So, I wanted to experiment with texture and style. I wanted to see if I still liked the effect of noise texture if the style was less romantic and more something else.
And well, clearly, that something else should be space princesses.
I’m actually really happy with how it came out. I played around with the texture in a way that I think worked well- a larger scale noise effect in the background, but something more subtle for the doll herself. I’m actually very pleased with that part.
Something about this paper doll keeps making me think of 1980s and 1990s cartoons of my childhood like the X-Men and Teenage Mutant Ninja Turtles and She-ra. I was a huge She-ra fan as a kid. One of my friends had a bunch of the She-ra action figures and we would play with them for hours in her bedroom and on her porch. I have a lot of fond memories of that.
All in all this was an successful experiment. I confess I’ve been frustrated a bit with working in Procreate lately (which I think is 100% normal when trying to learn a new skill), so we’ll see how I feel about everything in a few more days.
For those of you who have been following along in my newsletter, you’ll likely notice there’s a few extra pieces on this set (specifcally the winter coat and one pair of the shoes). I went back and forth about what to do with that coat. I’m not 100% sure it will layer over all the sweaters and I didn’t feel right giving just one of the dolls a coat (what if the other dolls get cold?). So, I thought- I’ll just keep it as a fun extra for folks when they get the whole set.
Another little detail I didn’t talk about in the newsletters was the coffee cups. I don’t know why I thought it was a fun idea to draw a mug for every paper doll with a different motif, but I did and so I drew one. To give a secret look at my process- I actually did all this layout and design work before I split it up for the newsletters. I’m very happy with how it turned out.
A few differences in these dolls and my usual stuff- I gave the dolls permanent shoes. I go back and forth on this a lot. I used to be strictly anti-attached shoes. But then I spoke with my 5 year old niece and she was deeply bothered by my paper dolls that didn’t have shoes.
So, I realized that shoes were more important than I had often thought. If you’re an attached shoes fan, you can thank her for showing me the error of my ways (though I still think I’m a bit ambivalent on the subject.) And I tend to think it depends on the paper doll- like mermaids SHOULD not have attached shoes.
That’s just silly.
Speaking of shoes- largely thanks to the shoes, there’s over 85 outfit combinations- well over 100 if you add in the scarf or the coat into the mix. So, that’s super fun!
Anyway, I hope you enjoy this collection of paper dolls as much I enjoyed drawing and sharing them all with you!
Today, we have Tanya with some evening gowns. This set has actually been sitting on my computer for way longer than I like to admit. However, it’s done now, so that’s okay.
Tanya’s last collection was very fantasy themed, so I thought she should get some more modern things, but I confess now I feel like the poor girl needs some pants. I’m not 100% in love with how her afro-puff came out, but I can live with that. I think that angle is wrong…
I digress.
All right, so yeah, paper doll! I know for like Search Engine Optimization I should really try to write between 300 and 500 words per post, but I haven’t got that much to say here. It’s a cute printable black paper doll. That’s kinda all I got today.
At the height of the pandemic, I just couldn’t draw post-apocalyptic fashion. It felt somehow too much.
But now that things are starting to feel “normalish” again, I decided I could maybe slip back into that genre for a little paper doll set for the Dolls Du Jour. So, here’s Dawn and her post-apocalyptic fashions.
Also, is post-apocalyptic an oxymoron? Isn’t there not supposed to be anything left after an apocalypses by definition? That maybe overly pedantic.
I need to get to work on the OPDAG prompt for plaids. I am not much of a plaid drawing person, but I have an idea of how I might be able to make plaid work. Julie Matthews has a plaids in photoshop tutorial.
For those keeping count (which I am 95% sure is just me), this is Dolls Du Jour paper doll number seven. Three to go before I hit my 2022 goal.
Sometimes I draw printable paper dolls and then by the time I get ready to share them on PTP, I find myself looking at them vaguely and being like, “Why did I draw this? What was I thinking about?”
My hunch, just because I know me, is that there was a distinctly Asian thing happening with this paper doll probably inspired by this weird “ancient Chinese” costumes thing I’ve seen on Pinterest. I find it fascinating, because China has a long and varied dress history (just like everywhere else), but (maybe in part thanks to Video games) there’s a sort of generic “ancient China” look. It’s super cool looking, but kinda like the Victorian view of medieval dress, probably hasn’t got much in common with what people were actually wearing in China a thousand years ago.
I don’t know enough about the history of Chinese dress to speak with any authority, but I don’t think anyone was running around in these, but that’s okay! It’s fun and beautiful. Sometimes, fun and beautiful is enough, you know?
As they do on NPR, I tend to wrap up my posts with two reminders to folks that these paper dolls are made possible by the generous support for my Patrons, so consider joining if you wish.
I’m still sort of playing around with getting used to drawing for the Talia Tuesday and Friends dolls. I enjoy the pose and I like playing around with the motion, though I am still not 100% confident with it. It’s a fairly new pose to me and so it’s a bigger stretch than drawing for poses I’m used to drawing for. Since I’m not formally trained as an artist, and I don’t really enjoy drawing figures, it’s always a little scary working with a new pose for me.
