It’s so humid here, I feel as though I live in a pond, under water, fully dressed. Kinda makes me unhappy. On the flip side, I have a riding habit here. I have to confess I’ve only ridden a horse two times in my life and am sort of scared of them.
They are very large. Also, they always seem to be planning something.
However, riding was a typical and socially acceptable activity in the Victorian era and a good excuse to wear boots with tassels on them. Interestingly enough, riding habits were one of the only things Victorian women bought from tailors, not seamstresses. Partly because of this, they always have obviously masculine influences attached to them- hence the jacket and necktie.
Florence, who can wear this riding habit, can be found over here.
There’s an excellent article about croquet costumes from the Machester Art Gallery and it includes some wonderful Victorian croquet costumes including the dress in blue white and red I based Florence’s croquet dress off of though it dates from a bit later then the rest of her attire being from 1875-1878 which is after my usual 1875 cut off date. In the Manchester Art Galleries wonderful costume collection, there is an archery jacket from 1787 which is beautiful. I never realized archery was considered an acceptable female sport in England as early as that or that the Royal British Bowmen allowed women full membership with voting rights and a snazzy official uniform.
Maybe Florence needs an archery costume. I like to think she’s the sort of adventurous lady who would do well in archery. On the other hand, I already have a skating costume sketched and a riding habit for next week, so perhaps putting more on my plate is not an entirely wise idea.
I have realized that most of the “walking” costumes I have drawn for the paper doll up to this point are more of promenade costumes and less walking costumes- like the spring walking costume or the winter walking costume.
The difference seems somewhat minor, but a matter of formality. Promenade costumes were to see and be seen in, walking costumes were for walking. I imagine the paper doll wearing this costume to go to do her shopping and today she has gone to the milliner to get her new hats.
Hats aren’t worn much anymore, unless you’re the Queen of England (whose hats I totally adore) or going to the races, hats mostly function as useful things for keeping heads warm and not much else. I’m not necessarily advocating the return to hats, but hats were crucial for any well dressed lady in the 1870’s. Fashion magazines, along with dresses, offered detailed advice on fashionable hats and hat styles- colors, feathers, ribbons and flowers to be worn by ladies of all ranks and ages. Hair styles and hats are tightly connected and often changed together.
Here is Florence, just in case you missed the first post in this series and need a doll to go with these paper clothes.
Inking paper dolls still terrifies me every time I start. Still, when I finally erase the pencil lines and the paper doll is sort of revealed, it is a magical kind of moment. I felt that way about this 1870s dress and these hats. I wasn’t sure if I liked it until I’d finally lost all the pencil.
I’m glad I didn’t give up on it. I think this Visiting costume from 1871Â turned out well. So, I seem to have come down on the “liking it” side of the spectrum. Never would have guessed that two hours ago.
Looking for the paper doll that goes with this outfit? Here she is.
So, I’m be bit belated today. Okay… very belated and, to be honest to entirely pleased with either paper doll dress. I wasn’t when I first drew them and I’m still not. I liked the masquerade costume more then the ballgown. I was terrified of drawing the train and I still don’t like how it came out. Oh well, it just means I’ll be doing another ballgown for my Victorian paper doll Florence. It’s been quite a few months since I did the old one, I think I could do it better now.
Trains are totally impossible for me. I need to keep practicing on them.
Oh, and here is Florence, the Victorian paper doll that can wear these outfits.
Strangely, the seaside walking dress is drawn from a fashion plate which depicts a woman standing on a cliff face, as though she’s been hiking. This leads me to suspect the dress was actually intended for seaside walks and the shorter skirt also hints at this option. I would doubt if women actually wore such a thing hiking, but I have seen photographs of women in the 1900’s wearing high heels standing on a Glacier, so I don’t doubt they did it.
The swimming costume has a cap with it to cover Florence’s paper hair. Though it was drawn after a plate, her hair style made it a little more awkward then it otherwise would have been. Still, as reader pointed out when I first posted the paper doll’s swimming costume I had forgotten to give her the swimming cap any Victorian lady would have worn over her hair. I have not omitted it this time proving I am trainable.
