Today’s member of the Ensemble Eclectica is a cute little redhead with a retro paper doll clothes vibe. She’s not from any specific decade, but there’s something that feels 1970s about the color scheme to me.
I’m having a bit of artists block over the last few weeks. I wanted to draw, but I had no idea what to draw and the idea of trying to think of something to draw just made me sort freeze. So, instead of torturing myself with indecision, I decided to go back to my own archives and draw some things inspired by pervious sets I’ve created.
This set was inspired by Hearts Denims and Bows, a set I first drew a decade ago. One thing I did miss while I was drawing this set was having a paper doll with a side facing foot, so I could really have more fun with shoes. I like drawing shoes. Anyway, given that I have over a thousand paper dolls on this site, I might as well use my own work to feed new work.
Part of the purpose of Ensemble Eclectica is to try out color schemes. So, I turned a little retro for these paper doll clothes.
One of the things I’ve been trying to mimic is the printing styles of vintage materials and since I’ve been trying to play with that and what better way to do that than with some vintage color inspiration. I was heavily influenced when coloring this set by the shades of the 1970s- mustard and coral and a little avocado (though not too much, I leaned into teal instead, which is also a color I associate with that decade.)
Anyway, a fun part of the continuing Ensemble Eclectica series has been color. I love picking out color schemes for my paper doll and trying them out. I’m always fascinated at how color really changes the feel of a paper doll set.
This weekend was Rosh Hashanah, so I spent some time in synagogue, made challah, heard the shofar, and ate apples and honey. Rosh Hashanah is the Jewish New Year, so it is now the year 5784. I often get introspective this time of year, but I don’t know that I’m ready to share any of those thoughts.
I wanted to do something a little romantic and with a darker color scheme, but fairer skin, so I could see how the contrast worked with the dark linework and the added texture. I think it works well.
All this paper dolls clothing sort of reminds me of the clothing of Regina/Evil Queen in Once Upon a Time when not in the fairytale world. I never got through season 3 last time I watched this, so hopefully I’ll be more engaged this time. I honestly think the show works better when you can binge it and don’t so easily loose track of all the threads (there’s a lot of them.) I do really enjoy most of the costuming. Everytime I argue at the TV that there’s more ethical nuance than the show allows, my husband is like, “It’s fairy tales.”
And I am like, “Okay, fair.”
So, if you look closely at this set, you might notice one of the neat things about working digitally. Two of the blouses (the red sleeveless one and the purple button up) became the templates from which I drew the two other blouses- the cream and black one and the teal cropped one. This adaptation is much more possible, because of the digital nature of the art. It’s not something I’ll probably do all the time- because I honestly like drawing- but the possibility excites me.
Also, like how many ways are there to draw a pair of skinny jeans before it gets absurd? Really?
Oh, and I messed around a little with the layout to facilitate printing and getting more clothing onto the page. Not sure I love the thicker gray line, so that might change.
Let me know what you think in a comment! I love hearing from folks.
All right, so I spent sometime this week coloring my favorite of the July Project which was this rose ballgown.
One thing Procreate does really poorly is color management. It’s really frustrating. I keep thinking there’s a trick to it that I am missing, but after watching several tutorials and such, I am increasingly convinced that Procreate is just bad at color management. That’s it.
I’m still experimenting with texture as well and clearly experimenting with shadow, as well. My favorite artists don’t tend to do a lot with shadow… I dunno. I remain unconvinced that it works. More experimenting is clearly needed. But you don’t know if you don’t try, I always say, so trying matters.
Long story short: I’m not in love with Procreate for coloring things. I’m pretty happy with how this turned out, but I think I want more texture or maybe slightly different texture or something.
So, I decided to dip my toes into color in Procreate with this paper doll. I also did some experimentation with noise and backgrounds and other things.
While I wouldn’t recommend home printing for this one, because the ink usage will be through the roof, I have added a link to the PDF if you feel the urge to try to see what happens if you do.
East of the sun and West of the Moon illustrated by Kay Nielsen in 1913.
You do you!
And if you do print it, it is scaled to mix and match with the 365 paper dolls.
I’ve been trying to sort out how to get texture. Of course, I think the effect doesn’t work super well unless you zoom in at which point, like maybe it doesn’t work at all?
Hmm….
