Like any good printable paper doll should, today Marisole is showing off her full color autumn paper wardrobe complete with some sassy boots. The colors I chose are rich jewel tones for these paper doll clothes. I wanted something that said autumn to me and nothing says autumn like jewel tones.
There are color schemes I come back to over and over again in various forms and one of those is teal, dark pink, and green. I just love these colors together. I do confess that I sometimes I tell myself I can’t use “pink” or I must use “green” and that forces me out of color scheme ruts.
I confess this is a color scheme that I have done before, or at least, I feel like I have done it before. Maybe I’m wrong… anyway, it feels awfully familiar to me.
Every once in a while, I return to things in the deluded belief they are going to come out better. Like red hair and dark skin, I return to it even though I feel that I have yet to actually get it right.
There’s a term for doing the same thing over again expecting different results. They call that, “insanity.”
Anyway, I once again tried red hair and dark skin. I think this attempt was better than several of my other attempts (Mint and Roses, I am looking at you).
There’s a big announcement coming up Wednesday, so stay tuned for that.
Every once in a while, I imagine totally re-doing this blog. Abandoning my printable paper doll sheet format and switching to an outfit a day or something else totally different.
I doubt I’ll ever have the nerve to do that, but once in a while it does occur to me that it might be interesting to just “start over”. I had no choice back in 2010 when the site crashed, but it was also rather cathartic to be able to think about clean slating things.
(Don’t worry, the site is not destined for radical change at the moment.)
Today’s printable paper doll is Marisole, of the Marisole Monday & Friends Family, showing off her dynamic autumn wardrobe. It has been a while since Marisole has gotten any love which is funny considering she is the oldest of the Marisole Monday & Friends collection.
I love autumn. I love the turning leaves and the crispness in the air and the excuse to wear boots. I also love that the fashion magazines come out in September and provide a wealth of fun and interesting fashions for paper dolls. This is the time of year when I often draw a bunch of fashionable paper doll ladies, but this year I found between moving and a few other things, I just didn’t have the time to devote to my contemporary paper doll drawing habit.
For this printable paper doll set I actually drew a crop top which I confess I pretty much NEVER do, but I have had requests and I have noticed they are coming back in style. As someone who remembers the 90s, I would rather crop tops not come back. Still, can’t fight the tide forever.
I was going through some of my childhood paper dolls lately and I kept seeing crop tops and miniskirts. I was a little obsessed at age 12, clearly. I’ll have more about childhood paper dolls to share in the beginning of November.
As always, comment if you want and I hope everyone enjoys the paper doll!
I had a lot of different ideas about how to colors last week’s paper doll. I thought about a traditional princess scheme which would, of course, involve a great deal of pink. I also thought about something in pale blues and teals.
In the end though, I wanted to try to color these dresses as more of a “dark princess” look for the printable paper doll. Therefore I went with black and lavender, traditional mourning colors, so she’s a bit gothic. I accented the dresses with a set of white roses and a set of red roses. Most of my color schemes are a bit more diverse in their color selection. For this one, I stuck with a narrow selection of shades intended to keep things fairly simple.
I confess that coloring these gowns was quite fast thanks to the large swatches of one color.
I gave our princess black finger nails and black toenails to emphasis the slightly “gothic” feel of the princesses gowns. The gothic elements are also apparent in her bleached hair. This is not my typical princess, at least not the typical princess I keep in my head.
Back when I first named this paper doll Maeghan. The “real Maeghan” demanded that she have “absurd fantasy dresses.” Well, I don’t know how absurd these are, but I do think they are fairly over the top. Most of my dresses are realistic in so much as they could exist, not in so much as they do or should exist.
I did have fun drawing them. I admit my normal taste is a more towards these sorts of fantasy gowns over the huge skirted things that I drew today. Still it was fun to go wide skirted for once and I might have been influenced by watching Cinderella recently. (Though the Evil Step Mother has far better costumes than anyone else in that film.)
I wanted the full skirts to feel light and almost tulle like. I was thinking about late 1940’s and early 1950s ballgowns like this one and this one as I drew these. Her hair is inspired by the 1940s as well, blame the Evil Step Mother.
I gave her a sword, because I wanted her to be able to defend herself. Plus, she has plenty of room to conceal it among those amazing skirts.
Has anyone else seen the new Cinderella movie? What did you think of the costumes? I really enjoyed them, myself.
