365 Day Paper Dolls

A Little Steampunk Paper Doll Experiment in Color

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So, I decided to dip my toes into color in Procreate with this paper doll. I also did some experimentation with noise and backgrounds and other things.

While I wouldn’t recommend home printing for this one, because the ink usage will be through the roof, I have added a link to the PDF if you feel the urge to try to see what happens if you do.

East of the sun and West of the Moon illustrated by Kay Nielsen in 1913.

You do you!

And if you do print it, it is scaled to mix and match with the 365 paper dolls.

I’ve been trying to sort out how to get texture. Of course, I think the effect doesn’t work super well unless you zoom in at which point, like maybe it doesn’t work at all?

Hmm….

So, here’s what I was trying to mimic…

One of the things I love very much is the illustrations of the turn of the century. Generally done with a trichromatic printing process (sometimes black was added and sometimes green was added, which is fascinating in it’s own right), the screens used result in a very specific texture to the solid colors in the prints. You can see it in classic illustrators like Arthur Rackham, Kay Nielsen, or fashion illustrations from things like Bon Ton. You can see the texture I’m talking about here and here.

Anyway, trying to archive that effect digitally is not as simple as you might think. So I have been experimenting with noise and other texture effects in Photoshop and Procreate. The result, however, is probably not “strong” enough to be obvious. This is one of the problems of working digitally- you are zoomed in or zoomed out or… whatever. It’s actually super hard to tell what the finished product is going to look like at true scale.

The other factor is that digital printing introduces a bit of noise and I don’t like how it looks, but only because it feels unintentional and I really really value being intentional in my work. I want control, or an active lack of control (hello ceramics, I’m looking at you.)

As I keep saying on these posts, Julie has been a huge help in referring me to tools to try to get this effect.

There are many tools and brushes and things for Procreate that it is super overwhelming. There’s a million different tools and things you can do with those. But I suspect I’ll eventually find 3 or 4 I like and use them 90% of the time. That tends to be how I roll.

But you can’t find the three or four you like without trying out a few dozen, so that’s been the current challenge.

Next up, I’ll be sharing an experiment using a less smooth brush and seeing what happens when I have a “rough” line texture. More on that one next week.

A Regency Lady and Her Wardrobe

A two page printable regency paper doll with 5 dresses.

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I’m going to keep this brief, since I wrote a lot of this up in the newsletter already (subscribe here) and I just don’t know if I want to repeat myself (or if anyone wants to read me repeating myself).

One of the weird/interesting things about creating the newsletter has been grappling with the transient/permanent nature of it. I’ve always thought of this blog as both an archive of my work and as a place where if I make a typo and notice three months later (which has 100% happened), I can fix it. However, the newsletters don’t work that way. Once they are sent, they are done.

And while there is an archive, they don’t feel as permanent as a series of blog posts.

Since the whole newsletter thing is an experiment to begin with, I am still trying to grapple with how I feel about all that.

Anyway, let’s talk paper dolls. So, her underwear is a generic set of short stays over a shift with stockings a shoes. My goal here wasn’t to reproduce anything specific, but to get to the basic idea of “generic underwear of this era” rather than getting into specifics. Her hair is a combination of portraits like this one and this one. I wanted a hairstyle that could easily be covered in bonnets or hats, which I knew I was going to be drawing with nearly every dress.

To start with the morning dress is from this November 1813 plate from La Belle Assemblee which, despite a very French sounding name, was published in London and aimed at the fashionable set. People thought all things French were more sophisitcated than all things English. Interestingly, a lot of places will credit La Belle Assemblee fashioj plates to France on the name alone. While many of the plates in the magazine are copies of French fashion plates, the publication was definitely English.

Her cap with the morning dress has a little bit of this one and a little bit of this one, with dash of this one. So, it’s sort of a combination of caps.

The morning walking dress is really just a gown with a pelisse over it. The pelisse and bonnet were inspired by this September 1813 plate from La Belle Assemblee, again. A pelisse was a coat that was cut the same style as the dress. They came in all different styles like this one or this one. Some were made from very lightweight fabrics, but others were warm and designed as coats. Sometimes it’s hard to tell from an illustration if you’re looking at a pelisse or a gown or something in between.

The first gown on the second page (working left to right, top to bottom) is a ballgown. Ballgowns were the most formal gowns women wore with the exception of court dress and court dress has never been a big interest of mine. Court dress was governed by all sort of rules and regulations- a realm I have never wanted to dive into. The ball gown is based on this one from the Museum at FIT. The turban is from this 1815 fashion plate. Turbans were super popular in the 1810s.

The dress with the spencer is basically a walking costume. The Spencer was a jacket version of the pelisse. Both were cut to follow the lines of the dress. Spencers come in all different styles. A few that inspired this one include this 1815 yellow silk version and this March 1812 version from Ladies’ Magazine.

The Ladies’ Magazine was published in London starting in August of 1770. If I am remembering my fashion history correctly, it was the first magazine to publish a fashion plate, though the idea was quickly copied by French and German publications. My understanding is that Ladies’ Magazine was less expensive than some of the other fashion magazines of the era and the quality of the fashion plates shows this difference. Still, it’s a pretty amazing document. I have digressed a lot from our paper doll, so let’s finish up with the dinner dress.

The dinner dress’s hat is from this La Belle Assemblee fashion plate from 1817 showing an evening gown. This 1818 gown from the Met Museum inspired the dress. The color, a smoky purple, came from this fashion plate, though I do like the marine blue.

And that’s it! More, I am certain, than you wanted to know about Regency fashion and inspiration for this regency paper doll set. Tomorrow, I’ll share Vivian’s steampunk traveling suit for my Patrons.

Nordic Winter Wishes: The February Printable Paper Doll

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For those of you who have been following along in my newsletter, you’ll likely notice there’s a few extra pieces on this set (specifcally the winter coat and one pair of the shoes). I went back and forth about what to do with that coat. I’m not 100% sure it will layer over all the sweaters and I didn’t feel right giving just one of the dolls a coat (what if the other dolls get cold?). So, I thought- I’ll just keep it as a fun extra for folks when they get the whole set.

Another little detail I didn’t talk about in the newsletters was the coffee cups. I don’t know why I thought it was a fun idea to draw a mug for every paper doll with a different motif, but I did and so I drew one. To give a secret look at my process- I actually did all this layout and design work before I split it up for the newsletters. I’m very happy with how it turned out.

A few differences in these dolls and my usual stuff- I gave the dolls permanent shoes. I go back and forth on this a lot. I used to be strictly anti-attached shoes. But then I spoke with my 5 year old niece and she was deeply bothered by my paper dolls that didn’t have shoes.

So, I realized that shoes were more important than I had often thought. If you’re an attached shoes fan, you can thank her for showing me the error of my ways (though I still think I’m a bit ambivalent on the subject.) And I tend to think it depends on the paper doll- like mermaids SHOULD not have attached shoes.

That’s just silly.

Speaking of shoes- largely thanks to the shoes, there’s over 85 outfit combinations- well over 100 if you add in the scarf or the coat into the mix. So, that’s super fun!

Anyway, I hope you enjoy this collection of paper dolls as much I enjoyed drawing and sharing them all with you!