I spent a chunk of my weekend coloring my Margot in Wonderland paper doll from last week. Today, Margot gets to be a blond and has, of course, a wardrobe of Alice inspired paper clothing pieces. As I mentioned last week, I’ve been inspired by Alice many times before and drawn her many times over the years.
After some time I decided to go with a jewel tone color scheme that was a bit bright. I wanted to capture the richness of color that could be captured with color lithography from the 19th century. I was also heavily inspired by this Lolita outfit. I really loved the rich colors since they are not the pastels or black that I normally associate with Lolita fashion.
As I mentioned with my Turn of the Century Pixie Paper Doll, I often collect ideas on my Pinterest boards, so you can check out the Lolita board I keep to see where some of these outfit pieces came from. Nothing was directly taken, but I find ideas and inspiration makes drawing paper dolls faster and easier than it would be without them.
The top hat’s floating tab is meant to be attached using the same method as I outlined in my instructions for attaching wigs and hats to paper dolls. This is one of my favorite methods of doing wig and hat attachment for the paper dolls I design and so I use it often.
I have been traveling a lot over the last three months. One trip every month which has made for scattered time for myself. I’ve mentioned many times on this blog that I normally work from a long backlog and that having a backlog of paper dolls allows me to plan my life.
Well… I’m out of backlog, so the fact that today’s Alice in Wonderland paper doll happened was a shock to me. I did not think I would get her done, but I am pleased that I did.
Alice in Wonderland themed paper doll sets are something I have drawn before. I think in total I have done three paper dolls that I’ve posted.
Today’s Alice in Wonderland paper doll uses Margot, whose been a bit neglected. Her costumes owe a lot to both Neo-Victorian and Lolita styles, which could be construed to be the same thing… but that’s a whole different discussion.
I had an awful lot of fun putting together the rabbit pattern and the card pattern for the two skirts. I attempted to draw a more realistic top hat than I have in the past, but I’m not pleased with it. There’s something off about the perspective, I think. However, I shall eventually get over my problems with hats. I just have to keep trying, so expect to see more hats and more me complaining about hats.
Alice’s Adventures in Wonderland and Through the Looking Glass are books I love, but that I don’t think have aged very well in many ways. The general lack of agency for Alice, not to mention the fact that most of the jokes don’t really resonate with modern life (how many of us had to recite in school? I mean… really?), means that when most of us think of Alice, we think of iconic characters and symbols without actually remembering the story. The Cheshire Cat, the Mad Hatter, or Dweedle-Dee and Dweedle-Dum are all so familiar it hardly matters that the Mad Hatter is a reference to the mercury poisoning common to men in that profession during the Victorian era.
This is either a testament to the power of the original, or a comment on how pop-culture makes things into what they need them to be at any given time and place.
We’re traveling to the turn of the century today for Viola, a printable paper doll with her wardrobe from 1895 and 1900. She can be printed in black and white or in full color. Viola’s name was selected from the Social Security Baby Name Index as popular in the 1890s. Fashion in the mid to late 1890’s exists between huge puffed sleeves and the rather horrid pigeon breasted look. Not being a fan of either style, I never thought I would do 1890s paper doll, but I found I liked the fashions at the end of the century, so here she is.
Honestly, the way I look at history has been heavily influenced by the historical paper dolls I had as a child, sparking my interest in social history and fashion history. So, I think historical paper dolls are great printable paper dolls for kids and I’ve only recently discovered that a number of people who use my paper dolls for home schooling activities. All of this increases the pressure to get the paper doll “right”, lest some child’s understanding of 1890’s dress be damaged by my paper doll creation. (Not that I think this would be devastating for the child in question- there are far worse things in this world.)
The mid to late 1890s wardrobe that Viola has is based on museum objects, primarily, and a few costume plates. The Met, The Museum at FIT and MFA Boston, as well as the UK National Trust were a few of my sources. When I am researching a new paper doll, I tend to collect my sources on my Pinterest boards (feel free to follow) and today’s printable paper doll is no exception. I gathered her clothing sources on my Turn of the Century board, before I started drawing.
One of her parasols was based on this one, but the other I rather invented based on a lot of various parasols I looked at. The Met actually has a really large collection of parasols, who knew?
Her seaside or yachting costume was inspired by this dress from 1895. There seems to have been a real “sailor” trend in the end of the Victorian period during the bridge into Edwardian.
The carriage toilette in green is from this fashion plate I found on flickr, though I confess to usually trying to avoid finding things on flickr, since I don’t always trust the accuracy of the sources.
Were I to draw today’s historical paper doll again, I would have included a pair of gloves and another pair of shoes, but that would have made her three pages and I wasn’t about to that. Of course, should you wish to add gloves, than I will direct your attention to the Regency Pixie Paper Dolls whose gloves could certainly be adapted here.
