medium-brown skin

Warm in Winter: A Printable Paper Doll

logo-warm-colorI think maybe I drew this paper doll, because I want it to get cold in Alabama. It just hasn’t happened yet and it’s annoying me. So, I might not need my cute purple winter coat, but at least Marisole has her cute paper winter coats.

My wardrobe would be so much larger if I could just wear winter coats that I drew on pieces of paper. Seriously, that would be pretty cool.

So, let’s talk color scheme, shall we? I use ColourLovers to track my color schemes and this scheme was one I created called Seaweed and Salt. I always name my color palettes in ColourLovers totally random things. The inspiration color was that electric green color which I created named Acid Cabbage Attack– Hex Code C2DB06. It should work for all your bright green color needs. 🙂

(See, I know someone who reads this was thinking- Obnoxiously bright green is totally what I need in my life.)

As much as I make fun of Acid Cabbage Attack (and yes, I did name it), I actually think that bright green is a lovely color against Marisole‘s skin-tone.

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My only regret about this set is that I chickened out of making one of the coats Acid Cabbage Attack colored.

Clearly, I am having way to much fun with my background-color xtml code. Also Acid Cabbage Attack makes me think of that TV show about the evil tomatoes, or as it a movie? Did this actually exist or is my memory just inventing things?

(Thanks to Google, I now know the movie was Attack of the Killer Tomatoes)

So, what do people think of today’s Marisole? I’d love to hear in the comments and if you enjoy the paper dolls, consider supporting the blog on Patreon.

A Little Retro Style: Printable Paper Doll

retro-contemporary-logo-colorLike any good printable paper doll should, today Marisole is showing off her full color autumn paper wardrobe complete with some sassy boots. The colors I chose are rich jewel tones for these paper doll clothes. I wanted something that said autumn to me and nothing says autumn like jewel tones.

There are color schemes I come back to over and over again in various forms and one of those is teal, dark pink, and green. I just love these colors together. I do confess that I sometimes I tell myself I can’t use “pink” or I must use “green” and that forces me out of color scheme ruts.

I confess this is a color scheme that I have done before, or at least, I feel like I have done it before. Maybe I’m wrong… anyway, it feels awfully familiar to me.

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Every once in a while, I return to things in the deluded belief they are going to come out better. Like red hair and dark skin, I return to it even though I feel that I have yet to actually get it right.

There’s a term for doing the same thing over again expecting different results. They call that, “insanity.”

Anyway, I once again tried red hair and dark skin. I think this attempt was better than several of my other attempts (Mint and Roses, I am looking at you).

There’s a big announcement coming up Wednesday, so stay tuned for that.

Shayna: African American Paper Doll

logo-shayna-msmannToday’s paper doll is named Shayna. Shayna is a Yiddish name that means “beautiful”. I also liked it, because it was close to Shauna which was the name of my best friend in college and, also, one of my roommates for several years. Shauna, it should be noted, looked nothing like my paper doll Shayna. I don’t really draw paper dolls of my friends, even though I do sometimes name them after them.

Shayna is yet another paper doll with micro-braids. I would apologize for this, but the truth is that I really like how micro-braids look and they are fun to draw. Shayna is the same skin tone as Kira another one of the Ms. Mannequin paper dolls, so they can share shoes.

I’m sure Kira is grateful, because she doesn’t have any flats and might want some. The bases of the paper doll are the same color, so if there is ever confusion about who can share with each other, I hope this clears it up.

As always with paper doll skin-tones, I really do like this warm soft brown color. I think it is rich and natural looking. Plus, it is a shade which still prints beautifully on my home printer. I love my darkest shade of brown, but it doesn’t have much contrast with the black line-work. You can check out my skin-tone pallet if you want to see the commonest eleven skin-tone colors are. I’m not totally pleased with some of those colors, but I also haven’t had a chance to refine the pallet.

I haven’t really got a lot else to say about Shayna. I think she’s cute. She’s getting to me closer to my 10 Ms. Mannequin paper doll posts in 2015 goal. That always makes me happy.

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As we move towards 2016, there are going to be lots of changes to the blog.

First of all, the blog is moving to a fixed schedule with posts on Monday, Friday and an erratic posts on Wednesday. This is actually the schedule I have had it on for the last few weeks. There will always be a paper doll on Monday and Friday. Wednesdays will be everything from historical costume book reviews to interviews to sketchbook content. All sorts of things I’d like to do with that day of the week. And, once in a while, probably an extra paper doll or two.

