When I was a child, my grandmother always sent me a holiday card for Halloween and usually it was a paper doll card. This is why I always try to do a halloween paper doll.
Generally, when I think of gothic designs, I think of Morticia Addams from the movies. (Too young to have been a child of the TV show I’m afraid) and she’s a very mermaid skirts sort of design. However, I don’t see why mermaid skirts should get to have all the fun, so I went regency for this one.
All in all, I think the paper doll’s hair is a bit 1920s and her dresses are regency and her border is very much art nuevo. All in all, what time period is this?
No idea, but I think it looks neat!
I hope you have a lovely safe and happy Halloween. Enjoy the paper dolls! I’ll be passing out candy and eating chili.
I have no clue where to start when talking about today’s paper doll. I rarely give up on paper dolls (semi-finished projects not withstanding, that’s using a loss of interest, not frustration), but this fantasy princess night blooming paper doll came close. Twice.
To start with, there were serious layout issues. Confession: I don’t plan my layouts while I’m drawing my paper dolls.
(I had a lovely chat with at a pervious paper doll event and got advice that planning layouts while penciling is a much easier way to get around layout issues. This was such brilliant advice! And then I absolutely failed in all ways imaginable to actually follow through on the advice in anyway what-so-ever. Anyway, I should do it that way and I totally don’t. This is entirely a “me” problem.)
So, anyhow, when it came time to do the layout, I realized that none of these paper doll pieces were going to fit on the page! The dresses were too big. The wig/crown was weirdly sized. The extra bodice… anyway, I wracked my brain to sort out how to make this all happen. It was miserable. It took seven tries.
In the end, my solution was to go right up to the edge of my layout, because I work on an 8 by 10.5 inch canvas and surely no one needs more than a 1/4 inch margin on the page, right? Right… I got it done.
So, yay! Time to color. That would be easy, right? Wrong.
It started well. I found this beautiful color scheme from Sarah Renae Clark. When I saw it, I thought “What a perfect color scheme. It’s dark, but also kind of fun and unlike the colors I usually use.” But halfway through coloring, I thought it looked so awful I nearly threw up my hands and abandoned the entire thing. I came so close to just saying- Welp, this one was a dud.
Anyway, yesterday, I knew I didn’t have anything to post to the blog for this week and I said, “Just color it. Even if you hate it at the end, at least it will be done and you can never look at it again.”
I set a timer (I work well under the pressure of a timer) and I pushed through.
And you know what?
I absolutely love it. The gold and yellow I think goes beautiful with the black and pink. I really think it feels “night” but doesn’t feel gothic at all. I wanted night, but whimsy. Night, but also floral.
So, yes, this paper doll gave me fits. And yes, I nearly gave up, but here I am and I am so happy with how it came out.
Around the same time I was working on my tennis paper doll, I found myself thinking- I should draw some work out clothing for the Ensemble Electica paper dolls. Mostly, I was thinking this, because I hadn’t yet and who doesn’t want to draw paper doll leggings? (Probably plenty of people, but they don’t run a paper doll website.)
Personally, my favorite workout is yoga. I love how I feel after I do yoga. So, I included a yoga mat and the kind of clothing I would wear to do yoga if I was the sort of person who had dedicated yoga outfits. Aspirational yoga attire. My actual yoga attire is leggings and an oversized t-shirt with a walrus on it from the Indianapolis zoo, because the walrus is really cute and I like walrus.
So, this isn’t really a yoga paper doll, as much as a sporty fashion paper doll. Maybe she’s old school and going to step aerobics. (I actually also kinda love step aerobics.) Maybe she’s just putting on cute workout clothing to go out and buy a bagel. Who can say?
The dress was an extra piece from my tennis paper doll that I thought I would use here, as it wouldn’t fit on the tennis paper doll as I was doing the layout. Maybe she’s a really good tennis player.
Since I drew my sporty fashion paper doll and was coloring her at the same time I colored my tennis fashion paper doll, the most important thing to me was that the color scheme feel totally different. I didn’t want it to have the same vibe at all. So, the tennis paper doll’s vibe is very bright and fresh. This vibe is more calming and low key.
Today’s 1940s style paper doll happened because I had access to full digitized sears catalogs from 1942. I don’t know who put together the website simply called Catalogs & Wishbooks, but I am grateful to them on a regular basis. It is a collection of dully digitized catalogs from major department stores- Sears, JCPenney, Montgomery Ward. You can search the catalogs or to just look through. It’s simple and very very internet old school. I love it so much. It’s why this paper doll exists, because it gave me access to fully digitized catalogs of the era.
To summarize the era very briefly, World War II really influenced women’s fashion in the 1940s (not surprising, I know). As resources became scarce due to wartime rationing, practicality and functionality took precedence over extravagance. This led to the emergence of simpler silhouettes, with tailored suits and dresses becoming popular. Women’s outfits often featured shoulder pads, defined waists and just longer than knee length skirts. Plus, military inspired details like patch pockets and shoulder details were popular. Fabric rationing created “efficient” dresses, particularly in England where rationing was most intense. There’s also a lot of whimsy in hats at this period.
