I’ve been pretty sick this weekend, and I wasn’t sure I was going to get this up, but I’m on antibiotics now and am writing this between naps.
(When I’m sick, I nap a lot.)
I always say that I don’t do a lot of blond paper dolls, but I think I might do more than I realize. I do have a deep love of red hair. Anyway, I’ve done maybe thirty blond paper dolls over the years and a lot of those were because of multiple colored hair like on my Delaney paper doll or Spikes and Pleats paper doll set. Anyway, the girl who asked for this paper doll is blond, so I decided a blond paper doll made the most sense.
An random interesting fact- The the white and red uniform is actually based on a photo of what the majorettes at the university I work for wore in the 1960s. We no longer have majorettes. I thought about doing the uniforms of some of the other area university majorettes, but a lot of the costumes were bit too skimpy or involved a lot of illusion netting. Because I want the paper doll outfits to be interchangeable among the various paper dolls regardless of skin tone, I tend to steer clear of putting skintone on the outfit pieces…. except shoes, where I can’t seem to avoid it.
As I mentioned earlier, I am sick, so I don’t know if I’ll get much posted this week. I have some stuff ready, but nothing pre-scheduled.
There are a few perks of knowing me in the real world. One of those perks is that when you ask for a paper doll set, it is a lot more likely to actually happen. It might take a little while, but eventually it will happen.
This request only took me a year to get to. I was asked to do a baton twirling or majorette paper doll by a young women I know who was one in high school.
Now, I’ll admit that I had no idea there even were baton twirlers anymore. I think it might be a Southern thing. I certainly don’t recall any on the West Coast and definitely not in Alaska where I grew up. If you have a chance though, do check out youtube for baton twirling. It’s pretty amazing watching someone who really knows what they are doing. Definitely a remarkable skill.
So, while I know nothing about baton twirling other than what I could learn on the internet, this paper doll was fun to draw and I hope I didn’t mess up anything too badly. After all, I’d like my baton twirling fans (if I have any) to be pleased. By the way, one thing I did notice, is a lot of baton twirling outfits are similiar to skating costumes, so I think Margot could share with my ice skating Marisole.
One thing I did notice is that a lot of modern majorette costumes use a lot of illusion netting. I decided against the appearence of illusion netting in my costumes. I also found that my favorite outfits were those from the fifties and sixties, much more than I liked the costumes today. Margot has a few old fashioned outfits, along with boots with tassels, and a few modern outfits.
I gave her a normal baton, a sword baton and one on fire. Everything is better on fire.
So, any majorettes (current or former) out there want to tell me how I did?
So, today’s paper doll set did not turn out like I thought it would. I tend to be of the opinion that anyone whose spent anytime doing anything artistic eventually has projects that just don’t come out as intended.
Sometimes, this is a bad thing and sometimes it is a good thing. Part of having deadlines, which come with any regularly updating enterprise, is that they force me to accept what I have created and then move onto the next project.
I find that to be a rather comforting thing. While I had intended this printable paper doll set to be done in bright colors, I ended up rather hating the bright color schemes and switched instead to a pastel scheme.
Pastels are, apparently, quite in fashion this winter.
I’m wrapping things up for next year which starts this week (shocking, really). There will be a few things going up with a 2014 date on them as I post backlog content. It is rare for me to end the year with anything in backlog, so I am rather proud of myself.
Meanwhile, enjoy today’s paper doll and there will be another one later this week.
A few random things today and then a paper doll set, of course.
First of all, I’m always on the hunt for new paper dolls about the web. I’d like to share the work of Bethany, who shows off her paper dolls on her Pinterest board.
Secondly, it is that time of the year again where I usually run a contest. I haven’t decided what that contest is actually going to look like this year, but keep your eyes peeled. I’ve had several people ask when the next contest for a paper doll was going to be and it’s coming up.
Thirdly, I maybe taking another haitus in January. I don’t know yet. I’ve got a lot happening that month.
This is the third set of the paper dolls I drew back in September. It was not my favorite of the paper doll designs, but it came out well enough I suppose. I’ll talk more about the challenges of coloring when I post the color paper doll version next week.
I am embarrassed that this paper doll set has sat, just short of being finished, on my computer for literally five or six weeks. Here it is and now I can stop feeling guilty about it.
Well, I have been working on backend server CPU issues with my shared hosting service. Nothing really serious, but stuff that has to be dealt with for the blog hosting to continue to be cheap enough for me to justify continuing to keeping it online and free.
Still, I owed a paper doll to my last drawing winner, Lina of Lina’s Historical Paper Dolls, and I was not about to put off finishing that for another week, because I would keep feeling guilty about it.
Lina requested an 1880s period Marisole Monday & Freinds paper doll with a ballet outfit and several other dresses. I had some trouble getting all the pieces to fit on a single page, so I omitted some shoes from the image.