In the meantime, if you have fifteen minutes and don’t mind spending it answering a thrilling survey… I am currently conducting a survey of my readers. If you have already taken the time to answer, THANK YOU! If you haven’t please consider it.

Click Here to Take the Survey.

If you have any questions, concerns or thoughts you’d like to share with me- Survey or otherwise- please feel free to drop me an email (paperthinpersonas@gmail.com) or post a comment. I might not respond to every comment, but I try to answer all the ones that ask questions.

Prima Ballerina: A Ballerina Paper Doll in Color

logo-aa-ballerina-colorSo, one of my first jobs while working in library school was to assist with the digitization of a massive collection of costume design drawings from a group known as the Motley Group (not to be confused with Motley Crue). This let to me eventually finishing my library degree and going onto a degree in Theater History with an emphasis on the history of technical design work.

All branches of theatrical design are about communicating information to the audience seamlessly. In Romeo and Juliet, for example, it is traditional to costume the warring families in different colors. Romeos family might be all in reds, oranges and yellows while Juliet’s family might be in greens, blues and purples. This is useful, because it communicates with the audience immediately which character is associated with which group- important in a play with about 20 characters. Opera and ballet also have costuming traditions. In a medium where people don’t speak and the plots are often rather odd, identifying characters by their colors and style is even more important.

So, when I was selecting colors and costume designs for my ballerina paper dolls, I was well aware that there were traditions that I needed to take notice of. I did my best to keep these costumes fairly “traditional” with the exception of the Firebird. I didn’t like either tutus or the unitards that seemed to be common, so I went with something a little more contemporary.

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Working left to right, the first costume was from the ballet Coppélia- usually costumed in a “folk” style which is also often used for the first act of the ballet Gisselle or any ballet where there seems to be milkmaids and/or county fairs. Next is a costume for the Waltz of the Flowers from the Nutcracker. This is a costume I entirely invented when I didn’t like any of the versions I was seeing online. For my firebird, I chose to do a more modern costume, rather than a traditional tutu. If I was going to costume something no in a tutu, the firebird seemed like the logical choice. Monica is dancing the part of Odette in Swan Lake- next week’s paper doll, Mia, will have a costume for Odile. It is traditional that the part is danced by the same ballerina, but I wanted to split up the costumes across two sets. For Swan Lake, I settled on a traditional sort of costume with some feather detailing and a headdress. From Sleeping Beauty, Monica is dancing the part of the Lilac Fairy. Obviously, her costume was going to be lilac.

Joy: An 18th Century Historical Paper Doll Set

logo-joy-1700sToday’s 18th century paper dolls is my second of three. Joy, all of these paper dolls will have virtue names, is from between the 1760s though 1780s. She has underwear and a gown in the polonaise style. Poloniase gowns had a skirt that is raised up and bunched over the petticoat. Usually a gown could be worn either with the skirt looped up in the polonaise or with the skirt down- offering some versatility to the 18th century silhouette. The polonaise gown sticks around into the 19th century and is sometimes mistaken for a bustle.

Joy’s gown was based on this pink silk gown circa 1770-1780 housed at the LACMA. Her shoes are based on this fashion plate from 1778. Her undergarments are based off a set held by the V&A museum dated to 1778.

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As with the rest of this series, I based her color scheme off my 18th century color pallet which I introduced in the first part of this series. After seeing this gown from MFA in Boston I knew I wanted to do something in a rich red color. Despite myself, I tend to think of the 18th century as being muted in colors, but nothing could be further from the truth.

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It has been so much fun to share this paper doll series over the last few weeks. We have four more pages with one more doll and three more sets of gowns. The whole collection, so far, can be seen here.

Since we’re talking the 18th century, I thought I would call attention to a cool project I discovered this week. The University of Michigan has begun to translate and make available online the Encyclopédie edited by Denis Diderot and Jean le Rond d’Alembert in the 18th century. The section of primary interest to those of us obsessed with dress is the plates on the Tailor of Suits and Bodices, but I’ve used the Encyclopédie to show students furniture manufacture and paper making circa 1790. I love this book and can get lost in it for hours.

Prince and Gentleman: A Prince Paper Doll in Greens

logo-macus-prince-colorAt the moment, I am trying to get inspired to give the male paper dolls some love. I am trying to convince myself that male clothing is as interesting as female clothing. I am trying to develop the same interest drawing for guys as I do for girls.

