Can I be totally honest with y’all? I feel like I can.
These are the sorts of dresses I draw when I am feeling exhausted and I know I have to get a set done. Is that a bad thing to admit? It’s not that I don’t enjoy drawing them, but they don’t take a lot of mental energy. It’s like safe drawing. There’s not a lot of stretching here.
Sometimes though, I do think that is okay.
As I said on Monday, the color schemes for all of this week’s outfits are based on previously posted printable paper doll sets. For example, today’s paper doll dress for the B&B series is based on my Pixie series paper doll Malina who was posted in 2014. I have always really loved Malina’s color scheme and I thought it was a fun one to transform into this medieval fantasy dress. Malina is a contemporary fashion paper doll, but I think her color scheme is very universally autumnal.
It’s September and it should be chilly and there should be changing leaves. I confess I am getting neither changing leaves nor chilly weather here in Alabama, but I want it! I love the autumn and I want to get to experience some of it, darn it!
Now, a friendly reminder, you can get the doll that I drew to go with today’s printable paper doll dress from Monday’s post, but feel free to dress up any of the B&B dolls in this fantasy gown.
Also, if you like the blog and want to help me keep it online, please consider becoming a Patron. I know I say this a lot, but it really does help me subsidize the server, security and related costs to running PTP.
And, of course, I always love to hear what you think about today’s dress.
Our theme this week is fantasy gowns and this is the first Bodacious & Buxom set of paper dolls to be posted in the new format! Exciting, no? (Okay, maybe just for me.)
A few things, every dress this week was colored based on the color scheme of an older paper doll set which I thought was kinda a cool idea. Plus it saved me from having to come up with color schemes all my own. See? Saved by my own laziness.
That’ll start tomorrow.
Meanwhile, our curvy fantasy paper doll has a nightgown, because every girl needs a nightgown. My only big regret with this paper doll is her hair. I had planned on a big, over the top, fantasy hair style, but then I thought it didn’t go with the dresses and I think I redrew her hair about six times before finally saying, “Good Riddance!”
And just making it long and simple.
If you’re thinking, her hair is boring, I want a different model… I’ve set up a Dolls category and a Clothing category for the Bodacious and Buxom paper dolls and I am currently working on populating those categories for the other paper doll series. So, you can find all the dolls and all the clothing.
Meanwhile, please feel free to follow the blog on Twitter @paperpersonas. And if you love it, support it through Patreon. Patrons get early previews, extra outfits and to listen to me ramble about process.
And who doesn’t want to listen to me ramble about that?
Patron or not, I hope you enjoy today’s paper doll and her dresses this week.
Happy 4th of July! There are a lot of 4th of July printables out there, but I don’t see a lot of 4th of July printable paper dolls and is there anything better than a paper doll activity for the small ones coming to your bbq?
I’ve been thinking a lot about the 4th of July, also known as Independence Day lately. Politics in the United States this year have gotten horribly vicious, I think everyone can agree. It’s a strange thing to see. But the 4th of July should be a day when people in the United States can celebrate the fact that even when our politics get nasty, we’re still living in a pretty fantastic place.
So, I’m pretty proud to be American, even though right now I’d like to get to stop hearing about our Presidential elections. Actually, I was sick of hearing about the Presidential elections about four months ago and we’ve got a long way to go it feels like.
And that is all the politics you’re going to get from me today.
Meanwhile, here’s a 4th of July printable paper doll!
In a change of pace from my other 4th of July paper dolls, I went with short hair. I had fun with cookout accessories including a burger and a drink. I was going to draw a hotdog, but did you know?
Hot dogs are actually really very hard to draw. Huh.
I don’t think anyone will be shocked that I went with a red, white, and blue color scheme.
So, I was originally going to color the drink like it was lemonade, but it looks kinda unpleasant once it was colored, so I went with a sorta coca-cola color.
May everyone have a great 4th of July if you’re celebrating or a delightful Monday if you’re not.
One of my goals for 2016 was to draw ten historical paper dolls. I confess I am far from achieving that goal and we’re halfway though the year (nearly), so I seriously need to get my act together on this one. So, my goal for the next few days is to buckle down and get some drawing, scanning and finishing done.
We’ll see how that goes.
