Jazz Age Baby: A Color Paper Doll with 1920s Fashions

A printable coloring page of a black paper doll with historical 1920's wardrobe. Back when I started this blog, it was the dead of winter and I was going stir crazy in a one bedroom apartment surrounded by snow. Today, the sun in shining and the weather is lovely and I am still at this nearly six years later.

Time does fly.

Okay, so way back in 2011, I did this paper doll called Art Deco Goddess. I was full of ennui when I wrote that post. It is both mellow-dramatic and whiny. Not to suggest that I’m not capable of being both melodramatic and whiny at my age today, but try to at least steer clear of being too melodramatic and whiny.

Anyway, I just thought of it, because Art Deco Goddess like Jazz Age Baby are both paper dolls with 1920s wardrobes.

Jazz Age Baby, however, owes a fair bit to the hair of Josephine Baker and a bit to the fun wardrobes of ladies of the decade.

A printable coloring page of a black paper doll with a 16 piece contemporary boho wardrobe.
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Now technically, Monica should be wearing stockings and a garter belt and slip and all sorts of 1920’s underwear, but I thought another paper doll might want to borrow her shoes or she might want to get to be fairy or in jeans and so I did not give her period underwear. I’m pretty much okay with this choice. I rarely give my historical paper dolls period undies.

Hope everyone has a lovely Monday!

Jazz Age Baby: A Paper Doll with 1920s Fashions

A printable coloring page of a black paper doll with a 16 piece contemporary boho wardrobe. People who have been reading this blog for a while already know this, but I love 1920s fashions. I love the hats. I love the shoes. I love the stylized art deco drawings of the hats and the shoes. Seriously, this era is among my favorites.

Nevermind the fact that as a woman with serious hips, I would look awful in these styles. I don’t want to wear 1920s dresses, I just think they are beautiful on other people. (Mostly people made of paper who wear whatever I want them too, because I am their creator.)

One of the lovely things about paper dolls is that I can enjoy clothing that I would never want to wear myself.

I think part of what appeals to me about the 1920s is that people had outfits. It was not an era of mix and match clothing like we have today. People had outfits where hats matched their dresses and gloves and bags. I love the idea of matching outfits, as I have mentioned before. My obsession with trousseaux of clothing is well documented throughout this blog.

A printable coloring page of a black paper doll with a 16 piece contemporary boho wardrobe.
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So, let’s talk about sources… One of the interesting things about 1920s fashion is that, in the United States, 1923 is the date before which things are out of copyright. That means that things after 1923 begin to fall under various copyright extensions and other rules. Libraries often steer clear of digitizing works that are post 1923, because of concerns about copyright violation. So, I tend to rely on books more than digitized documents for my post-1923 fashion history needs.

To be honest, I don’t recall exactly what I used for this paper doll set, but I know I at least looked at these, as they are part of my history book collection. I know a few of her dresses come specifically from Classic French Fashions of the Twenties.

Sources:

Atelier Bachwitz. Classic French Fashions of the Twenties. Mineola, NY: Dover Publications, 2012.
B. Altman & Co. 1920s Fashions from B. Altman & Company. 4th ed. New York: Dover, 1998. Print.
Blum, Stella. Everyday Fashions of the Twenties as Pictured in Sears and Other Catalogs. New York: Dover Publications, 1981.
Lussier, Suzanne. Art Deco Fashion. Boston: Bulfinch, 2003.

For those who have missed my other forays into 1920s fashion, you can find them all under the 1920s tag.

Promenade and Play: Victorian Paper Doll Clothes for the Poppets

Victorian paper doll clothes So, life this week has been a roller coaster of sickness and travel, but I promised a second page of clothes for Peach in the Park to expand her Victorian paper doll wardrobe and I am pleased to say that here they are.

In no real order, in this set of paper doll clothes there is a promenade dress or afternoon dress, a gymnastics outfit and a set of underwear consisting of a chemise, drawers and a stayband or corset. She also has a pair of shoes with stockings and a ballgown for her doll. It is entirely possible that the doll’s little ballgown is my favorite piece of the entire set, though drawing that small was a challenge. (Seriously, the doll is like two inches tall in real life. I kid you not.)

I drew these designs based on illustrations from several different Victorian fashion magazines including Harpers Bazaar and La Mode Illustre, which as French. I highly recommend Dover’s excellent books of fashion plate reprints when working on Victorian period fashions- they bring a richness to the process of research that is of great value. Plus it’s fun to draw surrounded by open books (at least, I think it is fun.)

