My best-friend in highschool and middle-school was a curvy girl with a goth and punk style. Now, this might not seem like an odd thing to be today, but in Juneau, Alaska, in the early 2000s, this was practically unheard of. In the early days of internet commerce, buying a corset in Alaska required a willingness to shop online when the online options were limited to Amazon and a few catalog retailers. So, when I sat down to draw today’s curvy goth paper doll, I knew I wanted to celebrate my old friend and her willingness to break the mold.
Despite my interest in alt-fashion, I have never really wanted to wear it in public, but I respect people whose style choices are much more adventurous than mine.
Not that it is hard to be more adventurous than the girl who wears white shirts and cardigans to work nearly every day.
Anyway, when I work on designing something for a fashion genre, I try very hard to be as authentic as possible. Of course, as an outsider to any cultural group, it is nearly impossible to capture all the nuances, but I wanted for my goth paper doll to have a nice range to mix and match pieces which could also share with other paper dolls. After all, maybe she’ll want to wear a sundress or some thigh high platform boots one day.
Color schemes for anything goth is going to be a lot of black (obviously) and I didn’t want to try to really break the mold here, so I stuck with my old friends favorite colors- black, red, and purple. Lavender was a Victorian color of mourning, so that seemed appropriate. Though the Victorians took their mourning culture way seriously.
While my natural tendency is to avoid patterns, I wanted at least one patterned piece in the bunch and a corset seemed like an obvious choice. The skull and roses pattern is mirrored in her purse and the limited color palette means I think it can go with either skirt.
I have always loved patent leather, so the boots were an obvious place to make some shiny-texture. I am out of practice with that technique though and it took three or four tries to get it right. I’m still not in love with the outcome, but I’ll live.
Looking for more goth paper dolls? I have a whole tag for gothic fashion, though looking through it, I confess I thought I had more gothic paper dolls.
Hmmm…. Maybe I need to draw some more, because there’s not a lot there.
[poll id=”15″]
As always, I always love to hear that you think of the paper doll!
Several readers have, over the years, asked about how I do pattern placement on my paper doll clothes. I actually use several different methods depending on the complexity of the pattern and the shape of the underlying garment.
Today, I am going to show you how to place a pattern onto a garment in Photoshop where the garment does not have folds, pleats or ruffles of any kind.
Garments like that include pencil skirts, most pants, most coats, many knit tops and suits. Really anything made of fairly structured fabric or style.
Last time on Paper Doll Principles, we discussed Playability. Today, I am going to talk about Diversity.
As I explained in my first post, here are the “commandments” of my paper doll world:
Playability: Every paper doll must be a functional toy.
Artistic Quality: All paper dolls must be beautiful before and after they are cut out.
Diversity: Every person deserves a paper doll that affirms their existence.
Now, let’s talk about paper doll diversity.
Paper Doll Diversity
Dover’s excellent book about Famous African-American women.
Seven or eight years ago, back when PTP was just a thought in my head, I was looking through my own paper doll collection and I discovered that I owned no black paper dolls that were not either paper dolls of actual people (like Dover’s excellent Famous African-American Women) or paper dolls of ethnic dress (like Traditional African Costumes Paper Dolls ). I don’t recall what made me dig through them looking for one, but I remember being surprised by this discovery. I also didn’t see a single Asian paper doll that wasn’t wearing ethnic clothing, like Dover’s beautiful Japanese Kimono Paper Dolls or were of specific people. Now, my own collection is a small sample of the paper dolls created in this world, but it very much struck me at the time.
I believe the omission of brown skin and Asian features from paper dolls is largely because in the United States, we default to the assumption that people are white. So, that is someone’s skin-tone or ethnicity is not stated, than white skin becomes the default. This is a phenomena which can be seen in more things than just paper dolls, but since this is a paper doll blog that’s what I’m focusing on.
In recent years there have been several paper doll sets published by major publishers that have challenged this phenomena, including Dover’s Ballet Dancer Paper Dolls, Teen Pop Stars and Fashion Models paper dolls, all of which feature four dolls in four different skin-tones by Elieen Russel Miller. China Town Paper Dolls by Kwei-lin Lum is another excellent set that celebrates the history of Chinese Americans in this country. I’m sure there are more, but these are the ones that I am currently aware of. While I would still like to see more of this, I do think it’s a wonderful sign that this might be changing for a more diverse paper doll world.
