1300s

A 14th Century Fashion Paper Doll With Citrine

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It has been a while since we had a Jewels and Gemstones 2.0 paper doll, hasn’t it? It feels weird to have taken a two week break from them, but here we are.

So, I actually had this drawn last year, but I needed one more piece of clothing to fill out the set, so I had to draw some last minute shoes which delayed it’s debut until now. But I technically meant this to go along with my 14th century Pearl set. While I never meant for the 14th century to become such a common time period on this site, every time I draw another 14th century paper doll set, I feel like I learn more about the period and get better at rendering it. And I like the learning aspect.

So, Citrine here has two patterned dresses, a veil, a hood, and an extra pair of shoes. The paper doll’s shift is based one illustrated in Roman de Giron le Courtois (fol. 87v.) at the National Library of France from around 1370-1380. I’ve used the same one for my 12th century and 13th century paper dolls, so they can all share clothing. Shifts are not the easiest thing to find reference images for in this era, let me tell you. Her shoes come from Stepping Through Time by Olaf Goubitz (my usual shoe source for anything this early.

The dress on the left is a sleeveless surcoat (unlike a sideless surcoat, sleeveless surcoats didn’t have huge armholes). I based the pattern on it from BNF Arsenal 3481 Ci commence li livres de Lancelot du Lac (fol. 65r). However, I’ve noticed these lines and dots patterns show a lot in medieval manuscripts and I don’t know if that is because they were easy to paint or if that is because they were commonly worn. The sleeveless surcoat shows up all over the place in early 14th century manuscripts. Here it is in Français 761: Artus le Restauré (fol. 25v) from between 1325 and 1350, in BNF Français 1433 Le Chevalier au Lion (fol. 67) from 1300-1350, and in BL Yates Thompson 13 The Taymouth Hours (fol. 107v). I think it is reasonable to say the style was super popular.

The dress on the right is a patterned surcoat with buttons which I sometimes see referred to as a Cotehardie. I don’t know enough to know if that term is correct (it is for men, I know). I was inspired to draw the pattern, because Roman de Giron le Courtois is full of these elaborate patterned dresses. The text is Italian and I wonder if that is why. Anyway, was the specific inspiration for this one was Folio 44v and Folio 75r. I have no idea what the manuscript is about, but there’s a lot of decapitated heads in it. In case you’re wondering, medieval manuscripts use Folio rather than page number, because most of them lack numbered pages.

Now that I’ve done two 1300s Jewels and Gemstones paper dolls (see Pearl here), I feel like I should do something from the 1400s, which is not a period I know as much about. However, the only way to learn is to try and so I guess I’ll add that to my to do list.

On Patreon I have a poll right now about the next time period to tackle. So, if you join us there, you can vote.

A 14th Century Surcoat With Tibbets and Headdresses

Dress up a paper doll in historically accurate 1300s clothing including a surcoat over a kirtle and two head-dresses.

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First off 14th Century week continues with today’s surcoat over a kirtle and some headdresses. Second off Happy Thanksgiving to those who celebrated yesterday.

Surcoats were worn over kirtles (I did one of those on Wednesday). Like a lot of surcoats, today’s has slits in the front that provided access to the purse worn off the girdle underneath. Think of it as the 14th century solution to pockets.

Today’s paper doll surcoat with kirtle was inspired by the Romance of Alexander from the Bodleian Library MS. Bodl. 264. There’s a bunch of different examples of this short sleeved surcoat in there, but I based this dress off the red dress in this miniature and the blue dress (and pink dress) in this miniature.

One of the interesting things about those miniatures and many others from this era (check out my 14th Century Dress Pinterest board for more) is how many of them show women with their hair uncovered. Unlike later eras (and some earlier ones) the 14th century seems to be a time when women could go around without covering their hair.

