medieval

A Stylish Paper Doll July: 15th Century Gown with Hennin

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Sources:

Okay, so today’s paper doll dress was one of the first I drew and inked, but somehow I forgot about it in the shuffle, so it is ending up being one of the last that gets shared. That’s just how things work out sometimes, I suppose.

When it comes to citing manuscript illustrations, I try as often as possible to go back to the original source if I can and I try to give enough information that if I was working at the front desk of the library that had one of these books and a person handed them the information I provide, that person would be able to find the item (or at least make a really good guess at it.)

The reality is that not all websites give all the details that might be needed, but I do my best to provide as much as I can. Medieval documents generally don’t have title pages and usually don’t have clear authors, but places often give them titles, which is what I’ve used here. It’s not perfect, but it is at least a place to start. I’ve included a manuscript number or shelf-mark when I could find one.

I am endlessly frustrated when I see a great manuscript illustration on some website and there’s absolutely no clue where the book is from or how one might actually verify the details. It’s not that I think people are intentionally making up things, but dates and locations are especially easy to get messed up in the Internet’s game of telephone. Plus, context matters when looking at what people are wearing.

A 14th Century Fashion Paper Doll With Citrine

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It has been a while since we had a Jewels and Gemstones 2.0 paper doll, hasn’t it? It feels weird to have taken a two week break from them, but here we are.

So, I actually had this drawn last year, but I needed one more piece of clothing to fill out the set, so I had to draw some last minute shoes which delayed it’s debut until now. But I technically meant this to go along with my 14th century Pearl set. While I never meant for the 14th century to become such a common time period on this site, every time I draw another 14th century paper doll set, I feel like I learn more about the period and get better at rendering it. And I like the learning aspect.

So, Citrine here has two patterned dresses, a veil, a hood, and an extra pair of shoes. The paper doll’s shift is based one illustrated in Roman de Giron le Courtois (fol. 87v.) at the National Library of France from around 1370-1380. I’ve used the same one for my 12th century and 13th century paper dolls, so they can all share clothing. Shifts are not the easiest thing to find reference images for in this era, let me tell you. Her shoes come from Stepping Through Time by Olaf Goubitz (my usual shoe source for anything this early.

The dress on the left is a sleeveless surcoat (unlike a sideless surcoat, sleeveless surcoats didn’t have huge armholes). I based the pattern on it from BNF Arsenal 3481 Ci commence li livres de Lancelot du Lac (fol. 65r). However, I’ve noticed these lines and dots patterns show a lot in medieval manuscripts and I don’t know if that is because they were easy to paint or if that is because they were commonly worn. The sleeveless surcoat shows up all over the place in early 14th century manuscripts. Here it is in Français 761: Artus le Restauré (fol. 25v) from between 1325 and 1350, in BNF Français 1433 Le Chevalier au Lion (fol. 67) from 1300-1350, and in BL Yates Thompson 13 The Taymouth Hours (fol. 107v). I think it is reasonable to say the style was super popular.

The dress on the right is a patterned surcoat with buttons which I sometimes see referred to as a Cotehardie. I don’t know enough to know if that term is correct (it is for men, I know). I was inspired to draw the pattern, because Roman de Giron le Courtois is full of these elaborate patterned dresses. The text is Italian and I wonder if that is why. Anyway, was the specific inspiration for this one was Folio 44v and Folio 75r. I have no idea what the manuscript is about, but there’s a lot of decapitated heads in it. In case you’re wondering, medieval manuscripts use Folio rather than page number, because most of them lack numbered pages.

Now that I’ve done two 1300s Jewels and Gemstones paper dolls (see Pearl here), I feel like I should do something from the 1400s, which is not a period I know as much about. However, the only way to learn is to try and so I guess I’ll add that to my to do list.

On Patreon I have a poll right now about the next time period to tackle. So, if you join us there, you can vote.

