Celestial Fashionista: A Fantasy Astronomer Paper Doll

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Today’s paper doll is a fantasy scientist I think. Some sort of astrologer or astronomer paper doll perhaps? I’ll leave that up to others to decide.

Netflix did a version of Cinderella back in 2021 and honestly, it was not a film I enjoyed very much. The attempt to modernize the story fell a bit flat. The costumes were cool and I love a musical, but I didn’t actually think it was a very good movie. The film’s excessive close-ups and awkward staging make it feel less like a true musical and more like a disjointed movie where people randomly burst into song. It was a jukebox musical, but not one that worked very well. I thought Pierce Brosnan was quite funny as the king and Camila Cabello was charming enough as the lead.

Even though nothing will ever replace the 1997 Brandy version of Cinderella in my heart, I did find some of the costume designs in the Netflix version interesting. I created this printable paper doll inspired by those looks—specifically the main outfit Cinderella wears for most of the movie which is a heavily boned set of stays over a skit with a wrap belt of some sort.

After designing the two dresses, I started thinking about the character behind them. There was something practical about the costumes that made me imagine this astronomer paper doll. That’s when the idea to draw the armillary sphere came in, and the concept evolved from there. The color palette was inspired by what I think of as “galactic” colors. Not colors I tend to use that much, I don’t think.

This photo from Pinterest inspired her hair. I added some dramatic earrings.

This month has absolutely flown by. It’s been one of those stretches where I keep thinking “I’ll do that when I have a moment” but those moments are in short supply lately. I’ve been teaching, attending a historical conference, catching up after August travel, and taking a class.

I have been scheming on a October project, so that might be happening. We shall see!

Free Roaming Fashions: Outdoor Mix and Match Fashions

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As I think I’ve said, for all my love of fashion, I am not a very fashionable dresser. Even today’s printable hiking paper doll is better dressed than me.

Living in interior Alaska means summers are full throttle. Everything is go, go, go because winter’s cold, snow, and endless darkness are never far away. It also means that most of us dress like we’ve stepped straight out of a slightly rumpled, far less coordinated REI catalog. Hiking boots and practical pants aren’t just for weekends here; they’re basically the everyday uniform.

For today’s printable hiking paper doll, I wanted to capture that practical, outdoorsy vibe but give it a style-conscious twist. She’s ready for the trail with practical sandals, floral prints, and accessories like the ever-present water bottle and a crossbody bag. I gave her a top knot and a bit of a summer tan for a relaxed, fresh look.

The color palette was tricky to choose, but I kept it light and summery with lots of greens, soft pinks, and touches of sky blue. And while I’m not usually a jogger-pants fan, they make great hiking pants here. They’re comfortable, easy to move in, and perfect for tucking into boots if the weather changes.

I hope this printable hiking paper doll brings some trail-ready fashion to your paper doll collection. No hiking boots required, though I am living in mine this week.

Be sure to tell me your favorite outfit in the comments! And if you want access to some exclusive sets and behind-the-scenes extras, join me on Patreon. Your support keeps the paper dolls coming.

Scallops & Sunshine: Printable Summer Paper Doll for Ensemble Eclectica

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I’m thrilled to share the latest paper doll addition to the Ensemble Eclectica series called Sunshine & Scallops in both a full-color printable paper doll and a black-and-white paper doll coloring page versions, so you can decide which was brings you more joy.

Sunshine & Scallops is a summer paper doll set featuring a stylish doll with glasses, a bright smile, and a fabulous wardrobe full of scallop-trimmed fashion. Think breezy dresses, mix-and-match separates, and cheerful accessories in a palette inspired by sunshine, sherbet, beach days other summery things. I think of her as being Latina, but you know, there’s no reason why she has to be. You do you, as my students are fond of telling me.

A quick tip! Don’t forget to trim along the doll’s shoulders to make the outfit tabs fit correctly. I include small dots to guide where to cut, but it’s easy to miss if you’re new to my designs or paper dolls. It’s so easy for me to forget that people are discovering paper dolls everyday and maybe they don’t know how they work.