Medieval inspired fantasy outfits for the Poppet paper dolls coloring pagesVictorian Paper Doll and Dress from the 1870s in black and white for coloring
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By the late 1860s, early 1870s, sporting activities were encouraged for children. Gymnastic’s costumes like the one in brown are often shown in magazines along with yachting and skating outfits. While it is hard to imagine a child really running around in the bustled up skirts of the era, it is possible to imagine them doing so in one of these more practical outfits.

I also think it is important to remember that while fashion magazines show perfectly coifed children, actual children’s garments are often more worn and simpler. Kid’s did get out in play even in the 1800s and parents did not dress them like little adults, despite what my fashion history teacher told me. The length of a girl’s skirt indicated her age. The poppets are, in my mind, between the ages of 8 and 11, so their skirts are mid-calve. The skirts would slowly lower until maturity when they would be floor length for many, thought not all, activities.

As a reminder, because I forget this sometimes too- any of the Poppet paper dolls can wear any of the other Poppet paper doll’s clothing. So, while I was thinking of Peach when I made these outfits, they could also be worn by Petunia, Paradisea, Poppy, Posey, Petal, or Primrose.

That is a lot of P names.

Anyway, enjoy the Victorian paper doll outfits.

Peach in the Park: A Victorian Printable Paper Doll

Peach In the Park is a paper doll of a black Victorian child doll inspired by BJDs with her own antique fashion doll. She has one dress based on a 1869 fashion plate, shoes, a hat, and a doll. The doll has a dress of her own, also based on an 1869 fashion plate. Peach is part of the Poppet paper doll series and can share clothing with the other Poppet paper dolls. Today’s Poppet paper doll is all about Victorian children’s clothing of the late 1860s and early 1870s. I love Victorian children’s clothing. I just love it. I even love it in the 1840s when I generally think all the clothing looks really stupid.

I think it is a combination of my natural fascination with childhood studies and exposure to books like The Little Princess at a young and impressionable age. It is likely also because I have a fondness for the idea of antique dolls with little wardrobes of perfectly sewn clothing pieces. The Little Princess was full of dolls. Anyone else remember that book?

And I am not talking about the Shirley Temple movie version where her father wasn’t really dead. I’ve never forgiven them for changing that part.

Anyway, we have Peach, a new Poppet paper doll, with an elegant promenade costume from Godey’s Lady’s Magazine in 1969. Her fashion doll also has a Promenade costume from that same fashion plate. I couldn’t find a decent reproduction of the plate online. Because Godey’s plates folded out, when people digitize the bound volumes they rarely take the time to fold out the plates. The result is that the text is reproduced, but not the folded plate. This is one of my pet peeves about mass digitization projects.

Back to the paper doll- Peach has, of course, a French fashion doll with her who I have left unnamed. Her fashion doll has a walking dress of her own with a hat attached. I have rarely drawn something as small as the fashion doll and I am worried a little about the fit of the gown. I did a quick Photoshop fit test, but you might want to leave some black border for wiggle room on that one. I love the whole paper dolls with their own dolls which are also paper dolls thing. It is hard to pull off though.

A black and white printable paper doll of a ball-jointed doll with Victorian 1870s clothing and her own doll to dress. Peach is part of the Poppet series and can share clothing with the other dolls in that series.A color printable paper doll of a ball-jointed doll with Victorian 1870s clothing and her own doll to dress. Peach is part of the Poppet series and can share clothing with the other dolls in that series.
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Anyway, I used several sources when working on today’s paper doll. The doll herself is based on the brown-complexioned bisque bebe dolls produced in France and Germany by companies like Steiner, Bru, Jumeau and many others. You can see some examples of these dolls on my Pinterest Board about Antique dolls. These dolls were most common in the late 19th century. As I mentioned above, her dress is from an 1869 Godey’s Lady’s Journal fashion plate. I used Dover’s excellent book- 80 Godey’s Full-Color Fashion Plates, 1838-1880 (ISBN: 978-0486402222), now out of print, for the 1869 plate. I know there are lots of sources online today for fashion plates, but too many of them omit the context of the plates, since plates were often cut. That is why I like having books of fashion plates in my collection for reference.