Pearl in the 14th Century Women’s Clothing: A Paper Doll

14th century women's clothing illustrated by printable paper doll coloring page with two gowns, veils and a hood. The paper doll wears a shift and has her hair up in braids. Her dresses are two different styles- a fur trimmed sideless surcoat and a cotehardie with pockets.
14th century women's clothing illustrated by a printable paper doll with two gowns, veils and a hood. The paper doll wears a shift and has her hair up in braids. Her dresses are two different styles- a fur trimmed sideless surcoat and a cotehardie with pockets.

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I love historical fashion, I love book history and I love research. So, my medieval paper dolls are a chance to both draw paper dolls and spend way too much time doing research. Best part- I always learn something new. As I finished this super long post about today’s 14th century paper doll, I realized it mighty be a little much for people, so if you don’t want info on braids, sources, and scandalous surcoats of 14th century women’s clothing, stop now and just enjoy the paper doll and her pretty dresses.

One thing I learned since my latest foray into14th century women’s clothing is that I was wrong about how hair worked. I’d always thought that the hair was parted and then braided into two braids. I wasn’t sure what happened after that, but I assumed the end of the hair was tucked behind the ear. I now realize that the braid was actually tucked up under the front of the hairline. This is really clear in some of the manuscript illustrations. Pearl’s hair here is based on this illustration from the  Bodleian Library’s MS. Bodl. 264: Romance of Alexander (fol. 181v). Over their hair, women wore veils or hoods (think like, just the hood part of a coat). There’s a lot of different styles of these that I’ve seen.

Looking away from hair for a moment, 14th century women’s clothing (aka 1300s) involved layers of dresses over a shift. There’s a lot of inconsistency in words used for clothing. I am going to use surcoat for the outer most dress and kirtle for the inner dress. The kirtle went over a shift and then a belt (called a girtle) was often worn over the kirtle. Here’s a paper doll example of that. Over top of all that, a surcoat could be worn for keeping warm or for being fashionable. Some surcoat’s had slits in the front, so women could get to purses hanging off their girtles. This was an early form of pockets. If you had the money, fur lined the surcoats for warmth and fashion. Cotehardie‘s were surcoats with buttons, as I understand it.

Starting with underwear, Pearl’s shift is based one illustrated in Roman de Giron le Courtois (fol. 87v.) at the National Library of France from around 1370-1380. Her shoes come from Stepping Through Time by Olaf Goubitz. Pearl’s dress on the right is a cotehardie (aka: button fronted surcoat) over a kirtle which was inspired by MS. Bodl. 264: Romance of Alexander (fol. 097v) and (fol. 181v) from between 1338-1344, plus this casket lid.

And now, a word about sideless surcoats… (aka: the gown on the right.)

Sideless surcoats are basically gowns with huge armholes. You can see examples in BGE Ms. fr. 190/1 Des cas des nobles hommes et femmes (Fol.35v) housed at the Bibliothèque de Genève from 1410 and this one in Besançon BM MS.677 Fleurs des chroniques from the Bibliothèque municipale de Besançon (fol. 087v) from 1384-1400. This French 14th century tomb slab shows the same style. If you poke around on my 14th century Pinterest board I’m sure you’ll see more.

This fur heavy version seems to mostly be ceremonial. De claris mulieribus in an anonymous French translation (Le livre de femmes nobles et renomées) Royal 16 GV (fol. 02) (my source) is from 1440, but was trying to show things that had happened in the 1300s. By the time the mid-1400s rolled around, only Queens on court occasions seem to be wearing these furry surcoats.

I find that a little ironic, because the sideless surcoat was sometimes called “windows to hell” or “windows to purgatory” when it first showed up. It showed off so much of a woman’s kirtle that it was scandalous by 14th century women’s clothing standards. It’s interesting evidence that extreme forms of fashion eventually become an accepted part of society, even some 600 years ago.

Lastly, our paper doll has veils and a hood. While I am not totally certain about the “rules” involving veils, they were definitely common and I think more common if the woman was married. Her double ruffled veil comes from Universitäts- und Landesbibliothek, Speculum Humanae Salvationis (fol. 37r). However, the large number of illustrations that show women with their hair exposed, so I don’t think it was verboten for women to have exposed hair in this era.