Funny story: I was just explaining them to an teenage boy this week who had no idea what I was talking about until I finally got out pictures. Not sure I made a paper doll fan out of him, but at least now he knows. And as they say, knowing is half the battle.

If you’re thinking: Wow, you seem to be doing a lot of paper dolls with glasses lately, you are right! I think paper dolls with glasses are an unserved segment of the paper doll world.

If you love what I do and want to support the creation of more paper dolls, consider checking out my Patreon Page. It’s a lovely way to help keep the site going, and you’ll get early access, behind-the-scenes sketches, and monthly exclusive content. Every little bit makes a big difference.

Pastel Punk: Mix and Match Paper Doll for Creative Kids

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Say hello to the latest addition to the Ensemble Eclectica paper doll series! This week’s printable paper doll is a pastel punk Black girl paper doll with her hair up in dreads and funky glasses.

Pastel Punk is what happens when soft, sugary pastels collide with 1970s punk fashion and somehow it works. From my limited understanding, the style pulls some inspiration from Kawaii and Harajuku fashion in Japan, mixed with the grit and DIY spirit of classic punk. I like the contrast of the surgery sweet with the spikes myself.

With more than fifty potential outfit combinations, she undoubtedly possesses a wealth of sartorial choices, as any paper doll should. I wanted these pieces to all be able to be mixed and matched for maximum versatility, so I kept to a very limited color palette. After all, what paper doll doesn’t need the juxtaposition of soft lilacs and mints paired with skull prints, fishnets, and a serious attitude? I can’t think of one…

Of course, if you’d prefer a more traditional punk color scheme, there’s always the coloring page version. Maybe she’s more red and black tartan punk than lavender and mint. You do you.

Don’t forget, she can share clothing with my other Ensemble Eclectica paper dolls. She has the same skin tone as some of my other Black girl paper doll creations including Sweat in Style, Straps and Lace, and In 1938. None of them match as well stylistically as the Gothic Glamour sets I did for Halloween back in 2023. Lots of skulls in those sets to expand her collection here.

I’ll admit that drawing alt fashion always makes me a little nervous. I’m more of a t-shirt and jeans (or cardigan and tweed) kind of person. I love the boldness of alternative styles, even if I’m not brave enough to wear them myself. They are a lot of fun to draw.

If you like this set, please consider sharing it on Pinterest or supporting my work through Patreon or Etsy. Even a little love goes a long way in helping me keep creating these!

Dapper Daze: Mix-and-Match Vintage Outfits for the Ensemble Eclectica

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Today’s Asian printable paper doll features a retro 1950s-inspired wardrobe, complete with classic women’s suits, soft tucked-in blouses, and a couple of purses I low-key wish I owned. (Even though I’m totally a cross-body bag kind of person. I just can’t carry a purse in my hand all day.) Of course, this isn’t the first time I’ve dived into vintage styles for the Ensemble Eclectica ladies. You can look at this more colorful 1960s inspired one if you need more outfit options. There’s also actual historical 1950s fashions, I have a whole collection of those.

As I was coloring Dapper Daze here, I kept thinking about a long conversation Julie Matthews (of Paper Doll School) recently had about mix and match paper dolls and how important a consistent limited color palette is to make a set really versatile.

Yes, this is what I text my friends about. Don’t judge me.

Lately, I’ve been on a mission to finish up all the paper doll projects gathering dust on my iPad. Starting things? Easy. Finishing them? A little harder in digital format, where it’s way too tempting to start something new instead of wrapping up what’s already halfway done. It’s so easy.

So, I dug through the files, polished off a few nearly-finished pieces, and ta-da! Today’s paper doll is finally ready to share. (Though I’ll admit I don’t fully remember what I was thinking when I first designed her. Artist brain is a mystery.)

Still, it feels great to finally bring some of these printable paper dolls across the finish line. I have more to share. Promise.

