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black hair
Unlock with PatreonA 1980s Fashion Paper Doll Ready to Rock the Board Room
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I fell in love with the 1980s power fashion clothing as I was looking through these old catalogs. So, clearly, the thing I needed to do was draw a 1980s fashion paper doll ready to take over the board room.
The mix and match options seemed really cool here, because so many pf these clothing pieces were designed to match with the black pencil skirts and black trousers, specifically pleated ones. Pleated trousers are super comfortable, so I can get behind that. One perk of this was that just doing two bottoms and then five tops gives a lot of options which I think is a big part of paper doll functionality- which is a passion of mine. This paper doll has 11 outfits, which is a lot for 9 pieces of clothing.
Listen, some people contemplate how to make the perfect pulled pork bbq, I think about how to make a functional one sheet paper doll. We all have our hobbies.
Patrons can, of course, mix and match these with last months’ 1980s paper doll. I don’t think my workout paper doll really mixes well with these, but Jazzercise clothing was super fun to draw.
A few other thoughts- one thing that really struck me about 1980s clothing was how color was used. If you look at the black and white sweater (original here), it’s really the way the shirt is color blocked that makes it 1980s. The pattern could be today, but something about the color blocking really dates it to the decade of the 1980s.
So now Amethyst is ready to go rock the corporate world in huge shoulder pads!
Honestly, the 1940s and the 1980s are both super into the giant shoulder pad thing and I try to get it (I do), but I just don’t. I guess if I’m going to draw a 1980s fashion paper doll I just need to get into the whole shoulder pad thing, but… Oh well, I barely understand modern fashion. I just like drawing paper dolls.
Tanya and Her Princess Gowns
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I’m still sort of playing around with getting used to drawing for the Talia Tuesday and Friends dolls. I enjoy the pose and I like playing around with the motion, though I am still not 100% confident with it. It’s a fairly new pose to me and so it’s a bigger stretch than drawing for poses I’m used to drawing for. Since I’m not formally trained as an artist, and I don’t really enjoy drawing figures, it’s always a little scary working with a new pose for me.
So, anyway, this is Tanya. Tanya is the Russian diminutive of Tatiana. I named the paper doll Tanya, because I already have a Talia and a Tashi. I felt like the name Tanya fit in with the other names neatly. So, nothing too fancy there- I picked it because I liked how it sounded.
Tanya here has my first fantasy foray for the Talia Tuesday and Friends dolls, but I do love drawing princess paper dolls. Her crowns are designed to fold around the head, so you have some flexibility, if you want to use them on another doll with different hair.
If the pose is a stretch for me, this style is like cooking a recipe you’ve made a million times and know will probably come out okay. I both like drawing medieval fantasy gowns and am super comfortable drawing these fantasy princess looks. The color scheme was a bit different from many I tend to be attracted too. It feels more autumnal than I intended when I started, but I am super happy how it turned out.
As usual, a big thank you to my patrons who got to see the first proto Talia last year and helped me name Tashi, though I picked out Tanya’s name on my own. You all are the best!
A Lady of a Castle and her Pretty Gowns
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More Italian Renaissance with Sapphire
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So, when I do historical clothing sets, I’ve learned drawing two takes about the same amount of time as drawing one. Of course, the downside is that I always worry if I make a mistake then I’m likely to repeat it. I’m not 100% sure about the waist lines on these, but that’s okay.
The paper doll is wearing a shift with a gathered neckline which seems to be the style in Italy. It’s a lot more fitted than these would have been for layering reasons. There’s some debate from my research in what women wore under these gowns. There’s not a lot of evidence for stays, but there’s no way to get the smooth line shown on the bust in these portraits without some sort of support either built into the bodice or underneath the bodice. If you look closely at side of the pink gown, you’ll see there’s a fold between where the armpit meets the shoulder and that suggests there is something under the bodice; however, I have not been able to find any evidence on what that undergarment might have looked like.
Later, there’s this Venetian Woman with Moveable Skirt from the 1560s and there might be a set of stays there or it might be an artistic choice to continue the bodice after the skirt is lifted. It’s tough to know. I tend to think it’s likely stays, because the work is erotic art and there’s nothing erotic about a bodice (or is there?). When I do a Venetian set (and I plan to do that someday) I’ll use that as my base design I suspect. However, we’re not working on Venetian clothing today. Today, we are in Florence.
