I’m not totally happy with her face. I’m going to say that straight up, so that I can get it out of the way. Now, onto other things…
I really am pleased with her adventuring outfit on the left and then on the right is her ball gown- for when she can’t show up dressed in what she wore to fight off the molepeople. It’s not a good adventure story unless there are molepeople and zombies and possibly some sort of fishmen. Of course, it should be noted that no one ever asks the molepeople how they feel about these things. I mean, there they are minding their own business when suddenly they’re being attacked.
When I was a child, I always wanted one of those cakes which had a doll inside of it, but I didn’t like Barbie dolls, so I don’t know what I would have done with one if I had gotten it. I was reminded of them as I worked on this set of paper dolls. Marisole doesn’t have a lot of huge skirted dresses. I think because I more often take my inspiration from the Regency then from the Antebellum eras of costume. Never the less, I knew I wanted to draw some things that were utterly over the top and I think these qualify.
I don’t usually start knowing a color scheme, but in the case of these dresses I was pretty sure I wanted them to be yellow from the beginning. Because the dresses were going to be yellow, I chose a warm pale brown color for Marisole’s skintone and a dark color for her hair. I was really concerned with her skin clashing with her costumes. I don’t think it does, but I was worried it might.
I have, as I sometimes do, left this to the last minute. So, now that its posted, I am going to crawl into bed and sleep for I have work and homework to finish in the morning.
I’ve never done a black and white Pixie paper doll before, that I recall and I must confess I’m only doing one now because I’m busy and I needed something to post. I felt a little guilty just posting paper dolls I had already posted in black and white, so I did two of them to make myself feel a little less guilty about recycling material. Besides, sometimes the choice is between something or nothing and I’d rather post something.
I’ve been terribly busy this weekend prepping for classes that start next week and preparing to travel to Pennsylvania for a wedding. I’ll be out of town for a few days. The blog should post on it’s own without me (assuming I get done what I need to get done to make that happen), but there might be a slight hiatus while I travel.
I enjoy weddings, though I was never one of those people who dreamed about my own wedding day. I never caught the “wedding fever” so common to young girls. I did have a wedding Barbie doll, as I recall, but I think she spent most of her time either fighting monsters or going to balls in her pretty white dress.
To celebrate the 4th of July, I thought I would check out books from the library, sit down and set to work on drawing some historical costumes for Marisole set in the 18th century since the Revolutionary War (Or, as the Brits call it, the Rebellion of the Colonies) was in the 1770s. I’ve only done one other set of historical costumes for the paper doll and they were regency dresses (One set one in July and one in August in 2010). This is about as far from the Regency aesthetic as you can get- the French Revolution did have a way of changing fashion, also of decapitating an awful lot of people. Those wiley French.
So, I’ll confess that when I have to name my favorite periods of historical fashion the 18th century doesn’t get a lot of attention. I’m just not that huge of a fan, but when I was in England I went to the Fashion Museum in Bath and I saw an actual 18th century gown in person. Despite my tendency to dismiss such costumes as too poofy, too over the top, too absurd for my taste, the actual dress was among the most astonishing pieces of craftsmanship I have seen.
The frustration of drawing historical costumes for Marisole is that her proportions are so darn strange. While I like how she looks, it means that historical dresses (which rely on a specific silhouette) look off. As I drew these costumes, I realized I was going to a have to allow myself to be a little more liberal then my natural leaning for historical accuracy allows and, besides, I don’t really know enough about the 18th Century to be hyper critical of my own work. I won’t say these costumes are historically accurate, I will say they are historically inspired.
I usually don’t go for Rose Ballgowns but I liked the grace of this costume and I really liked the sleeves. I didn’t mimic the plate exactly and I sort of invented the front of the dress since I only saw the back of the dress. I included gloves, which were needed since the sleeves of this era were so short, shoes to match and a wig styled with roses. So, it’s pretty much a whole Flora outfit.
Really this outfit happened because I have wonderful friends. As I wrote before, I have supportive friends who seem to be fairly relaxed when I say things like “Yeah, I’m thinking about buying Instyle so I have some paper doll fodder.” And they nod as though this is a normal thing to say while standing in a drug store at 10 pm on a light night chips run. In fact, sometimes they go through it with me telling me what I should draw though usually their picks are more hilarious than practical.