I have a few days off work and I always start these things with a long list of “goals”, but I fear my plans are often larger than my capacity. Still, I’m out of backlog and nothing is as good as an artist motivation as desperation.
Picking out colors wasn’t very hard, since I seem to always come back to the same ones when it comes to the 1300s. I blame it on medieval manuscripts I have seen. I always think of the 14th century was being red and blue and gold.
Sterotypical, perhaps, but none the less. There we are.
Between my new 1300s Buxom and Bodacious paper doll, my viking paper doll, and my Cranach paper doll, we’re starting to get a pretty nice set of early Western Fashions. I keep promising myself I’ll do one from a decade of the 19th century, but I can’t pick one. So, 19th century B&B series suggestions would be welcomed.
My best-friend in highschool and middle-school was a curvy girl with a goth and punk style. Now, this might not seem like an odd thing to be today, but in Juneau, Alaska, in the early 2000s, this was practically unheard of. In the early days of internet commerce, buying a corset in Alaska required a willingness to shop online when the online options were limited to Amazon and a few catalog retailers. So, when I sat down to draw today’s curvy goth paper doll, I knew I wanted to celebrate my old friend and her willingness to break the mold.
Despite my interest in alt-fashion, I have never really wanted to wear it in public, but I respect people whose style choices are much more adventurous than mine.
Not that it is hard to be more adventurous than the girl who wears white shirts and cardigans to work nearly every day.
Anyway, when I work on designing something for a fashion genre, I try very hard to be as authentic as possible. Of course, as an outsider to any cultural group, it is nearly impossible to capture all the nuances, but I wanted for my goth paper doll to have a nice range to mix and match pieces which could also share with other paper dolls. After all, maybe she’ll want to wear a sundress or some thigh high platform boots one day.
Color schemes for anything goth is going to be a lot of black (obviously) and I didn’t want to try to really break the mold here, so I stuck with my old friends favorite colors- black, red, and purple. Lavender was a Victorian color of mourning, so that seemed appropriate. Though the Victorians took their mourning culture way seriously.
While my natural tendency is to avoid patterns, I wanted at least one patterned piece in the bunch and a corset seemed like an obvious choice. The skull and roses pattern is mirrored in her purse and the limited color palette means I think it can go with either skirt.
I have always loved patent leather, so the boots were an obvious place to make some shiny-texture. I am out of practice with that technique though and it took three or four tries to get it right. I’m still not in love with the outcome, but I’ll live.
Looking for more goth paper dolls? I have a whole tag for gothic fashion, though looking through it, I confess I thought I had more gothic paper dolls.
Hmmm…. Maybe I need to draw some more, because there’s not a lot there.
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As always, I always love to hear that you think of the paper doll!
Allow me to be blunt, I am not one of those people who gets upset about skimpy lady armor. I am far too big of a fan of Xena and Hercules for that, but I think there is a place in my fantasy world for skimpy armor and there is a place in my fantasy world for practical armor and mostly there is a place for stuff that falls in-between. Today’s paper doll is a female knight whose armor falls more into the practical camp than the skimpy armor camp.
But don’t worry skimpy armor fans, I’ve got a B&B set planned that falls into that camp, too.
I knew I was going to give my female knight short hair from the beginning, but that was because I originally had conceptions of drawing a helmet. Well, helmets are HARD, so instead we have her without a helmet, but with short hair. Actually, I think the paper doll, if not her clothing, could easily hop into the modern era and be a young stylish Black woman in 2016, but right she’s being a young stylish knight.
Over the years, I have always struggled with chainmail. I think this chainmail is slightly better than some, but I worry its too obvious where I patched together my swatches of tiny circles. Also, is it chainmail, chainmaile, chain mail or chain maile? Does anyone know?
That has been bothering me as I write up this post.
Anyway, happy Friday, y’all. Have a safe wonderful weekend.
Personally, I blame Mad Max: Fury Road. Because I saw it not long before I drew this printable paper doll set, which is actually one of two post apocalyptic B&B paper dolls that I have been working on. Also, Mad Max: Fury Road had really wonderful visuals and amazing costumes. (Plus, it was a genuinely good movie.)
Because what everyone needs is paper dolls ready to face the end of civilization as we know it.