Both of these dresses are again based on portraits. Both sitters are probably from Florence, based on professional folk’s assessments of the paintings. Lucrezia Panciatichi, for example, was the wife of Bartolomeo Panciatichi, a Florentine humanist and politician. The other sitter there’s some debate over, but her clothing does look like that which was worn in Florence according to folks who know more about this than I do which isn’t I grant you a high standard at this point.
Despite the few small changes I might make to these in the future (and my annoyance that I couldn’t seem to track down a full length portrait to get skirt shapes right), I’m super proud that I did these despite feeling like I don’t “know enough” to do them well.
I will say that I want to do something later in the 1500s from Venice, as I mentioned, because the Venetians had these wild shoes called chopines which were platform shoes so high that women needed help walking in them. They’re so strange and I want to draw them, but I need to do more research on the clothing that would have gone with them. More research!
So, if you want to get to vote in my next paper doll content poll, join us on Patreon.
Spring Princess Gowns for Jade
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Sure, there’s still like feet of snow on the ground here and sure yesterday the high was under freezing at 29 degrees, but it is spring darn it! (Signs of spring include a longer day, muddy streets, and trees that are starting to bloom.) It’s just been a much colder spring than usual, but I would rather have a long slow slide into break up than a rapid one, so I’ll take it.
I will also complain loudly about it.
I can have contradictions in my life.
All righty, so let’s talk paper dolls. Back in 2019 or 2020 or something, I started drawing some very fancy big-skirted princess gowns that I called the Princesses and Their Gowns collection. Not really because I thought it would be a big collection, but because all the gowns used the same basic color scheme and style, so I figured it would be simple enough to group them together.
All of last years additions to the collection ended up being Patreon content, so I knew I wanted to add some more for this year and make them blog content.
I chose daffodils to decorate these gowns, because my mother always planted them and they were a favorite flower of mine. I remember my mother would always order her bulbs in the fall and sometimes they wouldn’t arrive until after the ground was frozen and, not about to let that stop her, she’d go out with boiling water and spade to plant them anyway. They always came up, one way or another.
My other favorite flower is peonies which has nothing to do with this paper doll set, but are gown up here and are just amazing in a few weeks when the farmers’ market reopens.
So, do you have a favorite flower? Let me know in a comment!
Jade goes Catalog Shopping in the 1980s in today’s paper doll
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A 14th Century Fashion Paper Doll With Citrine
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It has been a while since we had a Jewels and Gemstones 2.0 paper doll, hasn’t it? It feels weird to have taken a two week break from them, but here we are.
So, I actually had this drawn last year, but I needed one more piece of clothing to fill out the set, so I had to draw some last minute shoes which delayed it’s debut until now. But I technically meant this to go along with my 14th century Pearl set. While I never meant for the 14th century to become such a common time period on this site, every time I draw another 14th century paper doll set, I feel like I learn more about the period and get better at rendering it. And I like the learning aspect.
So, Citrine here has two patterned dresses, a veil, a hood, and an extra pair of shoes. The paper doll’s shift is based one illustrated in Roman de Giron le Courtois (fol. 87v.) at the National Library of France from around 1370-1380. I’ve used the same one for my 12th century and 13th century paper dolls, so they can all share clothing. Shifts are not the easiest thing to find reference images for in this era, let me tell you. Her shoes come from Stepping Through Time by Olaf Goubitz (my usual shoe source for anything this early.
The dress on the left is a sleeveless surcoat (unlike a sideless surcoat, sleeveless surcoats didn’t have huge armholes). I based the pattern on it from BNF Arsenal 3481 Ci commence li livres de Lancelot du Lac (fol. 65r). However, I’ve noticed these lines and dots patterns show a lot in medieval manuscripts and I don’t know if that is because they were easy to paint or if that is because they were commonly worn. The sleeveless surcoat shows up all over the place in early 14th century manuscripts. Here it is in Français 761: Artus le Restauré (fol. 25v) from between 1325 and 1350, in BNF Français 1433 Le Chevalier au Lion (fol. 67) from 1300-1350, and in BL Yates Thompson 13 The Taymouth Hours (fol. 107v). I think it is reasonable to say the style was super popular.
The dress on the right is a patterned surcoat with buttons which I sometimes see referred to as a Cotehardie. I don’t know enough to know if that term is correct (it is for men, I know). I was inspired to draw the pattern, because Roman de Giron le Courtois is full of these elaborate patterned dresses. The text is Italian and I wonder if that is why. Anyway, was the specific inspiration for this one was Folio 44v and Folio 75r. I have no idea what the manuscript is about, but there’s a lot of decapitated heads in it. In case you’re wondering, medieval manuscripts use Folio rather than page number, because most of them lack numbered pages.