Her hood is based on BNF Français 20090 Bible Historiale de Jean de Berry (fol. 290r) which is from the National library of France. I’m not 100% clear on how hoods fit into the social structure of the 14th century. I can’t imagine wearing one with that fancy fur trimmed surcoat, but then I doubt fancy fur surcoats were worn outside much.

And this is the end of this super long, super involved post on 14th century women’s clothing. If you made it to the end, good for you! By the way, Topaz with 12th century clothing and Lapis with 13th century clothing have the same basic shift and therefore can easily share clothing with today’s 14th century clothing paper doll. It’s a 300 year medieval paper doll trifecta. Yes, I did plan it that way.

13th Century Women’s Clothing Paper Doll Featuring Lapis

This was my second foray into medieval clothing for the Jewels and Gemstones and, at the time, my first foray into 13th century women’s clothing of Western Europe. I like to be specific, because this isn’t what folks were wearing in Asia or the Middle East in this era.

I tend to call these sorts of paper dolls “clothing” not “fashion.” While the idea of dress as a social marker existed in the 1200s, it wasn’t really fully defined yet. It wouldn’t be until the 1300s, and then introduction of tailoring, that you really start to see trends. By the 1400s, headdresses provide plenty of space for people to engage with fashion.

A paper doll celebrating 13th century women's clothing with several dresses and headdresses.

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Okay, I took really good notes while I was working on this paper doll, so I have a mess of sources.

Lapis is wearing a shift based one illustrated in Roman de Giron le Courtois (fol. 87v).  I made the length is a little shorter and the style is quite fitted. Both of these changes were done to facilitate the paper doll layering clothing over the shift. The source material is 100 years post this paper doll’s era, but illustrations of women’s shifts are super rare. So I’ll take it.

As usual, the shoe designs come from Stepping Through Time by Olaf Goubitz, an excellent, if exceedingly dry, book on historical footwear. I love this book, but man… it is not a fun read. The illustrations are great though.  Sources for the dress on the left include Biblia Porta, Lausanne, Bibliothèque Cantonale et Universitaire, U 964 (fol.178r) and  Collection of poems in Old French, Bibliothèque de l’Arsenal- Arsenal 3142 (fol.292r).

You can see barbett and fillet headdresses in the Romance of Alexander, England, Cambridge University Library- Cambridge MS O.9.34 (fol.25v)

I based the right dress off of this dress from BNF Arsenal 5211 Bible de Saint-Jean d’Acre (fol.069v). The book dates from 1250-1254. The other inspiration was this dress from U 964 – Biblia Porta, housed at the Bibliothèque Cantonale et Universitaire. The brooch at the throat comes from this illustration in Morgan M.638 Maciejowski Bible (fol.33) dated 1244-1254.

A colorful 13th century women's clothing paper doll with two dresses and three headdresses.

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So, I did have some issues with her headdresses. They are such a defining part of 13th century women’s clothing. The barbette is the piece that goes under the chin and the fillet is the pillbox hat looking piece that wraps around the head. One thing I’m not sure about is whether the fillet was open or closed at the top. This manuscript illustration and this manuscript illustration it looks closed, but this one is definitely open. Anyway, I settled on closed, but I’m still not 100% sure that’s right.

Anyway, disclaimers aside, I hope you enjoy today’s 13th century paper doll! One of her dresses was a Patron piece from last year and I encourage you to head over there if you’d like to get more paper dolls every week.

Topaz With 12th Century Clothing

In my second Topaz paper doll of the week, here’s some 12th century clothing to go along with the Tudor paper doll from Tuesday. If I had a chose a period of fashion I both really like and know very little about, it would be the 12th century aka 1100s. 12th century clothing in Western Europe is both super interesting to me (I love the sleeves) and very alien.

As much as possible, I try to work from primary sources, ideally illuminated by well written analysis by scholars who know more than me. However, the books I have tend to start in 1200 which is more well documented period and leave 1100s out entirely.

Perfect historical accuracy is impossible, so knowing that I did my best on this paper doll and her 1100s dresses.