Our 1940s style paper doll has dresses, hats, purses, swimsuit, and shoes which all come from the Sears 1942 catalogs. From the Spring Summer Catalog, on page 195, there is the swimsuit (The white one) and the shoes on page 146. I mean, I can’t exactly grab a swimsuit from the Winter catalog. Her hat comes from the Winter catalog on page 119 (I avoided trying to draw the net on the hat.) The dresses all come from the Winter Catalog on page 61, on page 71 and on page 47.
It’s getting chilly up here as winter sets in. I sort of love this time of year- the leaves turn and everything sort of moves toward preparing for winter. The seasons dictate life in Alaska, which is one to the things I really like about it. You can not ignore the seasonal change up here. Winter is around the corner.
While I’ve dabbled in “sporty fashion” before as a trend, this is the first time I’ve leaned into a specific sport. So, why not a tennis paper doll? I do I confess that all I know about tennis I learned from the scene in Rosencrantz and Guildenstern Are Dead where they play Questions and score it like tennis. (You can watch that scene here from the film version of the play which is excellent.) Still, I have connections to tennis… sort of.
My dear friend works a tennis shop, so I hear about tennis through her. I thought, she might like a tennis paper doll. (She has never asked me for one, but is generally supportive of my paper doll drawing habits.) Also, this summer I read in some fashion publications that tennis fashion was making a come back for summer 2024. As I’m not one to ignore a trend and I do like pleats, I thought- I’ll draw some of that! So, despite knowing nearly nothing about tennis, here we are.
Of course, tennis has all sorts of well-moneyed connotations. So, it has unsurprisingly always had a stronghold on fashion. Tennis dresses are all over the place in summer fashion magazines. Even back in the 1880s when women could play very few sports, tennis was on the list of “approved” options. While I saw more than one article proclaiming tenniscore as the trend of summer 2024, I think I’d argue- “When has tennis not been tied to summer fashion?”
Short of golf (which also has all sorts of specific fashion connotations), I can’t think of any sport more fashion contentious than tennis. Tennis has long been associated with the color white. Even today, the Wimbeldon championship has an all white dress code, because traditions matter in tennis. So, I made sure to include an all white outfit option for my paper doll. I almost included more all white options, but there’s a black and white version. so really… you can mix and match that with the color pieces and get all the white tennis clothing your heart might desire.
I drew a tennis racket based on my husband’s racket. He played varsity tennis in high school and is my other connection to tennis. I also drew a pickle-ball racket, which I guess is very popular these days? Pickle-ball is as mysterious to me as tennis is. Maybe more, because I don’t know anyone who plays. Anyway, I thought a few racket based sports might be fun.
If you need too, you can always print out several of these paper dolls. That way you can get enough rackets for a doubles match going. 🙂
As a librarian, I usually make it a point to cite my sources, especially when I talk about historical stuff. But I have to admit, I didn’t jot down all my references this time around, so… you’re just going to have to trust me.
I know all of these lovely dresses are from Good Housekeeping from the year 1926, but the exact months and page numbers remain unknown. You can read all the issues from that year, over on the HathiTrust website. It’s a cool online library run by a bunch of big research universities in the U.S., so there’s a ton of great info to explore. Seriously, I end up spending hours poking around there, if I’m left unsupervised.
Anyway, this is one of a collection of Cut and Color Couture series paper dolls that I have been working on that are historical. It’s been fun. I can’t wait to share it- even if I don’t have perfect citations for most of it.
So, my flight home from the Paper Doll Convention in Indianapolis got seriously delayed and I had a lot of time to spend sitting in an airport. I spent much of it drawing paper dolls and listening to podcasts. So, I’ve been working on Cut & Color Couture paper dolls.
Two things I love about this series-
My niece has gotten into coloring and I am all about making things that she might like. So, black and white paper dolls for the win.
The dolls are symmetrical which means I can use Procreate to mirror my lines as I draw them. That makes for much faster drawing. (This feels a little like cheating sometimes, but I keep telling myself it’s more like using spellcheck. I still have to do the writing, I just don’t have to remember that there’s a second U in couture.)
So, I’ve been working on three different sets. One is formal gowns. One is historical themed. One is princesses with big skirts.
Formal Gowns
Three of these designs all use the same basic bodice, but modified in various ways to get different looks.
I was playing around with how to use some of Procreates features to play around with similar pieces looking different through variations in form. There’s an old paper doll series that Julie Matthews did of toddler paper dolls. If you look carefully at the dolls, there’s a lot of duplication of basic shapes. The details create the unique dresses.
This is something I’ve wanted to explore and drawing fancy dresses seemed like a fun way to explore it.
The 1920s, 1940s & 1950s
1926 Day Dress1926 Underwear1942 Dress1955 suit1955 cocktail dressI’ve been exploring the 1920s, 1940s and 1950s, eventually, I want to do all decades of the 20th century.