(I don’t really fancy the idea of drawing nine million sequins. Sorry guys.)
But when one of them told me this was the dress I should draw of a set of dresses I was looking at, I decided to go for it. It was the right period and fun, if a little fancier then what I usually draw
So, we’re a little late today and I am sorry about that, but as I’ve said a few times around here. School comes first. Flora’s costumes are often challenging, because I like to have lots of reference images before I try to draw anything. I’m always looking for more information on the right era of costumes for the paper doll.
The ballgown on the left is based on a plate from 1812. It is one of the costumes I have wanted to draw for a long time, but it was a challenge for me. I love the yellow trim. Her promenade costume is based on a different plate from 1814. The popularity of the ruffs around the necks of costumes in this era are very interesting. I don’t know if I like the look, but I feel like I have to include them as a matter of keeping things accurate.
So, it’s nearly spring here and I thought I should post this before it becomes totally inappropriate, because of the weather. I didn’t wear a jacket today, though it was a little chilly for that I still enjoyed having the sun on my face. I don’t have a lot to say about these costumes except that they were fun to draw. I really like ice skating costumes even if I don’t ice skate much.
I do a little, but I wouldn’t call myself skilled… let’s say that I have, in the past, ice skated and leave it at that.
Beyond that, I don’t have anything really intelligent to say tonight. Sometimes, I feel like my posts are afterthoughts and that’s a little bothersome. I should work on it.
First, quick apology thing… if you emailed me in the last week or so… then I probably haven’t replied, because I forward that account to my other email and my other email was putting those emails into my spam folder. I think I’ve fixed the problem.
I did this paper doll originally with tan skin and dark hair, but then I also did a version as a blond. I liked it well both ways, so I decided to post them both. At the top is the dark haired version and then you can click the thumbnail on the left and get the 150 dpi PNG version of the blond paper doll. There’s also a PDF for the blond paper doll. I figured regardless of what skin tone and hair color was desired, there could be a paper doll to fit the bill.
I always associate Valentines Day with paper dolls. My grandmother used to send my and my sister Valentines Day cards when we were kids and they usually had a paper doll in them or some other activity. I still remember being excited at getting the cards and I would open them up and play with whatever had been included. Even all these years later, I remember what many of the cards looked like.
Where to start about this paper doll set… Well, it all started with the blue dress which is the strange love child of a kimono, a peacoat and a 1850’s hoop skirt and then sort of evolved from there. Secretly I kinda love it, but publicly I’m a little more unsure. The underwear in yellow and cream came out of the desire to draw absurd underwear (and practice my ruching as I mentioned last week) and then I felt like I needed a second dress to fill in the set, so I drew her odd formal costume with the pleats and underbust corset with the flower. My favorite is the blue dress, though I know I shouldn’t have favorites among my paper dolls.
I think fantasy is all about combining different sources in ways that they were never combined in the real world. So, to take the blue dress as my example, the skirt is based on Japanese stencil dyed fabrics, the coat/jacket is quilted much like 18th century women’s petticoat and has a large portrait collar much like my own winter coat. It is tied with an obi style sash/belt (displayed on that website on a beautiful example of Japanese doll making).
The poll is, of course, on going. I am not at all surprised that fantasy is in the lead. I always rather suspected it would win out in the end, but I wasn’t sure where everything else would fall in between, so it has been education in its own way.
When I don’t know what to draw for printable paper dolls, I tend to draw formal dresses. I think because formal dresses take up space (I don’t need a lot of them) and I can just kinda be random (which is nice). So, here we have a formal gown sort of post.
The name “Yasmine” is Arabic/Persian and was later adapted into Jasmine. I’ve always liked it. She’s kinda inspired by this Bollywood film Dil To Pagal Hai (The heart is Crazy) which stars the beautiful Karisma Kapoor who (like our paper doll) has the most amazing green eyes. That’s all I got about that. The only relation to the film, by the way, is that the paper doll and one of the actresses both have green eyes. Anything deeper is just… um… not there.
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