The 1930s introduced beach pajamas for women, so Meaghan has a set of those with a striped sweater. Other trends of the era include bias cut evening dresses, of which she also has one. And no lady could leave her house without a fashionable hat and gloves, of course. Shoes wise, she has sandals, since this is a summer set and she needs sandals.
Whenever I see vintage fashions and I am jealous of them, I am reminded that I rather wouldn’t want to wear hats and gloves all the time.
Originally, I was planning a red, white and blue sort of nautical color scheme, but I didn’t like the idea of it once I actually started coloring. Once I was in the midst of the coloring, I decided to go with a coral, yellow and pale blue scheme. The colors are summery and bright.
There is no black at all in the set, I chose white as my neutral color instead. Something about white just screams summer to me.
It’s Monday! And that means a new printable paper doll!
I previewed this set last Wednesday. As I said before, this paper doll was inspired by the idea of woodlands, fauns and spirits of the forest. I wanted to create something that felt layered and collected, rather than planned or purchased.
When I designed these pieces, I was thinking of autumn. Of course, it’s not autumn here. Summer is officially here in Alabama, which means it was in the 90s today and horrible humid. I have been hot and miserable every-time I go outside. I don’t know who invented air conditioning, but I am so grateful to them.
Today’s woodland paper doll is being modeled by Margot. There’s sixteen pieces with today’s paper doll set which is a lot of mix and match options.
I went back and forth and back and forth about color options here. I wanted to do a autumn scheme at first with all oranges and browns and yellows, but that looked kinda dull. So, green got tossed in to the mix to add some zest and brightness.
The light browns were based on colors of deer, which I always think as being a big part of the forest. I’ve always loved deer, both as beautiful animals and as tasty chili. (Seriously, venison chili is amazing.)
Many of my paper dolls are really characters I invent in my head who come from well formed worlds. Today’s is less so. I was thinking maybe a fairy of some type or a druid or perhaps a mage who focuses on woodland magics.
In truth, I don’t really know who this Margot paper doll is, but perhaps you have an idea you’d like to share in the comments?
Post-apocalyptic fashion is something that fascinates me. I collect photos and idea on Pinterest even if I’m not prepping for a set, because then when I do want something I can go looking for it. So, I have a whole board devoted to Post-Apocalyptic clothing. This is something I encourage everyone to do. After Wenesday’s post about Paper Doll Principles, I noticed a lot of people asked how I came up with ideas.
Someday, I’ll write on that (in fact, I am working on it now), but for now the short advice I will give everyone is this:
There is not such thing as a totally unique idea. Inspiration comes from having easy and ready access to the things that you like. By having a collection of other’s Post-apoolcyptic fashon ideas at my fingertips, it was easy for me to develop my own.
So, I urge you if you are struggling. Collect images and ideas that intrique you. If I ever draw another post-apocalyptic paper doll, I’ve got 188 images to help me come up with ideas.
To continue our discussion on inspiration, here’s a shirt that inspired me, a leather harness, this shirt and these boots. All those pieces inspired this set of paper doll clothing and I am sure if I looked I could find more images that I found that inspired me. I can tell you that the red and blue shirt was sorta a riff on the Captain American shield and came about, because I got sick of coloring things green and tan.
I’m still not totally pleased with his hair. I think there’s something off about the angle.
Anyway, as always, let me know what you think in the comments and if you want to support the blog, please consider becoming a patron.
For the last Sprite paper doll for a while, I am pleased to introduce VÃctor. VÃctor is one of the guy Sprite paper dolls. When I draw guy or male paper dolls, I try to think about what paper dolls for boys might look like. I confess that I don’t have sons and I don’t really know what they are into, but it seems to be that the sort of pretend play that paper dolls encourage is just as important for boys as it is for girls.
I will confess that since I was once a little girl, and I was never a little boy, knowing what exactly paper dolls for boys should contain or what paper doll sets that might appeal to boys should contain, is rather hard for me.
Still, I figure all kids like realism in their toys, so I try to be at least as realistic to guy’s clothing as I can be considering that I find guy’s clothing pretty darn boring.
VÃctor here is, in my head anyway, a young man, maybe from Mexico or Argentina. So, in my head, VÃctor  is Latino, but of course, he can be anything you feel like making him. After all, the things we create don’t behave themselves.
His clothing is a mix of casual pieces that the guys I know tend to wear. T-shirts, pants, shorts and a baseball cap. I like to give paper-dolls sandals in their first set, because sandals are very skin-tone dependent.
