historical

Cut & Color Couture: 1942 War Era Wardrobe

A 1940s style paper doll with her mix and match wardrobe of three dresses three purses and one hand. She's a coloring page, so you can color her anyway you want.

Download Black and White PDF | More Paper Dolls from the Cut & Color Couture Series

Today’s 1940s style paper doll happened because I had access to full digitized sears catalogs from 1942. I don’t know who put together the website simply called Catalogs & Wishbooks, but I am grateful to them on a regular basis. It is a collection of dully digitized catalogs from major department stores- Sears, JCPenney, Montgomery Ward. You can search the catalogs or to just look through. It’s simple and very very internet old school. I love it so much. It’s why this paper doll exists, because it gave me access to fully digitized catalogs of the era.

To summarize the era very briefly, World War II really influenced women’s fashion in the 1940s (not surprising, I know). As resources became scarce due to wartime rationing, practicality and functionality took precedence over extravagance. This led to the emergence of simpler silhouettes, with tailored suits and dresses becoming popular. Women’s outfits often featured shoulder pads, defined waists and just longer than knee length skirts. Plus, military inspired details like patch pockets and shoulder details were popular. Fabric rationing created “efficient” dresses, particularly in England where rationing was most intense. There’s also a lot of whimsy in hats at this period.

Our 1940s style paper doll has dresses, hats, purses, swimsuit, and shoes which all come from the Sears 1942 catalogs. From the Spring Summer Catalog, on page 195, there is the swimsuit (The white one) and the shoes on page 146. I mean, I can’t exactly grab a swimsuit from the Winter catalog. Her hat comes from the Winter catalog on page 119 (I avoided trying to draw the net on the hat.) The dresses all come from the Winter Catalog on page 61, on page 71 and on page 47.

It’s getting chilly up here as winter sets in. I sort of love this time of year- the leaves turn and everything sort of moves toward preparing for winter. The seasons dictate life in Alaska, which is one to the things I really like about it. You can not ignore the seasonal change up here. Winter is around the corner.

Cut & Color Couture: 1926 Flapper Fashion

A 1926 paper doll coloring page

Download Black and White PDF | More Paper Dolls from the Cut & Color Couture Series

As a librarian, I usually make it a point to cite my sources, especially when I talk about historical stuff. But I have to admit, I didn’t jot down all my references this time around, so… you’re just going to have to trust me.

I know all of these lovely dresses are from Good Housekeeping from the year 1926, but the exact months and page numbers remain unknown. You can read all the issues from that year, over on the HathiTrust website. It’s a cool online library run by a bunch of big research universities in the U.S., so there’s a ton of great info to explore. Seriously, I end up spending hours poking around there, if I’m left unsupervised.

Anyway, this is one of a collection of Cut and Color Couture series paper dolls that I have been working on that are historical. It’s been fun. I can’t wait to share it- even if I don’t have perfect citations for most of it.

Ensemble Eclectica: Vacationing in 1936

A 1930s fashion paper doll with clothing from a 1936 issue of McCall's style news including a six piece mix and match wardrobe to color.
A 1930s fashion paper doll with clothing from a 1936 issue of McCall's style news including a six piece mix and match wardrobe to cut out and play with. She has blond hair and a summer inspired color palette.

Download Black and White PDF | Download Color PDF | More Paper Dolls from the Ensemble Eclectica Series

Happy Labor day! I can’t quite believe August is over. Wow. That was an unexpected month off! But life has quieted down a tiny bit (okay, not very much). The least I think I can do is share the last of my 1930s sets, before I potentially disappear again.

(Nothing bad, but I’m teaching this semester for the first time and it’s a lot!)

Out of every 1930s fashion paper doll I’ve created, this one stands out with the most cohesive theme. This paper doll design hopefully captures the essence of a vacation wardrobe in around 1936. She showcases clothing for sports and summer activities. I keep thinking beach vacation, probably because of the swimsuit. (I could have labeled things here, but I’ve delayed in so long in sharing this that I decided to share and move on.)