A printable paper doll coloring page of 1100s dresses with a paper doll and two gowns.

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Topaz is wearing a shift based one illustrated in Roman de Giron le Courtois on Folio 87v. The manuscript dates from between 1370-1380 even though this is 200 years after the 1100s. Illustrations of women in shifts are just super rare, so you have to use what you can find. I made my version shorter and tighter than the originals, because paper dolls have to layer. Paper doesn’t fold like fabric.

Additionally, Topaz’s shoes all come from Stepping Through Time by Olaf Goubitz, a book on archeological footwear finds. It’s fascinating, but very densely written work. Her hair and headdress are based on illustrations from Women’s Hats, Headdresses and Hairstyles by Georgine de Courtais. Her veil is based on the one seen on the Ushaw Virgin, a brass from the British Museum, as is the dress on the right. The statue, Enthroned Virgin and Child, from The Met, was another source for the dresses. I also used some of the manuscript images from this German site on the Bliaut. All the illustrations are properly cited and that always makes me happy.

A printable paper doll with clothing from the 12th century. Great homeschooling history idea.

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The bliaut is the subject of a lot of debate. Statues of the time show a very wrinkled, almost pleated fabric effect (like this), but illustrations by and large don’t. When they do show horizontal wrinkles across the abdomen they tend to be more subtle. I went with the more subtle option and the no wrinkles option. Inevitably, drawing fashions from history requires making editorial decisions, but I try to capture the silhouette of the period.

Books consulted in the creation of this paper doll included Stepping Through Time by Olaf Goubitz, Women’s Hats, Headdresses and Hairstyles by Georgine de Courtais, Medieval Dress and Fashion by Margaret Scott and Fashion in the Middle Ages by Margret Scott, though this last one was not helpful, particularly.

This is an era I’d like to learn more about. So, if anyone has a book recommendation I’ll happy accept it. Most of my books don’t cover this early period very well.

Today’s set was put together from pieces posted here on the blog last year and on Patreon.

12 Century Bliaut with Girdle

A printable paper doll with 12th century clothing including a bliaut, girdle, headdress, stockings and shoes. A great homeschooling history activity or just a fun paper doll for anyone who likes medieval fashions.

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Thoughts on Today’s Paper Doll
So, I am still working on the 1100s, 1200s and 1300s paper dolls. The 1300s paper dolls aren’t even drawn yet. So, I’m sticking with the 1100s and 1200s. I’ll get to the 1300s when I have a moment.

Anyway, meanwhile, there’s this 1100s gown known as a bliaut. Can I confess that I’m not sure how to pronounce that word? Anyway, it’s the wide sleeved garment that most of us associate with the medieval era. Despite being popular in pop culture, it’s actually gown there’s a lot of debate about how it was constructed.

The bliaut was worn by men and women, often in layers. The length seems to have been regional. In France, they look really long, but in Germany there’s often a shorter bliaunt illustrated over a longer kirtle. So, there seems to be some variation in the regional styles.

Inspiration for Today’s Paper Doll
Okay, so I looked at a lot of pictures and a lot of statues and I read a bit. Here’s what I understand: The bliaut is the subject of a lot of debate, as I mentioned above. Statues of the time show a very wrinkled, almost pleated fabric effect (like this), but illustrations by and large don’t. When they do show horizontal wrinkles across the abdomen they tend to be more subtle (like this). Additionally, smaller statuary (like this one) doesn’t show wrinkles across the abdomen.

There are, at the moment, several theories as to why and how wrinkles abdomens got formed, from cutting the fabric on the bias and lacing the sides (to create wrinkles across the stomach) to making a separate bodice and attaching it to the skirt.

I chose to go with a more subtle wrinkled look in my illustration, because outside of the giant statuary outside French cathedrals,  the wrinkles just don’t seem the tight or distinct in the art of the time.

Specific Source Images: Cathedral of Notre-Dame de Chartres Statuary (see this picture) & Stuttgart WLB, cod. bibl. fol. 57, origin: Zwiefalten abbey circa 1125-1130, f. 55 as pictured here (retrieved 9/9/2019).