Should you want proper shoes to go with this set, then I recommend checking out On the Board Walk in color or black and white or Mia Goes to the Bathing Place in color or black and white. Both of those sets both have button up style boots which, while not period, are close enough to not look totally awkward.
Lina was kind enough to send me reference photos and specific colors for the hair, skin and eyes of the paper doll, but left the color scheme mostly up to me. I wanted to use some rich colors, because by the 1880s chemical dyes were common and rich colors were very much instyle. There is a habit to think of the 19th century as sepia colored, because of sepia photos, but it was actually a rather garish era.
So, Lina also asked for a tutu based on this painting by Degas. The painting dates from 1871, a little earlier than the other costumes in the set. I omitted the sash, since I based the dress on the center figure. I don’t think the layers of the skirts really look like tulle, which bothers me. Liana has some great tulle on her blog.
The ballgown was based on this fashion plate. The gown was red, but I made it peacock blue based on a description in English Women’s Clothing in the 19th Century by Wilett-Cunnington that mentioned peacock blue ballgowns. I hate drawing lace, but it came out all right, I suppose.
The last two outfits are a swimming costume and a house dress. Old swimming costumes were extremely complicated and not very easy to swim in. Generally, I think of them as wadding costumes. Lina sent me this picture and I based it off that.
The house dress is classic 1880s style with bustle, drawn up skirt and long pleats. It’s a pretty typical gown for its period. Lina sent me this photo and I based the dress off of it. I omitted the pattern on the dress, because I knew it would reproduce poorly in the small scale of the paper doll set.
And that, as they say, is that.
If you haven’t ever checked out Lina’s blog, Lina’s Historical Paper Dolls than I recommend taking the time to do so. She makes wonderfully interesting historical paper dolls.
I spent a chunk of my weekend coloring my Margot in Wonderland paper doll from last week. Today, Margot gets to be a blond and has, of course, a wardrobe of Alice inspired paper clothing pieces. As I mentioned last week, I’ve been inspired by Alice many times before and drawn her many times over the years.
After some time I decided to go with a jewel tone color scheme that was a bit bright. I wanted to capture the richness of color that could be captured with color lithography from the 19th century. I was also heavily inspired by this Lolita outfit. I really loved the rich colors since they are not the pastels or black that I normally associate with Lolita fashion.
As I mentioned with my Turn of the Century Pixie Paper Doll, I often collect ideas on my Pinterest boards, so you can check out the Lolita board I keep to see where some of these outfit pieces came from. Nothing was directly taken, but I find ideas and inspiration makes drawing paper dolls faster and easier than it would be without them.
The top hat’s floating tab is meant to be attached using the same method as I outlined in my instructions for attaching wigs and hats to paper dolls. This is one of my favorite methods of doing wig and hat attachment for the paper dolls I design and so I use it often.
I have been traveling a lot over the last three months. One trip every month which has made for scattered time for myself. I’ve mentioned many times on this blog that I normally work from a long backlog and that having a backlog of paper dolls allows me to plan my life.
Well… I’m out of backlog, so the fact that today’s Alice in Wonderland paper doll happened was a shock to me. I did not think I would get her done, but I am pleased that I did.
Alice in Wonderland themed paper doll sets are something I have drawn before. I think in total I have done three paper dolls that I’ve posted.
Today’s Alice in Wonderland paper doll uses Margot, whose been a bit neglected. Her costumes owe a lot to both Neo-Victorian and Lolita styles, which could be construed to be the same thing… but that’s a whole different discussion.
I had an awful lot of fun putting together the rabbit pattern and the card pattern for the two skirts. I attempted to draw a more realistic top hat than I have in the past, but I’m not pleased with it. There’s something off about the perspective, I think. However, I shall eventually get over my problems with hats. I just have to keep trying, so expect to see more hats and more me complaining about hats.
Alice’s Adventures in Wonderland and Through the Looking Glass are books I love, but that I don’t think have aged very well in many ways. The general lack of agency for Alice, not to mention the fact that most of the jokes don’t really resonate with modern life (how many of us had to recite in school? I mean… really?), means that when most of us think of Alice, we think of iconic characters and symbols without actually remembering the story. The Cheshire Cat, the Mad Hatter, or Dweedle-Dee and Dweedle-Dum are all so familiar it hardly matters that the Mad Hatter is a reference to the mercury poisoning common to men in that profession during the Victorian era.
This is either a testament to the power of the original, or a comment on how pop-culture makes things into what they need them to be at any given time and place.
Melissa Smith of Miss Missy Paper Dolls colored my Vivid Victoriana paper doll and did a lovely job. I’m always so flattered when people send me their colored in paper dolls. I have a few more paper dolls colored by other people to get up which I am going to try to do in the next few weeks.
