The last time I did a Tudor clothing paper doll, many years ago, I focused on Henrician gowns. You can see that paper doll here. This time, however, I wanted draw a few other styles from that period. So, along with the Henrician gowns I drew several later styles which were popular in second part of the 1500s, but don’t have easy names (or if they do, I don’t know them.)
Today’s Tudor paper doll has two dresses. The dress on the left is from the 1560s to 1570s. I could find a name for this style of robe with hanging sleeves over petticoat, but you can see styles like this in this portrait of a Lady of the Wentworth Family from 1563, this portrait of an Unknown Lady from 1565-1568 and this portrait of Elizabeth Hardwick, Countess of Shrewsbury circa 1560s. Her dress on the right is a Henrician gown with a matching partlet filling in the low square neckline. These portraits of Queen Mary 1 and Lady Mary Dudley (c.1530–1586) show Henrician gowns with parlets.
Her underwear is a shift, which has been extremely simplified to deal with the sleeves of gowns (the sleeves would have been much fuller and ended in a ruffle/cuff.) Her pair of bodies are a combination of a set from an effigy of Queen Elizabeth in 1603 and those in a famous portrait of Elizabeth Vernon circa 1600. A well cited article about Queen Elizabeth I’s effigy bodies is Sarah Bendall’s Elizabeth I Effigy Bodies Reconstruction. The paper doll has a Spanish farthingale- cone shaped hoops to support skirts that is separate. Spanish Farthingale’s gave dresses their distinct triangular look.
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For much of Europe’s history, women covered their hair. In the Tudor era, women wore headdresses called “hoods”. As far I can tell from my reading, the popularity of hood styles switched in and out depending on the current Queen. With Henry the 8th, that’s a lot of queens. While the French Hood was worn before (and after) Anne Boleyn, it is definitely most closely associated with her. I chose go with the French Hood, but there was also the English (or Gable) Hood and several other styles.
Her hat is a taffeta pipkin- a narrow brimmed cap made of paper and covered in thin silk taffeta. To cover the hair a jeweled cap was worn, which is a style that was also common in Germany.
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So, let’s talk colors for a moment.
Black was one of the most expensive colors to dye fabric (in part because it look a lot of dye). Crimson and scarlet were also popular colors. I made one of her dresses primarily black and the other a very deep dark red, but it looks black depending on the computer screen settings I realized after I finished.
So, why a Tudor clothing paper doll, you might ask? Because my Patrons voted for it! The poll I shared with my patrons had a three way tie- Tudor, 1970s and 1890s. I’m still working on the 1890s and the 1970s.
I finished the Tudor clothing paper dolls first, because I had already been working on her underwear. Next up will either be 1970s or 1890s… I haven’t decided which one yet. Both are in progress.
If you’d like to get to vote on things like which paper dolls I draw, join us over on Patreon.