Meet my new Mini Maiden printable paper doll named Isadora. This is the first Isadora paper doll, though there will, of course, be others. Her name is for Isadora Duncan, the famous dancer who died in a rather horrible car accident. A rather morbid name for a paper doll, perhaps, but Duncan revolutionized dance and I do really love the name Isadora. I loved the name long before I knew of it’s rather dark history.
My Isadora paper doll is not a modern dancer who revolutionized dance culture, but rather she is armed with several machetes and a knife and comes from a post apocalyptic wasteland desert where she fights mutants and scrounges for water.
I have been traveling a lot lately, three trips in three months. One of the places I am visiting in Las Vegas. At night, the “strip” is all rather glitzy, but during the day it just feels fake. Never the less, as I flew over the desolate beauty of the desert before coming into the airport, I was struck by the vastness of it all. I was inspired to draw todays paper doll long before flying over the desert, but while I flew over the desert I was reminded that she was done and ready to post.
One of the big myths of costume history is that children were dressed like adults, but in miniature. While this is sort of true, I have yet to see a decade where there is not some, however slight, difference between children’s and adults clothing. The differences are often subtle and children were considered adults at a much younger age than we consider children adults today.
This is all by way of saying that I really wanted to make sure this fluffy dress (which has NO historical accuracy about it at all) felt like a child’s dress and not an adult’s dress. I think of the Poppets as between 8 and 10 years of age and I really hate it when I see child dolls dressed like adults, especially in historical outfits or psuedo-historical outfits.
So, to maintain the principle, I’ve shortened the skirts of her fluffy dress. See.. I have some principles (not a lot of them… but I digress.)
Actually, I’ve been thinking about principle’s lately. If you read Liana’s interview from Friday (and if you haven’t than you really should), she talks a lot about the problems of paper doll poses and the complications of paper doll design. I think about these things when I design a paper doll as well, but I also find I think a lot about the principle of correctness. I made this principle up by the way, but for me I think it’s about the correct outfit for the correct paper doll at the correct time.
By my nature, I am scattershot personality. I tend to work on something in the grip of interest, give it up when I get bored, and then move onto something else. Paper doll designs, projects, work endevaors, whatever, all become mixed about in the messy world I exist in. If I’m reading up on women’s publishing, than somehow this filters into everything else I do. I am very envious of people who can have firm divisions in their heads between project A and project B, but I’ve never been wired that way. This means my paper dolls tend to be schizophrenic. Astronauts to mermaids all have happened over the years. I think this is sometimes the charm of PTP, but I also fear it’s a bad thing. I find I envy people like Boots who commit to a theme and then stick to it.
I can not imagine trying to limit myself like that.
Today, in honor of Han Christian Andersen who was born in 1805, we have two regency pixies and their wardrobe. This is the last big Pixie set for a while, though I do have some one page Pixie paper dolls in the works that I am looking forward to sharing. I don’t think I’ll do another multipage set for a while. They are a lot of work.
Theses paper doll’s dresses are from about 1800 to about 1815, or so. The latest one being the morning dress with the neck ruff looking thing for Lydia (or Emma, either doll can wear the dresses) which was popular for a while though I find the style a little absurd, myself.
There is a tendency to make everything in this period white, as that’s what fashion plates usually show, but women aren’t stupid and there are plenty of dark fabrics with prints that were popular for day dresses. They don’t show stains as much as white (does anything show stains as much as white?) and they could go longer between washingings. There’s also a tendency to talk about women being out of corsets. This was sort of true, but as anyone with boobs can tell you, having no support is darn painful.
Since bonnets were going to be featured in this set (and I do confess I’m not very good at drawing bonnets), I knew I had to keep both of the paper dolls hair close to their heads. Lydia, above, has a braid and Emma, also above, just has her hair pulled back somehow. I imagine it in a neat bun, but whatever.
It was important to me to give these dolls some clothes, so I decided to do a separate sheet for their dresses. After all, one dress hardly makes a very fun paper doll. So, here is a riding habit, a few day dresses, a ballgown and one of the cropped spencer jackets which I’ve always liked. As for other regency paper dolls, there’s always Flora of the Regency, and two Marisole Monday & Friends sets- Empire Elegance and Regency Romance.
Thoughts? Do the Pixies need more historic outfits?
Wow, it’s been a while since I posted one of these paper dolls, hasn’t it? My last set was East of the Sun, West of the Moon which I was quite proud of. I took a little break from the Flock dolls and now I’ve returned with a Cinderella set. To be honest, my return was partly inspired by Paper Doll School’s fairytale paper dolls and by the Toy Box Philosopher’s wonderful reviews of the Ever After High dolls that Mattel is making (though they include characters that are not fairytale characters… Alice’s Adventures in Wonderland is NOT a fairytale…)
Anyway, for my Cinderella, I decided to stick to the Grimm version of the tale where Cinderella is a little more proactive. The Grimm version of the tale includes three balls, no pumpkin, lots of birds and eventually people cutting off parts of their feet (ewww). Actually, like a lot of Grimm tales it is a pretty… well… Grimm tale.