One of my good friends has nicknamed this paper doll, “Beardy Swordsman!”. I have decided to go with the poll name winner and call him Mikhail. Personally, I was rooting for Mikhail to win and that was my vote. I feel a little guilty because Mikhail won by just one vote and that might have been me. Still, I’m allowed to vote in my own polls, right? I didn’t vote more than once…
I decided to make a knight paper doll as the first of the Mikhail paper dolls, not out of any particularly grand plan, but because I think a lot about the sort of stories you might want to play out with the paper dolls. Back when I was a kid and I played with paper dolls, the narrative provided by the paper doll book rarely worked out as written. With a wedding set, I might decide I actually liked the Maid of Honor paper doll better than the Bride paper doll and she was going to run off with the Groom and the Best Man was actually the older brother of the….
Well, you get the idea.
So, when I create paper dolls I think about the types of stories you might want to tell. Since every doll of a series can share outfits with every other doll of the same series, Mikhail and Marcus can exchange clothes. Now along with being airship mechanics or casual dates, they can also be knights who rescue princesses or knights who get lost in swamps and need to be rescued themselves.
Several years ago, I met a young lady who was four (I think) and who very much wanted to be a knight. I thought to myself, “Good for you.” I drew a knight paper doll for her, but every time I draw a knight, I think of that young lady.
I have done a lot of dark haired guys, so I decided to make Mikhail a blond. Frankly, coloring armor is fairly dull. It is made of steel. It is going to be silver. There’s just not a lot of variability in that. I went with a lot of gold accents on the armor, because I have decided that Mikhail is a noble night and can afford to spend a fair bit of cash on his armor. Plus it broke up the grey.
In a totally unrelated note, as many of you know, I am currently conducting a survey. (At this point, my daily readers are like… Can she shut up about the Survey already?) I would ask that if you haven’t filled it out, please do so. It’s about developing products to open a Paper Thin Personas store in the next year. It should only take about 15 minutes and would be uber-helpful and I’ll send you a thank you paper doll if you leave me your email at the end. (The emails are deleted out of the survey results immediately to keep things as anonymous as humanly possible. So, don’t worry about that.)
Thanks again to everyone whose already done the survey! I’ve learned a lot from everyone’s comments and responses. Maybe at the end, I’ll do a post about some of the stuff I learned? I don’t know… does that violate the principle of an anonymous survey? Thoughts from my readers?
Meet the first Friend of Marcus! He doesn’t have a name yet- there’s a poll to vote for one below. Once he has a name, I’ll start calling him by it. For now, I think of him as Marcus’ bearded friend.
I’ve been wanting to do a knight with armor male paper doll since I added male paper dolls to the Marisole Monday & Friends collection. I waited a while though, because armor is actually rather hard to draw. I do think knight paper dolls make great paper dolls for boys and I am trying to be diverse in my paper doll creations.
I was complaining about how boring men’s hairstyles were and then I remembered- facial hair. Mustaches, beards, goatees, soul patches- There are many fun options for paper doll facial hair. So, this guy got himself a beard.
After doing some experimenting, I think the helmet works best for the printable paper doll if it is placed underneath the armor, rather than on top of it. He’s got a broad sword and an axe.
So I have narrowed my options down to four different names. Help me decide which one I should choose by voting below. The poll is open until Sunday.
[poll id=”11″]
One last thing I wanted to mention- I’ve decided to do a survey of my readers about potentially opening a shop to sell my paper dolls and setting up a Patreon account for Paper Thin Personas. The survey should only take about 10 or 15 minutes of your time. If you complete the survey and include an email at the end, I will send you a “THANK YOU” paper doll within the next week.
I am so excited about this week… there are going to be a Vikings on Friday and a post about historical Viking dress on Wednesday and, of course, today we have an alien paper doll in color. What could be more fun than aliens and Vikings? (Maybe pirates and aliens and vikings, but lets not be greedy.)
Anyway, I am super-pleased to be showing off this little alien. I choose blue for her skin as I have a soft place in my heart for blue skinned aliens. I don’t know why. It is always the first color that comes to mind. It does occur to me though, I have done another blue skinned alien recently.
When you are dealing with a skin-tones not in the range of human normal, than the skin-tone does not act as a neutral. Therefore, the paper dolls skin-tone becomes part of the color palette in a way that is rarely something I worry about. So, I wanted bright cheerful colors that would accent and no compete with my little alien’s blue skin.
That was why I settled on a magenta, line green, dark teal and bright yellow color palette.