Next week, I will share a related Poppet clothing set with some underwear from the 1870s- when even children wore staybands or corsets- and two more outfits and a ballgown for her doll. Also, another pair of shoes with stockings.

I really do have to draw more historical children’s clothing for the Poppets. I had far to much fun with this set.

Remember that you’ll need to cut along the shoulders of the paper doll, so that she can wear her dress.

Cranach Gowns: A Paper Doll of Rennisance Saxony Dress in the Mid-1500s

Link to Cranach Gowns, a paper doll of a 15th century Saxony dress in Germany with two gowns, two hats, one pair of shoes in black and white or in full color for printingHappy Friday! Here’s a paper doll. :)

I first stumbled across Cranach dress or gowns in this rather gruesome painting of Judith with the Head of Holofernes months ago and her gown was fascinating. I didn’t know much about it, except that it was painted by Lucas Cranach. As it turned out, I discovered as I did more research, that the artist- Lucas Cranach the Elder- painted countless versions of this gown on countless both real and mythological figures.  Coming out of the Saxony area of Germany, Lucas Cranach was hired by Fredrick the Wise who to be the court painter of his court in 1505 and Cranach stayed there for the rest of his life. He was extremely prolific and his art is distinctly romantic and stylized. Even his portraits all rather do look the same after a while, I have to confess.

Around 1546, Cranach illustrated a manuscript for the Court at Saxony. This collection of portraits of Saxon princes and family known as Das Sächsische Stammbuch – Mscr.Dresd.R.3 is fascinating. I was immediately struck by the illustrations of the Saxon princesses (image 220, f. 89) and I knew I wanted to draw these dresses.

Cranach Gowns, a paper doll of a 15th century Saxony dress in Germany with two gowns, two hats, one pair of shoes in black and white for printing
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However, there is a debate as to whether or not Cranach’s gowns actually existed in the real world. Here’s my view: We don’t have an extant one, but then we don’t have very many extant garments from this era anyway. Should we find one the debate would be settled, but until then we have to work with the primary sources we have.  The value of fabric and the expense of clothing was so great the people usually chose to be painted to garments they actually owned.

Lastly, I tend to approach history with the belief that in the absence of proof to the contrary, we should assume that people of the era were not trying to mislead people of the future. Why commission a family history with crests and portraits of your family, if you are not going to accurately render the people in the images? Das Sächsische Stammbuch – Mscr.Dresd.R.3 is a collection of portraits of Saxon nobles. Why put the princesses in imaginary gowns?

The first question I struggled to answer was if the nets of pearls so often seen the women’s hair in these portraits were actually nets of pearls, or rather some sort of cap. This article on these caps lead me to conclude it was a cap, rather than part of her hair. Her shoes are fairly standard 15th century shoes with squared toes. Her hats are based on portraits of the era.

I picked out colors based on the main colors I saw in the portraiture which were red and black. I really wanted to do blue as well, like the illustrations of the Saxon princesses and so I did a blue gown as well. I did wonder, however, about the blue. Color is often symbolic in manuscript illustration and I wondered if perhaps blue was used to denote virginity (the Madonna was associated with blue) rather than to render the actual color of the gowns. Never the less, I thought they looked pretty and that was enough for me. I made her a redhead, because I have a thing for redheads and so did, it seems, Cranach.

ranach Gowns, a paper doll of a 15th century Saxony dress in Germany with two gowns, two hats, one pair of shoes in color for printing
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In my research, I am indebted to The German Renaissance of Genoveva , a blog devoted to recreating German Renaissance dress for reenactment and The Court Gowns of Saxony and article by Holly Stockley which was accessed via the Wayback Machine and The German Renaissance of Genoveva website.

Normally, this is where I would put my sources. The truth is that I was flummoxed in finding any really good secondary academic works on German Renaissance dress in English. I did use the Met’s collection of Cranach paintings, the Encyclopedia Britannica’s article on Lucas Cranach, this delightful bookplate from the National Gallery (USA), the National Gallery (UK) portrait of a noble woman, and this portrait of Princess Maria of Saxony.

The most useful document was Das Sächsische Stammbuch – Mscr.Dresd.R.3 and I owe a debt to the library that digitized it. It it through this digital work that people like me can see the great artifacts of Europe and study them. I am well aware of the risks and time such projects, so I am grateful when libraries and museums undertake them.

