So, today the Poppets paper doll series is traveling to the 18th century and rocking some beautiful clothes. One of the great myths of historical costume is that children in the 18th century were dressed “just like adults” and while there is some truth to the fact that children wore very similar clothing to adults, it was rarely identical. Skirt length is a common way to tell that a dress was intended for a child, rather than an adult, along with simpler lines and decorations.
St. Patrick’s Day is a festive holiday celebrating the life of St. Patrick and Irish hertiage and the excuse to drink a lot of beer, some of it dyed green. Despite being a Saint’s Day, there’s not usually a lot of religion in the celebrations (at least not a lot that I’ve seen…)
Normally I when I do a color and a black and white version together, they are both pretty small. I decided to try out a different formatting option this time. First we have the full color version and then, a little further below, the black and white version.
I decided it would be fun to do some historical St. Patrick’s Day costumes, so Margot has an early 18th- Century mantua gown on the far right covered in clovers. The mantua was in style until about the 1740s when it got replaced by other styles, but it was very much popular in the early part of the century. The first USA celebration of St. Patrick’s Day occured in Boston in 1737, so a mantua made sense.
Next, she to that she has a 1903 blouse with skirt to commemorate the fact that in 1903, Saint Patrick’s Day became an official holiday in Ireland. The blouse should be worn over the skirt to get the pigeon breasted look which was so popular in the early 20th century. Margot’s hair is covered in a hat and she has a matching parasol.
So, in 1962, the city of Chicago, known for it’s Irish population, dyed the Chicago River green for the first time using 100 lbs of vegetable dye. They continue that tradition today, though its only green for a few hours. I’ve never seen the river dyed, even when I was living in Illinois, but I’ve always wanted too. Margot has a 1960’s dress with high heels and a stylish flipped hair style.
Lastly, I included a modern pair of jeans and a t-shirt, in case you want a modern celebration of St. Patrick’s Day. I did not, despite a recommendation of a friend, include any green dyed beer. You’ll have to draw your own. 🙂
I’ve been busily converting old color Marisole Monday paper dolls into black and white files. Sometimes, this is a totally painless process, but the older the files get and the more… cranky the line-work becomes. Still, it’s been rather fun and it is probably the only time I will ever do this.
So, rather than a “real” Marisole Monday post today, I offer three old Marisole Monday sets in black and white… all historically themed
First, let’s take a short trip to the 18th century, shall we? Fourth of July paper doll from several years ago. She had a friend, but I haven’t converted that one to black and white yet.
To celebrate the 4th of July, I thought I would check out books from the library, sit down and set to work on drawing some historical costumes for Marisole set in the 18th century since the Revolutionary War (Or, as the Brits call it, the Rebellion of the Colonies) was in the 1770s. I’ve only done one other set of historical costumes for the paper doll and they were regency dresses (One set one in July and one in August in 2010). This is about as far from the Regency aesthetic as you can get- the French Revolution did have a way of changing fashion, also of decapitating an awful lot of people. Those wiley French.
So, I’ll confess that when I have to name my favorite periods of historical fashion the 18th century doesn’t get a lot of attention. I’m just not that huge of a fan, but when I was in England I went to the Fashion Museum in Bath and I saw an actual 18th century gown in person. Despite my tendency to dismiss such costumes as too poofy, too over the top, too absurd for my taste, the actual dress was among the most astonishing pieces of craftsmanship I have seen.
The frustration of drawing historical costumes for Marisole is that her proportions are so darn strange. While I like how she looks, it means that historical dresses (which rely on a specific silhouette) look off. As I drew these costumes, I realized I was going to a have to allow myself to be a little more liberal then my natural leaning for historical accuracy allows and, besides, I don’t really know enough about the 18th Century to be hyper critical of my own work. I won’t say these costumes are historically accurate, I will say they are historically inspired.
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