When as an artist, I depict people who are not like me, I believe I have a huge responsibility to do so with respect and care. There have been many unfortunate paper doll depictions of African-Americans in this country. Arabella Grayson, a passionate collector of black paper dolls, writes about this on her wonderful website 200 Years of Black Paper Dolls. I am unaware of a similar project documenting paper dolls of other ethnic groups, but if anyone knows of one, do tell. I am not perfect in this regard, but I decided years ago that I was going to try to create paper dolls that didn’t default to white. So, if you want a brown skinned paper doll wearing 1910s suits, I can hook you up. If you want a curvy, Asian, post-apocalyptic paper doll, I got that too.
But there are also times when the best of intentions, can become problematic. Cultural appropriation is a complex, nuanced, and often very difficult world to navigate. So, I am going to talk about not my successes in paper doll diversity, but what I think of as one of my failures.
The Parable of the African Fantasy Set
This could totally be subtitled, “One Paper Doll Rachel Kinda Regrets”.
So, back in 2011, I drew a paper doll called Inspired by Africa. At the time, I had been asked to do an African inspired fantasy set by a reader.
Naively, I drew the set, not really knowing what I was doing and then proceeded to post about it, making it as clear as I could that it was a fantasy set.
And I moved on with my life and kinda forgot about it.
The Inspired By Africa set which I worry is promoting stereotypes about Africa.
Two years later, in 2013, I noticed that Inspired By Africa had been linked on a forum for homeschooling stating that it was a paper doll of African ethnic costume and I couldn’t have been more mortified. To make matters worse, when I followed the link from the forum post to the original site, I found a webpage where someone had made the same statement and provided a link to the paper doll.
So, I emailed the site owner and asked to have the descriptive text changed to “fantasy”.
Even after all of that, when I look at that paper doll set, I have reservations about it.
First, I think her outfits are stereotypical. I worry that when I made her, I was doing the same thing people do when they throw buckskin on a paper doll and call it “Native American”. (Problem A)
I also know that one of the big issues Africa faces is that it is NOT one country, but many and am I supporting the view of a monolithic place when in reality it is not? (Problem B)
Further more, the paper dolls outfits are distinctly primitive. Am I promoting the idea that African is primitive and therefore inferior? (Problem C)
Despite all those second thoughts and worries, I haven’t taken her down, because one of the comments on that post came from a young girl living in Nigeria who said she loved the set.
And yet, I don’t know what I would say to someone if they asked me too remove it or told me it was stereotypical and problematic, because it is.
Moral of the Story: This stuff is WAY more complex than just throwing some brown skin on a princess and calling it good. The way people are depicted does matter, and as artists, we are responsible for our art. We are also responsible for recognizing that our art has a life of its own. Once created, our audience is not obligated to come back to us and ask what we meant. The art will be, and should be, judged on its qualities and not the intention of the artist.
In short, it doesn’t matter what you “meant” it matters what you did.
So, after all that, I am curious what y’all think…
[poll id=”14″]
Edit: There was a problem with the poll this morning, I thought I had it fixed, but I was wrong. It is now officially fixed. Sorry about that, but thank you to everyone who commented.
Comments? Questions? Have you ever drawn something you regretted? What did you do about it? What responsibilities do we as artists have to the ethnicities and races we depict?
Another printable princess paper doll this week. Clearly, I was in the mood to draw fantasy dresses. I did think about trying to get some other sets done and then breaking up my princesses, but in the end, that just didn’t work out. So, May has become a month of printable princess paper dolls for the Marisole Monday & Friends crowd and people are just going to have to deal.
So, in the 12th century, there was this garment called a “bliaut.” Now, I’ll be honest, I am still learning about 12th century clothing, but in my limited research the “bliaut” was a wide sleeved gown with a full skirt. The most famous example, I know of, is from the sculptures on the exterior of the Cathedral of Notre-Dame de Chartres. Another example is the Unshaw Virgin from the British Museum. I’m still mid-research to create a historical 12th century paper doll, so while I work on that, I thought I would draw a fantasy paper doll inspired by the 12th century.