I went back and forth about how to color the gowns. My first thought was that they were all one color. Later, I decided it would be more interesting to make them multicolored. You can see the results of my multicolored experimentation below.
Both jump-suit were colored in the same color scheme as the dresses and I made sure the boots would match the jumpsuits. I do admit that while I do think of my alien was a leader in war and a diplomat, I’m not sure going to war in platform boots makes a lot of sense.
Maybe in space, your foot wear doesn’t matter. After all, gravity might not be around, so you could wear whatever shoes you want? Maybe? I really don’t know, but I do love me a good pair of platform boots.
Many eons ago (okay so, like three months ago in June), I did a little poll about what paper doll I should draw next for Marisole Monday & Friends. The winner was ballerinas, but the second place winner was space princess.
To be honest, I was much more excited about the idea of a space princess than I was about ballerinas. Having fulfilled my ballerina paper doll promises, I can now move on to space princess paper dolls.
Our Space Princess is neither a Marisole, a Monica, a Mia, a Maeghan or a Margot paper dolls, rather she is a unique face, because I drew her hair and her features as one. She’s living over in the other friends category with my other alien paper doll (who you can see in black and white or in color).
I don’t always spend a lot of time thinking about aliens or what makes a species, but I imagine that this alien species is a highly advanced race with a strict social structure. Our princesss wears a crown, but also has ray guns for defending herself. Along with her gowns, she has jumpsuits that she wears when leading her people in times of war. She is not a shrinking violet who just stands around, rather she is someone who is willing to fight to defend her people and their way of life.
I used to fight the whole “princess” thing. These days, I am trying to embrace the fun of the whole concept. I remember the my grandmother used to give us paper doll cards for our birthdays. I know I’ve mentioned this before and while I can’t recall everything from my childhood, I can recall those cards with fairly vivid recollection. I seem to recall this Space Princess card being among them and you have to love a paper doll with a “moon moo moo” (yes, they spell muumuu like that…I don’t know why).
Lastly, I’d like to wish a L’Shanah Tovah or a Happy New Year to all my readers who are celebrating Rosh Hashanah like I am. I made my annual loaf of challah and ate it with apples and honey last night after sundown. Rosh Hashanah is the Jewish New Year and this year is 5776.
Okay, so this is the last one, but I did have fun with this little foray into dance clothes for the moment. Now that I have done these, I feel like I should do some tap dance clothes or something.
Anyhow, today’s Mia ballet set is in color. While Monica is the white swan from Swan Lake, Mia is the Black Swan for Swan Lake. Of course, traditionally, these parts are danced by the same dancer, but I thought it would be more fun to break up the two tutus across the sets.
Her Giselle costume is from the second act and therefore had to be white. After the character Giselle dies, the whole second act of the ballet is done in white costumes. It is sometimes called the “White Act” for this reason. I couldn’t exactly make it purple.
Don Quixote costumes are often based on Spanish flamingo dresses and this one is sort of in that vein. I settled on a golden bodice, black tutu and red roses. I’m not entirely pleased with how it came out, actually. I do think this tutu could also be for the Nutcracker’s Spanish Chocolate dance. I chose teal for both Romeo and Juliet and Scheherazade (which I think I finally have memorized how to spell).
For those of you who have been paying close attention, you have likely noticed that the en pointe shoes were copied for both sets. I thought about drawing two of basically then same thing and then came to my senses. The dolls leg positioning doesn’t really allow for “other” en pointe poses then this one. The leg warmers are also duplicated across both sets. Once again, I didn’t really want to draw the exact same thing twice.
Generally, I try to avoid copying from pervious sets- which is how I have draw way more pairs of skinny jeans than any person should- but sometimes I give myself a break and do it.
Lastly for those of my readers in the United States, Happy Labor Day! Let us all take a moment and be grateful for the people who fought hard to provide their fellow workers with a better way of life. Also, eat barbecue.
Today, my Monica paper doll ballerina is being joined by Mia, also getting to be a ballerina. Mia’s costumes are from (left to right) Swan Lake, Giselle, Don Quixote, Scheherazade and Romeo and Juliet. I do feel rather that Monica got the better known ballets since most people have heard of Swan Lake and the Nutcracker, but haven’t heard of Scheherazade, despite being an amazing piece of music.
When I was first compiling my list of ballets to draw for these paper doll sets, I wanted to show the range of ballet costumes beyond the tutu. Romeo and Juliet is usually costumed in a renaissance inspired style and Scheherazade is usually done as an orientalist fantasy set in the Middle-East. So, those are my two nods to the “non-tutu” look for these paper dolls. After all, not every dance costume is a tutu.