It is not easy.

I realize that a lot of it is in my head. I don’t think I’m good at drawing males and my insecurity makes it hard to want to try. Usually, I think of drawing male paper dolls as something I do “for my readers” and not something I do for myself.

This is a line of reasoning that I am trying to stop using. Drawing things for other people is, for me, a fast road to burn out. No one keeps up a blog like this for as long as I have by doing it “for other people”. Trust me. You have to do it for yourself.

But I also want to challenge myself. I also want to try things that I have never tried. I want to create things that I have never created. I want to stretch and do things that scare me a little. So, male paper dolls it is.

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I usually steer clear of monochromatic color schemes. Nothing against them, I just think that they can be boring. Still, green is a nice color and when I asked a friend of mine what color I should go with for male clothing, he said, “Green.”

So, green it is.

One of the nice things about green is that I don’t find any of the shades really horrid. I mean, there are shades of yellow I think are awful and shades of orange that I don’t like either, but green and blue are pretty much all okay with me. So, a green prince to match, I suppose, my yellow and my pink princesses.

Jazz Age Baby: A 1920s Fashion Paper Doll

Marisole Monday & Friends Paper Doll Logo. Monica with her 1920s clothing is featured in this post. Back when I started this blog, it was the dead of winter and I was going stir crazy in a one bedroom apartment surrounded by snow. Today, the sun in shining and the weather is lovely and I am still at this nearly six years later.

Time does fly.

Okay, so way back in 2011, I did this paper doll called Art Deco Goddess. I was full of ennui when I wrote that post. It is both melodramatic and whiny. Not to suggest that I’m not capable of being both melodramatic and whiny at my age today, but try to at least steer clear of being too melodramatic and whiny.

Anyway, I just thought of it, because Art Deco Goddess like Jazz Age Baby are both 1920s fashion paper dolls and this one can, of course, share clothing with her predecessor.

Jazz Age Baby, however, owes a fair bit to the hair of Josephine Baker and a bit to the fun wardrobes of ladies of the twenties.

A black 1920s fashion paper doll with five dresses, seven hats, and two pairs of shoes. Free to print and color from paperthinpersonas.com
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Now technically, Monica should be wearing stockings and a garter belt and slip and all sorts of 1920’s underwear, but I thought another paper doll might want to borrow her shoes or she might want to get to be fairy or in jeans and so I did not give her period underwear. I’m pretty much okay with this choice. I rarely give my historical paper dolls period undies.

Hope everyone has a lovely Monday!

Beautiful Boho: A Black Paper Doll in Color

boho-logo-colorSummer in Alabama is probably my least favorite season. First of all, it is very hot and humid. Secondly, there are cockroaches. Thirdly, it rains in the afternoons, but the rain doesn’t actually cool anything down.

We are having a freakishly hot June. It’s been in the high 90s for the last week and it is not looking to cool down at all next week. I am miserable in this heat, but I suppose it could be worse.

Someone who is not miserable in the heat (or at least isn’t showing it) is Marisole in today’s colored version of Beautiful Boho. A big part of color selection for me is finding colors I wouldn’t normally think to combine. Part of this is instinct, but I borrow most of my color schemes from various sources around the internet and then alter them as needed. Design Seeds more muted palettes were what I used on this paper doll set. I wanted to use colors that felt like they were modern and came from nature.

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I went back and forth about what to do about Marisole’s glasses in this set. Originally, I had them plain silver, but it just seemed so… well, plain. So, after some debate, I decided to make them a soft grey-teal color. It’s a color that shows up a lot in the paper doll set, but it is also fairly neutral. I also had a lot of fun painting her toe nails with her different sandals.

I don’t think I mentioned this last time, but the paper doll’s hair is based in part on the last hairstyle in this fantastic video of 100 years of black hairstyles 1910 to 2010. My only complaint about the video is that it ignores wigs which were commonly worn by black women, particularly 1940s through the 1960s. Never the less, it is a fascinating time-lapse piece.

Later this week there will be the first Flock post of 2015 (embarrassing but true).

Peach in the Park: A Victorian Printable Paper Doll

logo-peach-parkToday’s Poppet paper doll is all about Victorian children’s clothing of the late 1860s and early 1870s. I love Victorian children’s clothing. I just love it. I even love it in the 1840s when I generally think all the clothing looks really stupid.