So, anyway, this is Tanya. Tanya is the Russian diminutive of Tatiana. I named the paper doll Tanya, because I already have a Talia and a Tashi. I felt like the name Tanya fit in with the other names neatly. So, nothing too fancy there- I picked it because I liked how it sounded.
Tanya here has my first fantasy foray for the Talia Tuesday and Friends dolls, but I do love drawing princess paper dolls. Her crowns are designed to fold around the head, so you have some flexibility, if you want to use them on another doll with different hair.
If the pose is a stretch for me, this style is like cooking a recipe you’ve made a million times and know will probably come out okay. I both like drawing medieval fantasy gowns and am super comfortable drawing these fantasy princess looks. The color scheme was a bit different from many I tend to be attracted too. It feels more autumnal than I intended when I started, but I am super happy how it turned out.
As usual, a big thank you to my patrons who got to see the first proto Talia last year and helped me name Tashi, though I picked out Tanya’s name on my own. You all are the best!
So, when I do historical clothing sets, I’ve learned drawing two takes about the same amount of time as drawing one. Of course, the downside is that I always worry if I make a mistake then I’m likely to repeat it. I’m not 100% sure about the waist lines on these, but that’s okay.
The paper doll is wearing a shift with a gathered neckline which seems to be the style in Italy. It’s a lot more fitted than these would have been for layering reasons. There’s some debate from my research in what women wore under these gowns. There’s not a lot of evidence for stays, but there’s no way to get the smooth line shown on the bust in these portraits without some sort of support either built into the bodice or underneath the bodice. If you look closely at side of the pink gown, you’ll see there’s a fold between where the armpit meets the shoulder and that suggests there is something under the bodice; however, I have not been able to find any evidence on what that undergarment might have looked like.
Later, there’s this Venetian Woman with Moveable Skirt from the 1560s and there might be a set of stays there or it might be an artistic choice to continue the bodice after the skirt is lifted. It’s tough to know. I tend to think it’s likely stays, because the work is erotic art and there’s nothing erotic about a bodice (or is there?). When I do a Venetian set (and I plan to do that someday) I’ll use that as my base design I suspect. However, we’re not working on Venetian clothing today. Today, we are in Florence.
Both of these dresses are again based on portraits. Both sitters are probably from Florence, based on professional folk’s assessments of the paintings. Lucrezia Panciatichi, for example, was the wife of Bartolomeo Panciatichi, a Florentine humanist and politician. The other sitter there’s some debate over, but her clothing does look like that which was worn in Florence according to folks who know more about this than I do which isn’t I grant you a high standard at this point.
Portrait of a Lady in Green by Bronzino?, c. 1528-1532Lucrezia Panciatichi by Angelo Bronzino, 1540
Despite the few small changes I might make to these in the future (and my annoyance that I couldn’t seem to track down a full length portrait to get skirt shapes right), I’m super proud that I did these despite feeling like I don’t “know enough” to do them well.
I will say that I want to do something later in the 1500s from Venice, as I mentioned, because the Venetians had these wild shoes called chopines which were platform shoes so high that women needed help walking in them. They’re so strange and I want to draw them, but I need to do more research on the clothing that would have gone with them. More research!
So, if you want to get to vote in my next paper doll content poll, join us on Patreon.
It has been a while since we had a Jewels and Gemstones 2.0 paper doll, hasn’t it? It feels weird to have taken a two week break from them, but here we are.
So, I actually had this drawn last year, but I needed one more piece of clothing to fill out the set, so I had to draw some last minute shoes which delayed it’s debut until now. But I technically meant this to go along with my 14th century Pearl set. While I never meant for the 14th century to become such a common time period on this site, every time I draw another 14th century paper doll set, I feel like I learn more about the period and get better at rendering it. And I like the learning aspect.
So, Citrine here has two patterned dresses, a veil, a hood, and an extra pair of shoes. The paper doll’s shift is based one illustrated in Roman de Giron le Courtois (fol. 87v.) at the National Library of France from around 1370-1380. I’ve used the same one for my 12th century and 13th century paper dolls, so they can all share clothing. Shifts are not the easiest thing to find reference images for in this era, let me tell you. Her shoes come from Stepping Through Time by Olaf Goubitz (my usual shoe source for anything this early.
The dress on the right is a patterned surcoat with buttons which I sometimes see referred to as a Cotehardie. I don’t know enough to know if that term is correct (it is for men, I know). I was inspired to draw the pattern, because Roman de Giron le Courtois is full of these elaborate patterned dresses. The text is Italian and I wonder if that is why. Anyway, was the specific inspiration for this one was Folio 44v and Folio 75r. I have no idea what the manuscript is about, but there’s a lot of decapitated heads in it. In case you’re wondering, medieval manuscripts use Folio rather than page number, because most of them lack numbered pages.
Now that I’ve done two 1300s Jewels and Gemstones paper dolls (see Pearl here), I feel like I should do something from the 1400s, which is not a period I know as much about. However, the only way to learn is to try and so I guess I’ll add that to my to do list.
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