Last week was a lot of “housekeeping” sorts of posts- announcing changes to Patreon, letting people know about the new 1960s paper doll set– and I don’t mind those posts. They have to happen. Plus, I am proud of what I put on Etsy and I like getting to share it with you all.
But my Etsy products are always a a little higher stakes for me. Does everything fit? Do all the instruction make sense? Will someone who doesn’t know me really love the printable paper dolls as much as I hope they will?
I figure you are all my fans and will likely forgive me a foible for two.
So, I’m excited to return to a week of just sharing some printable paper dolls. It’s nice to get back to basic. Starting off with this fantasy set for Talia Tuesday feels right to me. Sometimes I do fantasy paper doll sets and I 100% know the narrative, but it’s not very common. It’s much more common for me to chose an element (in this case the scalloped sleeve detail) and think- how do I apply this across several things. You’ll see it in the sleeves of the gowns, but also repeated in the tunic trims.
I drew this paper doll at the same time as I drew my Tanya Elegant Empress paper doll. My original plan was to do a set that was all gowns and a set that was all pants. However, once I got down to the nitty-gritty of layout, I had too many gowns and not enough pants. Oops. I decided to call this printable paper doll “Having Adventures,” because the combination of nice gowns and more casual tunics made sense for someone who goes out and has an adventure. So, there’s a bow and arrows, but also an elegant gown. At least, that’s my justification after the fact.
Don’t forget to cut between the doll’s shoulders and her hair for best results when trying to dress her up.
Whenever I draw mermaids, I end up thinking of Liana of Liana’s Paper Dolls. This sadly defunct site is an amazing ode to all the things you can do with mermaids and paper dolls. (Seriously, if you haven’t ever spent anytime in her archives, it is well worth a gander.) I don’t think my mermaids even get close to hers. Liana had a fascinating entire world around her mermaids and I just don’t think that way. Creating stories around my paper dolls is not my natural tendency, though I am in awe of folks who can do that.
Today’s mermaid set is part of a larger mermaid project. The set got created, because I was somehow inspired to draw mermaids. My long term plan is that collection of drawings will become into something for Etsy. In the meantime, I’m sharing some parts of the set here as smaller creations.
When I design mermaids, I like it when the tails go up over the doll’s bust, so it feels more like an entire outfit, because I can not figure-out why mermaids would wear clothing (seems totally impractical in you’re underwater). Also, I don’t know if they would need to nurse young. Are mermaids mammals? Fish certainly aren’t.
Generally, I don’t base my mermaids on actual fish (questions about mermaid’s mammal status aside). However, clownfish inspired the tail on the left.
Fun Fact: Mermaid tails are one of the only things that usually get a full sized first draft. I need to make sure the curve of the tail makes sense. The tail usually ends up taking several tries on separate paper before I transfer them into my sketchbook for final penciling and inking. This maybe why I don’t do mermaids that often. Years ago, Julie Matthews did a centaur paper doll and I am still in awe over it. I can not even imagine trying to draw that.
Any how, if you want some more mermaid tails for Opal here, there’s been other mermaid paper dolls. Might I direct you to this one with Amethyst and this patron only one with Citrine. Stay tuned, because someday I will get that Etsy set done and there are some really neat mermaid tails in there that I am very proud of. I’ll let you all know when that happens, promise.
Creating a 4th of July paper doll was hard this year, but I have been wanting to try to get a paper doll done for all the major holidays I can. The thing about these holiday paper dolls is that they are super handy to have around (like instant social media content) and easy to draw (theme’s kind of done for you). However, I confess that I’ve been pretty angry and depressed about the current state of affairs in the United States. So, it was harder to build up enthusiasm to draw Americana then usual.
Still, I have so many fond memories of the 4th of July. It’s a big holiday in my hometown. There’s two parades, fireworks at midnight on the 3rd (the sun doesn’t go down until 10pm) and huge bonfire organized by our family friends. I do mean huge- it’s like several stories high and designed by architects and engineers made from pallets. There’s usually a theme for the bonfire- it’s been a T-rex, the throne of swords from Game of Thrones, and many other structures.
We make our own fun up here in the Northland.
