Marisole’s gone to the circus this monday, complete with makeup.
I have mixed feelings about circuses truth be told. Sometimes I like them and sometimes I find them deeply creepy. I’m not afraid of clowns or anything, but there is something slightly off dark and strange that runs through the whole idea of circuses and carnivals.
So, I’ve been drawing paper dolls for a long time and I always expect to run out of the ideas, but then I run into new things on a fairly regular basis that I want to do or try out. I don’t know that I’ve ever really done anything like this set. I started collecting circus images that I liked on Dark Circus Pinterest board and then eventually those images evolved into this set of doodles which evolved into this paper doll set.
I was going for fashion as much as reality with these outfits. I can’t imagine a clown wearing such insane high heels, for example. My Dark Circus board where I was collecting images evolved into being as much about fashion as it was about circuses.
I’m nervous about coloring this set. I was going to go strictly black and red, but then I really want her to have pink hair.
Problem, will the pink hair clash with the red and black? I just don’t know. Guess the only way to find out is to start coloring.
Over the years, I have done a fair number of steampunk or neo-victorian inspired sets of paper doll clothing. I’d name them all, but I really don’t feel like digging through the blog’s massive archives to track them all down.
Generally, I see the whole steampunk thing as an version of the Arts and Crafts movement of the 19th century. A sort of call back to a fantasy of an analog time while ignoring major issues of the actual 19th century like lack of labor protection, colonization, and treatment of the mentally ill (to name a few), just as the Arts and Craft movement exalted the medieval and gothic periods while ignoring the plague. Within reason, I don’t find this troubling though sometimes I do worry that when we exalt certain periods of history, than it is far to easy to ignore their horrors.
And every period of history, including our own, has a few horrors.
Still, I have always found alternative fashion movement fascinating, be it goth, punk, steampunk or the dress reform movement and therefore have every intention of continuing to draw neo-victorian clothing for the blog.
Somehow today’s set got awfully Christmas looking with the red and the green color scheme. I was thinking more burgundy and olive while I started, but it came out a bit brighter than I’d intended it to be. Despite the small number of pieces in this set, there’s actually 18 outfit options and more if you include the shoes each of the Ms. mannequin paper dolls come with.
Okay, quick question to my readers. I’m debating working on Flock stuff this coming weekend or working on Pixies. Anyone want to express a preference?
I spent a chunk of my weekend coloring my Margot in Wonderland paper doll from last week. Today, Margot gets to be a blond and has, of course, a wardrobe of Alice inspired paper clothing pieces. As I mentioned last week, I’ve been inspired by Alice many times before and drawn her many times over the years.
After some time I decided to go with a jewel tone color scheme that was a bit bright. I wanted to capture the richness of color that could be captured with color lithography from the 19th century. I was also heavily inspired by this Lolita outfit. I really loved the rich colors since they are not the pastels or black that I normally associate with Lolita fashion.
As I mentioned with my Turn of the Century Pixie Paper Doll, I often collect ideas on my Pinterest boards, so you can check out the Lolita board I keep to see where some of these outfit pieces came from. Nothing was directly taken, but I find ideas and inspiration makes drawing paper dolls faster and easier than it would be without them.
The top hat’s floating tab is meant to be attached using the same method as I outlined in my instructions for attaching wigs and hats to paper dolls. This is one of my favorite methods of doing wig and hat attachment for the paper dolls I design and so I use it often.
I have been traveling a lot over the last three months. One trip every month which has made for scattered time for myself. I’ve mentioned many times on this blog that I normally work from a long backlog and that having a backlog of paper dolls allows me to plan my life.
Well… I’m out of backlog, so the fact that today’s Alice in Wonderland paper doll happened was a shock to me. I did not think I would get her done, but I am pleased that I did.
Alice in Wonderland themed paper doll sets are something I have drawn before. I think in total I have done three paper dolls that I’ve posted.
Today’s Alice in Wonderland paper doll uses Margot, whose been a bit neglected. Her costumes owe a lot to both Neo-Victorian and Lolita styles, which could be construed to be the same thing… but that’s a whole different discussion.
I had an awful lot of fun putting together the rabbit pattern and the card pattern for the two skirts. I attempted to draw a more realistic top hat than I have in the past, but I’m not pleased with it. There’s something off about the perspective, I think. However, I shall eventually get over my problems with hats. I just have to keep trying, so expect to see more hats and more me complaining about hats.
