Last week, I posted Ruffles and Dragons, a paper doll gown that Chinese motifs inspired. After I finished drawing that paper doll, I became fascinated with the idea of doing a totally different feeling dress with the same silhouette of the overdress and a different under dress. So, I ended up with this foxglove princess paper doll.
Stained glass inspired this princess paper doll’s gown. My mother makes beautiful stained glass and I was thinking of stained glass lamps, especially the way the leading on stained glass highlights and breaks things into shapes.
I drew the foxglove, because I really love foxglove flowers. It’s one of the few plants that grows super well in Southeast Alaska where I grew up. Also, as a kid, I thought it was cool how poisonous it is while being so pretty looking. I was trying to stretch a little. I also thought the shape would fit will into the panels of the overdress. So, while it wasn’t really a well planned project, that’s how I ended up with a foxglove princess paper doll.
The underdress I had originally planned to pair with the dragon overdress, but I didn’t think the ribbons really fit in with the dragons. That was when I came up with the idea of the spirals that I used on that dress. So, for this dress, I was thinking about white victorian gowns. Ruching details decorate the sides of the bodice.
I’m really excited about how this gown turned out. It’s been fun to explore new themes and experiment with different influences—stained glass, nature, and princess dresses. While the process wasn’t entirely planned, that’s okay! I think sometimes things are fun as little experiments. As always, feel free to share your thoughts or suggestions for future designs — I’d love to hear what inspires you.
When I was a child, my grandmother always sent me a holiday card for Halloween and usually it was a paper doll card. This is why I always try to do a halloween paper doll.
Generally, when I think of gothic designs, I think of Morticia Addams from the movies. (Too young to have been a child of the TV show I’m afraid) and she’s a very mermaid skirts sort of design. However, I don’t see why mermaid skirts should get to have all the fun, so I went regency for this one.
All in all, I think the paper doll’s hair is a bit 1920s and her dresses are regency and her border is very much art nuevo. All in all, what time period is this?
No idea, but I think it looks neat!
I hope you have a lovely safe and happy Halloween. Enjoy the paper dolls! I’ll be passing out candy and eating chili.
I have no clue where to start when talking about today’s paper doll. I rarely give up on paper dolls (semi-finished projects not withstanding, that’s using a loss of interest, not frustration), but this fantasy princess night blooming paper doll came close. Twice.
To start with, there were serious layout issues. Confession: I don’t plan my layouts while I’m drawing my paper dolls.
(I had a lovely chat with at a pervious paper doll event and got advice that planning layouts while penciling is a much easier way to get around layout issues. This was such brilliant advice! And then I absolutely failed in all ways imaginable to actually follow through on the advice in anyway what-so-ever. Anyway, I should do it that way and I totally don’t. This is entirely a “me” problem.)
So, anyhow, when it came time to do the layout, I realized that none of these paper doll pieces were going to fit on the page! The dresses were too big. The wig/crown was weirdly sized. The extra bodice… anyway, I wracked my brain to sort out how to make this all happen. It was miserable. It took seven tries.
In the end, my solution was to go right up to the edge of my layout, because I work on an 8 by 10.5 inch canvas and surely no one needs more than a 1/4 inch margin on the page, right? Right… I got it done.
So, yay! Time to color. That would be easy, right? Wrong.
It started well. I found this beautiful color scheme from Sarah Renae Clark. When I saw it, I thought “What a perfect color scheme. It’s dark, but also kind of fun and unlike the colors I usually use.” But halfway through coloring, I thought it looked so awful I nearly threw up my hands and abandoned the entire thing. I came so close to just saying- Welp, this one was a dud.
Anyway, yesterday, I knew I didn’t have anything to post to the blog for this week and I said, “Just color it. Even if you hate it at the end, at least it will be done and you can never look at it again.”
I set a timer (I work well under the pressure of a timer) and I pushed through.
And you know what?
I absolutely love it. The gold and yellow I think goes beautiful with the black and pink. I really think it feels “night” but doesn’t feel gothic at all. I wanted night, but whimsy. Night, but also floral.
So, yes, this paper doll gave me fits. And yes, I nearly gave up, but here I am and I am so happy with how it came out.
Am I allowed to have favorites? Because I 100% do right now.
This rose fantasy dress absolutely encapsulates what I am discovering I love about working on my ipad and working digitally.
Layers!
So, my original plan was to draw this dress, though I did adapt it a bit. I changed the ruched bottom piece to a ruffle, added a second layer of roses and did a few other things. The point is that as I was working on the bodice, I realized it could be a totally separate piece.
And this got me thinking about Victorian dresses with several bodices to pair with one skirt.
And then I remembered playing paper dolls with my niece and how she didn’t like the skirts, because they didn’t stay on the dolls very well (and these big skirts don’t unless you add some extra paper strips in the back to hold the skirt against the doll.
And then I was like, but I could make the drees strapless, add a few tabs to the bodice for additional security and then design the bodices to go over the top of the dress.
So, in the end, we have a dress with four different bodices and one jacket.
I couldn’t be more pleased with the outcome.
The only thing that I think could be more fun would be a second skirt option, because then you’d double your outfit potential with just one more piece. But that’s unlikely to happen… well, this month, anyhow.
I’m going to keep this brief, since I wrote a lot of this up in the newsletter already (subscribe here) and I just don’t know if I want to repeat myself (or if anyone wants to read me repeating myself).
One of the weird/interesting things about creating the newsletter has been grappling with the transient/permanent nature of it. I’ve always thought of this blog as both an archive of my work and as a place where if I make a typo and notice three months later (which has 100% happened), I can fix it. However, the newsletters don’t work that way. Once they are sent, they are done.