I will confess that I am little embarrassed by how out of proportion his novel is. Â Maybe it’s a very tiny novel…
As with all the paper dolls in the Sprite series, VÃctor can share clothing with Xavier & Zachary.
I do have one more Sprite paper doll mostly finished, but I think I’ll save her for a later date. After all, there are other paper doll series on this blog that need love, too!
As usual, you can support the blog through Patreon. I also wanted to say “Hello” to any new readers who found me through my Viking paper doll which went a little viral on Facebook, or so I have been told.
(Confession- I do not actually have a Facebook page.)
So, today we have Maiden of the North in color. Originally, I was used going to use any neutrals, but I realized that wasn’t really working out part way though coloring and changed my mind. I reserve the right to change my mind about just about anything.
Paper doll hair colors are usually picked based on what I think will look good with the set or on what I think I haven’t done in a while. I try to have a wide diversity of paper doll hair colors, skin tones and other things, so if I feel like I’ve done a lot of red-heads or blonds lately, than I’ll often do something else.
Otherwise, I think every paper doll would have red-hair.
For those of you who missed last week’s post, the costumes are largely inspired by Viking dress with a fair amount of fantasy elements. The oval or dwarf brooches at the shoulders are the distinctly Viking element. I have discovered a strange affection for dwarf brooches.
So, if you happen to see some weird pharmacy stuff on the site, don’t worry. I mean, it is a problem, but I’m working on fixing it. Hopefully, it won’t effect anyone at the moment. It’s bad code that needs to be cleaned up manually left over from a hack. Annoying, but part of website ownership. Thanks for your patience while I deal with it.
And if you like my paper doll (and want to see Marisole Monday & Friends before Monday), please consider supporting me through Patreon.
Today’s color scheme is based off the Pantone Colors of Spring 2015– though I confess I don’t really like the Pantone colors of Spring 2015. Still, I try to do Pantone paper doll sets, because it gets me out of my comfort zone. Every once in a while, that’s crucially important.
Since the theme of this paper doll set was color blocking, I obviously had no pattern in it. The pieces were based on fashion magazine content that comes out in Spring. While I confess that the color scheme isn’t my favorite, I really like how both pairs of shoes came out and the blue top with the orange and yellow accents. I’d totally wear that top which is not something I can say about most of what I draw for paper dolls.
In the real world, my taste is fairly conservative and leans towards tweed trousers or boho blouses.
I don’t have much else to say about this paper doll set. She’s named Maeghan which I explained last week and you can see more of her with the rest of the Maeghans in my new, Maeghan category. I’d love to say that new exciting fascinating things will happen on the blog in the coming week, but I am pretty sure it will be pretty much just paper dolls.
And while I like to think paper dolls are new and exciting, its hard to argue that they are also what people come here expecting. Surely no one shows up thinking that this place is going to be full of cat GIFs or delightfully trained mongooses.
For the record, I have no idea what you would train a mongoose to do or even if you can train mongooses.
Let me state one thing first, on the record- Lynn’s underwear is not period. If I had drawn her period undergarments, than she’d never get to wear jeans. So, I chose to omit even a period slip for her in favor of fitting some fairly large hats onto a fairly small space. Pixies have big heads and therefore big hats.
I hope no one feels horribly cheated out of 1920’s undergarments.
It was really hard to give myself permission to do a small historical set for the Pixies. Normally, my historical Pixie sets are at least two pages and my Regency paper doll set was three. And I do have an 18th century set which has the dubious honor of being the largest collection I have ever drawn for the Pixies. It is literally five sketchbook pages. I’ve no idea how I am going to post it.
One of my big goals for 2015 was to draw historical paper dolls, because- frankly, I really like them.
But I also think if I always think “These sets must be huge” than it creates a lot of pressure to produce big sets. I think smaller sets can be just as fun.
The color scheme was fairly arbitrary. I do wish I had done something a little more fun with the shoes rather than playing it safe with black. I like to think that these three dresses cover day and evening wear fairly smoothly for Lynn. Long term, it is my hope to do more smaller historical sets for the Pixies. There’s no logical reason why they shouldn’t get to share in the single page historical paper doll fun.
I say this having just begun coloring the largest pixie set I have ever drawn of 18th century dress. I might be unable to keep this single page historical Pixie set concept alive.