The Paper Doll Convention inspired the 1920s set. I used Good House Keeping from 1926 as my source and had a lot of fun. The 1940s foray was based on the 1942 Sears catalog- Spring Summer. I don’t love the 1940s styles, but this was largely an experiment in hair drawing. Also the fun thing about working from Sears catalogs is that they have everything- shoes, purses, dresses, hats, swimsuits and underwear.
One of my all time favorite looks I’ve ever seen is in the 1955 Spring Supper Issue of the Sears catalog. I debated between the one with the teal belt on the left and the one with the black bodice, before deciding on the black bodice one. My interpretation is not exact, but I love love how it came out and I am very proud of it. I can’t wait to see the set finished.
I haven’t started work on it- yet- but I want to do all the decades of the 20th century, but also I sort of have been thinking about also doing all the decades of the 19th century, too. Not there yet.
The Princesses!
Some fantasy designs, because I do love those too!
So, I was going through my own paper doll archives (which I do occasionally) and I stumbled across this Jewels and Gemstone paper doll set. I have always liked these dresses and I wanted to use them as a place to do some more princess gowns.
Plus, I wanted to be able to layer the gowns. So, the over gown could be a separate piece. I’m actually kind of obsessed with this over gown and I might have made more than one version…
You know, I just realized that there’s a lot of dresses here. I didn’t mean for that to happen, but it 100% did. So, might be time to draw these nice paper dolls some trousers.
I attended the 2024 paper doll convention in Indianapolis. I confess that it was all a little bit of a blur, but I am going to try to recap it as best as I can in brief here. Julie has a nice write up, too.
It was such a great event! Sharry & Micheal O’Hara and Beth & Kevin Wilkins really knocked it out of the park. Truly, their hard work make it all possible. I’ve helped organize conventions before and I know how complicated the logistics are, so it really was a feat that they did it all and it ran so smoothly.
Preparing for the Convention & Flying out on Thursday
My cat approving of my packing plans.Brunhilda the printer, hard at work.The hotel had these birds with little sweaters on the wall and it was the coolest thing.
On Wednesday and Thursday, Brunhilde, the fancy printer I have, was hard at work printing off my paper doll prints on beautiful paper from Red River Paper. I used the Matte Polar paper and printed a mix of one page and two page sets. I didn’t print many copies, focusing instead on variety. I packed as light as possible, so just a carry on bag. It did mean that everyone saw me in the same outfits the entire time- I didn’t dress up for anything, but maybe I will next time.
All packed up, I headed to the airport to fly out at 2:30 am on Thursday morning. Because it’s a nearly a four hour flight to Seattle, I had to take a red-eye if I was going to make it to Indianapolis in one day. (Time zones are really annoying when flying to and from Alaska.)
My flights went smoothly, but my second flight got a bit delayed and so I didn’t get to the hotel until after 7:30pm. I slipped into the back of the opening reception to eat some tasty food (the food was good at the whole event) and listen to the end of Beth Wilken’s talk on 1920s history.
Friday
The menu I designed for the dinner.Brenda in a 1920s dress and hat.Kwei-lin Lum presenting on her wonderfully unique art.
Julie’s workshop was Friday morning, I had a fun time gluing little pieces of paper together. (I do like playing with paper.) Then I slipped out of the event to run a quick errand (I’d forgotten contact lens solution and needed that to get through the next few days) and returned in time to see Brenda Mattox’s amazing talk on historical 1920s clothing using examples from her own collection. So very cool!
This was followed by a great talk from Kwei-lin Lum whose site- Flat Doll– was a big influence on me as I’ve moved through the paper doll world. One of the things she talked about was the idea of paper dolls as “an arrangement of parts” with the connections between those parts (the doll and her clothing) largely being suggested, rather than stated. This has always resonated with me. The idea that each piece of a paper doll is part of a story being told through suggestion rather than overt means. Her artist’s statement on Flat Doll is wonderful reading about paper dolls and art.
Saturday
Me at my sales table.Eileen Rudisill Miller getting the Fanny Gray Award.The menu I designed for the final reception.
Saturday was sales day, but I overslept and ended up panicked running downstairs to set up my table in just a few minutes. I got everything set up and tidy though. My one page sets sold the best (which surprised me). I also sold out of all the copies of my book that I brought.
On Saturday evening, I had dinner with several very folks from all around the country. I won the centerpiece, but I had no way to get it home without mangling it, so I passed it on to another lady who was there. Eileen Rudisill Miller was honored with a Fanny Gray Award for her contributions to the paper doll world. It was really a wonderful moment.
Highlights from the trip for me all about getting to meet and see people. I didn’t purchase much and I was sort of exhausted by the end of it, but it was also super fun and I am so happy I went.
Next time, I need to pace myself a little better. But I always say that after events like this, and I never seem to do it. Big thank you to everyone, especially the organizers- Sharry & Micheal O’Hara and Beth & Kevin Wilkins- who made it all possible.