So, here’s what I was trying to mimic…
One of the things I love very much is the illustrations of the turn of the century. Generally done with a trichromatic printing process (sometimes black was added and sometimes green was added, which is fascinating in it’s own right), the screens used result in a very specific texture to the solid colors in the prints. You can see it in classic illustrators like Arthur Rackham, Kay Nielsen, or fashion illustrations from things like Bon Ton. You can see the texture I’m talking about here and here.
Anyway, trying to archive that effect digitally is not as simple as you might think. So I have been experimenting with noise and other texture effects in Photoshop and Procreate. The result, however, is probably not “strong” enough to be obvious. This is one of the problems of working digitally- you are zoomed in or zoomed out or… whatever. It’s actually super hard to tell what the finished product is going to look like at true scale.
The other factor is that digital printing introduces a bit of noise and I don’t like how it looks, but only because it feels unintentional and I really really value being intentional in my work. I want control, or an active lack of control (hello ceramics, I’m looking at you.)
As I keep saying on these posts, Julie has been a huge help in referring me to tools to try to get this effect.
There are many tools and brushes and things for Procreate that it is super overwhelming. There’s a million different tools and things you can do with those. But I suspect I’ll eventually find 3 or 4 I like and use them 90% of the time. That tends to be how I roll.
But you can’t find the three or four you like without trying out a few dozen, so that’s been the current challenge.
Next up, I’ll be sharing an experiment using a less smooth brush and seeing what happens when I have a “rough” line texture. More on that one next week.
I’m going to keep this brief, since I wrote a lot of this up in the newsletter already (subscribe here) and I just don’t know if I want to repeat myself (or if anyone wants to read me repeating myself).
One of the weird/interesting things about creating the newsletter has been grappling with the transient/permanent nature of it. I’ve always thought of this blog as both an archive of my work and as a place where if I make a typo and notice three months later (which has 100% happened), I can fix it. However, the newsletters don’t work that way. Once they are sent, they are done.
And while there is an archive, they don’t feel as permanent as a series of blog posts.
Since the whole newsletter thing is an experiment to begin with, I am still trying to grapple with how I feel about all that.
Anyway, let’s talk paper dolls. So, her underwear is a generic set of short stays over a shift with stockings a shoes. My goal here wasn’t to reproduce anything specific, but to get to the basic idea of “generic underwear of this era” rather than getting into specifics. Her hair is a combination of portraits like this one and this one. I wanted a hairstyle that could easily be covered in bonnets or hats, which I knew I was going to be drawing with nearly every dress.
To start with the morning dress is from this November 1813 plate from La Belle Assemblee which, despite a very French sounding name, was published in London and aimed at the fashionable set. People thought all things French were more sophisitcated than all things English. Interestingly, a lot of places will credit La Belle Assemblee fashioj plates to France on the name alone. While many of the plates in the magazine are copies of French fashion plates, the publication was definitely English.
The morning walking dress is really just a gown with a pelisse over it. The pelisse and bonnet were inspired by this September 1813 plate from La Belle Assemblee, again. A pelisse was a coat that was cut the same style as the dress. They came in all different styles like this one or this one. Some were made from very lightweight fabrics, but others were warm and designed as coats. Sometimes it’s hard to tell from an illustration if you’re looking at a pelisse or a gown or something in between.
The first gown on the second page (working left to right, top to bottom) is a ballgown. Ballgowns were the most formal gowns women wore with the exception of court dress and court dress has never been a big interest of mine. Court dress was governed by all sort of rules and regulations- a realm I have never wanted to dive into. The ball gown is based on this one from the Museum at FIT. The turban is from this 1815 fashion plate. Turbans were super popular in the 1810s.
The dress with the spencer is basically a walking costume. The Spencer was a jacket version of the pelisse. Both were cut to follow the lines of the dress. Spencers come in all different styles. A few that inspired this one include this 1815 yellow silk version and this March 1812 version from Ladies’ Magazine.
The Ladies’ Magazine was published in London starting in August of 1770. If I am remembering my fashion history correctly, it was the first magazine to publish a fashion plate, though the idea was quickly copied by French and German publications. My understanding is that Ladies’ Magazine was less expensive than some of the other fashion magazines of the era and the quality of the fashion plates shows this difference. Still, it’s a pretty amazing document. I have digressed a lot from our paper doll, so let’s finish up with the dinner dress.