Along with the 12th century, Maiden here owes a bit to Norse things with her bone comb and her knife. I think she could be a generation or two removed from my Maiden of the North paper doll from last year or maybe from the same “world”, but a different geographic region. I also think Marcus as a Warrior fits in as well.
Now, I will confess that I did try to make something very different from Monica’s Dreaming Princess set here. Despite the fact that they are both fantasy paper dolls with a distinctly princess vibe, the styles are pretty different. Maiden here is all about the 12th century while Dreaming Princess was all about the early Italian renaissance look. Plus, while Dreaming Princess was modeled by Monica, Margot is the model for Maiden, a title picked entirely because it fit in the space I had left after rearranging this set like a dozen times.
For colors, I wanted to use shades that reflected manuscript illustration. While Dreaming Princess was me channeling my inner-8 year old. This paper doll was much more my taste which tends towards more muted colors when I think of fantasy gowns.
(I swear I sew patterns other than hers, but I have been in full on ‘baby gift’ mode.)
While I made these on Sunday after making my Teddy Bear, I wanted to post about them separately, because they are a totally different pattern.
And now, onto the review…
All the pieces cut out and waiting on the table to be sewn up.
Time to Complete: About 2.5 hours (I made two and did them over three days, so I’m not positive on the time investment.)
Number of times I pulled out “Jack the Seam Ripper”: 2
I made a bunny and a bear “Lovey-Dovey” or “Blanket Animals”. I bought a set of Lovey Dovey patterns from Abby Glassenberg Designs like last year in the deluded belief I would make them for a co-worker’s grandchild. Obviously that didn’t happen.
When I was at Hancocks for their clearance sale, the pattern (Simplicity 1681) was on-sale (Abby licenses some of her designs to them) for a very reasonable price. So, I picked it up for the bear pattern and also used it for the blanket animals rather than printing out my pattern, because I am lazy and was out of printer ink.
Clear as mud? Lovely.
Picking out fabrics and cutting out an ear. I live dangerously and cut out my tissue paper patterns.
So, anyway, since the parents have decided not to know the gender of the baby, I picked up neutral fabrics for the ear linings. I probably could have raided my stash, but why waste a good excuse to buy fabric, especially sale fabric?
I didn’t want to do a classic white bunny, since that seems like a bad idea given that babies are messy little creatures, so I instead I went with some grey fleece for the bunny and light brown fleece for the bear. I didn’t want to make both critters out of the same color fleece.
I love how the bunny and the bear turned out.
The back of one bear showing off his tail and my bunny with his adapted tail.
When with cutting the back of my first teddy bear and then inserting the tail, I somehow didn’t catch all the layers when I sewed it up again afterwards and had to fix it by hand. However, it worked much better the second time I tried (practice works!) and so the Lovey-Dovey bear tail came out well. The pattern called for using pom-pom for the bunny tail, but since I don’t like pom-poms, I gathered a circle to make the tail.
Uses of Jack:
Jack came out twice for this set. First, I attached one of the bunny ears to the wrong side of one of the head pieces and it had be to removed to re-attached. I also messed up while hand sewing on the bears ears and out came Jack once more.
He’s a good little seam ripper.
But, all things considered, Jack hasn’t gotten to spend much time out of his box this time. I say this, but I know that soon enough Jack with make a reappearance. (He always does.)
They are fast and so cute. I want to make more of them. I want to make a whole menagerie of little blanket animals for every baby I know and possibly for babies I don’t know.
And I love that by just switching out the head and the tail, you can make a new creature. Once you figure out the process, it’s pretty fast.
I did all the machine sewing for both creatures and then sat down with some Netflix to embroider the faces and attach the the heads to the bodies. I tend to work tyhis way, doing the machine work and then in the evening or the next day, doing the handwork. It’s funny, when I create paper dolls I work the same way. I ink a bunch, than I scan and bunch, than I color a bunch. I guess I just like working in batches.