Alice’s Adventures in Wonderland and Through the Looking Glass are books I love, but that I don’t think have aged very well in many ways. The general lack of agency for Alice, not to mention the fact that most of the jokes don’t really resonate with modern life (how many of us had to recite in school? I mean… really?), means that when most of us think of Alice, we think of iconic characters and symbols without actually remembering the story. The Cheshire Cat, the Mad Hatter, or Dweedle-Dee and Dweedle-Dum are all so familiar it hardly matters that the Mad Hatter is a reference to the mercury poisoning common to men in that profession during the Victorian era.
This is either a testament to the power of the original, or a comment on how pop-culture makes things into what they need them to be at any given time and place.
In the continuing epic of Greta’s Trousseau, today we have a bunch of outfits designed to help Greta do more mundane activities than fencing or hunting. Like any fashionable neo-victorian lady, Greta simply must have a costume for all occasions and her trousseau provides.
Today’s outfit set includes an opera toilette which fitted into a rather odd spot in the ladies wardrobe. Opera attire and ballgowns were both considered to be full dress (the most formal sort), but opera outfits usually included some sort of cloak (which I have omitted because eventually I’ll do a whole set of outerwear) and some sort of hat or headdress. I’ve also noticed that they seem to be a little more fanciful than other costumes. Greta’s consists of an off the shoulder top with a boned bodice, a floral decorated top hat and a full skirt without a train. She wears matching shoes.
Her promenade costume and visiting attire would have both been semi-formal wear. The promenade costume features a military influenced jacket where as the visiting attire is softer and more lady-like. Both outfits have matching hats. Her only costume without a hat is her tea dress which she could have worn while receiving guests in her own home and therefore wearing a hat would have been odd. Changing the bodice and adding a hat, turns this outfit into a walking suit, less formal than a promenade costume but with the same military influences.
Hmm… I really should have drawn her a parasol. I shall have to do that in the future.
All of the shoes, except the ones with the opera costume, are “borrowed” for the other sets in Greta’s Trousseau. I just find that I can only draw so many pairs of button up boots in one sitting, though I will be doing more shoes as we expand Greta’s activities. I know I need do to some winter boots for her and she’ll be needing some for the seaside as well.
Wow, it’s been a while since I posted one of these paper dolls, hasn’t it? My last set was East of the Sun, West of the Moon which I was quite proud of. I took a little break from the Flock dolls and now I’ve returned with a Cinderella set. To be honest, my return was partly inspired by Paper Doll School’s fairytale paper dolls and by the Toy Box Philosopher’s wonderful reviews of the Ever After High dolls that Mattel is making (though they include characters that are not fairytale characters… Alice’s Adventures in Wonderland is NOT a fairytale…)
Anyway, for my Cinderella, I decided to stick to the Grimm version of the tale where Cinderella is a little more proactive. The Grimm version of the tale includes three balls, no pumpkin, lots of birds and eventually people cutting off parts of their feet (ewww). Actually, like a lot of Grimm tales it is a pretty… well… Grimm tale.
One of the challenges of all the fairytale Flock sets is trying to figure out which parts of the tale make logical symbols for the paper doll set. For Cinderella, I chose to use birds and clocks as my two thematic elements, since both play a major role in the tale of Cinderella.
Things to say about today’s printable paper doll… It is my first Pixie paper doll in a while. She’s two pages and has a distinctly steampunk inspired wardrobe. If you’ve been following this blog for a while, you might remember the sketchbook post back in April of 2013 when I showed off the inked version of this set.
Wow… this was a long time coming, wasn’t it?
Shirin, in my continuing search for names I haven’t used ever, is a Persian name meaning “sweet”. Continuing the theme, her coloring is based on the Iranian actress Nazanin Boniadi, except with really curly hair, because I love curly hair and I’m trying to practice drawing it. You can expect to see more curly hair in the future on the blog.
Oh, and her clothing has nothing to do with Persia. I tried to think of a connection after I decided to base her coloring on Nazanin Boniadi, but I don’t have one as her clothing is distinctly Western without a hint of influence from the Middle East and is mostly based on the clothing of young men in the early 20th century.
Oh, and as sometimes happens when I saved these images for the web, Photoshop did odd things to the colors. I recommend looking at the PDF version of Shirin and Shirin’s Wardrobe to see what I really intended the color scheme to look like. Partly this was a challenge to do a steampunkish set without the color brown. Harder than it looks, actually… because the line between goth and steampunk is often one of color, not design. That, however, is a whole different discussion for another day.
