Thoughts on Today’s Paper Doll
I am super excited about this collection of paper dolls. I love costume history. Sometimes, I feel like despite my love of the topic (or perhaps because of it), I get a little paralyzed feeling like I have to do so much research before I can create something and worrying about the quality of my sources. This worries me less in eras I am confident in, such as the 19th and 20th century, and worries me more in eras I am not confident about.
But then I won’t learn or get better if I don’t practice drawing these periods, so I think it is okay to not be perfect. Even more importantly, I think you have to start with in perfection or you never move forward.
Inspiration for Today’s Paper Doll
Like last week’s Lapis, this week’s Topaz is wearing a shift based one illustrated in Roman de Giron le Courtois on Folio 87v. The manuscript dates from between 1370-1380. Illustrations of women in just shifts are exceedingly rare, so even though this is 200 years after the 1100s, I am still using it. I made my version shorter and tighter than the originals probably were to facilitate the paper doll layering clothing over the shift. Paper dolls have to layer.
Additionally, Topaz’s shoes all come from Stepping Through Time by Olaf Goubitz, a book on archeological footwear finds. It’s fascinating, but very densely written work. Women’s Hats, Headdresses and Hairstyles: With 453 Illustrations, Medieval to Modern by Georgine de Courtais was the book I used for her hair and headdress, along with this statue, Enthroned Virgin and Child, from The Met.
Specific Source Images: Roman de Giron le Courtois Bibliothèque nationale de France. Département des manuscrits. NAF 5243 (f.87v) & Enthroned Virgin and Child ca. 1130–1140, The Met, Accession Number:47.101.15.
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Additionally, later this week there will be a gown from the 12th century (aka the 1100s) and I am excited to share that though I am also nervous about how little I know about this era. However, this is how I learn, so there you go!