Anyway, today’s paper doll is a riff on my Valentine’s Day vintage themed paper doll. She originally had different hair, but it did not look good. I didn’t have time to redraw it, so I borrowed the hair from the Valentine’s doll. Of course, I made a few little changes in photoshop, but it’s basically the same . I’m still trying to hit my 10 DDJ paper dolls in 2022 goal and this gets me a little closer!
By the way, there are some changes coming to Patreon (more on that later). So, just an early heads up for folks. You might start seeing posts on the site like these which are blocked unless you’re a Patron. Basically, I’m slowly adding old Patreon content to the blog in the months when it appeared on Patreon. Just so no one is super confused as to what is happening.
I’m still sort of playing around with getting used to drawing for the Talia Tuesday and Friends dolls. I enjoy the pose and I like playing around with the motion, though I am still not 100% confident with it. It’s a fairly new pose to me and so it’s a bigger stretch than drawing for poses I’m used to drawing for. Since I’m not formally trained as an artist, and I don’t really enjoy drawing figures, it’s always a little scary working with a new pose for me.
So, anyway, this is Tanya. Tanya is the Russian diminutive of Tatiana. I named the paper doll Tanya, because I already have a Talia and a Tashi. I felt like the name Tanya fit in with the other names neatly. So, nothing too fancy there- I picked it because I liked how it sounded.
Tanya here has my first fantasy foray for the Talia Tuesday and Friends dolls, but I do love drawing princess paper dolls. Her crowns are designed to fold around the head, so you have some flexibility, if you want to use them on another doll with different hair.
If the pose is a stretch for me, this style is like cooking a recipe you’ve made a million times and know will probably come out okay. I both like drawing medieval fantasy gowns and am super comfortable drawing these fantasy princess looks. The color scheme was a bit different from many I tend to be attracted too. It feels more autumnal than I intended when I started, but I am super happy how it turned out.
As usual, a big thank you to my patrons who got to see the first proto Talia last year and helped me name Tashi, though I picked out Tanya’s name on my own. You all are the best!
So, when I do historical clothing sets, I’ve learned drawing two takes about the same amount of time as drawing one. Of course, the downside is that I always worry if I make a mistake then I’m likely to repeat it. I’m not 100% sure about the waist lines on these, but that’s okay.
The paper doll is wearing a shift with a gathered neckline which seems to be the style in Italy. It’s a lot more fitted than these would have been for layering reasons. There’s some debate from my research in what women wore under these gowns. There’s not a lot of evidence for stays, but there’s no way to get the smooth line shown on the bust in these portraits without some sort of support either built into the bodice or underneath the bodice. If you look closely at side of the pink gown, you’ll see there’s a fold between where the armpit meets the shoulder and that suggests there is something under the bodice; however, I have not been able to find any evidence on what that undergarment might have looked like.
Later, there’s this Venetian Woman with Moveable Skirt from the 1560s and there might be a set of stays there or it might be an artistic choice to continue the bodice after the skirt is lifted. It’s tough to know. I tend to think it’s likely stays, because the work is erotic art and there’s nothing erotic about a bodice (or is there?). When I do a Venetian set (and I plan to do that someday) I’ll use that as my base design I suspect. However, we’re not working on Venetian clothing today. Today, we are in Florence.
Both of these dresses are again based on portraits. Both sitters are probably from Florence, based on professional folk’s assessments of the paintings. Lucrezia Panciatichi, for example, was the wife of Bartolomeo Panciatichi, a Florentine humanist and politician. The other sitter there’s some debate over, but her clothing does look like that which was worn in Florence according to folks who know more about this than I do which isn’t I grant you a high standard at this point.
Portrait of a Lady in Green by Bronzino?, c. 1528-1532Lucrezia Panciatichi by Angelo Bronzino, 1540
Despite the few small changes I might make to these in the future (and my annoyance that I couldn’t seem to track down a full length portrait to get skirt shapes right), I’m super proud that I did these despite feeling like I don’t “know enough” to do them well.
I will say that I want to do something later in the 1500s from Venice, as I mentioned, because the Venetians had these wild shoes called chopines which were platform shoes so high that women needed help walking in them. They’re so strange and I want to draw them, but I need to do more research on the clothing that would have gone with them. More research!