Learn/See More
On the Blog: More Jewels & Gemstones paper dolls, more paper dolls from the Medieval era, Topaz with her 1100s underwear
Around the Internet: Illumanu (a tumblr devoted to manuscript illustrations of clothing & dress), an interesting webpage with lots of pictures, and an interesting site with lots of pictures in German (I think?)

Last Thoughts
While I don’t have a real opinion on how bliauts were constructed, I do find it interesting the amount of debate there seems to be out there on the topic. The only theory I find least plausible is the separate bodice with skirt theory. I’ve seen some illustrations that seem to back it up, but never with proper citation. Cite your sources people! Additionally, separate bodices  would have had to have been invented and then ignored for like 300 years and that just seems implausible. Not impossible, mind you, but implausible. However, I always love to hear from folks to know more than me on these topics, so share away in the comments.

(But do try to keep it polite. I’ve had strange debates and oddly angry emails over medieval clothing before which, odd the true, still boggles my mind.)

Mean while, on Patreon, there’s an extra paper doll outfit every Friday! Plus previews of what I’m working on, polls and whole different paper doll series called Vivian. It’s a fun group. Check it out!

And if you need a paper doll with proper hair and undies for this era, grab Topaz in her 1100s underwear. The 1200s Lapis can also do in a pinch, if you’re more partial to redheads.

Topaz in the 1100s Undergarments and Shoes

A 12th century fashion paper doll with shoes, wigs and historical underwear.

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Thoughts on Today’s Paper Doll
I am super excited about this collection of paper dolls. I love costume history. Sometimes, I feel like despite my love of the topic (or perhaps because of it), I get a little paralyzed feeling like I have to do so much research before I can create something and worrying about the quality of my sources. This worries me less in eras I am confident in, such as the 19th and 20th century, and worries me more in eras I am not confident about.

But then I won’t learn or get better if I don’t practice drawing these periods, so I think it is okay to not be perfect. Even more importantly, I think you have to start with in perfection or you never move forward.

Inspiration for Today’s Paper Doll
Like last week’s Lapis, this week’s Topaz is wearing a shift based one illustrated in Roman de Giron le Courtois on Folio 87v. The manuscript dates from between 1370-1380. Illustrations of women in just shifts are exceedingly rare, so even though this is 200 years after the 1100s, I am still using it. I made my version shorter and tighter than the originals probably were to facilitate the paper doll layering clothing over the shift. Paper dolls have to layer.

Additionally, Topaz’s shoes all come from Stepping Through Time by Olaf Goubitz, a book on archeological footwear finds. It’s fascinating, but very densely written work. Women’s Hats, Headdresses and Hairstyles: With 453 Illustrations, Medieval to Modern by Georgine de Courtais was the book I used for her hair and headdress, along with this statue, Enthroned Virgin and Child, from The Met.

Specific Source Images: Roman de Giron le Courtois Bibliothèque nationale de France. Département des manuscrits. NAF 5243 (f.87v) &  Enthroned Virgin and Child ca. 1130–1140, The Met, Accession Number:47.101.15.

Learn/See More
On the Blog: More Jewels & Gemstones paper dolls & More from the Ballet and Dancing collection
Around the Internet: Claricia Psalter from the Late 12th Century

Last Thoughts
I’d like to give a shout out to my Patreon supporters, because without you all, the blog wouldn’t happen.

Additionally, later this week there will be a gown from the 12th century (aka the 1100s) and I am excited to share that though I am also nervous about how little I know about this era. However, this is how I learn, so there you go!

13th Century Sleeveless Surcoat over Dress

Free to print, a historical paper doll outfit from the 13th century surcoat design with a headdress and shoes with stockings.

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Thoughts on Today’s Paper Doll
Today’s paper doll dress is a surcoat (over-dress) over another dress. As far as I can tell, this style came into fashion in the second half of the 13th century and sticks around in various forms for over 100 years. As I said when I was showing off Lapis and her 13th century undergarments, I am not an expert on this time period. At best, I am a dabbling amateur. However, one thing I did notice as I looked at many many pictures was that the 13th century is similar to the 14th century, if they hadn’t yet mastered curved seams and tailoring techniques.