Honestly, I love post-apocalyptic fashion. I don’t know why, exactly, but there’s something about the whole style that interests me. I even have a post-apocalyptic fashion Pinterest board and who doesn’t need one of those?
So, when I was designing these outfits, I wanted to mix the idea of “salvaged clothing” with the idea of “homemade” clothing. So, I imagine the skirt is handmade from pieces of leather while other pieces have been salvaged. She has a air-filter mask on the far left to protect herself from toxins, a canteen, and, of course, two weapons- a machete and a gun.
Something about desert wastes always makes me think about machetes. I don’t know why. Also, why is it that in post-apacolyptic movies it’s always a desert?
I mean, it could be a world covered in snow. That would be just as deadly to people. Though I suppose it is easier to find deserts to film movies in.
I digress.
Color wise I really wanted to avoid the cliche browns and grays that seem to be so common to apocalyptic fashion. Instead, I settled on a purple and blue color scheme with beige as my neutral.
Her tattoos are color matched to her clothing, because… why not?
I’ve been drawing paper dolls for a long time, but I am really pleased with today’s printable paper doll as the first Buxom and Bodacious of 2016. My goal is to post nine more this year for a total of ten. I think it’ll happen… Or at least I hope it will.
Today’s printable paper doll has a retro flare- 1950s fashions abound. My goal was to make ten Buxom and Bodacious paper dolls before the end of 2015. I’m going to be honest, I don’t know right now if I’ll make it. My other goal was to have ten historical paper dolls by the end of 2015 and I have certainly made that goal, even if I count the massive 18th century Pixie paper doll set from August as one one set and not several.
Next week I’ll have a 1940s Poppet set up. It’s very cute and I’m very excited about it.
Actually, I’m very content with where I am in blogging and life at the moment. If I can just stop thinking of January as “a long way off.”
So, my sources for these 1950s paper doll dresses were this day dress from the V&A, this Dior suit from the Chicago history Museum. The cocktail dress comes from a site called Vintageous which sells vintage formal-wear. I couldn’t find the original cocktail dress, but you can see it on my 1950’s Fashion Pinterest board. My only major regret with these dresses is that I ended up with such a busy pattern on the day dress. It is reflect the original well, but I think it also obscures some of the details.
I choose to use mostly secondary colors in this set. Orange, green and purple with some dark navy and light blue thrown in for fun. I went with black for the accessories, since any well dressed lady of this era had shoes that matched her purse. I wish there was a way to fit more than one pair of shoes into these B&B sets, but alas… there really isn’t.
I was listening to West Side Story while I colored this paper doll set, so I based her skintone, hair color and eyes on a Puerto Rican friend I had in high-school.
I have a quick poll for my readers:
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As always I love to hear what you think in the comments and would appreciate your support through Patreon. 🙂
In truth, we know very little about what Viking women wore, so that makes drawing a Viking paper doll sorta exciting (and scary). Unlike the 10th century Anglo-Saxons, the Vikings did not have a manuscript culture. Their art was generally metal work or stone carving and highly stylized. Making things more rather than less complicated, textiles rot extremely quickly in soil and those which remain in tact are often saved by their proximity to other materials such as metal, while metal breaks down it releases salts that protect the textile.
This means that what remains we have of Viking garments are fragmentary at best. While working on my Viking paper doll, I did my research, as always, and then made decisions based on my understanding of Viking garments. My understanding isn’t perfect. I am not an archaeologist, nor do I study Viking cultures extensively. My post Wednesday, Viking Women’s Dress in the 10th Century covers my sources and what I understand about Viking garments.
Though I came away from my research with the conclusion that there is more supposition than certainty in Viking dress research, I couldn’t be more pleased by how my printable paper doll came out. Her two apron-dresses or smokkrs over shirts were both designed based on the work of some excellent scholars. I chose a closed smokkr, because I agree with Ewing’s and Geijer’s views on the shape of the smokkr. I added an apron on one, based on the work of Bau and Ewing. To the other, I added pleats based on the reconstruction of a smokkr by Hilde Thunem. She has a key, a cup, a comb and a small knife. From the brooches on her left smokkr hang a pair of scissors, a small knife and a needle case.
Her shoes are based on finds at Viking York and her stockings and garters are based on the work of Ewing who argues that Viking men wore garters. I have no reason to believe if men were wearing them than women weren’t. Besides, Scandinavia is rather chilly to be wandering around bare legged.