Last week, we got to see my mid-1300s paper doll set in black and white. This week, here she is in color. Historical printable paper dolls always make me a little nervous. In inevitably, choices have to be made about what to include or not include and how to render a period’s fashion. These choices are easier the more you know about the period and harder the less you know. One of the reasons I often turn to Medieval inspired or Renaissance inspired rather than actual historical paper dolls is the knowledge that I don’t know enough to always make appropriate choices.
What I am not comfortable doing is always trusting the many sites out there that don’t cite their sources with enough detail to actually find the material if you needed it or want to confirm it’s authenticity. While I love the internet, I find that I don’t use it that much when I am doing this sort of research. I seem to fall back on my library training and rely on reputable secondary sources published in scholars with names in the field, backed up my own knowledge of solid collections of digitized medieval manuscripts where I can dig for source images, plus a few tumblers and blogs that seem to know what they are doing.
And this method worked great until I got down the problem of color. Now, I always think of the 1300s as being richly red and blue and gold, because those are colors I have seen in medieval manuscripts. Just because, however, they made a dress red in a book doesn’t mean the dress was commonly red in real life. Pigments used for illumination aren’t the same a pigments used for dyeing cloth and medieval art is heavy on analogy and symbolism.
What I really didn’t want to do was do a ton a research on natural dye processes, because a lot of people have written a lot on the topic. Textile fragments like this one, an incredible velvet cope or this equally amazing cope from the V&A Collections proved to me that colors were rich in the 1300 hundreds. So, I used those images along with this Medieval Colors article from Aux Mailles Godefroy. The resulting colors are a little more muted than was probably possible in the 1300s, but I just couldn’t get over my preconceived notions of muted tones despite seeing examples of bright yellows produced with natural dyes. The truth is that both linen and wool, common fabrics in the 1300s, take dye really well. The world was likely a lot more vibrant than my preconceived notions of history suggest.
By the way, most of my primary and secondary sources for this paper doll set are listed on the black and white version. It was a long list and I didn’t want to repeat it here. So go check that out, if you want to see what I used to create my mid-1300’s paper doll.
Today’s printable paper doll is nearly the last of my 2014 backlog. Not to suggest I don’t have half finished paper dolls sitting around my hard drive waiting to be finished, because I have those dating back years and years, but this is the last piece of finished work from 2014.
It feels good to get her up and shared. I’m very pleased that the blog continues to chug along quite nicely. I got a lot of work done with my three day weekend. There will be some Buxom and Bodacious soon and a Pixie post, I think and some sketch book previews this week. All fun stuff.
Meanwhile, we have our latest Poppet paper doll here. She’s named Paradisea, one of the last of the P flower names that I have on file. I might have to switch to other names starting with P or to other flowers. I’m divided on which is a better solution.
Paradisea has a t-shirt and jeans. Her paper clothes are in the way color scheme as Petal’s clothing, allowing the dolls to mix and match. After all, paper doll friends should be able to share their clothes with each other.
Obviously, I am embracing the fantasy options for my paper dolls today. Actaully, I have been really paper doll productive over the last few weeks and have managed to get a lot done as far as wrapping up old projects. This set is actually the first thing I drew in my current sketchbook and I am now, finally, getting it posted live on the blog, several months later.
Next week there will be a page two of this set with three more dresses, two more pairs of shoes and some other accessories. Sometimes, I get into something and draw more than I mean too. Also, I am still learning with B&B paper dolls how many pieces I can fit on one page.
To give credit where credit is due, I was inspired by this gown from Armstreet which is entitled The Alchemist’s Daughter; however, why be the daughter when you could be the alchemist? I would way rather be the alchemist than be the daughter of the Alchemist.
Oddly enough, Alchemy was considered serious business for hundreds of years. Newton, for example, was an alchemist (he was also a bit of a crazy dude and stuck needles in his eyes to test various optics theories, but that’s a whole different issue.) Probably the earliest attempt to clarify chemistry from alchemy was Robert Boyle‘s Skeptical Chemist (1661) and we can either thank or blame Boyle for helping found modern chemistry. As someone who hated chemistry in high school, I confess to mostly blame Boyle. Never the less… important chap.
My favorite part of drawing this paper doll set was getting to draw the accessories. I imagine this alchemist is also the court astrologer. Astrology, mythology and religion were all wrapped up in alchemy theories. Our alchemist has an astrolabe, a tool for predicting the star and planet movements, a falcon, a tool for hunting small mammals, and an armillary sphere, a tool for modeling the planet’s movements. Most of the symbols on her bottles are actual alchemical symbols. So, that was fun to research.