So, while in the 14th century they have sideless surcoats over fitted kirtles, that is not what you see in the 13th century. You see their predecessors- a sleeveless surcoat over a dress where just the sleeves are visible and there’s no waist as far as the eye can see. This style does continue into the first part 14th century- here is an example. Later the armholes lengthen, these surcoats are in the later 14th century style.

Clothing rarely confines itself to neat time ranges, but rather tends to ease over years and decade markers.

Inspiration for Today’s Paper Doll
As usual, the shoe designs come from Stepping Through Time by Olaf Goubitz, an excellent, in exceedingly dry, book on historical footwear. The surcoat is based on this illustration and this illustration while the headdress comes from here, but also from all the looking at headdresses I did when drawing Lapis.

Specific Source Images: Biblia Porta, Lausanne, Bibliothèque Cantonale et Universitaire, U 964 (fol.178r),  Collection of poems in Old French, Bibliothèque de l’Arsenal- Arsenal 3142 (f.292r), Romance of Alexander, England, Cambridge University Library- Cambridge MS O.9.34 (f.25v), this recreation of 13th century dress & this recreation of 13th century dress

Learn/See More
On the Blog: More Jewels & Gemstones paper dolls, Lapis with her 13th century underwear & Everything I’ve Drawn from the 13th Century
Around the Internet: Illumanu (a tumblr devoted to manuscript illustrations of clothing & dress is one of my goto places for illustrations), Manuscript Miniatures (a website that collects manuscript miniatures) & the amazing Gallica, the digital library of France

Last Thoughts
I previewed a lot of this collection over on Patreon. So, thank you to all my Patrons to encouraged me to continue even though I was a little nervous. Reminder: There’s an extra paper doll outfit every Friday, plus previews of what I’m working on and polls and things. Check it out!

Rarely have I wished I knew more medieval Latin, but when I am looking for primary source illustrations of clothing I do. It’s very hit and miss, but I do my best with my limited knowledge. I respect people who do recreations of these garments, but I wish more of them properly cited their source images. It’s very frustrating to find a great illustration from an illuminated manuscript, but have no way of knowing where it came from. I won’t use anything that doesn’t properly cite a source. I’m a librarian, after all. I have some standards.

Lapis in the 1200s

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Thoughts on Today’s Paper Doll
There are time periods where I feel like I know a fair amount and then there are time periods of fashion history where I feel (and I am) quite ignorant. The 1200s are one of those time periods. It’s not an era I have a great deal of natural interest in (sorry 1200s) and I don’t really feel like devoting the long hours of research to it. Also, I think the headdresses look funny.

So, all of that is to say that I noticed the basically the only different from the 1100s through the 1300s was headdresses and the undergarments all stayed pretty much the same. There are some documented differences in the 1400s, but I’ll get into that when I get around to drawing it. The result of this discovery was excitement when I realized I could draw the same shift and basically have a period underwear wearing paper doll for a 300 year time period.

This was very exciting. (Listen, I know this wouldn’t be exciting to normal people, but I make my own fun.)

So, this is the first of a series of paper dolls from the 1100s, 1200s and 1300s.

Inspiration for Today’s Paper Doll
Lapis is wearing a shift based one illustrated in Roman de Giron le Courtois on Folio 87v. The manuscript dates from between 1370-1380. Yes, I realize that’s like 100 years later than this paper doll, but here’s the thing- illustrations of women in just shifts are exceedingly rare, so I am going to take what I can get. A few differences in my rendition are that the length is a little shorter and the style is quite fitted. Both of these changes were done to facilitate the paper doll layering clothing over the shift.

Her headdresses are in the style of the barbette and fillet. The barbette is the piece that goes under the chin and the fillet is the pillbox hat looking piece that wraps around the head. One point I couldn’t quite sort out was whether the fillet was open or closed at the top. This manuscript illustration looks closed while this manuscript illustration it could go either way. These ones look closed while this one is definitely open.