I think it is a combination of my natural fascination with childhood studies and exposure to books like The Little Princess at a young and impressionable age. It is likely also because I have a fondness for the idea of antique dolls with little wardrobes of perfectly sewn clothing pieces. The Little Princess was full of dolls. Anyone else remember that book?

And I am not talking about the Shirley Temple movie version where her father wasn’t really dead. I’ve never forgiven them for changing that part.

Anyway, we have Peach, a new Poppet paper doll, with an elegant promenade costume from Godey’s Lady’s Magazine in 1969. Her fashion doll also has a Promenade costume from that same fashion plate. I couldn’t find a decent reproduction of the plate online. Because Godey’s plates folded out, when people digitize the bound volumes they rarely take the time to fold out the plates. The result is that the text is reproduced, but not the folded plate. This is one of my pet peeves about mass digitization projects.

Back to the paper doll- Peach has, of course, a French fashion doll with her who I have left unnamed. Her fashion doll has a walking dress of her own with a hat attached. I have rarely drawn something as small as the fashion doll and I am worried a little about the fit of the gown. I did a quick Photoshop fit test, but you might want to leave some black border for wiggle room on that one. I love the whole paper dolls with their own dolls which are also paper dolls thing. It is hard to pull off though.

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Anyway, I used several sources when working on today’s paper doll. The doll herself is based on the brown-complexioned bisque bebe dolls produced in France and Germany by companies like Steiner, Bru, Jumeau and many others. You can see some examples of these dolls on my Pinterest Board about Antique dolls. These dolls were most common in the late 19th century. As I mentioned above, her dress is from an 1869 Godey’s Lady’s Journal fashion plate. I used Dover’s excellent book- 80 Godey’s Full-Color Fashion Plates, 1838-1880 (ISBN: 978-0486402222), now out of print, for the 1869 plate. I know there are lots of sources online today for fashion plates, but too many of them omit the context of the plates, since plates were often cut. That is why I like having books of fashion plates in my collection for reference.

Next week, I will share a related Poppet clothing set with some underwear from the 1870s- when even children wore staybands or corsets- and two more outfits and a ballgown for her doll. Also, another pair of shoes with stockings.

I really do have to draw more historical children’s clothing for the Poppets. I had far to much fun with this set.

Remember that you’ll need to cut along the shoulders of the paper doll, so that she can wear her dress.

Lois: A Paper Doll of the 1930s

lois-logoI love the styles of the early 1930s and I wanted to create a paper doll that showed them off, so here is Lois- a paper doll of the early 1930s. That is to say, everything in it comes from 1930-1932.

It’s common to speak of the last century of fashion as though it happened in neat decade compartments. In reality, fashion doesn’t care what decade it is. It moves based on cultural and social shifts, often subtly, and then you look around and notice that the silhouette has shifted. Rarely, fashion changes dramatically over a short period, but only very rarely.

So, when looking at the early 1930s, as this paper doll does, you might be struck at how close these dresses are to the late 1920s. In truth, they are very similar, because fashion just doesn’t change that quickly. The Great Depression will catch up with the styles of the 1930s, it just hasn’t yet. All of these dresses are drawn from images in the book Everyday Fashions of the Thirties As Pictured in Sears Catalogs published by Dover. The Sears series from Dover is an inexpensive way to gather up books the show what people wore, rather than what fashion magazines thought people should be wearing. I own almost all of them.

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I have mixed feelings about my color choices. I knew I wanted to pick a color scheme where I hats could go with either of the dresses, but I don’t know how successful I was. I really do like how the white hat contrasts with her dark skin and I like how rich the red coat looks, but I’m not so sure about the yellow dress. The early 1930s is a very art deco influenced period and that makes me happy. I love the asymmetrical styles and the often surprising details.

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Unlike my 1920s Pixie Lynn, I actually gave Lois some undergarments. She has a girdle decorated with flowers to go under her dresses. She should, technically, have a slip to go over that and panties to go under it, but its a start.

I would have to pour through all my posts to be certain, but I think this is my second 1930s paper doll ever. The first was way back in 2010 for my original Curves Series and is just called 1930s. I got totally distracted looking through those old paper dolls trying to find the 1930s set I was pretty sure was there. It’s strange to go back and look at things I drew four or five years ago.

Some of them paper dolls I still really like and others I don’t. It rather makes me want to take on a project like Julie’s toddlers where she goes back to older color schemes. I’ll have to think on it. I don’t want to “redraw” old things, but there are some ideas there that I think could be reexamined fruitfully.