So, if you want to get to vote in my next paper doll content poll, join us on Patreon.
I have a pretty bad tendency to get super tangled up in myself. For the last few years, my Patrons have been requesting two historical time periods in every poll- the 1980s and Italian Renaissance. In my whole costume book collection, I only own one book on Italian Renaissance clothing and it’s a translation of a 1590s text, so not the most useful when trying to do overview research.
What became abundantly clear to me as I did my digging into the topic was that styles in Italy were not standardized across the entire country, as we know it today. At the time, Italy was a collection of city-states (it remained this way until it unified around the 1870s), so every area had its own fashion which makes things super confusing.
Plus, since most of these are taken from portraits of the period and the identify of the sitters isn’t always known, it’s nigh impossible to be certain where the paintings were painted. Is that lady wearing Naples fashions or those from Rome? Who knows?
Anyway, I got myself all wrapped up in my worry about not being “right” that I avoided drawing anything claiming to be Italian Renaissance for two years. Finally, I realized I was being ridiculous. So, I looked through all the paintings I had collected on my Pinterest Board devoted to Italy. I read what I could find and then I set to work. Here’s what I know- These dresses are based on those in two portraits.
Portrait of a Lady by Pier Francesco Foschi, 1530-1535?La Bella by Titian, c. 1536
The dress on the left is based on Portrait of a Lady by Pier Francesco Foschi. Dress on the right is based on La Bella by Titian. Both painting date from the 1530s.
Pier Francesco Foschi (1502–1567) was an Italian painter active in Florence. It’s possible the lady in this painting is also from Florence. There are other examples of this dress style here and here. Since those are also unidentified, it’s impossible to know exactly where this combination was being worn. The fur trimmed sleeves, black trimmed bodices, raised waists, long gridles, and high collared camisoles seem to be the common elements.
Meanwhile, on the right, Titian was a Venetian painter whose work is well regarded. The person in this painting is unknown, so the area this style of dress was worn is also unknown. Titian worked all over Italy, which adds to the confusion. The low neckline seems to be somewhat unusual for this period, as most dresses I saw had something filling in that space. In my rendition, I think I made the waist too high, but that’s neither here nor there.
A few things I noticed generally, unlike Tudor dress which is super stiff, the sleeves and skirts of these gowns fall more softly. I wasn’t able to find any full length portraits of these dresses, so I am guessing they fell to the floor without knowing for sure.
There’s some debate if these dresses were worn over some sort of stays. I have no idea, but I do know the flattened bust of these dresses wouldn’t have been possible without either some sort of support in the bodice of the dresses or underneath them. It does seem like wide open necked shifts were often worn and are referenced in several books I have.
Anyway, shoes were snagged from a few different places like here and my favorite- Stepping Through Time by Olaf Goubitz. Of course, from Stepping Through Time focuses on Netherlands and this is Italian, so… mileage may vary.
All in all, while there’s things I would change for next time, I’m okay with that. I have one more Italian renaissance foray to share and I just got a few books on order about the period from the library so… there may yet be more of this to come. I’m sure after I’ve done more research, I’ll approach it differently, but I didn’t want my own need to “be sure” get too much in the way of finishing some new paper dolls.
And if you’d like to get to vote on future polls about “what I should draw next” join us on Patreon.
So, there’s a not so fun side to any new paper doll series involving me figuring out how many pieces of clothing I need to draw to fill in a set. Too many and the clothing won’t fit. Too few and it looks weirdly sparse. I’m still sorting out with Talia Tuesday what I need for each set and evening gowns (because they are large pieces) are always a good way to test and get a feel for things.
Plus, I enjoy drawing evening gowns. Who doesn’t?
A few notes- for those of you who haven’t seen Talia here yet, all of her sets are two pages. I mention this because it’s one download, but there are two pages there. I had a question about that last week, so I wanted to clarify. This is the third Talia Tuesday doll, so if you need a friend (or clone, I suppose) there’s another Talia Tuesday with some retro ski clothing you can check out and a friend named Tashi with some fancy winterwear.
Eventually, this collection will expand to have other paper dolls with T names, but I am not there yet. Slow, but steady and all that. I have one other friend for Talia and Tashi ready and a foray into fantasy clothing I’ll want to share soon.
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