” get too much in the way of finishing some new paper dolls.
And if you’d like to get to vote on future polls about “what I should draw next” join us on Patreon.
Sure, there’s still like feet of snow on the ground here and sure yesterday the high was under freezing at 29 degrees, but it is spring darn it! (Signs of spring include a longer day, muddy streets, and trees that are starting to bloom.) It’s just been a much colder spring than usual, but I would rather have a long slow slide into break up than a rapid one, so I’ll take it.
I will also complain loudly about it.
I can have contradictions in my life.
All righty, so let’s talk paper dolls. Back in 2019 or 2020 or something, I started drawing some very fancy big-skirted princess gowns that I called the Princesses and Their Gowns collection. Not really because I thought it would be a big collection, but because all the gowns used the same basic color scheme and style, so I figured it would be simple enough to group them together.
All of last years additions to the collection ended up being Patreon content, so I knew I wanted to add some more for this year and make them blog content.
I chose daffodils to decorate these gowns, because my mother always planted them and they were a favorite flower of mine. I remember my mother would always order her bulbs in the fall and sometimes they wouldn’t arrive until after the ground was frozen and, not about to let that stop her, she’d go out with boiling water and spade to plant them anyway. They always came up, one way or another.
My other favorite flower is peonies which has nothing to do with this paper doll set, but are gown up here and are just amazing in a few weeks when the farmers’ market reopens.
So, do you have a favorite flower? Let me know in a comment!
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