So, I highly recommend this pattern, but I would buy it direct from Abby Glassenberg Designs (unless you too have a Hancock that is closing near you), because I think her photo instructions are SO much better than the ones in the Simplicity package which confused me in a few places. (Ear attachment, for one.)
My finished bear and bunny. By the time I got this photo, it had gotten dark.
She also has this great video on how to ladder stitch that I watched before I started. Technically, I have ladder stitched before, but it was a nice reminder and I think I did better after watching and it was linked in her pattern, or I wouldn’t have known it existed.
Has anyone else made a Lovey-Dovey?
Next, I’m working on some cloth dolls by Jess Brown. Also a gift, so taking notes while I sew and I will share them once they have been mailed off.
And after that… Well, I haven’t decided, though there is a replacement bear to be made.
So, kinda a belated review of the latest issue of Paper Doll Studio. It arrived in April while I was on my Hiatus, but I knew I wanted to talk about it upon my return. For those of you who don’t know, Paper Doll Studio is the magazine of the Original Paper Doll Artists Guild (OPDAG) and comes out four times a year. Each issue has a theme and artists submit paper dolls relating to that theme for the issue. For example, Issue 114’s theme was “Holidays.”
Once I get an issue of Paper Doll Studio, I immediately read it.
I really enjoyed it, of course, I always do. I mean, it’s like getting a surprise in my mail box when it arrives. I don’t usually check the mail (mail-checking and garbage are my boyfriend’s jobs), but I always get so excited when he comes up the stairs and hands me the distinctive package from Paper Doll Studio Press.
The featured artist for Paper Doll Studio was Cory Jensen.
Each issue has a featured artist and this time it was Cory Jensen. While I very much enjoyed Mr. Jensen’s article on his work (and his art is quite compelling), the amateur copyright scholar in me wondered about the legal ramifications of drawing paper dolls of other’s intellectual property and the ethical ramifications, as well. Not something he touched on in his article, but I rather wish he had. I think its a serious question that anyone who draws fan-art should be considering.
Along with Jensen’s article, there was a fun piece by David Wolfe on his tradition of creating paper doll cards for Christmas, but I’d have liked some more advice on how someone could do a similar project, rather than just a recap of what he’d done. My favorite articles are always the ones that talk about process and are a little practical, so I enjoyed very much Judy M Johnson’s article on Paper Doll Methods and Materials. (Judy is a dear woman who, after I cold called her once while I was working on a conference paper on World War 1 and 2 paper dolls, talked to me for over two hours on the telephone.)
Julie’s St. Patrick’s Day paper doll got a full page spread which made me cheer for her. She deserves it and you can print out her paper doll here. I always try to pick a favorite paper doll from each issue. This time I struggled a little, but I settled on two. Karen Hunter, an artist I was not familiar with, did a fantastic Halloween paper doll and Larry Bassin had four paper dolls in the magazine. I have always, and probably will always, love Bassin’s work and he was a big influence on the flat color style I use in my own paper dolls. I mean look out at that fantastic line-work.
Karen Hunter’s paper doll is on the right. Larry Bassin’s work is on the left.
Every time I get an issue of Paper Doll Studio magazine, I swear that “next time” I’ll get my act together and submit something. Well, menswear is up next and I am going do it this time! I just… you know… need to get my act together.
Jenny, editor of the Magazine, was interviewed on this blog a few months ago. By the way, if you don’t already subscribe, I highly recommend it to anyone who loves paper dolls. It’s under 30 dollars a year and you get four issues of fun paper doll content. Here’s the link to subscribe.
One of my goals for 2016, has been to focus on the Ms. Mannequin series. My goal is for ten pages for Ms. Mannequin this year, though with my new posting schedule, we shall see how that works out. While I love drawing paper doll fashion, it has been a little bit of a struggle, because how many pairs of skinny jeans does one paper doll series need?
Therefore, I have been trying to think thematically. Instead of just drawing “contemporary clothing”, I want to try to draw clothing that (for at least that page) represents a capsule collection of pieces that could be interchanged. (I say this now, but I might end up changing my mind about this plan tomorrow.)