As always, if you want to know when I update this blog, feel free to drop your email on the sidebar to be anded to the updates mailing list. You can also follow me on twitter where you can see when the blog updates (though I usually tweet after I post by a few hours) and get to read about what I might be making for dinner.

And, of course, thoughts in the comments are always valued.

Lois: A Paper Doll of the 1930s

Link to Lois, a printable historical paper doll with dresses from the 1930s I love the styles of the early 1930s and I wanted to create a paper doll that showed them off, so here is Lois- a paper doll of the early 1930s. That is to say, everything in it comes from 1930-1932.

It’s common to speak of the last century of fashion as though it happened in neat decade compartments. In reality, fashion doesn’t care what decade it is. It moves based on cultural and social shifts, often subtly, and then you look around and notice that the silhouette has shifted. Rarely, fashion changes dramatically over a short period, but only very rarely.

So, when looking at the early 1930s, as this paper doll does, you might be struck at how close these dresses are to the late 1920s. In truth, they are very similar, because fashion just doesn’t change that quickly. The Great Depression will catch up with the styles of the 1930s, it just hasn’t yet. All of these dresses are drawn from images in the book Everyday Fashions of the Thirties As Pictured in Sears Catalogs published by Dover. The Sears series from Dover is an inexpensive way to gather up books the show what people wore, rather than what fashion magazines thought people should be wearing. I own almost all of them.

Lois is a printable historical paper doll with two dresses, two hats, a coat, underwear and shoes from the early 1930s in black and white for coloring
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I have mixed feelings about my color choices. I knew I wanted to pick a color scheme where I hats could go with either of the dresses, but I don’t know how successful I was. I really do like how the white hat contrasts with her dark skin and I like how rich the red coat looks, but I’m not so sure about the yellow dress. The early 1930s is a very art deco influenced period and that makes me happy. I love the asymmetrical styles and the often surprising details.

Lois is a printable historical paper doll with two dresses, underwear, shoes and hats from the early 1930s in color
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Unlike my 1920s Pixie Lynn, I actually gave Lois some undergarments. She has a girdle decorated with flowers to go under her dresses. She should, technically, have a slip to go over that and panties to go under it, but its a start.

I would have to pour through all my posts to be certain, but I think this is my second 1930s paper doll ever. The first was way back in 2010 for my original Curves Series and is just called 1930s. I got totally distracted looking through those old paper dolls trying to find the 1930s set I was pretty sure was there. It’s strange to go back and look at things I drew four or five years ago.

Some of them paper dolls I still really like and others I don’t. It rather makes me want to take on a project like Julie’s toddlers where she goes back to older color schemes. I’ll have to think on it. I don’t want to “redraw” old things, but there are some ideas there that I think could be reexamined fruitfully.

Lynn: A Paper Doll of the 1920s

Link to Lynn, a printable historical paper doll with dresses from the 1920s Let me state one thing first, on the record- Lynn’s underwear is not period. If I had drawn her period undergarments, than she’d never get to wear jeans. So, I chose to omit even a period slip for her in favor of fitting some fairly large hats onto a fairly small space. Pixies have big heads and therefore big hats.

I hope no one feels horribly cheated out of 1920’s undergarments.

It was really hard to give myself permission to do a small historical set for the Pixies. Normally, my historical Pixie sets are at least two pages and my Regency paper doll set was three. And I do have an 18th century set which has the dubious honor of being the largest collection I have ever drawn for the Pixies. It is literally five sketchbook pages. I’ve no idea how I am going to post it.

One of my big goals for 2015 was to draw historical paper dolls, because- frankly, I really like them.

But I also think if I always think “These sets must be huge” than it creates a lot of pressure to produce big sets. I think smaller sets can be just as fun.

Link to Lynn, a printable historical paper doll with dresses from the 1920s in black and white for coloring
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Todays paper doll’s three dresses are from two different sources. The short sleeved dress and the one with the chevron patter are from this image on Flickr. The party dress is from the Met and dated 1926 through 1928. Her shoes were based on this pair from the Philadelphia Art Museum.

Link to Lynn, a printable historical paper doll with dresses from the 1920s in color
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The color scheme was fairly arbitrary. I do wish I had done something a little more fun with the shoes rather than playing it safe with black. I like to think that these three dresses cover day and evening wear fairly smoothly for Lynn. Long term, it is my hope to do more smaller historical sets for the Pixies. There’s no logical reason why they shouldn’t get to share in the single page historical paper doll fun.