Here is Florence, the paper doll whose supposed to wear this fantastic swimsuit and seaside walking dress.
Florence’s paper doll traveling costume is based on this fashion plate from the NYPL’s digital gallery (I say based on because it is fairly obvious where the paper doll clothes and the actual plate deviate). The dress is labeled in German and my German is practically non-existent.
I’ve been meaning to ask my German speaking co-worker to translate it for weeks and keep forgetting. I tried babelfish and it didn’t exactly work. It game me an answer, but the answer made no sense. Truth be told, I don’t know if its a traveling suit or not, but it looks fairly similar to others I have seen. Anyway, Florence is my paper doll and if I want to declare this her traveling costume, I darn well can. My life might be full of other sources of chaos, but my paper dolls do as they are told… sometimes.
Suits for women were in style in the 1870’s, so it seemed only reasonable to give Florence one, since she is the most fashionable of paper dolls. I also wanted to use the opportunity to make a few tops to go with the same skirt or several skirts. I expect I shall do this more often and a smart color-er of these paper doll clothes would be wise to consider this for future mix and matchable clothing options. It was common to have two bodices to go with one skirt during this era, so one bodice might be a formal dinner dress while the other bodice would be an afternoon or a visiting costume. The very smart lady (or paper doll, in our case) could, of course, turn an afternoon costume into a visiting costume by adding the right jewelry and a smart hat.
Here is Florence, just in case you missed the first post in this series.
Florence is an interesting case of paper doll uncertainty. Unlike Marisole whose paper wardrobe is organized based on how I am feeling on any given moment or Curves who have no real trend either, Florence was always intended to end when I had finished a complete trousseau.
Of course, the site crash delayed that point, but I am forging onward trying to finish her, so that I can move on to other Fashion Doll Friday Ideas (like a regency wooden doll or a nineteen fifties hard plastic or a civil war era china head). The problem is that every time I think I’m done, I find another thing I want to make for her. Today, we have a re-print of two paper doll costumes I posted once before.
On the left is the Dinner Dress. Dinner dresses were deisgned to be more formal afternoon frocks and often had long sleeves. A dinner dress could also be worn to lectures or other evening entertainments which were not formal. Another evening activity which required a special sort of dress was the Opera. Opera toilette were intended to be more fanciful then dinner dresses, but still long sleeved. These dresses could be easily redone to be worn as dinner dresses or for other semi-formal occasions.
So, Liana of Liana’s Paper Doll Blog colored in my Regency Teddy Bear paper doll which it very exciting. You can find the black and white original paper doll here. I love what she did with it. Makes me want to start playing with my colored pencils… But I have too much school work right now.
If you missed the first post, than here is Florence, the paper doll whose meant to wear these gowns.
It is late. I am sleepy. I wish I had something intelligent and in depth to say about this paper doll, but I’m afraid I don’t. The pattern took a long time to draw on the dress, but I think it was worth it. I don’t remember if I based this gown on any real costume. I drew it a while ago and then it languished while I tried to decide what sort of pattern I wanted to decorate the dress with.
I walked home from work today and it was lovely. The walk is mostly flat which is nice and there was a slight breeze. I’ve learned how to walk to avoid the busy street that smells like car exhaust. I am finally learning my way around my Illinois home. Still, I miss Alaska so much.
I am going to bed now, because I am sleepy.
Before I do, Florence is the paper doll that’s mean to wear this gown. You can find her here.
So, here I am all slacking after everyone was so gracious about my little foray into steampunk on Monday. Oh well, that’s just how things go sometimes here in Library School Land where I spend most of my time. I hope, in some small way, these two Florence costumes rather then one make up for it. They are both based on fashion plates from the 1870’s. House dresses were worn often in the mornings or in the afternoon if the lady of the house wasn’t planning on visiting and didn’t expect to be receiving any visitors except those whom she could be casual with such as family. Neither costume has a hat, though the one of the left does have a decorative head covering. The dress on the left comes from this Victorian fashion plate and the dress on the right from this Victorian fashion plate.
You can get Florence, the paper doll who wears these outfits (and her nightgown) over here.
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