PS: Got room in your collection for even more big-eyed charm? My newest paper doll book, Big Eyed Girlies, is officially available for pre-order from Paper Doll Review! So, go check that out, too.

Wardrobes of Whimsy: A Romantic Evening

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Sometimes, I talk myself out of ideas—and this project was one of those cases. I’ve always really loved mix-and-match paper dolls, but designing sets like these comes with certain compromises. One challenge is layering, especially when it comes to tops being tucked into pants or skirts or long gloves, like on this set. That limitation got me thinking: what if I could have both the full layered outfit and the individual pieces as separate, layer-able parts in one paper doll set?

One of the great things about digital art is the flexibility it offers. It’s so much easier to draw, erase, and redraw without relying on tons of tracing paper.

I originally designed these printable paper doll evening gowns in summer of 2024 and was really excited about them at the time.

But then life got busy, and I started second-guessing the whole idea.

I showed them off at the Paper Doll Convention in Indianapolis, and the reaction was a bit lukewarm. People didn’t seem to quite “get it.” That made me wonder if the layout just isn’t doing a good job of explaining the idea, if maybe it was a poor idea in the first place, or if ballgowns are maybe not the best example of the concept… I feel like maybe it needs a revision or two.

So, with the caveat that this might get heavily revised in the future and I am not even going to give these their own category yet, as the two I’ve currently made may end up being the only two that are ever made, here’s my printable paper doll evening gowns experiment.

The other set that goes with this experiment, I’ll share next week.

Brass & Brocade: A Steampunk Paper Doll Design

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This paper dolls color scheme comes from a card in the Color Cubes by Sarah Renee Clarke. I ended up picking color scheme 229 for this set. It was beautiful soft pink, black, sand and a dark coffee color. I loved the idea of the black, brown, and sand with the pink. Keeping some pink in the color scheme was important to me, because a 2011 steampunk paper doll called Neapolitan Ice Cream inspired this paper doll’s wardrobe and that paper doll’s scheme is cream, brown, and pink. I had planned to stick to that color scheme, but darn it, I couldn’t make it work.

Actually, if you look closely, you’ll see a that my paper doll Neapolitan Ice Cream inspired pieces on both Victorian Whims and Straps and Lace. So, all three of these Victorian steampunk paper doll printables took some inspiration from that earlier paper doll. As my art has improved over the years, I sometimes find going back to things I really like and trying to draw them again is a chance to revisit favorite ideas and see what they might look like now.

I teach a class on research and I while I know “self-plagiarism” is sort of a thing, I also sort of feel like it is silly. I mean, I don’t think you can steal your own ideas, but you can not give proper credit to your own earlier work.

This is the last of these steampunk ladies for the moment, but who knows, I might draw a few more. They were a lot of fun.

Straps and Lace: Steampunk Paper Doll For Ensemble Eclectica

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Today’s steampunk costume paper doll has a mix and match wardrobe of ten pieces. There are about 12 different outfit combinations here. I really wanted to experiment with drawing lace and lace like patterns using some lace brushes I have in Procreate. I use the brushes during the penciling stage and then I ink over them. I don’t like how they look “raw”, but they really help when I’m trying to draw a repeat pattern that runs along something- as lace often does.

I feel like I am getting much more confident in rendering lace in my digital ink style, which I am really happy about.

I will save you all from my “steampunk” vs “Victorian fashion inspired” language musings from last week. Instead, I will simply say that that steampunk is a combination of modern styles and Victorian looks. It is both fun and whimsical and usually brown. I find brown boring, so I tend to lean into color with my steampunk costumes.

(This is why I never could have been a Goth. I just find all black so uninteresting.)

For the holidays, I treated myself to a set of Color Cubes by Sarah Renee Clarke to help choose color schemes for paper dolls. I randomly selected a beautiful teal, cream, and blue palette (Color Card 101) and added yellow for extra contrast. The new pieces can mix with last week’s Victorian Whims paper doll, though the colors don’t coordinate perfectly, so some creativity is needed, but the black and white versions work well together. If you combine these two steampunk costume paper doll creations together, you’ll end up with 72 outfit combinations, before you even add in hats and purses.