One of the challenges of all the fairytale Flock sets is trying to figure out which parts of the tale make logical symbols for the paper doll set. For Cinderella, I chose to use birds and clocks as my two thematic elements, since both play a major role in the tale of Cinderella.
Things to say about today’s printable paper doll… It is my first Pixie paper doll in a while. She’s two pages and has a distinctly steampunk inspired wardrobe. If you’ve been following this blog for a while, you might remember the sketchbook post back in April of 2013 when I showed off the inked version of this set.
Wow… this was a long time coming, wasn’t it?
Shirin, in my continuing search for names I haven’t used ever, is a Persian name meaning “sweet”. Continuing the theme, her coloring is based on the Iranian actress Nazanin Boniadi, except with really curly hair, because I love curly hair and I’m trying to practice drawing it. You can expect to see more curly hair in the future on the blog.
Oh, and her clothing has nothing to do with Persia. I tried to think of a connection after I decided to base her coloring on Nazanin Boniadi, but I don’t have one as her clothing is distinctly Western without a hint of influence from the Middle East and is mostly based on the clothing of young men in the early 20th century.
Oh, and as sometimes happens when I saved these images for the web, Photoshop did odd things to the colors. I recommend looking at the PDF version of Shirin and Shirin’s Wardrobe to see what I really intended the color scheme to look like. Partly this was a challenge to do a steampunkish set without the color brown. Harder than it looks, actually… because the line between goth and steampunk is often one of color, not design. That, however, is a whole different discussion for another day.
Faye has decided to do a little time traveling and visit the 1920’s. I love drawing 1920s paper dolls and this one was no exception. Inspired by Anna May Wong (the first Asian-American famous film actress), I knew I wanted to use Faye, my Asian Mini-Maiden in this set.
(I did not give Faye Anna May’s wonderful bangs because every time I tried to draw them they looked… off somehow. Bangs and I just don’t always get along.)
Faye has shoes, stockings, a girdle, a house dress, two day dresses and then a swimsuit. She should probably also have a swimming cap, but I didn’t really think about that until after I finished the set and then it was too late. But she’s got a pretty good set of 1920s clothing to print and color, I think.
Oh well…
I really had fun with this set since I just bought a few more books about 1920’s clothing and wanted an excuse to play with them.
I’m trying to give more information on where I do my costume research when I say something is historically accurate, so I’m including a sources list, in case anyone else wants to dabble in the 1920s. It’s not exhaustive. There’s some other great books out there, just what I happened to use for this set and have on my own shelves at home.
A Few Sources for 1920’s Fashion History
1920s Fashions from B. Altman & Company. Mineola, NY: Dover Publications, 1999. Atelier Bachwitz. Classic French Fashions of the Twenties. Mineola, NY: Dover Publications, 2012. Blum, Stella. Everyday Fashions of the Twenties as Pictured in Sears and Other Catalogs. New York: Dover Publications, 1981. Lussier, Suzanne. Art Deco Fashion. Boston: Bulfinch/AOL Time Warner Book Group, 2003. Peacock, John. 20th-century Fashion: The Complete Sourcebook. London: Thames and Hudson, 1993.
Do people find this idea of sources lists useful? I don’t want to do them all the time, but for my historical stuff I thought it might be helpful for folks. Thoughts from my fabulous readers?
So, last week I was feel very meh about this paper doll set.
Now, I’m rather in love with it.
I have a very on again, off again relationship with my paper dolls sometimes. I mean, if I was dating this blog, I would definitely declare the relationship highly unhealthy. As it is, the Blog is a demanding associate.
Anyway, I have decided on a name for this new “face” of Marisole. I’m calling her Magnolia, after the magnolia trees that aren’t blooming at all in the dead of winter in Alabama, but which are beautiful anyway. She’s stuck in the Other Friends category though until I decide if I like her enough to draw more sets for her.
I went back and forth and back and forth about Magnolia’s skin tone. I wanted to something darker than my standard Marisole skintone. I’ve posted before about my Skintone Pallette which I use to select skin tones for the blog. Now I was going to go with my darkest color which is #3b2219 which, as you can see, is a very dark brown. The trouble with #3b2219 is that it makes seeing the black lines on the drawing nearly impossible, especially when you print out the paper doll.
So, I lightened the skin-tone to a new shade which is #502e22 which I like a lot better, though it lacks the richness of the darker brown. I want to use #3b2219 more, but I am having trouble with it allowing the line-work to show up. I need to think about how to fix that problem in the future.
One last thing, I finally got the PDF of Seagulls and Seaside In Color fixed. Never let it be said I don’t get things done… eventually. 🙂
Oh and before I forget, I want to wish a happy President’s Day to those celebrating here in the United States.