I say this having just begun coloring the largest pixie set I have ever drawn of 18th century dress. I might be unable to keep this single page historical Pixie set concept alive.

A Lady at Court in Color: Printable Tudor Paper Doll

A printable paper doll of a young black woman with a brightly colored wardrobe I confess the colors here were heavily influenced by the colors in the portraits that I used as inspiration. (Full list of those can be found in last week’s post.) That meant there was a lot of black. I confess that somehow Tudor clothing looks best to me in rich, vivid shades of red, gold and black, so I settled on that color scheme.

Most of the ways we think of history are influenced by our perceptions of the past, rather than the reality of the past. It’s easy to imagine the Victorian era entirely in sepia, because that is what we have available. I have been watching an excellent documentary by the BCC entitled Monarchy on Nexflix over the lat few days. It’s been fascinating, if at times a little confusing when I lose track of which Edward is which. Never the less, we’ve just gotten to Henry the 8th and I smiled when I saw the gowns of this era.

A printable paper doll of a young black woman with a brightly colored wardrobe
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Over the years that I have been drawing paper dolls, few eras have seen has intimidating as Tudor. I’m very pleased that I was able to tackle this period. My next major research project will be preparing for my Viking paper doll set for B&B. I just received from Interlibrary Loan on Friday the book Woven Into the Earth about textiles from Norse Greenland. So, I’ll be curling on this week with that on my couch trying to make sense of Viking attire.

Once I’m done with Vikings (which will be a few weeks, I am waiting a on a few more books), I’ll need a new period to research. For this purpose, I have put together a poll. These are all eras that I have either never really studied or generally think I don’t like. I want to force myself to do things which I wouldn’t normally be drawn too.

What historical period should I research next? (And therefore make a paper doll of...)

  • Ancient Greece and Rome (33%, 32 Votes)
  • Rennissance Italy (22%, 21 Votes)
  • The Mod Look of the 1960s (21%, 20 Votes)
  • The 17th Century (16%, 15 Votes)
  • The 1830s (8%, 8 Votes)

Total Voters: 96

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A Lady at Court: Printable Tudor Paper Doll

A printable paper doll of Turdor era fashion Let me be clear here… this is not just a paper doll of the 1500s. Rather, my Margot paper doll is is showing off English Tudor dress from the mid-1500s, specifically Henrician gowns. This is an important distinction, because by the 1500s dress was highly regionalized, especially for people of wealth and status. My paper dolls nearly always have both wealth and status. (Mostly, because rich important people tend to get way cooler looking clothes.)

Both of Margot’s gowns are Henrician gowns, which are specifically gowns worn during the reign of Henry the 8th. She’s also got two french hoods (headdress A & C), one gable (or English) hood (headdress B), one pair of shoes and one set of underwear.

Please note that the underwear may not fit underneath the two gowns. I didn’t want to omit the smock from the underwear and smocks had really full sleeves that got crushed under the gowns and then were displayed through slits in the false sleeves and well… I didn’t want to deal with all that layering.

Moral of the story: She has under things. The underthings might not actually fit under things.

I should add that I knew very little about Tudor dress when I started researching this paper doll set and I am not about to claim that I have magically become an expert. I did my best to create an fairly accurate rendition of a noble woman’s garments of the 1540s through 1550s considering the restrictions of Margot’s pose.

A printable paper doll of Turdor era fashion as a coloring page
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As always, it is very important to me to be clear about what I studied at prior to drawing this paper doll set. Tudor clothing has always been very intimidating to me, but I wanted to challenge myself. A big part of my historical paper doll set goal is drawing things which “scare me”. Tudor dresses were one of those things.

Selected Sources:

Books:

Arnold, Janet. Patterns of Fashion: Englishwomen’s Dresses & Their Construction. London: Macmillan, 1983.
Ashelford, Jane, and Andreas Einsiedel. The Art of Dress: Clothes through History, 1500-1914. London: National Trust, 1996.
Mikhaila, Ninya, and Jane Malcolm-Davies. The Tudor Tailor: Reconstructing 16th-century Dress. Hollywood, CA: Costume and Fashion, 2006.
Norris, Herbert. Tudor Costume and Fashion. Mineola, NY: Dover Publications, 1997. (Note: Norris’ book has some problems, since it was wirrten in 1927, but it’s useful as an accompaniment for other things.)
Reynolds, Anna. In Fine Style: The Art of Tudor and Stuart Fashion. London: Royal Collection Trust, 2013.

