So… I often get asked for more black and white versions to color of Marisole Monday paper dolls. Oddly, I have almost never been asked for black and white versions of other paper dolls, but that’s neither here nor there.
I forgot that I hadn’t done this in black and white. I would have sworn I had… but as it turned out, I was wrong. It’s odd to me to think this paper doll set in color was posted nearly two years ago. Wow… That was a while ago. I’m still not pleased with how the floral skirt turned out, but sometimes you just can’t win.
Walk in the Woods in color was a set which I wanted to do some more casual wear and as I recall someone had asked for East Indian coloring, so that was my attempt at that. In hind sight, I rather like the accessories with this set like the apple, water bottle and backpack.
So, here they are. A few sets in black and white to be colored. Enjoy them everyone.
So, interesting fact for your day… Today in 1945, Tennessee William’s play the “Glass Menagerie” premiered in New York in 1945. Not that I suppose anyone really cares about that fact, but I have a certain soft spot for the “Glass Menagerie.”
Anyway, back to our paper doll, she would not fit in a 1945 theater opening, but she certainly could go to a show today. I am strictly of the view that one should dress up for theater, out of respect for the nature of live performance. A part of me winces, when I see people show up to Broadway shows wearing shorts and flip flops. Have some respect for the theater, people…
Wow, that’s quite the off topic subject… let’s get back to paper dolls, shall we?
I’ve decided, after quite a bit of dithering, to settle on Monica as my chosen name. I decided I liked the sound of Marisole, Mia, Margot and Monica. It’s different enough to stand out, but not different enough to be obvious. Minerva I think I should save for a fantasy paper doll and Miranda was a little hard at the end, but thank you everyone for your lovely suggestions. I really enjoyed getting to read all those M names.
So, spring has finally come to Alabama, it feels like. I enjoy the changing seasons of fall and spring. Also, I’ve been reading some 1920’s clothing catalogs and they use words like “jaunty” in their descriptions and I think we should bring it back as a fashion term.
Today’s paper doll set, which like my Mia paper dolls from earlier this month (here in black and white and here in color), comes out of the March fashion magazines which publish the new spring fashions of the year. I decided to do a little bit more “girly” for this paper doll set, focusing on the feminine styles that are popular right now.
My one regret is that I didn’t do more pieces with patterns on this paper doll set, but instead focused on the shapes. I sort of wish I’d done something in color blocking or even stripes to mix things up a bit. Still, I love the dresses and the purses which I think offer some interesting variety. I always carry the exact same purse nearly every day, but my paper dolls can afford to be a little more adventurous. Plus money is no object when the fashions are all made of paper.
I’m not totally pleased how the ruffled shift dress came out (far left). I like it, but I have mixed feelings about the execution, on the other hand I really like how both the other dresses came out and the high low t-shirt. I think I’ll come around to the dress once it has been colored.
I decided to use Magnolia, one of my new Marisole Monday paper dolls who I’ve decided to rename since someone pointed out that the Magnolia name is already taken. Suggest an “M” name in the comments and I’ll consider it. Right now, I’m split between Monica, Maureen and Mira, though I do think Mira is too close to Mia.
St. Patrick’s Day is a festive holiday celebrating the life of St. Patrick and Irish hertiage and the excuse to drink a lot of beer, some of it dyed green. Despite being a Saint’s Day, there’s not usually a lot of religion in the celebrations (at least not a lot that I’ve seen…)
Normally I when I do a color and a black and white version together, they are both pretty small. I decided to try out a different formatting option this time. First we have the full color version and then, a little further below, the black and white version.
I decided it would be fun to do some historical St. Patrick’s Day costumes, so Margot has an early 18th- Century mantua gown on the far right covered in clovers. The mantua was in style until about the 1740s when it got replaced by other styles, but it was very much popular in the early part of the century. The first USA celebration of St. Patrick’s Day occured in Boston in 1737, so a mantua made sense.
Next, she to that she has a 1903 blouse with skirt to commemorate the fact that in 1903, Saint Patrick’s Day became an official holiday in Ireland. The blouse should be worn over the skirt to get the pigeon breasted look which was so popular in the early 20th century. Margot’s hair is covered in a hat and she has a matching parasol.