Today’s Ms. Mannequin capsule paper wardrobe is a resort collection. In the world of high fashion, there are four seasonal collections made by most big fashion houses. Traditionally the Autumn/Winter shows are held in February, and the Spring/Summer shows are in September/October, known as Fashion Weeks. In between these shows, there are two other collections often created. Resort or Cruise collections are shown before the Spring/Summer collection and Pre-Fall collections are shown before the Autumn/Winter collections.
Now, I would love to be able to say that everything in this collection of paper doll fashions came from designer’s Resort/Cruise collections, but that would be a lie. Two of the inspirations include this Alice & Olivia’s Pre-Fall 2014 dress and this outfit from Balmain’s Spring 2015 ready-wear collection. I’m certain there were others, but those are the only two I could remember specifically. As a librarian, I really aught to be better about remembering to record and therefore cite my sources.
You might be thinking, “Well, those are cute clothes, but what about a doll to wear them?”
Never fear, there are eight Ms. Mannequin dolls (7 human, one alien) who I am sure would be happy to show off these outfits and I am working on adding a few more to the collection soon.
Number of times I pulled out “Jack the Seam Ripper”: One
I wanted to make a quick fun baby gift for my Sister and Hancocks was closing. So, I popped in to check out the sale and picked up Simplicity 1681, designed by Abby Glassenberg, at a pretty good discount. I’ve always admired her soft toy design and her blog, “While She Naps.” So, I was really pleased to get the pattern and get to try it out. Plus, I wanted to see the differences in directions between her self published work and her licensed work. That way I would know in the future if I wanted to buy the Simplicity versions or directly from Abby.
Confession- I finished this guy in April, but didn’t want to post about him until he was in the hands of my Sister. Nothing worse than your sibling learning about her baby gift from a blog before the gift arrives.
I’ve never made a bear before, so I was pretty nervous. I think the small size was particularly challenging. Somehow, I didn’t notice that the pattern said the bear was only 12 inches tall. Tiny little guy.
I picked up some dark brown fleece and some quilting cotton to line the ears with. Since my Sister has decided not know the gender of her baby, I picked out fun striped fabric that could be for a boy or a girl.
Picking out gender neutral baby fabrics is actually pretty tough.
There’s a step in the pattern where you fold in all the limbs and sew on the back of the body. That would have been easier if I had noticed that the directions said to “lightly stuff” the limbs. Opps.
After that, you tuck the head into the neck-hole and sew around the neck to attach the head. I looked at that and thought, there is no freaking way I am managing to sew that on my machine. I am just not that good.
So, I hand back-stitched the head to the body instead. I hope it’s secure enough. This is for a baby after all… but my sister can sew so I’m sure she can fix it if there is a head related mishap. Teddy bear decapitations ruin everyone’s day. (I wrote this before I found out what eventually happened to the bear… I can proudly say the head did not come off.)
Also, working with polar fleece is a dream. I’d never done it before, but it has no grain. It doesn’t ravel and it is pretty resilient to seam ripping. The only problem is that Hancock had a 2 yard minimum on their fabric cuts (since they were closing). Now, I’ve got A LOT of brown fleece. So, much that I could make an army of bears. Since I mostly sew doll clothes and dolls, I don’t know what I’ll do with 1.5 yards of left-over fleece.
Occurrences Of Jack the Seam Ripper:
Just one actually, which was kinda shocking. The first time I tried to embroider the face, I was copying the design on the envelop. It’s cute, but I wasn’t keen on how it looked when I did it.
I am not a smiling stuffed toy kinda girl. (Not shocking to anyone whose seen my paper dolls…)
My redone face and my messy dining room table where I sew.
So, I tried to take out the embroidery with Jack, but ended up cutting a hole in the fleece. It wasn’t hard to stitch up a new face and try again though.
While I didn’t use Jack much, I did have to actually secure a fair number of things by hand. So, I used my sewing needles and thread more than Jack this time.
Here’s my finished bear and look, he has a cute tail. And I really should have given him a once over with the lint roller before photographing him.
Final Thoughts:
Pretty much all my problems came from the small size and my errors- not issues with the pattern design. Despite a few struggles I still ended up with a pretty darn cute bear!