And while there is an archive, they don’t feel as permanent as a series of blog posts.
Since the whole newsletter thing is an experiment to begin with, I am still trying to grapple with how I feel about all that.
Anyway, let’s talk paper dolls. So, her underwear is a generic set of short stays over a shift with stockings a shoes. My goal here wasn’t to reproduce anything specific, but to get to the basic idea of “generic underwear of this era” rather than getting into specifics. Her hair is a combination of portraits like this one and this one. I wanted a hairstyle that could easily be covered in bonnets or hats, which I knew I was going to be drawing with nearly every dress.
To start with the morning dress is from this November 1813 plate from La Belle Assemblee which, despite a very French sounding name, was published in London and aimed at the fashionable set. People thought all things French were more sophisitcated than all things English. Interestingly, a lot of places will credit La Belle Assemblee fashioj plates to France on the name alone. While many of the plates in the magazine are copies of French fashion plates, the publication was definitely English.
The morning walking dress is really just a gown with a pelisse over it. The pelisse and bonnet were inspired by this September 1813 plate from La Belle Assemblee, again. A pelisse was a coat that was cut the same style as the dress. They came in all different styles like this one or this one. Some were made from very lightweight fabrics, but others were warm and designed as coats. Sometimes it’s hard to tell from an illustration if you’re looking at a pelisse or a gown or something in between.
The first gown on the second page (working left to right, top to bottom) is a ballgown. Ballgowns were the most formal gowns women wore with the exception of court dress and court dress has never been a big interest of mine. Court dress was governed by all sort of rules and regulations- a realm I have never wanted to dive into. The ball gown is based on this one from the Museum at FIT. The turban is from this 1815 fashion plate. Turbans were super popular in the 1810s.
The dress with the spencer is basically a walking costume. The Spencer was a jacket version of the pelisse. Both were cut to follow the lines of the dress. Spencers come in all different styles. A few that inspired this one include this 1815 yellow silk version and this March 1812 version from Ladies’ Magazine.
The Ladies’ Magazine was published in London starting in August of 1770. If I am remembering my fashion history correctly, it was the first magazine to publish a fashion plate, though the idea was quickly copied by French and German publications. My understanding is that Ladies’ Magazine was less expensive than some of the other fashion magazines of the era and the quality of the fashion plates shows this difference. Still, it’s a pretty amazing document. I have digressed a lot from our paper doll, so let’s finish up with the dinner dress.
And that’s it! More, I am certain, than you wanted to know about Regency fashion and inspiration for this regency paper doll set. Tomorrow, I’ll share Vivian’s steampunk traveling suit for my Patrons.
Thoughts on Today’s Paper Doll This is the first day of gown for the Regency paper doll I posted on Monday. Part of why I made this the first gown is that the shoes that go with this dress are with that Regency paper doll.
In the world of Regency clothing, there were three forms of dress- undress, half-dress and full-dress. Undress was most casual. Full-dress was most formal. Half-dress goes somewhere in the middle, but isn’t as easily defined. There’s a nice overview on Full-dress here.
Ballgowns, like today’s paper doll dress, were definitely full-dress. They were also really really low cut. So low cut, in fact, that I had to make the neckline higher to cover the stays I created. Sometimes, I kinda wonder how ladies stayed in these dresses before the era of fashion tape. I mean, one wrong move and you’d be flashing everyone at the party.
Inspiration for Today’s Paper Doll When I planned out my Regency fashion week, I knew I’d need a ballgown. And I love regency era ballgowns. I think they are so pretty! I chose a gown from 1818 in a rich gold color to illustrate and I accessorized with the required over the elbow gloves and a small bag which I’m not sure is really an accessory a women would have carried.
Last Thoughts I think I always picture the Regency as being nothing but white clothing, but really I kept seeing this rich yellow. I love color! So, any excuse to use it.
I want to give a shout out to my Patrons without whom the blog wouldn’t be around. Thank you to all of them. Join up if you’d to get extra paper doll content & support the blog.
What do you think of today’s ballgown? Your style or not? Let me know by leaving a comment.
Today’s paper doll post is a big skirted princess fantasy dress- one of my favorite styles to explore. I’ve done quite a few of these dresses for the B pose ladies before. You might remember my fall steampunk inspired one from a few weeks ago.
There are genre’s I come back to over and over again. Some of them are themes like post-apocalyptic or fairies. Others are more like fashion styles. On of them is what I call “Big Skirted Princess Dresses.”
One thing you must know about me is that I was a child of 1980s and 1990s. That means, I grew up with Disney movies like Beauty and the Beast and The Little Mermaid (which terrified me so much as a child I refused to watch it again until I was in my 30s.) I also grew up with paper dolls of these movies and the paper dolls of Peck-Grande who made the most amazing fairy tale paper dolls. Seriously. Check out their Beauty and the Beast paper doll or Sleeping Beauty paper doll. Also big skirted over the top dresses were sort of a thing in the 1980s and early 1990s.
So, in my head, fairy tale dresses with huge skirts and crazy decorations are just what princesses wear. Plus the big skirts give lots of room for added decoration.
Today’s foray into the big-skirted-princess-gown genre has a bit of a steampunk vibe. I really wanted this dress to feel autumnal, just like I think the other big-skirted dresses I have done feel like they are from other seasons. This one was my winter dress and this one was my summer/spring dress.
Do let me know what you think of today’s post in a comment. I love to hear from you. If you want to support the blog, think about donating through Patreon.