As some folks know, I have a coloring book out from Colouring Heaven and I’ve heard that it’s popping up in the occasional Walmart. I am still going to recommend you order it directly, if you want a copy, because as far as I can tell distribution in the USA is not consistent at all. However, if you happen to see it in a Walmart, I’ve love a photo. I am psyched to see it “in the wild” out there in the world.

Purim is this Friday. I confess that I have been do wrapped up with other things that I completely forgot about my favorite Jewish holiday, but if you need some Purim paper dolls in your life, I have several. If I remember I’ll see about drawing a new one for 2025, but life has been a roller coaster these last few weeks.

Victorian Whims: A Paper Doll with a Mix & Match Steampunk Wardrobe

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I was really struggling to write this blog post tonight about today’s paper doll with her mix and match steampunk wardrobe. I was particularly struggling to summarize steampunk, because I think I’ve summarized steampunk at least a hundred times on this site. Technically, there are 64 “Steampunk” tagged paper doll creations and 107 “Victorian Inspired” paper doll creations, so who knows how many times I’ve done it?

Way too many.

Still, I have to remind myself that very post I write is someone’s first time visiting the site. Those first time vistors haven’t read my steampunk summary seventeen million times. So, here we go.

Steampunk is a genre that blends Victorian-era aesthetics with steam-powered technology and futuristic, often fantastical elements. Steampunk was very popular about ten to fifteen years ago. I think it may have lost some of that popularity a bit. Someone who knows more about alternative fashion then me can probably speak to that.

Personally, I don’t really care if steampunk is “in style” or not. I am going to be drawing Victorian inspired fantasy clothing, because I’ve been drawing since before I ever knew what steampunk is. I draw it, because I like victorian clothing, and corsets, and boots. Creating a mix and match steampunk wardrobe is just really fun. Calling it steampunk and not “Victorian inspired fantasy clothing”, is because I don’t think anyone else on the planet calls it “Victorian inspired fantasy clothing. Also, “steampunk” is faster to type.

I’m enough of a historian to look at steampunk fashion and be able to draw a straight line through it to the New Romantics of the 1980s. Fashion is a cycle, even alternative fashions. Does it matter what it is called?

I digress.

So, I have three steampunk printable paper dolls finished, each with a distinctly different color scheme. All their of the paper dolls have different mix and match steampunk wardrobe. I’ll be sharing those paper dolls throughout March. I think of this one was the “green” one, for obvious reasons. She has over 50 different outfit combinations, mostly because of the top hat which lets your double these things.

Wrapping up the 1830s in Paper Doll Fashions

To finish up my 1830s project, I thought I would offer this round up and write up about the whole decade with a gallery of all the paper doll fashions I drew, so you can make sure you didn’t miss any of them.

The 1830s is a transition period in women’s fashion. The early part of the decade is characterized by full skirts, gigot sleeves, ankle length skirts and lavish decorations.  A softened, gauzy version of the 17th century ruff is often combined with high collars, a nod to historical fashions. Pelerine collars, large wide collars with lapels that extended down the front of the gown (see this dress) were very popular. Throughout the decade, the shoulders of gowns are dropped, creating a sloped shoulder line.

This is not an era of strong broad shoulders.

An 1830s Paper Doll

Fashion is not static of course and evolves. During second part of the decade, largely after Queen Victoria ascends the throne in 1837, the styles become more restrained. Sleeves reduce in size, skirts get longer, and details become more delicate. The sleeve, which had defined the style for many years, entered a transitional phase in the late 1830s. Once a large ballooning gigot sleeve, it began to evolve with the fullness in sleeves began to shift to the lower arm. One common way to adapt the wider sleeve into something more restrained was to gather or pleat the fullness into a tightly fitted upper arm and then allow the fabric to expand into wider sleeve as it came to the wrist. This style (see this dress and this dress) continued unto the early 1840s.