Mia has practice clothing as well- a simple wrap skirt, leg warmers, a long sleeved leotard, tunic top and flat soled dancing shoes. Of course, she can share her warm up clothes with Monica and between the two of them, I think there is a nice variety of options. I didn’t, to be frank, want to spend a lot of time on practice clothing. It is not nearly as fun to draw as fancy tutus.
There are some mix and match options as well from Monica’s set. Monica’s Copellia tutu, for example, would also work for the first act of Giselle, before Giselle dies. I am particularly pleased with how the transparent overlay on Mia’s Giselle tutu came out, actually.
I have been spending a lot of time looking at the work of Charles Ventura and Pat Stall, both of whom had a mastery of black and white line-work that I can only dream of one day achieving. I have been collecting their work, along with other black and white paper doll artists, on my black and white paper dolls Pinterest board for a while.
Studying the techniques of artists you admire is a great way to learn how to try new things.
Does anyone know if Charles Ventura or Pat Stall are still alive? I really feel like I should write them and tell them how much I love their paper dolls.
So, one of my first jobs while working in library school was to assist with the digitization of a massive collection of costume design drawings from a group known as the Motley Group (not to be confused with Motley Crue). This let to me eventually finishing my library degree and going onto a degree in Theater History with an emphasis on the history of technical design work.
All branches of theatrical design are about communicating information to the audience seamlessly. In Romeo and Juliet, for example, it is traditional to costume the warring families in different colors. Romeos family might be all in reds, oranges and yellows while Juliet’s family might be in greens, blues and purples. This is useful, because it communicates with the audience immediately which character is associated with which group- important in a play with about 20 characters. Opera and ballet also have costuming traditions. In a medium where people don’t speak and the plots are often rather odd, identifying characters by their colors and style is even more important.
So, when I was selecting colors and costume designs for my ballerina paper dolls, I was well aware that there were traditions that I needed to take notice of. I did my best to keep these costumes fairly “traditional” with the exception of the Firebird. I didn’t like either tutus or the unitards that seemed to be common, so I went with something a little more contemporary.
Working left to right, the first costume was from the ballet Coppélia- usually costumed in a “folk” style which is also often used for the first act of the ballet Gisselle or any ballet where there seems to be milkmaids and/or county fairs. Next is a costume for the Waltz of the Flowers from the Nutcracker. This is a costume I entirely invented when I didn’t like any of the versions I was seeing online. For my firebird, I chose to do a more modern costume, rather than a traditional tutu. If I was going to costume something no in a tutu, the firebird seemed like the logical choice. Monica is dancing the part of Odette in Swan Lake- next week’s paper doll, Mia, will have a costume for Odile. It is traditional that the part is danced by the same ballerina, but I wanted to split up the costumes across two sets. For Swan Lake, I settled on a traditional sort of costume with some feather detailing and a headdress. From Sleeping Beauty, Monica is dancing the part of the Lilac Fairy. Obviously, her costume was going to be lilac.
For years I avoided drawing a ballerina paper doll. I was asked a lot, but I always shied away.
Mostly, because the idea of drawing tutus frightened me. I work in ink. Ink is great for a lot of things, but I have always struggled with transparency and tulle (that stuff they make tutus out of) is known for both its transparency and its texture. That alone was enough to scare me.
Then, on a fateful day last year, I had no choice. I had to draw a tutu for a contest winner. I hated the outcome of my first tutu attempt, but I swore I would tackle tutus again.
I learn to draw tutus (and I still am learning), I have had to learn to let go a little of my natural instinct for controlled linework. I’ve had to embrace the risk of messy linework. That’s been a struggle and while my tutus still aren’t perfect, they are getting better.
So, for my ballet costumes, I chose to do some classic ballets that I love. The characters are Swanhilda from Coppelia (or Gisselle before she dies, either way), The Waltz of the Flowers from The Nutcracker, Odette from Swan Lake (though if you color it black, it could be Odile), the Firbird from The Firebird, and the Lilac Fairy from Sleeping Beauty. I chose Monica for this set, because I was thinking about Misty Copeland and also that I’ve only seen one African-American ballerina paper doll before. That would be one doll in Dover’s book- Ballet Dancers. So, here is a second African-American ballerina paper doll. She’ll be in color next week.
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