Now that I’ve done two 1300s Jewels and Gemstones paper dolls (see Pearl here), I feel like I should do something from the 1400s, which is not a period I know as much about. However, the only way to learn is to try and so I guess I’ll add that to my to do list.
On Patreon I have a poll right now about the next time period to tackle. So, if you join us there, you can vote.
Meet Tashi- Talia’s Friend and her Refined Winter Wardrobe
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Meet Talia’s first friend Tashi! My patrons helped me name her. Tashi is a Tibetan name that means “good fortune” and beat out several other names to win the poll I shared on Patreon. Thanks Patrons for helping me name her! I had planned to wait a while to share her, because I had several other Talia dolls finished, but I really wanted to show off her and her fun winter looks, so she jumped the line- as paper dolls sometimes do!
According to my research into Winter trends for this year, I noticed a few things- tapered trousers, pleated skirts, mini-skirts, puffed sleeve sweaters and crop tops with high waisted styles. Interestingly, I also noticed that these lady-like styles got paired with more chunky masculine boots which felt very 1990s. Anyone else getting Doc Marten’s with floral dresses flashbacks? Anyone?
Colorwise, lilac has been an on-trend color for Fall 2021, so I decided to embrace that when I was coloring this paper doll set. I really like pastels for winter, but you have to keep them dusty and vintage feeling, or else you get into saccharine sweet territory.
If you want to get to help me name paper dolls, than join us on Patreon.
Meet Citrine! New Paper Doll Whose Name I Keep Spelling Wrong! And her evening gowns!
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DDJ: It is Pirate Paper Doll Time!
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Happy March!
There are paper doll themes I think I’ve done a lot of- like pirates-, but then when I actually go through my own archives I realize- I really haven’t done that very many pirate paper doll sets. (I have a similar relationship with fairy paper dolls.)
The problem, I suspect, is that I don’t feel like there are that many ways to draw a pirate. So, I guess that’s a factor. I should expand more into space pirates or steampunk pirates or… I dunno… Need to think on it.
Anyway, one of the things I am doing over on Patreon is working on my goals for 2022. One of those goals is more Dolls Du Jour, I was slightly embarrassed to realize I only did 4 last year. Plus, they were nearly all based on things I actually drew in 2020. (This isn’t super uncommon. Some things sit on my computer a long time before I finish them, because I am fickle and have more ideas than time.)
So, anyway, one goal is more Dolls Du Jour. I have been finishing up my Goals post. The hope is to get that up later this week, so it’ll be “Official”. I like having all that sort of thing in one place, because I will refer to it later. I know I will.
More and more over the last few years, I havecome to think of the blog as a long form sort of art project. I like having most things here, because I know I own this space. No algorithm can interfere with what I’ve built here.
Meanwhile, if you’d like to support the blog, then there’s a way to do over on Patreon. My Patreon projects for this year is a gothic/steampunk fantasy thing for Vivian and a set of Antique Doll paper dolls. I’m super excited about both.
Diamond with her 1960s Mod Dresses
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When I think of the 1960s, these playful swing dresses come to mind. They really don’t show up until the second half of the decade, but they are so iconic. I knew when I decided to so some 1960s sets that I wanted one to be mod styles like these. My other two themes are sophisticated (see Sapphire from last week) and a beach summer set which was a Patreon piece.
There are, as always, a lot of different sources for today’s dresses. Working left to right, the orange dress was inspired by this Bill Blass dress designed for Maurice Rentnerfrom the Met. The blue dress is from Simplicity 7852 in 1968. The red and white dress is from Simplicity 6405 dated 1965. I did not draw the matching coat which I sort of regret. Coats that matched slip dresses were certainly a trend I noticed. The mustard dress is based on an illustration by Creators Studios, a New York design company. The pink dress is from Butterick 3398 from about 1966.
Her flower shoes are here from Charles Jordan in 1965. Her other shoes, hats, and purses are from John Peacocks’s 20th Century Fashion Source Book.
I have one more paper doll from 2021 that I have finished to share, than there will be a round up post for all the 2021 (though I know it is 2022) paper dolls for the Jewels and Gemstones. After that I plan to take a few weeks off as a treat and we’ll see how I feel. I love doing my Valentine’s paper dolls, so I don’t want to miss that this year.