So, with last week’s paper doll I spoke a little about why I decided to dabble in the Southwest trend this season and today I wanted to show off the colors I used for the paper doll set. I knew from the start that I was going to be using a desert inspired color scheme. It is the Southwest, after all.
As a child, we visited the Grand Canyon. I will always think of reds, browns, ochre and sandy khaki when I think of that landscape. I confess to not being much of a desert person by nature; however, I do think they can be astonishingly beautiful.
I did not want to fall into the trap of just using a monochromatic warm color scheme though, so I also decided to include a pale turquoise, a very pale bayleaf green and a darker green for contrast. Normally I try to keep my color schemes to five colors, but this set needed a lot more. (I blame it on that patterned pencil skirt.)
Well, I have been working on backend server CPU issues with my shared hosting service. Nothing really serious, but stuff that has to be dealt with for the blog hosting to continue to be cheap enough for me to justify continuing to keeping it online and free.
Still, I owed a paper doll to my last drawing winner, Lina of Lina’s Historical Paper Dolls, and I was not about to put off finishing that for another week, because I would keep feeling guilty about it.
Lina requested an 1880s period Marisole Monday & Freinds paper doll with a ballet outfit and several other dresses. I had some trouble getting all the pieces to fit on a single page, so I omitted some shoes from the image.
Should you want proper shoes to go with this set, then I recommend checking out On the Board Walk in color or black and white or Mia Goes to the Bathing Place in color or black and white. Both of those sets both have button up style boots which, while not period, are close enough to not look totally awkward.
Lina was kind enough to send me reference photos and specific colors for the hair, skin and eyes of the paper doll, but left the color scheme mostly up to me. I wanted to use some rich colors, because by the 1880s chemical dyes were common and rich colors were very much instyle. There is a habit to think of the 19th century as sepia colored, because of sepia photos, but it was actually a rather garish era.
So, Lina also asked for a tutu based on this painting by Degas. The painting dates from 1871, a little earlier than the other costumes in the set. I omitted the sash, since I based the dress on the center figure. I don’t think the layers of the skirts really look like tulle, which bothers me. Liana has some great tulle on her blog.
The ballgown was based on this fashion plate. The gown was red, but I made it peacock blue based on a description in English Women’s Clothing in the 19th Century by Wilett-Cunnington that mentioned peacock blue ballgowns. I hate drawing lace, but it came out all right, I suppose.
The last two outfits are a swimming costume and a house dress. Old swimming costumes were extremely complicated and not very easy to swim in. Generally, I think of them as wadding costumes. Lina sent me this picture and I based it off that.
The house dress is classic 1880s style with bustle, drawn up skirt and long pleats. It’s a pretty typical gown for its period. Lina sent me this photo and I based the dress off of it. I omitted the pattern on the dress, because I knew it would reproduce poorly in the small scale of the paper doll set.
And that, as they say, is that.
If you haven’t ever checked out Lina’s blog, Lina’s Historical Paper Dolls than I recommend taking the time to do so. She makes wonderfully interesting historical paper dolls.
Today, in honor of Han Christian Andersen who was born in 1805, we have two regency pixies and their wardrobe. This is the last big Pixie set for a while, though I do have some one page Pixie paper dolls in the works that I am looking forward to sharing. I don’t think I’ll do another multipage set for a while. They are a lot of work.
Theses paper doll’s dresses are from about 1800 to about 1815, or so. The latest one being the morning dress with the neck ruff looking thing for Lydia (or Emma, either doll can wear the dresses) which was popular for a while though I find the style a little absurd, myself.
There is a tendency to make everything in this period white, as that’s what fashion plates usually show, but women aren’t stupid and there are plenty of dark fabrics with prints that were popular for day dresses. They don’t show stains as much as white (does anything show stains as much as white?) and they could go longer between washingings. There’s also a tendency to talk about women being out of corsets. This was sort of true, but as anyone with boobs can tell you, having no support is darn painful.
Since bonnets were going to be featured in this set (and I do confess I’m not very good at drawing bonnets), I knew I had to keep both of the paper dolls hair close to their heads. Lydia, above, has a braid and Emma, also above, just has her hair pulled back somehow. I imagine it in a neat bun, but whatever.