I’d recommend this pattern to others who have never made a bear before. It was a bit more complex than I was expecting, but not absurdly so. That head attachment though… you gotta be kidding me.
I’ll also admit that I judge a good pattern by how much I want to make it again. I don’t think I’m desperate to make another bear, but if there’s a baby shower I need a gift for, a bear would be an easy one. I’m pleased with the results (though he is a little wonky) and I am so glad to get to send him off too my Sister.
You can pick up the pattern direct from Abby Glassenberg or from anywhere Simplicity patterns are sold. I would buy it from Abby, since I did decide I liked her photo directions better than the Simplicity directions.
An Epilogue:
Poor bear.
So, I wrote up this post, scheduled it and then got a phone call from sister informing me of “horrible news.”
My mind immediately went to family disaster of some sort. Fortunately, no one human was in the hospital. It turned out that her Sweet Dog and the Other Dog she was house sitting got their paws (or teeth, really) on the bear while she was showering. When she emerged, the dogs had torn up the teddy bear beyond repair.
After I finished laughing at the image of Sweet Dog enjoying the bear and she finished blaming it all on the Other Dog, I promised I would make another bear for her as soon as I could.
So, I guess I’ll be making my second teddy bear much sooner than I thought. Time to go cut some more fleece.
Also, I can safely add to my review that while the teddy bear was enjoyed by the dogs, it did not fair very well structurally, so I would not recommend it as a chew toy.
Having run the blog for six years, the time has come for some changes. So, things are going to be shifting around here. Please be patient while I get it all sorted.
Here’s a few things you can expect:
1. Monday’s are now paper doll days!
Every Monday, there will be a free paper doll. Sometimes, it’ll be a Marisole Monday & Friends paper doll. Sometimes it won’t, but every Monday there will be a free paper doll.
The truth is that the current schedule is NOT sustainable. I have come to realize that. So, I have deciding that going from 76 paper dolls a year to 52 is a logical first step in lowering my stress and maintaining my sanity.
2. More Diverse Content
One of the things my month long break taught me was that I am simply getting a bit bored with paper dolls.
Now, I want to return to another passion- sewing dolls & doll clothes. So, I am going to use this blog as I used it many years ago to hold myself accountable to my art, I am going to use it to hold myself accountable again to my sewing.
This is a strange new journey I’m heading out on. I hope you’ll join me.
As sewing will be coming to the blog, allow me to introduce: Jack the Seam Ripper. A good friend of mine who will, I suspect, make a lot of appearances here.
3. A New Patreon Scheme
The Patreon system is undergoing some changes. I haven’t got all that sorted, but “watch this space” as they say.
4. A Continued Commitment to Regular Posting
I have learned so much from running a blog. I have learned, not just about drawing, but about SEO and Social Media and engagement. I have learned wonderful things. I am committed to keeping the blog updating regularly. And that isn’t going to change.
I am happy to answer questions about these changes if anyone has one.
Whenever I meet young girls and ask them about paper dolls, which I confess I don’t do very often, they seem to often ask for Princesses. I don’t know what it is about paper doll princesses, but it seems to be a popular trend. As a child some of my favorite paper dolls were those of Peck-Grande which featured beautiful fairytale paper dolls with fantastic dresses (Here’s some images from their Beauty and the Beast paper doll or Sleeping Beauty paper doll). As far as I can tell, princess seems to translate to “amazing over the top gowns” and that works for me.
(The feminist in me always wants to give a lecture on the patriarchal nature of historical princess-dom right now, but the lover of pretty dresses in me doesn’t care.)
When I design complex patterns for paper doll clothing, I like to try to keep the outfits themselves fairly simple. I think it is easy to get the pattern “lost” in the lines needed for pleats and folds. So, when I decided I wanted to play around with complex patterns for these gowns, it wasn’t a hard decision to know that I needed a simpler silhouette.
Early Italian renaissance dresses (from about the 1490s) have always had a soft place in my heart. Someday I do want to do an actual “historical” paper doll from this period, but until then, I had fun playing with the silhouette in this paper doll princess set. These styles might look familiar if you remember Her Ladyship from 2014, she was inspired by the same time period.