Today, we have some sporting outfits for our steampunk paper doll bride. Since the fun of Victorian trousseaux (or should it be neo-victorian trousseaux?) are their costumes for every occasion, I had a lot of fun thinking up outfits for Greta to wear while she did a few different sports. Being a highly talented paper doll, I’m sure no sport is beyond her skill (and I have a few more sporting outfits planned- though perhaps not for a while).
Greta has a steampunk/neo-victorian inspired riding habit, a hunting costume, a skating toilette and a fencing toilette. What else could a steampunk paper doll bride want? (Okay, more outfits, but I am working on that. 🙂 )
Wealthy women have actually been involved in sporting activities for longer than most people think. Archery teams in the Regency were regularly co-ed. I’ve been 18th century illustrations of women doing archery, but I’m not sure women actually did it that often, sepcially since a lot of those illustrations are intended to be erotic- oh, the scandal. Women had been riding horses forever and in the South, prior to the Civil War, hunting or shooting was a common activity for women of wealth. By the 1900s, women could choose between tennis, golf, bicycling, skating, croquet and a variety of other sporting events.
My favorite is the fencing toilette. Someone asked for a fencing outfit (a long time ago) and I don’t know much (anything) about fencing, but I had a lot of fun drawing it. I suspect having open laces on the sides of your leggings is not… you know… very practical, but what’s the fun of drawing steampunk fashions if they have to be practical?
This is the first part of a multi-part paper doll project to create a neo-victorian or steampunk paper doll bride with a trousseau of outfits for every occasion. I feel like I’ve written before about my love of the idea of a trousseau. I remember as a child I was fascinated with the idea of having different dresses to do different activities. I wanted to tea dress and an afternoon dress and a morning dress. This all seemed very exciting to me. I’ve never given up my love of trousseaux or layettes or wardrobes and each time I do a paper doll, particularly a mix and match paper doll, I think about how each of the pieces can go or can’t go with each of the other pieces.
Several months ago, I hatched the idea of doing a steampunk paper doll with a trousseau, playing with the Victorian obsession with an “outfit for every activity”. I poured over old reports of trousseaux from major marriages of the guilded age, including Princess Beatrice whose style seems remarkably crisp and straight forward for such a frilly period. In the Ladies Book of Etiquette and Manuel of Politeness the following information about a proper bridal outfit, or trousseau, is offered, “In preparing a bridal outfit, it is best to furnish the wardrobe for at least two years, in under-clothes, and one year in dresses, though the bonnet and cloak, suitable for the coming season, are all that are necessary, as the fashions in these articles change so rapidly. If you are going to travel, have a neat dress and cloak of some plain color, and a close bonnet and veil.”
Clearly, this is going to be a larger project than just this post. This is the first of what I suspect will be several pages of trousseau for Greta. We’re starting with her wedding dress, with a jacket, a dinner dress and a house dress.
The wedding dress could become a ballgown quite easily and that wasn’t an uncommon practice, because wedding dresses were often simply a women’s best dress. The dinner dress is more of a semi-formal dress, a step below a ballgown and right around the world of an opera toilette (don’t worry, she’ll get one of those two). Her house dress is, of course, the least formal with a book to read while she spends time at home. Ever stylish paper dolls need to relax sometimes.
All of Greta’s Trousseau posts are gathered together under the tag “Greta’s Trousseau.”
So… again with the channeling Kate Greenaway thing, also a little bit of Peakswoods (a Korean ball jointed doll company), their fairies of fairytales were one of the inspirations for the Poppets series in general. I have noticed a tendency for ball jointed dolls to be dressed in totally over the top ruffled outfits (like this Little Red Ridinghood ensemble), so there’s a little of that here as well. I have a few dresses in process for the Poppets that take that concept on in a more fluffy way.
This set was drawn to go along with my second poppet paper doll Primrose. The dress, cape and hat, are all in the same color scheme and therefore can be mixed and matched. I am particularly fond of her little button up boots with spats on them.
I realize now that I’ve mentioned Kate Greenaway twice and I probably should pause to say who she was. Greenaway was an artist whose work was published mostly between the 1870s and the 1890s. She drew idealic angelic looking children in pseudo-regency costumes. You can see scans of her work at the Digital Library of illuminated books.
Last, but not least, I’d like to wish a very Merry Christmas to all my readers who celebrate it. I hope people have fun with family and friends today. I am with family myself and quite content.