It was important to me to give these dolls some clothes, so I decided to do a separate sheet for their dresses. After all, one dress hardly makes a very fun paper doll. So, here is a riding habit, a few day dresses, a ballgown and one of the cropped spencer jackets which I’ve always liked. As for other regency paper dolls, there’s always Flora of the Regency, and two Marisole Monday & Friends sets- Empire Elegance and Regency Romance.
Thoughts? Do the Pixies need more historic outfits?
Things to say about today’s printable paper doll… It is my first Pixie paper doll in a while. She’s two pages and has a distinctly steampunk inspired wardrobe. If you’ve been following this blog for a while, you might remember the sketchbook post back in April of 2013 when I showed off the inked version of this set.
Wow… this was a long time coming, wasn’t it?
Shirin, in my continuing search for names I haven’t used ever, is a Persian name meaning “sweet”. Continuing the theme, her coloring is based on the Iranian actress Nazanin Boniadi, except with really curly hair, because I love curly hair and I’m trying to practice drawing it. You can expect to see more curly hair in the future on the blog.
Oh, and her clothing has nothing to do with Persia. I tried to think of a connection after I decided to base her coloring on Nazanin Boniadi, but I don’t have one as her clothing is distinctly Western without a hint of influence from the Middle East and is mostly based on the clothing of young men in the early 20th century.
Oh, and as sometimes happens when I saved these images for the web, Photoshop did odd things to the colors. I recommend looking at the PDF version of Shirin and Shirin’s Wardrobe to see what I really intended the color scheme to look like. Partly this was a challenge to do a steampunkish set without the color brown. Harder than it looks, actually… because the line between goth and steampunk is often one of color, not design. That, however, is a whole different discussion for another day.
So, this feels a little bit summery to be going up on this fall day, but I had so much fun with the color scheme that I shall not be denied. Even if it’s cool and crisp and the leaves have already begun to turn their beautiful yellow and red colors.
It’s apple pie and cinnamon weather these days, and I am utterly enjoying it.
But Denise is clearly living in a warmer world with her freckles and her florals. I’ve discovered an unexpected love of abstract florals which used on Denise. I think her pleated skirts look fun with the floral designs decorating them. The blouses are all meant to match with the different skirts.
I tend to think of Denise as being friends with my old printable paper dolls Constance and Prudence, there is something similarly vintage about her style and sensibility.
Here’s an amazing fact… today’s printable paper dolls is number fifty in all of my Pixie paper dolls. I feel like I should do something to celebrate, but I don’t know what. Ideas from the audience? Comment below.
So, we had the black and white version of this paper doll set last week. Sometimes, I feel like I don’t do a good enough job linking the full color versions of the paper dolls with the black and white versions of the same paper doll, but then… I also sort of figure that people are smart enough to figure it out. I don’t like treating my readers as though they’re stupid.
Anyway… I had a lot of fun with today’s paper doll.
Her underwear is the same color as the site’s base color which is Hex Code 990033. Her skin is the warmer of my two medium brown colors that I like to use Hex Code d29569 from the Skintone Pallette. It’s got more orange in it than some of the colors I use more often, so I tend to be careful what colors I pair it with. The dresses are a range of colors whose Hex Codes, I can’t remember at present. I wanted to use Jeweltones, but not get too dark. Autumnal without getting into the orange, yellow, red, brown combination.
Anyway, I think I’ve run out of things to say about the paper doll. Enjoy her.
I haven’t really anything remarkable to say about Fiona except that I am rather in love with her floral dress. I’ll be traveling a bit in the middle of this month, I don’t think anything should fall apart here, but things might slow a little.
So, my original idea was to make today’s paper doll a little bit latino looking with a darker skin tone than I’ve done with a Margot paper doll before, but I think she rather turned out just looking like she got a bit of a tan. So, next time I’ll rethink the color choice. Skin tones are hard, as I think I’ve mentioned many many times before. Personally, I really like the dark blue dress the best. I think it came out just like I wanted it to.
Stumbled across a new tumblr today, called Paper Doll Central. Beautiful work. Makes me wish I still was trying to keep up with my tumblr. Lots of nice paper dolls there worth checking out if you have a few minutes and want to indulge.
