One of the big myths of costume history is that children were dressed like adults, but in miniature. While this is sort of true, I have yet to see a decade where there is not some, however slight, difference between children’s and adults clothing. The differences are often subtle and children were considered adults at a much younger age than we consider children adults today.
This is all by way of saying that I really wanted to make sure this fluffy dress (which has NO historical accuracy about it at all) felt like a child’s dress and not an adult’s dress. I think of the Poppets as between 8 and 10 years of age and I really hate it when I see child dolls dressed like adults, especially in historical outfits or psuedo-historical outfits.
So, to maintain the principle, I’ve shortened the skirts of her fluffy dress. See.. I have some principles (not a lot of them… but I digress.)
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Actually, I’ve been thinking about principle’s lately. If you read Liana’s interview from Friday (and if you haven’t than you really should), she talks a lot about the problems of paper doll poses and the complications of paper doll design. I think about these things when I design a paper doll as well, but I also find I think a lot about the principle of correctness. I made this principle up by the way, but for me I think it’s about the correct outfit for the correct paper doll at the correct time.
By my nature, I am scattershot personality. I tend to work on something in the grip of interest, give it up when I get bored, and then move onto something else. Paper doll designs, projects, work endevaors, whatever, all become mixed about in the messy world I exist in. If I’m reading up on women’s publishing, than somehow this filters into everything else I do. I am very envious of people who can have firm divisions in their heads between project A and project B, but I’ve never been wired that way. This means my paper dolls tend to be schizophrenic. Astronauts to mermaids all have happened over the years. I think this is sometimes the charm of PTP, but I also fear it’s a bad thing. I find I envy people like Boots who commit to a theme and then stick to it.
I can not imagine trying to limit myself like that.
So, spring has finally come to Alabama, it feels like. I enjoy the changing seasons of fall and spring. Also, I’ve been reading some 1920’s clothing catalogs and they use words like “jaunty” in their descriptions and I think we should bring it back as a fashion term.
So, historically, I’ve been posting a black and white B&B paper doll and then a full color version the next day.
It’s a 
Faye has decided to do a little time traveling and visit the 1920’s. I love drawing 1920s paper dolls and this one was no exception. Inspired by 
This is the paper doll set I abandoned last week and instead posted the doodles. I am so happy I gave it another week to be refined. Jo was one of the two winners of my drawing in January. She asked for a “groovy” late 60s early 1970s Marisole paper doll based on pattern covers from patterns she actually had sewn at the time. How cool is that?
When I first drew the Poppets paper dolls, I knew I wanted to do historical costumes. This isn’t historically accurate by the way, but it does have a 1300s flair, I think. One of the reasons I steer clear of certain periods of history is that I feel like I don’t know enough about them. I am familiar enough with Victorian and 18th century costume that I feel fairly comfortable simplifying it without losing it’s authenticity, but I know very little about clothing in Europe before 1400.
Nearly a year ago, I was asked to draw a paper doll of 1950s evening gowns.