For my 1930s fashion paper doll, I picked out pieces from the McCall’s Style News magazines of 1936. I really wanted to try to make a cohesive set. So, the mini-wardrobe has a stylish sports dress, ideal for casual daytime activities, with matching jacket. There is also a playful split skirt romper, which I assume you wear while playing tennis or other athletic activities. The trousers with top are there for golf or whatever a girl might do in trousers at the time. I’d say horseback riding, but an actual riding habit would be more for that.

To complement these outfits, I added a straw hat. It can be mix and matched with any of the clothing pieces. I decided on just one hat, though of course, hats were crucial for the era of the 1930s. Feel free to draw more or steal them from other paper doll sets.

This 1936 photo of Carol Lombard inspired this paper doll’s hair. Just in case you were curious about where that came from.

I have an amazing time at the 2024 Paper Doll Convention in Indianapolis. I didn’t take nearly as many photos as I should have, but I will try to put together the small number I have into something. Overwhelmed for a million non-paper doll reasons at the event by other “real life” things that were happening at the same time, I just haven’t managed to quite get my feet back under me.

(Real life should not intrude on paper dolls, darn it! Though I am trying hard to be kind to myself about it, because as one very nice and friendly blog reader reassured me at the convention with something like, “I’ve been following along since the beginning and I know your life has gotten more complicated. Please don’t feel bad about missing posts.” )

As with all my 1930s paper dolls so far, I have a second page I’ll be sharing for my patrons at some point this month.

Patron Exclusive: Expanding the 1932 Autumn Wardrobe

To view this content, you must be a paying member of my patreon!  Join us here and help support Paper Thin Personas. Already a qualifying Patreon member? See below on how to access the content.
To view this content, you must be a member of Rachel's Patreon
Unlock with Patreon
Already a qualifying Patreon member? Refresh to access this content.

Ensemble Eclectica: A Fall 1932 Fashion Paper Doll

A printable 1932 fashion paper doll coloring page with a coat and two dresses.
A printable paper doll with clothing from 1932 with a coat and two dresses.

Download Black and White PDF | Download Color PDF | More Paper Dolls from the Ensemble Eclectica Series

In my continuing series of 1930s creations, I made this 1932 fashion paper doll celebrating autumn styles. I love the color blocking that is trendy in the early 1930s. I also love the big soft sleeves. They don’t yet have the stiff shoulders of the later part of the decade. There’s also a lot of asymmetry in 1930s clothing. The complicated caped coat on the bottom shows some of that off (and I had both fun and cursing while drawing it.)

All of these dresses are from McCall’s Style News from September 1932. I linked a few free scans from the publication. I paid for a full scan from this Etsy seller. Like most fashion magazines of the period, it was printed in only one or two colors. So, the details are a little hard to be certain of.

For colors, I looked at fabric reproductions. I ended up with an acid green, a coral pink, and a soft navy shade with warm brown and cream as the neutrals. Her shoes and hats are based on references from my own fashion book resources. I wasn’t always sure what was happening in the hats in some of the drawings in the source magazine.

As with my last 1938 paper doll, I ended up with more clothing than I had space, so I have a second page of clothing for my paying patrons that I’ll be posting later this week for them to enjoy.

Are you enjoying this little trip to the 1930s? I sure am!

Patron Exclusive: Extra Clothing From 1938!

To view this content, you must be a paying member of my patreon!  Join us here and help support Paper Thin Personas. Already a qualifying Patreon member? See below on how to access the content.
To view this content, you must be a member of Rachel's Patreon
Unlock with Patreon
Already a qualifying Patreon member? Refresh to access this content.

The Stylish July Round Up: All 31 Creations Together

The Paper Dolls

 I feel like starting the dolls, because well, you need a doll to wear the clothing, right? Right. I was very pleased with this doll and I still am. There’s a few things I would change now, but all in all, I’m quite happy with how she came out.

The Historical Clothing in Order of Historical Period

Originally, this project was going to be all 1910s clothing, but that didn’t last too long. I ended up with some 15th century stuff, some 1890s stuff, and some 1910s stuff. I’m particularly happy with how the folds came out in the 15th century gowns and I fretted for a long time over their headdresses.

The Sci-fi, Fantasy and Steampunk Clothing

I draw a lot of fantasy stuff. I like drawing it. It’s some of my favorite things to work on. I wanted to try out a bunch of different looks and see how I did using digital tools with them, rather than a pencil and pen. At times, I seriously missed my pen, but I can see ways in which I improved as the process went on.