So, in 1962, the city of Chicago, known for it’s Irish population, dyed the Chicago River green for the first time using 100 lbs of vegetable dye. They continue that tradition today, though its only green for a few hours. I’ve never seen the river dyed, even when I was living in Illinois, but I’ve always wanted too. Margot has a 1960’s dress with high heels and a stylish flipped hair style.
Lastly, I included a modern pair of jeans and a t-shirt, in case you want a modern celebration of St. Patrick’s Day. I did not, despite a recommendation of a friend, include any green dyed beer. You’ll have to draw your own. 🙂
Because color is something I love. I adore color and pattern and surprise and color… well color is something today’s paper doll set lacks.
Minimalism in fashion usually relies on a black and white color palette and is considered to be austere and simple. It has been popular for several years on the runways. I didn’t go as wild as I could have with shape, because I wanted everything to be wearable. This is not, after all, a fantasy paper doll set where I don’t care about realism and/or whether or not a person might actually be able to function in these crazy clothes. I am very pleased with the outcome (and this was the fastest coloring job I think I’ve ever done.)
Were I to make a list of things I’d never done before on the blog, I think doing a paper doll set entirely in black, white, and grey would end up on the list. I’m not certain, and I don’t really want to go pouring through over 500 posts to find out, but I’m pretty sure I’ve never done it before.
While I do agree that many of these shapes mirror Seagulls and Seaside, as was pointed out by a reader last week, I think the color really changes the tone of the entire set. I’m most pleased with Mia’s shoes (I love drawing shoes, though I really think one pair came out a little clunky) and the collared blouse.
I love March. I love March for the fashion magazines that come out in March. March, like September, is a big month in the Fashion magazine world. It’s right after Spring Fashion Week and the fashion magazines are stuffed with the new seasonal looks.
I always like to buy several when I go to the grocery store. I love Vogue for it’s amazing photo shoots, but for paper dolling purposes I want simple clear photos of clothing. (Models jumping around or standing in wierd poses are beautiful and all, but a pain to draw off of.) Generally, I pick from People StyleWatch, Elle, Instyle, Vogue or Bazaar. This time I wasn’t impressed with any of them except Instyle, and there wasn’t a new People Stylewatch to be had, so I just got my Instyle and spent Saturday drawing this paper doll set. (Also watching Escape from New York and Wall-e, but I digress.)
All of Mia’s clothing is based off items I saw in InStyle with a focus on things that were part of the minimalist collections that have been on the runway as of late, especially from Micheal Kors, Carolina Herrar and Ralph Lauren. I didn’t want to do pattern and I didn’t want to do anything elaborate, I wanted to focus on shape.
I’m really pleased with all the clothes, but a little less pleased with the doll. I decided to make her a Mia after I finished drawing the whole set, because I haven’t done a Mia yet this year, but once I finished her I realized that I have done a very similar hairstyle before for Mia before.
Anyway, I’m still pleased with this paper doll set and very excited to color it. It’s going to be a lot different I think than any other set I’ve done which is, to me, exciting.
It’s a Margot paper doll this Monday, the first for the new year, I think, and she’s sporting some stylish garb from the 10th century. Yesterday, I posted a pretty long ramble about 10th century Anglo-Saxon women’s dress and if you’re interested, I recommend reading that as well as this post, since the two rather go together in chronicling the epic research adventure this paper doll was.
One of my January drawing winners, Gwendolyn, who asked for this paper doll has been very kind as I slowly did my research and then set to work on drawing the set. I won’t pretend it hasn’t been both stressful and time consuming, because it has, but I am utterly pleased with the outcome and I hope she is as well.
Gwendolyn wrote me that:
I have actually thought a little bit about what I would choose if I ever won, so I can tell you now that I am interested in a Marisole-family doll, who is 10th century Anglo-Saxon. I would love a set or two of daily clothes, but I would also love a maille shirt and helm.
Speaking of the maile shirt, it is based on Anglo-Saxon finds in York and the helm is also based on the same thing. As women didn’t wear maile, I didn’t spend a huge amount of time researching the historical accuracy of such a garment. Personally, I’ll confess, armor doesn’t get me going like clothes do.
