Download Black and White PDF | Download Color PDF | More Jewels & Gemstones 2.0
I have a pretty bad tendency to get super tangled up in myself. For the last few years, my Patrons have been requesting two historical time periods in every poll- the 1980s and Italian Renaissance. In my whole costume book collection, I only own one book on Italian Renaissance clothing and it’s a translation of a 1590s text, so not the most useful when trying to do overview research.
What became abundantly clear to me as I did my digging into the topic was that styles in Italy were not standardized across the entire country, as we know it today. At the time, Italy was a collection of city-states (it remained this way until it unified around the 1870s), so every area had its own fashion which makes things super confusing.
Plus, since most of these are taken from portraits of the period and the identify of the sitters isn’t always known, it’s nigh impossible to be certain where the paintings were painted. Is that lady wearing Naples fashions or those from Rome? Who knows?
Anyway, I got myself all wrapped up in my worry about not being “right” that I avoided drawing anything claiming to be Italian Renaissance for two years. Finally, I realized I was being ridiculous. So, I looked through all the paintings I had collected on my Pinterest Board devoted to Italy. I read what I could find and then I set to work. Here’s what I know- These dresses are based on those in two portraits.
The dress on the left is based on Portrait of a Lady by Pier Francesco Foschi. Dress on the right is based on La Bella by Titian. Both painting date from the 1530s.
Pier Francesco Foschi (1502–1567) was an Italian painter active in Florence. It’s possible the lady in this painting is also from Florence. There are other examples of this dress style here and here. Since those are also unidentified, it’s impossible to know exactly where this combination was being worn. The fur trimmed sleeves, black trimmed bodices, raised waists, long gridles, and high collared camisoles seem to be the common elements.
Meanwhile, on the right, Titian was a Venetian painter whose work is well regarded. The person in this painting is unknown, so the area this style of dress was worn is also unknown. Titian worked all over Italy, which adds to the confusion. The low neckline seems to be somewhat unusual for this period, as most dresses I saw had something filling in that space. In my rendition, I think I made the waist too high, but that’s neither here nor there.
A few things I noticed generally, unlike Tudor dress which is super stiff, the sleeves and skirts of these gowns fall more softly. I wasn’t able to find any full length portraits of these dresses, so I am guessing they fell to the floor without knowing for sure.
There’s some debate if these dresses were worn over some sort of stays. I have no idea, but I do know the flattened bust of these dresses wouldn’t have been possible without either some sort of support in the bodice of the dresses or underneath them. It does seem like wide open necked shifts were often worn and are referenced in several books I have.
Anyway, shoes were snagged from a few different places like here and my favorite- Stepping Through Time by Olaf Goubitz. Of course, from Stepping Through Time focuses on Netherlands and this is Italian, so… mileage may vary.
All in all, while there’s things I would change for next time, I’m okay with that. I have one more Italian renaissance foray to share and I just got a few books on order about the period from the library so… there may yet be more of this to come. I’m sure after I’ve done more research, I’ll approach it differently, but I didn’t want my own need to “be sure” get too much in the way of finishing some new paper dolls.
And if you’d like to get to vote on future polls about “what I should draw next” join us on Patreon.
