It’s a Margot paper doll this Monday, the first for the new year, I think, and she’s sporting some stylish garb from the 10th century. Yesterday, I posted a pretty long ramble about 10th century Anglo-Saxon women’s dress and if you’re interested, I recommend reading that as well as this post, since the two rather go together in chronicling the epic research adventure this paper doll was.
One of my January drawing winners, Gwendolyn, who asked for this paper doll has been very kind as I slowly did my research and then set to work on drawing the set. I won’t pretend it hasn’t been both stressful and time consuming, because it has, but I am utterly pleased with the outcome and I hope she is as well.
Gwendolyn wrote me that:
I have actually thought a little bit about what I would choose if I ever won, so I can tell you now that I am interested in a Marisole-family doll, who is 10th century Anglo-Saxon. I would love a set or two of daily clothes, but I would also love a maille shirt and helm.
Speaking of the maile shirt, it is based on Anglo-Saxon finds in York and the helm is also based on the same thing. As women didn’t wear maile, I didn’t spend a huge amount of time researching the historical accuracy of such a garment. Personally, I’ll confess, armor doesn’t get me going like clothes do.
{Click Here for a PDF of 10th Century Anglo-Saxon in Color} {Click Here for a 150 dpi PNG of 10th Century Anglo-Saxon in Color}
So, let’s talk about the clothes. As I explained yesterday, 10th century Anglo-Saxon’s women dress consists of several layers of clothing. To begin with Margot (our Anglo-Saxon model with a French name…) wears a pair of leggings with windings around the calves and shoes. The shoes come from Anglo-Viking finds in York dating from the 9th Century. The windings around her calves are based on an illustration from the manuscript Psychomachia (British Library MS Additional 24199) which shows a barefoot women on horseback. Sadly, the manuscript hasn’t be digitized, but there is an illustration in Owen-Crocker’s Dress in Anglo-Saxon England. There is no way to know what the top of such leggings looked like. I made them like this so they could be worn with the maile shirt.
{Click Here for a PDF of 10th Century Anglo-Saxon in Black and White} {Click Here for a 150 dpi PNG of 10th Century Anglo-Saxon in Black and White}
The shift’s neckline is based on an illustration of a male farmer’s tunic illustrated in Tiberius B v calendar (British Library MS Cotton Tiberius B v, fol. 4r) and the sleeves are wrinkled as I discussed yesterday. The necklines of the other dresses are also based on the necklines of men’s tunics in the 10th century.
The veils are based on manuscript illustration, though I had added visible pins. Pins are commonly found from this period and it seems logical they were used to hold veils together. The green veil with broach is based on an illustration of the Virgin Mary from the first half of the 9th century (see Plate 1). The brown “poncho” is based on several illustrations and I discuss these cloaks a lot more in yesterday’s post.
Lastly, the embroidery on the red dress is not based on anything specifically. I wanted to use some patterns I found online, but they were far to detailed to easily make tiny enough to work as illustrations at such a small size. I did not include girdles as there is almost no published information on them and I didn’t want to just invent stuff. The colors used in these garments are based on the colors of the famous Bayeux Tapestry (which is not actually a tapestry, but that’s neither here nor there).
Well, I hope everyone has enjoyed the last two days in the 10th century. I certainly have had fun researching and I hope to do some more medieval period paper dolls now that I know more about the eras in question. (I think my next one will be 1300s, a little easier than 900s.)
Faye has decided to do a little time traveling and visit the 1920’s. I love drawing 1920s paper dolls and this one was no exception. Inspired by 
So, last week I was feel very meh about this paper doll set.
Happy Valentine’s Day everyone!
Today’s Marisole Monday & Friends paper doll is a little futuristic and a little cyberpunk. She has a new face which I like I think, though I’m not sure about it. Drawing new faces for Marisole is a struggle for me. Drawing for Marisole at all right now is a struggle for me.
This is the paper doll set I abandoned last week and instead posted the doodles. I am so happy I gave it another week to be refined. Jo was one of the two winners of my drawing in January. She asked for a “groovy” late 60s early 1970s Marisole paper doll based on pattern covers from patterns she actually had sewn at the time. How cool is that?
I have to confess that it is getting harder to name these paper dolls. I nearly called this doll Zoe, before I remembered I’ve already done a Zoe (and we won’t talk about the three different Flora paper dolls problem), so I have been trying to come up unique names that I’m certain I haven’t repeated. Hence the Delaney choice.
When I first drew the Poppets paper dolls, I knew I wanted to do historical costumes. This isn’t historically accurate by the way, but it does have a 1300s flair, I think. One of the reasons I steer clear of certain periods of history is that I feel like I don’t know enough about them. I am familiar enough with Victorian and 18th century costume that I feel fairly comfortable simplifying it without losing it’s authenticity, but I know very little about clothing in Europe before 1400.
Last week, I posted this paper doll set in black and white for coloring. I promised I would talk a little about each of the gowns and where they came from.
I am excited to introduce everyone to Latanya, the first Pixie paper doll of the New Year. I drew her last year, technically, but that’s not really so uncommon for me. It can take months (years…) for a paper doll to move from my sketchbook onto my blog. I’ve had a request to do a full paper doll tutorial which is a lovely idea, but considering how slow I am at getting things done… it might be a year before its finished.
Nearly a year ago, I was asked to draw a paper doll of 1950s evening gowns.