So, let’s talk about the clothes. As I explained yesterday, 10th century Anglo-Saxon’s women dress consists of several layers of clothing. To begin with Margot (our Anglo-Saxon model with a French name…) wears a pair of leggings with windings around the calves and shoes. The shoes come from Anglo-Viking finds in York dating from the 9th Century. The windings around her calves are based on an illustration from the manuscript Psychomachia (British Library MS Additional 24199) which shows a barefoot women on horseback. Sadly, the manuscript hasn’t be digitized, but there is an illustration in Owen-Crocker’s Dress in Anglo-Saxon England. There is no way to know what the top of such leggings looked like. I made them like this so they could be worn with the maile shirt.
The shift’s neckline is based on an illustration of a male farmer’s tunic illustrated in Tiberius B v calendar (British Library MS Cotton Tiberius B v, fol. 4r) and the sleeves are wrinkled as I discussed yesterday. The necklines of the other dresses are also based on the necklines of men’s tunics in the 10th century.
The veils are based on manuscript illustration, though I had added visible pins. Pins are commonly found from this period and it seems logical they were used to hold veils together. The green veil with broach is based on an illustration of the Virgin Mary from the first half of the 9th century (see Plate 1). The brown “poncho” is based on several illustrations and I discuss these cloaks a lot more in yesterday’s post.
Lastly, the embroidery on the red dress is not based on anything specifically. I wanted to use some patterns I found online, but they were far to detailed to easily make tiny enough to work as illustrations at such a small size. I did not include girdles as there is almost no published information on them and I didn’t want to just invent stuff. The colors used in these garments are based on the colors of the famous Bayeux Tapestry (which is not actually a tapestry, but that’s neither here nor there).
Well, I hope everyone has enjoyed the last two days in the 10th century. I certainly have had fun researching and I hope to do some more medieval period paper dolls now that I know more about the eras in question. (I think my next one will be 1300s, a little easier than 900s.)
So, last week I was feel very meh about this paper doll set.
Now, I’m rather in love with it.
I have a very on again, off again relationship with my paper dolls sometimes. I mean, if I was dating this blog, I would definitely declare the relationship highly unhealthy. As it is, the Blog is a demanding associate.
Anyway, I have decided on a name for this new “face” of Marisole. I’m calling her Magnolia, after the magnolia trees that aren’t blooming at all in the dead of winter in Alabama, but which are beautiful anyway. She’s stuck in the Other Friends category though until I decide if I like her enough to draw more sets for her.
I went back and forth and back and forth about Magnolia’s skin tone. I wanted to something darker than my standard Marisole skintone. I’ve posted before about my Skintone Pallette which I use to select skin tones for the blog. Now I was going to go with my darkest color which is #3b2219 which, as you can see, is a very dark brown. The trouble with #3b2219 is that it makes seeing the black lines on the drawing nearly impossible, especially when you print out the paper doll.
So, I lightened the skin-tone to a new shade which is #502e22 which I like a lot better, though it lacks the richness of the darker brown. I want to use #3b2219 more, but I am having trouble with it allowing the line-work to show up. I need to think about how to fix that problem in the future.
One last thing, I finally got the PDF of Seagulls and Seaside In Color fixed. Never let it be said I don’t get things done… eventually. 🙂
Oh and before I forget, I want to wish a happy President’s Day to those celebrating here in the United States.
Today’s Marisole Monday & Friends paper doll is a little futuristic and a little cyberpunk. She has a new face which I like I think, though I’m not sure about it. Drawing new faces for Marisole is a struggle for me. Drawing for Marisole at all right now is a struggle for me.
In fact, I kinda hate Marisole right now.
Don’t get me wrong…I’m proud of the 96 or so versions of Marisole I have drawn and I’m pleased she’s been a ninja, a fairy and an alien (not to mention plenty of other things), but lately I’ve been feeling uninspired when it comes to her. I think a big part of my frustration is that I drew this base doll over four years ago which is a long time to be drawing for the same doll. Working on her is like going back in time to a style I drew a long time ago and don’t anymore.
Before anyone freaks out, I’m not saying I’m not going to continue with Marisole style dolls, I just feel very much in a slump. The wheel in spinning, as they say, but the gerbil may be dead.