When selecting colors, I tried to be aware of what colors were known to be used by Vikings. There were several references to brown twills in the articles I read (sources here) and the Kostup find is known to have been blue. Her brown smokkr, or apron-dress, has different colored straps, because linen loops were sometimes used on wool smokkrs. Linen, unlike wool, doesn’t take dye very well. I wanted to make a nod to that practice. Both the serks or shirts, I left undyed in lighter colors. One shirt is pleated, as is found in many Birka graves, and one is unpleated. The paper doll has a hair covering as referenced in Ewing’s book, Viking Clothing.
I made my Viking paper doll blond really only because when I think of Vikings, I think of blonds. Perhaps an unfair assumption, but there you go.
As with my Anglo-Saxon paper doll of the same century, I strongly recommend reading my little article and then reading my sources. I would also caution that most of the research on Vikings is not published in English. Until more of the articles are translated into English, I did the best I could with what sources were readily available.
I know people have been waiting on this printable paper doll, so I hope the wait was worth it. I certainly am nothing but pleased with how she came out.
As always, if you like the paper dolls and want to support the blog than check out my Patreon. 🙂
I first stumbled across Cranach dress or gowns in this rather gruesome painting of Judith with the Head of Holofernes months ago and her gown was fascinating. I didn’t know much about it, except that it was painted by Lucas Cranach. As it turned out, I discovered as I did more research, that the artist- Lucas Cranach the Elder- painted countless versions of this gown on countless both real and mythological figures. Coming out of the Saxony area of Germany, Lucas Cranach was hired by Fredrick the Wise who to be the court painter of his court in 1505 and Cranach stayed there for the rest of his life. He was extremely prolific and his art is distinctly romantic and stylized. Even his portraits all rather do look the same after a while, I have to confess.
Around 1546, Cranach illustrated a manuscript for the Court at Saxony. This collection of portraits of Saxon princes and family known as Das Sächsische Stammbuch – Mscr.Dresd.R.3 is fascinating. I was immediately struck by the illustrations of the Saxon princesses (image 220, f. 89) and I knew I wanted to draw these dresses.
However, there is a debate as to whether or not Cranach’s gowns actually existed in the real world. Here’s my view: We don’t have an extant one, but then we don’t have very many extant garments from this era anyway. Should we find one the debate would be settled, but until then we have to work with the primary sources we have. The value of fabric and the expense of clothing was so great the people usually chose to be painted to garments they actually owned.
Plus, I tend to approach history with the belief that in the absence of proof to the contrary, we should assume that people of the era were not trying to mislead people of the future. Why commission a family history with crests and portraits of your family, if you are not going to accurately render the people in the images? Das Sächsische Stammbuch – Mscr.Dresd.R.3 is a collection of portraits of Saxon nobles. Why put the princesses in imaginary gowns?
The first question I struggled to answer was if the nets of pearls so often seen the women’s hair in these portraits were actually nets of pearls, or rather some sort of cap. This article on these caps lead me to conclude it was a cap, rather than part of the hair. The paper doll’s shoes are fairly standard 15th century shoes with squared toes. Her hats are based on portraits of the era.
I picked out colors based on the main colors I saw in the portraiture which were red and black. I really wanted to do blue as well, like the illustrations of the Saxon princesses and so I did a blue gown as well. I did wonder, however, about the blue. Color is often symbolic in manuscript illustration and I wondered if perhaps blue was used to denote virginity (the Madonna was associated with blue) rather than to render the actual color of the gowns. Never the less, I thought they looked pretty and that was enough for me. I made the paper doll a redhead, because I have a thing for redheads and so did, it seems, Cranach.
The most useful document was Das Sächsische Stammbuch – Mscr.Dresd.R.3 and I owe a debt to the library that digitized it. It it through this digital work that people like me can see the great artifacts of Europe and study them. I am well aware of the risks and time such projects take, so I am grateful when libraries and museums undertake them.
As always, if you want to know when I update this blog, feel free to drop your email on the sidebar to be and be added to the updates mailing list. You can also follow me on twitter where you can see when the blog updates (though I usually tweet after I post by a few hours) and get to read about what I might be making for dinner.
And, of course, thoughts in the comments are always valued.
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