Vikings… Vikings… Vikings… Okay, not really. I mean, these are totally fantasy Viking outfits, but I have had Vikings on the mind ever since I did my historically accurate (for the given value of accurate) Viking paper doll and I found myself returning to the Viking look.
So, what makes these Viking inspired or Norse inspired, as I tend to call it. Well, the big thing are those dwarf-brooches. You can read all about the actual drawf brooches in my Viking article, but I wanted to include them here. Her shoes are also based on actual Viking finds in York, so they’re also a nod to the whole Norse/Viking thing.
I added fur trim to her gowns and did a lot of pattern. I wanted to get to use multiple colors in these gowns, so the patterns help with that.
Our model today is Meaghan of the Marisole Monday & Friend’s family. This is the fifth Meaghan set and probably the last one of the year. I’m getting to that point where I start planning for 2016. Thinking about 2016 and making sure I have enough backlog to get me through the Holidays. I always travel mid-December to visit family, so I tend to try to have things ready before I depart.
That means… backlog, backlog, backlog!
(It helps if you say it three times in an increasingly cheery voice. That’s how the backlog fairies know you really need their help.)
As always, I love to hear for you guys, so feel free to ask questions or leave thoughts in the comments.
Like any good printable paper doll should, today Marisole is showing off her full color autumn paper wardrobe complete with some sassy boots. The colors I chose are rich jewel tones for these paper doll clothes. I wanted something that said autumn to me and nothing says autumn like jewel tones.
There are color schemes I come back to over and over again in various forms and one of those is teal, dark pink, and green. I just love these colors together. I do confess that I sometimes I tell myself I can’t use “pink” or I must use “green” and that forces me out of color scheme ruts.
I confess this is a color scheme that I have done before, or at least, I feel like I have done it before. Maybe I’m wrong… anyway, it feels awfully familiar to me.
Every once in a while, I return to things in the deluded belief they are going to come out better. Like red hair and dark skin, I return to it even though I feel that I have yet to actually get it right.
There’s a term for doing the same thing over again expecting different results. They call that, “insanity.”
Anyway, I once again tried red hair and dark skin. I think this attempt was better than several of my other attempts (Mint and Roses, I am looking at you).
There’s a big announcement coming up Wednesday, so stay tuned for that.
Every once in a while, I imagine totally re-doing this blog. Abandoning my printable paper doll sheet format and switching to an outfit a day or something else totally different.
I doubt I’ll ever have the nerve to do that, but once in a while it does occur to me that it might be interesting to just “start over”. I had no choice back in 2010 when the site crashed, but it was also rather cathartic to be able to think about clean slating things.
(Don’t worry, the site is not destined for radical change at the moment.)
Today’s printable paper doll is Marisole, of the Marisole Monday & Friends Family, showing off her dynamic autumn wardrobe. It has been a while since Marisole has gotten any love which is funny considering she is the oldest of the Marisole Monday & Friends collection.
I love autumn. I love the turning leaves and the crispness in the air and the excuse to wear boots. I also love that the fashion magazines come out in September and provide a wealth of fun and interesting fashions for paper dolls. This is the time of year when I often draw a bunch of fashionable paper doll ladies, but this year I found between moving and a few other things, I just didn’t have the time to devote to my contemporary paper doll drawing habit.
For this printable paper doll set I actually drew a crop top which I confess I pretty much NEVER do, but I have had requests and I have noticed they are coming back in style. As someone who remembers the 90s, I would rather crop tops not come back. Still, can’t fight the tide forever.
I was going through some of my childhood paper dolls lately and I kept seeing crop tops and miniskirts. I was a little obsessed at age 12, clearly. I’ll have more about childhood paper dolls to share in the beginning of November.
As always, comment if you want and I hope everyone enjoys the paper doll!
I had a lot of different ideas about how to colors last week’s paper doll. I thought about a traditional princess scheme which would, of course, involve a great deal of pink. I also thought about something in pale blues and teals.
In the end though, I wanted to try to color these dresses as more of a “dark princess” look for the printable paper doll. Therefore I went with black and lavender, traditional mourning colors, so she’s a bit gothic. I accented the dresses with a set of white roses and a set of red roses. Most of my color schemes are a bit more diverse in their color selection. For this one, I stuck with a narrow selection of shades intended to keep things fairly simple.
I confess that coloring these gowns was quite fast thanks to the large swatches of one color.
I gave our princess black finger nails and black toenails to emphasis the slightly “gothic” feel of the princesses gowns. The gothic elements are also apparent in her bleached hair. This is not my typical princess, at least not the typical princess I keep in my head.