The Contemporary Clothing

 

I didn’t do as many

A Few in Color….

One of the long terms goals of the July Project was to see if I could do a paper doll series similar to many of the ones on this site digitally. Part of that is finding a system, because I am system based soul. I played around a lot with different ways of doing shading and different ways of adding texture.

In the end, I decided I didn’t really love the shading, but I did enjoy trying out several different fun techniques here.

And that’s it! All of them in all of their glory here. If you missed one, you can grab it now and fill out your whole set.

A Stylish Paper Doll July: A Suit from 1894

Download Black and White PDF | More July Project Paper Dolls

Sources:

I wish I knew where this fashion plate came from, but the Met was not helpful in telling me, because I suspect they don’t know. People have been cutting fashion plates from fashion magazines pretty much since they got invented. So, assuming the person who wrote the date on the plate was correct (and I have no reason to think they were not) this is a suit from 1894.

Even if the plate didn’t say 1894, the sleeves are very much the middle of the 1890s- big and commanding. I mean, who doesn’t want a sleeve that is about the size of their head?

A Stylish Paper Doll July: 15th Century Gown with Hennin

Download Black and White PDF | More July Project Paper Dolls

Sources:

Okay, so today’s paper doll dress was one of the first I drew and inked, but somehow I forgot about it in the shuffle, so it is ending up being one of the last that gets shared. That’s just how things work out sometimes, I suppose.

When it comes to citing manuscript illustrations, I try as often as possible to go back to the original source if I can and I try to give enough information that if I was working at the front desk of the library that had one of these books and a person handed them the information I provide, that person would be able to find the item (or at least make a really good guess at it.)

The reality is that not all websites give all the details that might be needed, but I do my best to provide as much as I can. Medieval documents generally don’t have title pages and usually don’t have clear authors, but places often give them titles, which is what I’ve used here. It’s not perfect, but it is at least a place to start. I’ve included a manuscript number or shelf-mark when I could find one.

I am endlessly frustrated when I see a great manuscript illustration on some website and there’s absolutely no clue where the book is from or how one might actually verify the details. It’s not that I think people are intentionally making up things, but dates and locations are especially easy to get messed up in the Internet’s game of telephone. Plus, context matters when looking at what people are wearing.

A Stylish Paper Doll July: Late-15th Century European Gown

Download Black and White PDF | More July Project Paper Dolls

Sources:

Today’s 15th century fashion paper doll is more cobbled together from a variety of primary sources than my last paper doll attempt at the 15th century. The dress is a late 15th century fashion for women from France, but it’s been pieced together a bit. It’s impossible to know if someone from that era would recognize it.

These dresses are called Burgundian gowns and are named for the Duchy of Burgundy which was super rich and fashionable in the 15th century. France has always had the best clothing, I guess.

About 1450, this style of gown became popular. The deep V-neckline revealed the kirtle (under dress) beneath. The trimming could be wool or fur (mostly fur, from what I have seen). The wide belt was placed above the natural waist and gives the gowns a pregnant look. The belts are decorated in studs or with super fancy buckles and can be fastened in front (like this one) or behind (like this one).

I decided to forgo the more popular fur trimming on these gowns for something else, though I am regretting that a little, because fur was certainly more commonly depicted. The hennin headdress is somewhat of a mix of several styles that I saw. The headdresses in this era fascinate me, but I confess I don’t know much about them. I get the sense that they carry a lot of meaning, but I’ll be darned if I can figure out what that meaning is.

I do have another paper doll from this era drafted, but I haven’t finished her yet, because I need to pick out shoes. I wanted to do a doll, because of the headdresses and the fact that fashionable women in the 15th century plucked their hairline which is obvious in portraits like this one or this one. It helps with the headdresses, I think.

Anyway, the dresses’ motif was handplaced and was drawn off this wool and silk velvet in the V&A, though I did simplify it a lot. I sort of had too. I’m still learning how to do patterns in Procreate and I need to work on that more. So many things to learn. Since I got a new ipad, I am discovering that I need to get used to how it “feels” which is different from how my older model felt.