I could not be happier with how these paper dolls turned out. There’s 12 different designs here making up 24 pages. You can decide if you want this 1830s paper doll in color or in black and white for coloring. Enjoy!

A 1839 Dress for the Races for the Ensemble Eclectica Paper Dolls

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If you’ve ever watched Bridgerton, than you might know that in England in the 19th century there as a “social season”. The social season corresponded with the sitting of English Parliament and then went into the summer, usually ending around June. Basically, all the Lords had to leave their estates and come to London to do political work. There’s some debate when it “started” and I suspect these things, as with most things, didn’t have specific dates.

Unlike London, the Paris social season didn’t align with the sitting of parliament. Everything I’ve read suggests it was less formal. However, the races at Longchamp often marked the end of the social season in Paris. Longchamp was the place to see and be seen and show off the latest summer fashions. Remember that scene in My Fair Lady at the Ascot Races? That’s what Longchamp was for the Paris season- both a horse race and a big deal socially.

A fashion plate from Le Bon Ton, a french fashion magazine, published in 1839.
A fashion plate from Le Bon Ton, a french fashion magazine, published in 1839.

Published in Le Bon Ton, a French fashion magazine, these 1839 dresses are meant for Longchamp. These April gowns were trying to show the height of fashion for the races that ended the Paris social season.

I didn’t chose these gowns for their connection to horse racing. I picked them, because I thought they really show the transition into the 1840s. The dropped shoulders, the pleating at the top of the sleeve, the fullness right around the forearm coming into the wrist are all distinctive of the early 1840s and late 1830s. Plus, the details at the top of the sleeves and the longer skirts.

I wanted to end the series with something that really felt more 1840s than 1830s and this 1839 dress qualified.

When I started this whole project, I had intentions to continue through the 1840s and 1850s. Now that I am wrapping up the 1830s, I am not sure if I have the steam to keep going. I also don’t want to stop. So, I might see how I feel in a few weeks, because there is going to be a pause. After all, I don’t have the dresses from the 1840s finished yet.

In the meantime, I have some other content I’ll be sharing, including a wrap up post later this week to show off the entire 1830s decade worth of paper doll dresses.

Did you have a favorite? Let me know in a comment.

A Dress from 1838 for the Ensemble Eclectica

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I know I shouldn’t have favorites, but I do and this dress from 1838 is one of them. It was first printed in Le Follet, a french fashion magazine, in 1838.

Fashion plate from 1838 printed in Le Follet and published in July 1838.
Le Follet fashion plate from July 1838

I think this dress is so beautiful. The sleeves are a delight with ribbons and ruching. There’s a slight princess waistline with deep pleating. I’m 90% sure this is a dinner dress, because its paired with a bonnet, but rather a cap of ribbon.

To me, this gown is late 1830s in it’s most elegant. The early 1830s are whimsical and fun, but the later part of the decade gets elegant. And this is elegant.

All right, let’s talk about other details, as the decade came to a close, the sleeves got narrower with accent details falling right above the elbow. You see a lot of upper sleeve decoration. There might be a fashion term for this other than “upper sleeve decoration”, but I’ll be darned if I know what it is.

I didn’t do a lot of patterned dresses during this project, because the other details are so complicated so often in these historical dresses, that I felt like the extra lines from pattern would just be visual clutter.

I didn’t do many patterned dresses for this project because the other details are often so intricate, adding patterns just seemed like visual clutter. However, I loved the floral sprig pattern on this gown—it added so much to the simple silhouette, so I decided to go for it. If I’m drawing a dress from 1838, I figured I might as well include a pattern once in a while.

In fact, I had so much fun coloring the pattern that I made a second version for my Patrons. If you’re a Patron—free or paid—you can check out the periwinkle version over on Patreon.

In the end, this dress from 1838 is a favorite of mine for being elegant and having delicate details. I’m glad I took the chance to add a pattern to the design, as it really enhances the gown’s beauty. I hope you enjoy seeing it as much as I enjoyed bringing it to life—be sure to check out the periwinkle version over on Patreon!