Back when I first named this paper doll Maeghan. The “real Maeghan” demanded that she have “absurd fantasy dresses.” Well, I don’t know how absurd these are, but I do think they are fairly over the top. Most of my dresses are realistic in so much as they could exist, not in so much as they do or should exist.
I did have fun drawing them. I admit my normal taste is a more towards these sorts of fantasy gowns over the huge skirted things that I drew today. Still it was fun to go wide skirted for once and I might have been influenced by watching Cinderella recently. (Though the Evil Step Mother has far better costumes than anyone else in that film.)
I wanted the full skirts to feel light and almost tulle like. I was thinking about late 1940’s and early 1950s ballgowns like this one and this one as I drew these. Her hair is inspired by the 1940s as well, blame the Evil Step Mother.
I gave her a sword, because I wanted her to be able to defend herself. Plus, she has plenty of room to conceal it among those amazing skirts.
Has anyone else seen the new Cinderella movie? What did you think of the costumes? I really enjoyed them, myself.
I am so excited about this week… there are going to be a Vikings on Friday and a post about historical Viking dress on Wednesday and, of course, today we have an alien paper doll in color. What could be more fun than aliens and Vikings? (Maybe pirates and aliens and vikings, but lets not be greedy.)
Anyway, I am super-pleased to be showing off this little alien. I choose blue for her skin as I have a soft place in my heart for blue skinned aliens. I don’t know why. It is always the first color that comes to mind. It does occur to me though, I have done another blue skinned alien recently.
When you are dealing with a skin-tones not in the range of human normal, than the skin-tone does not act as a neutral. Therefore, the paper dolls skin-tone becomes part of the color palette in a way that is rarely something I worry about. So, I wanted bright cheerful colors that would accent and no compete with my little alien’s blue skin.
That was why I settled on a magenta, line green, dark teal and bright yellow color palette.
I went back and forth about how to color the gowns. My first thought was that they were all one color. Later, I decided it would be more interesting to make them multicolored. You can see the results of my multicolored experimentation below.
Both jump-suit were colored in the same color scheme as the dresses and I made sure the boots would match the jumpsuits. I do admit that while I do think of my alien was a leader in war and a diplomat, I’m not sure going to war in platform boots makes a lot of sense.
Maybe in space, your foot wear doesn’t matter. After all, gravity might not be around, so you could wear whatever shoes you want? Maybe? I really don’t know, but I do love me a good pair of platform boots.
Many eons ago (okay so, like three months ago in June), I did a little poll about what paper doll I should draw next for Marisole Monday & Friends. The winner was ballerinas, but the second place winner was space princess.
To be honest, I was much more excited about the idea of a space princess than I was about ballerinas. Having fulfilled my ballerina paper doll promises, I can now move on to space princess paper dolls.
Our Space Princess is neither a Marisole, a Monica, a Mia, a Maeghan or a Margot paper dolls, rather she is a unique face, because I drew her hair and her features as one. She’s living over in the other friends category with my other alien paper doll (who you can see in black and white or in color).
I don’t always spend a lot of time thinking about aliens or what makes a species, but I imagine that this alien species is a highly advanced race with a strict social structure. Our princesss wears a crown, but also has ray guns for defending herself. Along with her gowns, she has jumpsuits that she wears when leading her people in times of war. She is not a shrinking violet who just stands around, rather she is someone who is willing to fight to defend her people and their way of life.
I used to fight the whole “princess” thing. These days, I am trying to embrace the fun of the whole concept. I remember the my grandmother used to give us paper doll cards for our birthdays. I know I’ve mentioned this before and while I can’t recall everything from my childhood, I can recall those cards with fairly vivid recollection. I seem to recall this Space Princess card being among them and you have to love a paper doll with a “moon moo moo” (yes, they spell muumuu like that…I don’t know why).
Lastly, I’d like to wish a L’Shanah Tovah or a Happy New Year to all my readers who are celebrating Rosh Hashanah like I am. I made my annual loaf of challah and ate it with apples and honey last night after sundown. Rosh Hashanah is the Jewish New Year and this year is 5776.
Okay, so this is the last one, but I did have fun with this little foray into dance clothes for the moment. Now that I have done these, I feel like I should do some tap dance clothes or something.
Anyhow, today’s Mia ballet set is in color. While Monica is the white swan from Swan Lake, Mia is the Black Swan for Swan Lake. Of course, traditionally, these parts are danced by the same dancer, but I thought it would be more fun to break up the two tutus across the sets.
Her Giselle costume is from the second act and therefore had to be white. After the character Giselle dies, the whole second act of the ballet is done in white costumes. It is sometimes called the “White Act” for this reason. I couldn’t exactly make it purple.