I mentioned last week I was inspired by the Mediterranean ocean when I colored this paper doll. I was also inspired by the idea of not using any pinks or reds, just clean clear cool colors. I imagine Margot walking on the beach, wind whipping through her skirts while she watches ships on the ocean. Then, possibly, being attacked by giant crabmen from the planet Neptune.
I will be at work late tonight, so I am writing this post early in the morning. I do evening reference shifts about twice a month and I enjoy it. Since I work down in the Special Collections, I tend to get specialized varieties of questions, but when I’m at the reference desk, I get all sorts of random questions. My favorite was an evening when I got asked about both Chinese acrobats and the economics of fisheries on the Gulf of Mexico.
Anyway, my point is that when writing blog entries early in the morning, you have to lower your standards for my coherence.
When I use these cheery fruity colors, I always find myself thinking of the tropics. I imagine Calla walking the streets of somewhere warm- Miami or Brazil- and drinking something iced out of a coconut. By the way, I totally think Kandi would steal the black skirt with the pink piping.
I seem to have some weird conviction that tropical colors means tropical places.
The only downside of writing posts in the morning is that it makes it so I end up posting two in the same day…. I shall have to think on that one was a problem. Oh well….
The thing about this blog is that writing is hard. Drawing is hard too, but somehow less hard then writing. I think it’s because I draw in stages- pencil and then ink and then shade and then scan and then re-size. Sometimes those events occur in a slightly different order, but I always have multiple pieces in multiple stages of work. Yet, writing I find I stare at a white screen and have to think of something to say.
Ideally, something intelligent and nuanced to say… Okay, maybe not nuanced, but at least intelligent. Or coherent. I think I at least get coherent. Usually.
Boots wrote a really wonderful post a few weeks ago about momentum and how hard it is to keep it up. She’s right. When I get into a groove I can prep several paper dolls in a row and schedule them all and feel like I’m getting somewhere and when I’m not in a groove… well… it all takes much longer. Enjoy this pastel spring like Marisole. This paper doll is also available in black and white which I posted last week.
So, this is up a little later then intended. I wanted to do a sort of belly dancer fantasy set, and I’m pretty pleased with how it turned out. I think I went through about six color schemes before I settled on this one. It’s not quite what I wanted, but it’s a lot better then the purple and blue version (trust me on that one). When I was a kid, I had a friend whose mother was a belly dancer. I thought that was a most cool exotic thing ever. I’ve never belly danced though- perhaps I will someday.
On a semi-unrelated note, The Black Apple is offering this wonderful Winter Girl paper doll download. If you’re not familiar with her art, Emily Martin has also produced on commercial paper doll book called The Paper Doll Primer. I haven’t bought it yet, but its on my list of things to purchase. I love the whimsical, but not cute nature of her paper dolls. I’m a huge fan of whimsey and I’m not a huge fan of overly cute.
Oh and there’s a new poll on the side bar for people to vote in. I’m thinking about what to add to the blog over the next year, so there are some options listed there. I can’t promise I’ll actually do what wins, but it’ll probably help push me in some direction. (I have a half finished tutorial on how I color paper dolls sitting in a folder and it’s been there for almost a year.)
If this were a dating game show, I would describe Mara as a charming young woman with a love of flowers and long walks through the woods. Since this isn’t a dating game show, as far as I know, I think I’ll just stick with saying that Mara is a one page paper doll with a wardrobe of nine pieces that can be mix and matched to make up 18 different combinations.
In case you’re wondering how I got to that number, the calculation looks like this:
((Number of Tops * Number of Bottoms)+ Number of Dresses)*Number of Shoes= Outfit Combinations
It gets a little more complicated if you add in jackets and other layering pieces, but usually it works out well and, of course, it doesn’t consider things like how well the pieces match with each other. Yes, I might be a little OCD to have come up with a formula for calculating paper doll wardrobe options. (Only sort of math I can really imagine doing…)
Later or tomorrow, there will be something fun and new for the first day of Hanukkah (a holiday no one likes to try to spell) which starts tonight at Sunset.
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