This is the paper doll set I abandoned last week and instead posted the doodles. I am so happy I gave it another week to be refined. Jo was one of the two winners of my drawing in January. She asked for a “groovy” late 60s early 1970s Marisole paper doll based on pattern covers from patterns she actually had sewn at the time. How cool is that?
You can see a PDF of the pattern covers Jo sent me here. I loved all of the pattern covers and I wish I had been able to draw them all, but, of course, that would be way more than a one page paper doll.
Normally, I do two pairs of shoes for each Marisole and friends set, but I wanted to focus on things the patterns had, so a simple pair of clogs did the trick. Tiny calico patterns were the “in” thing in the 70’s, so I created some to decorate these groovy outfits using a new method that I’m experimenting with involving Photoshops pattern making tools. I think they came out pretty well considering that I only sort of know what I am doing.
I drew a new Marisole paper doll face for this set, because I wanted to try to capture some of the whimsy of the pattern cover’s faces. I don’t think I did a good job of that, but I did have fun. Jo asked for bangs and brown hair, or I would have given into the temptation and tried to do Farrah hair.
(Okay, I did try. I confess. It came out… weird looking.)
I had so much fun dabbling in the 1970s, especially since I’m not very familiar with the clothes of this era. So, fans who remember the 1970s… how did I do?
Last week, I posted this paper doll set in black and white for coloring. I promised I would talk a little about each of the gowns and where they came from.
I need to learn to streamline my method for dealing with elaborate florals, or I need to never do one ever again. Normally coloring a paper doll set takes about 2 to 4 hours, at most. Sometimes longer, but only if I take a lot of breaks and am doing a lot of other stuff. If I have my colors picked out and I’m on a roll, I can do the set in about an hour when I’m really on the ball, though formatting, saving and other detail work takes longer. That single floral dress took me nearly an hour, by itself, to color. NEVER AGAIN.
(I say that and I’m already thinking of other cool florals I might draw… I have a problem, people.)
Let’s talk about where each gown came from. The floral gown, the blue gown and the red gown are all from the V&A in London.
The blue gown is based on this red dress from 1957. The red evening dress was drawn from this evening gown by Hardy Amies was made right after fabric rationing was lifted in England (1949), so lacks the layers of lace and silk that were common in evening gowns on this period. I love the simplicity and shape of the dress. The last dress from the V&A is my favorite, the floral evening gown made in Paris and worn by the wife of the British Ambassador. I tried, but I don’t think I captured the beauty of the rose patterned skirt and layered bodice.
The last pink dress comes from The Met, known as “Tree” this gown was designed by Charles James. Of all of the gowns I drew, I feel like this one didn’t work. My style of flat color just can’t capture the layering of the gowns beautiful fabric. Liana did a beautiful version of Charles james Butterfly dress on her blog several years ago which I think captures his work better than I did here.
Okay, that’s everything. Happy MLK Day to those in the US who are celebrating like me.
Nearly a year ago, I was asked to draw a paper doll of 1950s evening gowns.
Initially, I didn’t do it, because I couldn’t find any 1950’s evening gowns that I liked. Eventually I felt guilty enough to check out the V&A and the Met, both have strong collections from the 1950s.
I told the requester that I was working on the paper doll and asked what the hair should look like. The immediate answer was, “Like Mine.”
“Well,” I said, “Micro-braids with streaks weren’t really a thing in 1950 something, but okay. If that’s what you want…”
So, we have Marisole here, rocking her micro-braids with some couture 1950’s evening gowns to show off. As inspired by Liana’s comment a few days ago about stories, I offer the following scenario to justify this strange juxtaposition:
Marisole, working as the fashion editor of a major publication, has been invited to the Met’s annual gala whose theme, this year, is the designers of the 1950s. Eager to make an impression on the red carpet, she’s choosen to wear a vintage gown from the period. I am sure she will be the hit of the party when she arrives. 🙂
By the way, in a totally unrelated note, that floral pattern on the full skirted gown was the most complicated floral pattern I have ever done. I’ll rant more about coloring next week when I post the colored version. All I have to say is that normally, a paper doll takes me four to six hours to color, layout and get set up for blog. This paper doll… took longer. Much Longer.
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