Don Quixote costumes are often based on Spanish flamingo dresses and this one is sort of in that vein. I settled on a golden bodice, black tutu and red roses. I’m not entirely pleased with how it came out, actually. I do think this tutu could also be for the Nutcracker’s Spanish Chocolate dance. I chose teal for both Romeo and Juliet and Scheherazade (which I think I finally have memorized how to spell).
For those of you who have been paying close attention, you have likely noticed that the en pointe shoes were copied for both sets. I thought about drawing two of basically then same thing and then came to my senses. The dolls leg positioning doesn’t really allow for “other” en pointe poses then this one. The leg warmers are also duplicated across both sets. Once again, I didn’t really want to draw the exact same thing twice.
Generally, I try to avoid copying from pervious sets- which is how I have draw way more pairs of skinny jeans than any person should- but sometimes I give myself a break and do it.
Lastly for those of my readers in the United States, Happy Labor Day! Let us all take a moment and be grateful for the people who fought hard to provide their fellow workers with a better way of life. Also, eat barbecue.
Today, my Monica paper doll ballerina is being joined by Mia, also getting to be a ballerina. Mia’s costumes are from (left to right) Swan Lake, Giselle, Don Quixote, Scheherazade and Romeo and Juliet. I do feel rather that Monica got the better known ballets since most people have heard of Swan Lake and the Nutcracker, but haven’t heard of Scheherazade, despite being an amazing piece of music.
When I was first compiling my list of ballets to draw for these paper doll sets, I wanted to show the range of ballet costumes beyond the tutu. Romeo and Juliet is usually costumed in a renaissance inspired style and Scheherazade is usually done as an orientalist fantasy set in the Middle-East. So, those are my two nods to the “non-tutu” look for these paper dolls. After all, not every dance costume is a tutu.
Mia has practice clothing as well- a simple wrap skirt, leg warmers, a long sleeved leotard, tunic top and flat soled dancing shoes. Of course, she can share her warm up clothes with Monica and between the two of them, I think there is a nice variety of options. I didn’t, to be frank, want to spend a lot of time on practice clothing. It is not nearly as fun to draw as fancy tutus.
There are some mix and match options as well from Monica’s set. Monica’s Copellia tutu, for example, would also work for the first act of Giselle, before Giselle dies. I am particularly pleased with how the transparent overlay on Mia’s Giselle tutu came out, actually.
I have been spending a lot of time looking at the work of Charles Ventura and Pat Stall, both of whom had a mastery of black and white line-work that I can only dream of one day achieving. I have been collecting their work, along with other black and white paper doll artists, on my black and white paper dolls Pinterest board for a while.
Studying the techniques of artists you admire is a great way to learn how to try new things.
Does anyone know if Charles Ventura or Pat Stall are still alive? I really feel like I should write them and tell them how much I love their paper dolls.
So, one of my first jobs while working in library school was to assist with the digitization of a massive collection of costume design drawings from a group known as the Motley Group (not to be confused with Motley Crue). This let to me eventually finishing my library degree and going onto a degree in Theater History with an emphasis on the history of technical design work.
All branches of theatrical design are about communicating information to the audience seamlessly. In Romeo and Juliet, for example, it is traditional to costume the warring families in different colors. Romeos family might be all in reds, oranges and yellows while Juliet’s family might be in greens, blues and purples. This is useful, because it communicates with the audience immediately which character is associated with which group- important in a play with about 20 characters. Opera and ballet also have costuming traditions. In a medium where people don’t speak and the plots are often rather odd, identifying characters by their colors and style is even more important.
So, when I was selecting colors and costume designs for my ballerina paper dolls, I was well aware that there were traditions that I needed to take notice of. I did my best to keep these costumes fairly “traditional” with the exception of the Firebird. I didn’t like either tutus or the unitards that seemed to be common, so I went with something a little more contemporary.
Working left to right, the first costume was from the ballet Coppélia- usually costumed in a “folk” style which is also often used for the first act of the ballet Gisselle or any ballet where there seems to be milkmaids and/or county fairs. Next is a costume for the Waltz of the Flowers from the Nutcracker. This is a costume I entirely invented when I didn’t like any of the versions I was seeing online. For my firebird, I chose to do a more modern costume, rather than a traditional tutu. If I was going to costume something no in a tutu, the firebird seemed like the logical choice. Monica is dancing the part of Odette in Swan Lake- next week’s paper doll, Mia, will have a costume for Odile. It is traditional that the part is danced by the same ballerina, but I wanted to split up the costumes across two sets. For Swan Lake, I settled on a traditional sort of costume with some feather detailing and a headdress. From Sleeping Beauty, Monica is dancing the part of the Lilac Fairy. Obviously, her costume was going to be lilac.
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