In the end, I went with Women’s Hats, Headdresses and Hairstyles: With 453 Illustrations, Medieval to Modern by Georgine de Courtais where fig 13 on shows it closed and that was my decision. I maybe totally wrong. The book was originally published in 1986, which while not super current, is current enough for me to feel fairly confident in it. Unlike, for example, books on historical costume first published in the 19th century when I have serious doubts about the quality of the scholarship.

The designs for her shoes come from Stepping Through Time by Olaf Goubitz, an excellent, in exceedingly dry, book on historical footwear.

Specific Source Images: Roman de Giron le Courtois Bibliothèque nationale de France. Département des manuscrits. NAF 5243 (f.87v), Lausanne Bibliothèque Cantonale et Universitaire, U 964 (f.93v),  The Old Testament The Pierpoint Morgan Library, MS M.638 (f.33v) & Decretals by Gregory IX, with the apparatus of Bernard of Parma, University of Oxford, Bodleian Library,  MS. Lat. th. b. 4 (f.168r)

Learn/See More
On the Blog: More Jewels & Gemstones paper dolls
Around the Internet: Illumanu (a tumblr devoted to manuscript illustrations of clothing & dress) & a beautiful reproduction outfit here

Last Thoughts
I’m tossing this out to the audience today, because there’s a high chance someone out there knows way more about 1200s clothing than I do. That would not be hard. Was the fillet open on the top or closed? Because I can’t seem to get a clear answer on that one. Thoughts? (And if you tell me your sources on why you think one or the other, I would be eternally grateful.)

Over on Patreon, there’s an extra paper doll outfit every Friday, plus previews of what I’m working on and polls and things. Check it out!

Ms. Mannequin’s 15th Century Burgundian Gown and Headdress

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Today’s Printable Paper Doll Inspirations: This Manuscript Illustration from 1470, this Manuscript Illustration from 1401-1500, this one from the same work, and this Manuscript Illustration from 1475

A Burgundian gown for a paper doll based on illuminated manuscript illustrations. Along with the gown, there is a headdress based on the designs of the 1450s.

A Burgundian gown for a paper doll based on illuminated manuscript illustrations. Along with the gown, there is a headdress based on the designs of the 1450s.

Today’s paper doll dress and headdress are both from the 15h century. The gown is known as a Burgundian gown named for the Duchy of Burgundy.

About 1450, this style of Burgundian gown became popular. The deep V-neckline revealed the kirtle (under dress) beneath. The trimming would have been fur or wool. The wide belt was placed above the natural waist and gives the gowns a pregnant look.

(Remember, being pregnant was a good thing for women in this time. After all, fertility was seen as a super critical part of a woman’s value.)

Women never had uncovered hair in this era. So, I needed a headdress to go with the Burgundian gown.

The headdress I chose to draw was based on this illustration of the Whore of Babylon from an 1470 manuscript. The headdress is from 1450, according to the Morgan Library where the manuscript is housed. I’m afraid I don’t know quite enough about the era yet (though I am studying) to make any claim either way.

By the way, the wonderful book Illuminating Fashion: Dress in the Art of Medieval France and the Netherlands, 1325-1515 is currently on sale from the Morgan Library for just 20 dollars. I bought a copy for my library and I’d recommend it if you are at all interested in medieval dress. Though it doesn’t touch on how these garments were made, nor does it discuss how to make them yourself, so… don’t buy it if that is what you want.

Secondary Sources:

Houston, Mary G. Medieval Costume in England and France: The 13th, 14th, and 15th Centuries. N.p.: Dover Publications, 1996. Print.

Scott, Margaret. Fashion in the Middle Ages. N.p.: J. Paul Getty Museum, 2011. Print.

Scott, Margaret. Medieval Dress & Fashion. N.p.: British Library, 2009. Print.

Ask me if you have any questions about the books or the manuscripts I looked at. There are links to all the manuscript illustrations at the top under the “inspiration” links list. I was just too lazy tonight to bother citing them all properly.

I know. I’m a rebel librarian sometimes. Happy Friday!