And that’s it! More, I am certain, than you wanted to know about Regency fashion and inspiration for this regency paper doll set. Tomorrow, I’ll share Vivian’s steampunk traveling suit for my Patrons.
Well, when I decided to shift to this newsletter and monthly update schedule, I did not consider the downsides. The biggest one being that it’s much harder for me to step away as might be needed from time to time. I need to think on that, but I am enjoying the newsletter most of the time.
This month has just been very busy with non-paper doll related tasks. The statewide library conference was in-person for the first time in years, so I went to that. And I have two more library related conferences I’m attending this year. Plus, I’ve been working on a side project that isn’t quite ready for prime time (soon it will be and I couldn’t be more excited). And I’ve been prepping things to become prints for the paper doll party in May. Any leftovers from the party, I plan to offer for sale on Etsy, so maybe that’ll be an interesting change of pace.
Anyway, about this paper doll set- I admit that I started on these paper dolls largely, because I wanted to work with an old Marisole Monday set- Fabulous Fairy that I’ve always had a fondness for. Originally, I had planned on drawing wings, but actually ended up running out of paper in a sketchbook and not having a back up one. Opps. I really didn’t want to deal with paper I didn’t like. So, needless to say, the wings never happened.
Influences were largely flowers and the fact that I like gardens. I’m not much of a gardener, though I keep thinking I should take it up. I rent, so I don’t really know if tearing up the yard would be okay. I do keep herbs on my porch when spring comes and I like flowers. Flowers are pretty, useful to insects, and smell nice. It’s hard to be opposed to them, really. Plus, you can eat some of them.
The other big influence over this drawing fantasy hair which I don’t get to do nearly as much as I’d like. I love complicated hairstyles. You can check out some of my influences on my fantasy section of my Hair pinterest board.
If you’re a patron, there will be a Vivian gown sometime next week (exact date depending on how life shapes up) and we’ll continue on from there.
For those of you who have been following along in my newsletter, you’ll likely notice there’s a few extra pieces on this set (specifcally the winter coat and one pair of the shoes). I went back and forth about what to do with that coat. I’m not 100% sure it will layer over all the sweaters and I didn’t feel right giving just one of the dolls a coat (what if the other dolls get cold?). So, I thought- I’ll just keep it as a fun extra for folks when they get the whole set.
Another little detail I didn’t talk about in the newsletters was the coffee cups. I don’t know why I thought it was a fun idea to draw a mug for every paper doll with a different motif, but I did and so I drew one. To give a secret look at my process- I actually did all this layout and design work before I split it up for the newsletters. I’m very happy with how it turned out.
A few differences in these dolls and my usual stuff- I gave the dolls permanent shoes. I go back and forth on this a lot. I used to be strictly anti-attached shoes. But then I spoke with my 5 year old niece and she was deeply bothered by my paper dolls that didn’t have shoes.
So, I realized that shoes were more important than I had often thought. If you’re an attached shoes fan, you can thank her for showing me the error of my ways (though I still think I’m a bit ambivalent on the subject.) And I tend to think it depends on the paper doll- like mermaids SHOULD not have attached shoes.
That’s just silly.
Speaking of shoes- largely thanks to the shoes, there’s over 85 outfit combinations- well over 100 if you add in the scarf or the coat into the mix. So, that’s super fun!
Anyway, I hope you enjoy this collection of paper dolls as much I enjoyed drawing and sharing them all with you!
I mentioned in my last 1950s printable paper doll about how important I thought it was to have some 1950s fashions for these paper dolls that include pants and Ruby is getting two pairs of them. She has what was known as a “playsuit”- basically, a romper. There’s something very infantilizing about the terms “playsuit” and “romper”, though I’m not sure I have the energy to really dive into how infantilizing the 1950s was towards women. I mean women couldn’t get mortgages on their own until the 1970s, so I guess I shouldn’t be surprised.
I digress.
The point is that women wore pants in the 1950s and I wanted to illustrate some of those styles for this paper doll.
As November wraps up, we are stumbling into December which is always a hit and miss month for me. I have an idea that I hope I’ll get finished. Then January will come which may be a month off, I’m still debating, but we’ll cross that bridge when we get there. Hope everyone has been having a lovely end of Fall and beginning of winter (though given that it was -27 here yesterday, I think winter is already here in Alaska.)
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