The dress on the left is more of a work dress with a heavy leather apron for protecting her gown from spills and the dress on the right is more of a formal costume with the fancy chain belt. Also, she has some closed toe boots in case of spills of mercury and other things.
Next week I will show off her other three dresses, also more tools and some other rocking shoes. On that note, I am going to go to bed. 🙂
Well, I have been working on backend server CPU issues with my shared hosting service. Nothing really serious, but stuff that has to be dealt with for the blog hosting to continue to be cheap enough for me to justify continuing to keeping it online and free.
Still, I owed a paper doll to my last drawing winner, Lina of Lina’s Historical Paper Dolls, and I was not about to put off finishing that for another week, because I would keep feeling guilty about it.
Lina requested an 1880s period Marisole Monday & Freinds paper doll with a ballet outfit and several other dresses. I had some trouble getting all the pieces to fit on a single page, so I omitted some shoes from the image.
Should you want proper shoes to go with this set, then I recommend checking out On the Board Walk in color or black and white or Mia Goes to the Bathing Place in color or black and white. Both of those sets both have button up style boots which, while not period, are close enough to not look totally awkward.
Lina was kind enough to send me reference photos and specific colors for the hair, skin and eyes of the paper doll, but left the color scheme mostly up to me. I wanted to use some rich colors, because by the 1880s chemical dyes were common and rich colors were very much instyle. There is a habit to think of the 19th century as sepia colored, because of sepia photos, but it was actually a rather garish era.
So, Lina also asked for a tutu based on this painting by Degas. The painting dates from 1871, a little earlier than the other costumes in the set. I omitted the sash, since I based the dress on the center figure. I don’t think the layers of the skirts really look like tulle, which bothers me. Liana has some great tulle on her blog.
The ballgown was based on this fashion plate. The gown was red, but I made it peacock blue based on a description in English Women’s Clothing in the 19th Century by Wilett-Cunnington that mentioned peacock blue ballgowns. I hate drawing lace, but it came out all right, I suppose.
The last two outfits are a swimming costume and a house dress. Old swimming costumes were extremely complicated and not very easy to swim in. Generally, I think of them as wadding costumes. Lina sent me this picture and I based it off that.
The house dress is classic 1880s style with bustle, drawn up skirt and long pleats. It’s a pretty typical gown for its period. Lina sent me this photo and I based the dress off of it. I omitted the pattern on the dress, because I knew it would reproduce poorly in the small scale of the paper doll set.
And that, as they say, is that.
If you haven’t ever checked out Lina’s blog, Lina’s Historical Paper Dolls than I recommend taking the time to do so. She makes wonderfully interesting historical paper dolls.
Okay, so years ago there was this show called Forever Knight which I confess I loved when I was in middle school and high school, as it was shown on Sci-fi as reruns. In fact, in graduate school when I found out the library had the whole series of DVD (okay.. so that library had some weird DVD options… they also had all the seasons of Law and Order) I openly confess to re-watching all the adventures of the vampire cop.
So, when I created a brunette paper doll with curls, I had to name her after Natalie Lambert played by Cathrine Disher who was the coroner best friend of the vampire cop. I still don’t know how the show ever got made, since it is such an absurd premise to begin with- Vampires Fighting Crime! Still, there’s a lot of other stupid TV shows that made it, and Forever Knight at least didn’t fall into the trap of having every show end with a happily ever after.
Truth be told, I watch very little contemporary TV, except home decorating shows. I do keep meaning to finish the first season of Orange is the New Black.
So.. confession… her eyes kinda bug me…. But despite that, I do like how she came out.
I was going to make her blond and she was blond for a while, but I noticed that I have a lot of blond printable paper dolls here. It’s one of my pet peeves that in sets of doll with lots of skin colors, the white doll always seems to be a blond or a redhead. I do the same thing a lot, because after a while brown hair gets boring and it’s not like I can apply red hair to a brown skinned doll and call it natural (though red highlights to appear naturally in some dark haired people). Anyway, this is a long involved way of saying that today’s paper doll is a brunette, though in the future there maybe more paper dolls with the same skin color and other hair colors.
And that’s all for today. I do want to know though… Has anyone else ever watched Forever Knight or am I the only one?
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