I love Melissa’s coloring style. It feels very painterly to me, which is something I very much admire in other people’s coloring styles.
St. Patrick’s Day is a festive holiday celebrating the life of St. Patrick and Irish hertiage and the excuse to drink a lot of beer, some of it dyed green. Despite being a Saint’s Day, there’s not usually a lot of religion in the celebrations (at least not a lot that I’ve seen…)
Normally I when I do a color and a black and white version together, they are both pretty small. I decided to try out a different formatting option this time. First we have the full color version and then, a little further below, the black and white version.
I decided it would be fun to do some historical St. Patrick’s Day costumes, so Margot has an early 18th- Century mantua gown on the far right covered in clovers. The mantua was in style until about the 1740s when it got replaced by other styles, but it was very much popular in the early part of the century. The first USA celebration of St. Patrick’s Day occured in Boston in 1737, so a mantua made sense.
Next, she to that she has a 1903 blouse with skirt to commemorate the fact that in 1903, Saint Patrick’s Day became an official holiday in Ireland. The blouse should be worn over the skirt to get the pigeon breasted look which was so popular in the early 20th century. Margot’s hair is covered in a hat and she has a matching parasol.
So, in 1962, the city of Chicago, known for it’s Irish population, dyed the Chicago River green for the first time using 100 lbs of vegetable dye. They continue that tradition today, though its only green for a few hours. I’ve never seen the river dyed, even when I was living in Illinois, but I’ve always wanted too. Margot has a 1960’s dress with high heels and a stylish flipped hair style.
Lastly, I included a modern pair of jeans and a t-shirt, in case you want a modern celebration of St. Patrick’s Day. I did not, despite a recommendation of a friend, include any green dyed beer. You’ll have to draw your own. 🙂
It’s a Margot paper doll this Monday, the first for the new year, I think, and she’s sporting some stylish garb from the 10th century. Yesterday, I posted a pretty long ramble about 10th century Anglo-Saxon women’s dress and if you’re interested, I recommend reading that as well as this post, since the two rather go together in chronicling the epic research adventure this paper doll was.
One of my January drawing winners, Gwendolyn, who asked for this paper doll has been very kind as I slowly did my research and then set to work on drawing the set. I won’t pretend it hasn’t been both stressful and time consuming, because it has, but I am utterly pleased with the outcome and I hope she is as well.
Gwendolyn wrote me that:
I have actually thought a little bit about what I would choose if I ever won, so I can tell you now that I am interested in a Marisole-family doll, who is 10th century Anglo-Saxon. I would love a set or two of daily clothes, but I would also love a maille shirt and helm.
Speaking of the maile shirt, it is based on Anglo-Saxon finds in York and the helm is also based on the same thing. As women didn’t wear maile, I didn’t spend a huge amount of time researching the historical accuracy of such a garment. Personally, I’ll confess, armor doesn’t get me going like clothes do.
So, let’s talk about the clothes. As I explained yesterday, 10th century Anglo-Saxon’s women dress consists of several layers of clothing. To begin with Margot (our Anglo-Saxon model with a French name…) wears a pair of leggings with windings around the calves and shoes. The shoes come from Anglo-Viking finds in York dating from the 9th Century. The windings around her calves are based on an illustration from the manuscript Psychomachia (British Library MS Additional 24199) which shows a barefoot women on horseback. Sadly, the manuscript hasn’t be digitized, but there is an illustration in Owen-Crocker’s Dress in Anglo-Saxon England. There is no way to know what the top of such leggings looked like. I made them like this so they could be worn with the maile shirt.
The shift’s neckline is based on an illustration of a male farmer’s tunic illustrated in Tiberius B v calendar (British Library MS Cotton Tiberius B v, fol. 4r) and the sleeves are wrinkled as I discussed yesterday. The necklines of the other dresses are also based on the necklines of men’s tunics in the 10th century.
The veils are based on manuscript illustration, though I had added visible pins. Pins are commonly found from this period and it seems logical they were used to hold veils together. The green veil with broach is based on an illustration of the Virgin Mary from the first half of the 9th century (see Plate 1). The brown “poncho” is based on several illustrations and I discuss these cloaks a lot more in yesterday’s post.
Lastly, the embroidery on the red dress is not based on anything specifically. I wanted to use some patterns I found online, but they were far to detailed to easily make tiny enough to work as illustrations at such a small size. I did not include girdles as there is almost no published information on them and I didn’t want to just invent stuff. The colors used in these garments are based on the colors of the famous Bayeux Tapestry (which is not actually a tapestry, but that’s neither here nor there).
Well, I hope everyone has enjoyed the last two days in the 10th century. I certainly have had fun researching and I hope to do some more medieval period paper dolls now that I know more about the eras in question. (I think my next one will be 1300s, a little easier than 900s.)
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