(Women shown with uncovered hair in miniatures from other eras are often depicting vice and/or wickedness and this is indicated by the uncovered hair. The scandal of showing one’s hair in the 15th century was intense. )

However, some women did still cover their hair. Here’s one miniature with some hair covered and here’s another and here’s a third one. You also see head coverings in statuary. One thing I do when I am trying to decide what to include in these historical sets is to try to find multiple examples of something. That’s why you see some duplication of types of images on my 14th Century Dress Pinterest board.

That’s also why when I am dealing with an era I don’t know much about it can take me a long long time before I am comfortable drawing a paper doll of it. I learned a lot of history from Tom Tierney’s historical paper dolls and I want mine to be as helpful and accurate as I can make them. 

If you want some say in the time periods I create paper dolls for, think about supporting the blog on Patreon. I tend to listen to my Patrons when they make requests. Here’s a post about what patrons have made possible from earlier this week. 

Have you enjoyed 14th Century week? Let me know. I love to hear from you. 

Need a doll to wear today’s paper doll clothing? All the A Pose Dolls & Clothing

A 14th Century European Kirtle & Shoes

A 1300s kirtle for a paper doll with matching shoes and headdress from paperthinpersoas.com. A great way to teach kids history and a super fun coloring activity.

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In the world of 14th century dress in Europe, there’s a lot of layers. On Monday, you got to see the shift, the stockings and the shoes which were the first layers. Over that, women wore a kirtle.

Technically, add a girdle (belt) to keep your purse (which was also as close as anyone got to having pockets in the 14th century) and you were fulling dressed. This kirtle example has a spiral laced front and buttons on the cuffs.

Her girdle is based on this example. I looked at a lot of carved sculptures of the Virgin Mary when designing this set like this one and this one.

Her shoes come from Stepping Through Time by Olaf Goubitz. It’s a great resource. Her stockings would have been held up by garters, because bias cut wool doesn’t stay up on its own. However, based on my current understanding, the stockings would be rolled down over the garters to cover them, so that’s why the garter’s aren’t visible. 

If you want a historical doll to wear this example of 1300s clothing, than you can go grab Alice whose wearing a shift and has many pair of period shoes. 

Right now, I am thinking about what to do with Paper Thin Personas in 2019. I have a poll and please answer it if you haven’t. 

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And leave me a comment if you like or consider supporting the blog on Patreon if you want to pledge. Here’s a post about how Patrons have helped. 

Need a doll to wear today’s paper doll clothing? All the A Pose Dolls & Clothing

A 14th Century Version of Alice

A historical paper doll with shoes and underwear from the 1300s. A great way to learn about 14th century women's clothing and teach history to kids!

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I have had several requests for early fashion history paper dolls and this week I am sharing a whole week of 14th century clothing from Europe. This is not how they were dressing in the Yuan and Ming Dynasties of China, for example. Though someday maybe I’ll feel confident enough to try out historical Chinese dress (it’s really interesting).

Okay, so about today’s paper doll…

The 14th century is one of the last eras in which women could get away with having their heads uncovered which I think is kinda nice. Her hairstyle was based on manuscript illustrations like this one and busts like this one.

Her shift is a bit more fitted than they probably would have been in the real world, but that’s because paper dolls don’t have the benefit of fabric and the layering gets to be an issue. It’s based on one of the few shifts I could find in manuscript illustration. It comes from Roman de Giron the Courtois which is a manuscript held in the National Museum of France under the call number NAF 5243. The illustration I used is on folio 87v. It’s also on a few other pages as well.

Her shoes all come from the excellent, though rather dry, book Stepping Through Time by Olaf Goubitz. It took me months to find a copy at a reasonable price, but it’s an excellent source full of drawings of archaeological footwear finds. If you know, that’s your kinda thing.

As always, a big thank you to my Patrons and if you’d like to help out the blog by making a donation, you can do that over on the Patreon page.

Also, I’m doing a poll! I posted this on my Patreon page, but I didn’t get a lot of responses, so I am hoping if I post it here I might get more. Plus I know Monday is my highest traffic day.