The model for today’s gowns is Monica. You can find more paper dolls featuring her here. Confusion about which Marisole Monday & Friend’s paper doll model is which? I wrote a guide a few months ago.
Every time I design a princess paper doll download with these sorts of elaborate patterned fantasy gowns, I swear that I won’t do it again and then I do. Insanity is doing the same thing over again, expecting different results, they say, but here I found myself once more painstakingly coloring an insanely complex pattern and grumbling about it.
My original plan was to go very traditional with the colors here. In the actual Renaissance, the expense of dye meant that darker colors were more fashionable and expensive than lighter colors. So, that was my first plan- black, red and gold would have abounded.
But then I realized that if I was going to use a dark brown skin-tone for the doll (which was my plan all along) and then went black and red with the clothing, it was going to be a really dark paper doll set. Plus dark colors on these kinda elaborately patterned outfits obscures the black line-work. I spent to darn long coloring this to obscure the nuances of those patterns. So, gold, red and black when out the window for rose, lime and teal. Nothing says spring to me like rose, teal and lime.
Plus, I think the brighter spring colors are nice for a May set. It’s spring here in Alabama, after all.
If today’s Monica princess color page needs some friends or more dresses, there’s literally dozens of options, but I think A Noble Lady, Pattern & Grace, Queen of Dusk and Book Loving Princess all make nice accompanying black and white paper doll sets as they are in a similar silhouette. Of course, there’s nothing wrong with deciding today’s Monica freelances as a circus performer or pirate, but I thought if people wanted more “princessy” looks than the four paper doll sets I mentioned above would work well. As many of you know, versatility is very important to me in my paper doll related activities, so I try to point out where one set might interrelate to another set.
After all, I don’t expect y’all to keep track of the 500 paper dolls on the site, especially since I can’t always keep track of them myself.
In case you’re wondering why both the color and the black and white version of today’s paper doll are being posted, there will be a post explaining ALL on Wenesday, or at least MOST. 🙂
So, as you might have guessed from the graphic, the blog will be in haitus from April 1st until March 2nd. I’m making this annoucement today, not tomorrow (the last day in March), because I know people expect a Wenesday post and I thought more people would see it.
Why a Haitus? You ask.
Well, I’ve been struggling to build up the sort of backlog of paper dolls I really need to maintain the schedule I want to maintain. Futhermore, there’s some complicated things going on in my life both personally and professionally. This will give me a month to work on backlog without having to worry about how I don’t have something ready for Monday or Friday.
It is my hope that the mental space will allow me to experiment with some new things.
When Will I return?
I’ll be back on Monday the 2nd of May with the usual Marisole Monday post.
Any questions or thoughts? Let me know.
You can still, of course, contact me via email at paperthinpersonas@gmail.com.
While you’re waiting for my return, why not check out some of the archives? There’s over 500 pages of paper dolls on the site, so there should be some you’re never seen. The Magnetic & Printable Paper Doll Index breaks them down by subject and theme, or you can just work through the monthly archives. Though the archives start with December 2009, there was no paper doll that month, so might I advise starting with January 2010.
I wasn’t sure what to do post today, because I am taking the month of April off and I was struggling to decide what to do with this last Monday. Then I discovered I had three Marisole Monday & Friend’s paper dolls that I converted to black and white last year that I hadn’t posted.
So, now I am. 🙂
First up we have Knights and Ladies, one of my very early fantasy paper dolls in black and white. When I first drew this paper doll, I think the sleeves were inspired by the 1830s. I think… It has been a few years. 🙂
Next, we have what is my mother’s favorite of all my paper dolls- my commercial fisher paper doll. I still am not totally pleased by the salmon, but I think the halibut came out very well. While I no longer own quite so many pieces of fishing clothing, I certainly did in my younger days.
Last, but not least, one of my very early fantasy paper dolls. She was originally done all in shades of pink, so that was what why she was named Princess in Pink. Of course, now you could color her in any way you want and therefore she could be a Princess in Blue or a Princess in Orange or a Princess in Pistachio.
I hope everyone had a lovely Easter if they celebrated. Mine was delightfully quiet.
There will be formal announcement of my April hiatus on Wednesday.
Manage Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.