Websites:

There is a fairly large community of people who reconstruct Tudor clothing. I am always dubious of such cites, as they often lack citation (and y’all know that drives me nuts), but they can be excellent sources to corroborate primary and academic secondary documentation. As always with internet research, Caveat emptor.

Damsel in in this Dress: Tudor Kirtle and Gown from May 2014. (Accessed: March 2015)

Tudor Dress: A Portfolio of Images is clearly a product of the days of table’s on the internet, but still has good info. (Accessed: March 2015)

What did a Tudor Noble Lady Wear? is all about the layers of Tudor clothing. (Accessed: March 2015)

Elizabethan Costume Page is older, but quality. Plus there’s an old school Java paper doll game! (Accessed: March 2015)

Tudor Tailor is the website of the people who wrote the excellent book “Tudor Tailor.” Though I think the book is more useful than the website, it would be remiss of me not to mention that it does exist. (Accessed: March 2015)

Portraits:

From the National Gallery, I looked at a lot of famous portraits from Ann Boylen, late 16th Century, Queen Mary the First in minature, circa 1545, and Queen Mary the First circa 1544, Unknown Woman’s Portrait, circa 1545, Jane Dudley, circa 1600, Queen Mary the First, circa 1554 and Katherine Parr’s Portrait, circa 1545.

From the Metropolitan Museum of Art’s portrait collection, I looked at Lady Lee (aka: Margaret Wyatt, born about 1509) circa 1540s, Portrait of a Young Woma circa 1540-1554,
Anne de Pisseleu, Duchesse d’Étampes, circa 1535-1540, and Lady Rich (Elizabeth Jenks, died 1558) circa 1540.

There are, of course, other sources of Tudor clothing and I am sure I missed some. I don’t think this will be my last trip to the 1500s. I really want to do a more “merchant class” tudor paper doll as well.

Tibbets and Kirtles in Color: A Printable Paper Doll of the 1300s

Printable paper doll of a lady from the mid-1300s in color Last week, we got to see my mid-1300s paper doll set in black and white. This week, here she is in color. Historical printable paper dolls always make me a little nervous. In inevitably, choices have to be made about what to include or not include and how to render a period’s fashion. These choices are easier the more you know about the period and harder the less you know. One of the reasons I often turn to Medieval inspired or Renaissance inspired rather than actual historical paper dolls is the knowledge that I don’t know enough to always make appropriate choices.

What I am not comfortable doing is always trusting the many sites out there that don’t cite their sources with enough detail to actually find the material if you needed it or want to confirm it’s authenticity. While I love the internet, I find that I don’t use it that much when I am doing this sort of research. I seem to fall back on my library training and rely on reputable secondary sources published in scholars with names in the field, backed up my own knowledge of solid collections of digitized medieval manuscripts where I can dig for source images, plus a few tumblers and blogs that seem to know what they are doing.

And this method worked great until I got down the problem of color. Now, I always think of the 1300s as being richly red and blue and gold, because those are colors I have seen in medieval manuscripts. Just because, however, they made a dress red in a book doesn’t mean the dress was commonly red in real life. Pigments used for illumination aren’t the same a pigments used for dyeing cloth and medieval art is heavy on analogy and symbolism.

A printable historical 1300s paper doll page
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What I really didn’t want to do was do a ton a research on natural dye processes, because a lot of people have written a lot on the topic. Textile fragments like this one, an incredible velvet cope or this equally amazing cope from the V&A Collections proved to me that colors were rich in the 1300 hundreds. So, I used those images along with this Medieval Colors article from Aux Mailles Godefroy. The resulting colors are a little more muted than was probably possible in the 1300s, but I just couldn’t get over my preconceived notions of muted tones despite seeing examples of bright yellows produced with natural dyes. The truth is that both linen and wool, common fabrics in the 1300s, take dye really well. The world was likely a lot more vibrant than my preconceived notions of history suggest.

By the way, most of my primary and secondary sources for this paper doll set are listed on the black and white version. It was a long list and I didn’t want to repeat it here. So go check that out, if you want to see what I used to create my mid-1300’s paper doll.

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