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As always I reserve the right to ignore the outcome if I feel like it. 🙂 Anyway, enjoy today’s paper doll and if you have a moment, let me know what you think about 2019.

Need some clothing for today’s paper doll? All the A Pose Dolls & Clothing

A 1300s Fashion Paper Doll

1300s-historical-paper-doll-logo Once again, we are dabbling in the 1300s with today’s paper doll. There’s no new sources for this one, so if you want to know what I referenced, than I would recommend returning to my last paper doll of the 1300s with a sources list at the bottom.

One of my goals for 2016 was to draw ten historical paper dolls. I confess I am far from achieving that goal and we’re halfway though the year (nearly), so I seriously need to get my act together on this one. So, my goal for the next few days is to buckle down and get some drawing, scanning and finishing done.

We’ll see how that goes.

I have a few days off work and I always start these things with a long list of “goals”, but I fear my plans are often larger than my capacity. Still, I’m out of backlog and nothing is as good as an artist motivation as desperation.

A 1300s fashion paper doll coloring page with a five piece wardrobe. Free to print and color from paperthinpersonas.com.

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Picking out colors wasn’t very hard, since I seem to always come back to the same ones when it comes to the 1300s. I blame it on medieval manuscripts I have seen. I always think of the 14th century was being red and blue and gold.

Sterotypical, perhaps, but none the less. There we are.

A 1300s fashion paper doll with a five piece wardrobe. Free to print from paperthinpersonas.com.

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Between my new 1300s Buxom and Bodacious paper doll, my viking paper doll, and my Cranach paper doll, we’re starting to get a pretty nice set of early Western Fashions. I keep promising myself I’ll do one from a decade of the 19th century, but I can’t pick one. So, 19th century B&B series suggestions would be welcomed.

Lastly, I hope everyone has a delightful week.

Tibbets and Kirtles in Color: A Printable Paper Doll of the 1300s

logo-1300-colorLast week, we got to see my mid-1300s paper doll set in black and white. This week, here she is in color. Historical printable paper dolls always make me a little nervous. In inevitably, choices have to be made about what to include or not include and how to render a period’s fashion. These choices are easier the more you know about the period and harder the less you know. One of the reasons I often turn to Medieval inspired or Renaissance inspired rather than actual historical paper dolls is the knowledge that I don’t know enough to always make appropriate choices.

What I am not comfortable doing is always trusting the many sites out there that don’t cite their sources with enough detail to actually find the material if you needed it or want to confirm it’s authenticity. While I love the internet, I find that I don’t use it that much when I am doing this sort of research. I seem to fall back on my library training and rely on reputable secondary sources published in scholars with names in the field, backed up my own knowledge of solid collections of digitized medieval manuscripts where I can dig for source images, plus a few tumblers and blogs that seem to know what they are doing.

And this method worked great until I got down the problem of color. Now, I always think of the 1300s as being richly red and blue and gold, because those are colors I have seen in medieval manuscripts. Just because, however, they made a dress red in a book doesn’t mean the dress was commonly red in real life. Pigments used for illumination aren’t the same a pigments used for dyeing cloth and medieval art is heavy on analogy and symbolism.

1300-historical-paper-doll-color
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What I really didn’t want to do was do a ton a research on natural dye processes, because a lot of people have written a lot on the topic. Textile fragments like this one, an incredible velvet cope or this equally amazing cope from the V&A Collections proved to me that colors were rich in the 1300 hundreds. So, I used those images along with this Medieval Colors article from Aux Mailles Godefroy. The resulting colors are a little more muted than was probably possible in the 1300s, but I just couldn’t get over my preconceived notions of muted tones despite seeing examples of bright yellows produced with natural dyes. The truth is that both linen and wool, common fabrics in the 1300s, take dye really well. The world was likely a lot more vibrant than my preconceived notions of history suggest.

By the way, most of my primary and secondary sources for this paper doll set are listed on the black and white version. It was a long list and I didn’t want to repeat it here. So go check that out, if you want to see what I used to create my mid-1300’s paper doll.