Citrus Summer Paper Doll

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So, like what does it say when you share a piece with another artist and they immediately send you a tutorial and are like… you might want to watch this?

Personally, I think it says you have great friends who want you to improve and know you want to improve.

This is what happened when I emailed Julie Matthews all excited by my second finished digitally drawn paper doll where I proudly said I’d “varied my line-weight”. Julie nicely called my line weight variations “subtle” which I think is polite for “you can’t tell you did that, friend” and sent me this lesson from Proko on Line Weight which was really helpful.

Moral of this story, which I sort of told in this week’s email newsletter: If you want to get better at something, you need to have honest people who can give you informed feedback. So, become friends with people who are better than you at something and are kind enough to be willing to be honest with their observations. Be open to those things and improving your craft (whatever that is), becomes so much easier.

I am incredibly lucky to have Julie to help and her feedback consistently makes my work better.

I often think of this Neil Gaiman quote, “Remember: when people tell you something’s wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.” He was talking about writing, but the same thing applies to any creative piece of work. In art, there are “correct” things- like ‘hey, that foot is backwards,’ but once you get into choices that are purely aesthetic, then you need to listen to your own voice and your own taste. Make the art you want to see in the world. Not the art someone else wants to see in the world.

But as long as I am quoting Gaiman, I also think of this one a lot- “Remember that, sooner or later, before it ever reaches perfection, you will have to let it go and move on and start to write the next thing. Perfection is like chasing the horizon. Keep moving.” He’s talking about writing, clearly, but it is true of anything creative. You can endless edit. You can endlessly tweak.

I look at this paper doll and I see a dozen things I might “fix.”

That’s okay. Because there’s going to be a next time. So, the best thing I do can is share it here. Declare it done and make the next one.

There’s always a next one. Especially when you are, like me right now, learning new tools. You have to leave space for letting go and moving forward.

So, onto the next digitally drawn paper doll!

Vivian’s May 2023 Traveling Suit

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A Regency Lady and Her Wardrobe

A two page printable regency paper doll with 5 dresses.

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I’m going to keep this brief, since I wrote a lot of this up in the newsletter already (subscribe here) and I just don’t know if I want to repeat myself (or if anyone wants to read me repeating myself).

One of the weird/interesting things about creating the newsletter has been grappling with the transient/permanent nature of it. I’ve always thought of this blog as both an archive of my work and as a place where if I make a typo and notice three months later (which has 100% happened), I can fix it. However, the newsletters don’t work that way. Once they are sent, they are done.

And while there is an archive, they don’t feel as permanent as a series of blog posts.

Since the whole newsletter thing is an experiment to begin with, I am still trying to grapple with how I feel about all that.

Anyway, let’s talk paper dolls. So, her underwear is a generic set of short stays over a shift with stockings a shoes. My goal here wasn’t to reproduce anything specific, but to get to the basic idea of “generic underwear of this era” rather than getting into specifics. Her hair is a combination of portraits like this one and this one. I wanted a hairstyle that could easily be covered in bonnets or hats, which I knew I was going to be drawing with nearly every dress.

To start with the morning dress is from this November 1813 plate from La Belle Assemblee which, despite a very French sounding name, was published in London and aimed at the fashionable set. People thought all things French were more sophisitcated than all things English. Interestingly, a lot of places will credit La Belle Assemblee fashioj plates to France on the name alone. While many of the plates in the magazine are copies of French fashion plates, the publication was definitely English.

Her cap with the morning dress has a little bit of this one and a little bit of this one, with dash of this one. So, it’s sort of a combination of caps.

The morning walking dress is really just a gown with a pelisse over it. The pelisse and bonnet were inspired by this September 1813 plate from La Belle Assemblee, again. A pelisse was a coat that was cut the same style as the dress. They came in all different styles like this one or this one. Some were made from very lightweight fabrics, but others were warm and designed as coats. Sometimes it’s hard to tell from an illustration if you’re looking at a pelisse or a gown or something in between.

The first gown on the second page (working left to right, top to bottom) is a ballgown. Ballgowns were the most formal gowns women wore with the exception of court dress and court dress has never been a big interest of mine. Court dress was governed by all sort of rules and regulations- a realm I have never wanted to dive into. The ball gown is based on this one from the Museum at FIT. The turban is from this 1815 fashion plate. Turbans were super popular in the 1810s.

The dress with the spencer is basically a walking costume. The Spencer was a jacket version of the pelisse. Both were cut to follow the lines of the dress. Spencers come in all different styles. A few that inspired this one include this 1815 yellow silk version and this March 1812 version from Ladies’ Magazine.

The Ladies’ Magazine was published in London starting in August of 1770. If I am remembering my fashion history correctly, it was the first magazine to publish a fashion plate, though the idea was quickly copied by French and German publications. My understanding is that Ladies’ Magazine was less expensive than some of the other fashion magazines of the era and the quality of the fashion plates shows this difference. Still, it’s a pretty amazing document. I have digressed a lot from our paper doll, so let’s finish up with the dinner dress.

The dinner dress’s hat is from this La Belle Assemblee fashion plate from 1817 showing an evening gown. This 1818 gown from the Met Museum inspired the dress. The color, a smoky purple, came from this fashion plate, though I do like the marine blue.

And that’s it! More, I am certain, than you wanted to know about Regency fashion and inspiration for this regency paper doll set. Tomorrow, I’ll share Vivian’s steampunk traveling suit for my Patrons.

Vivian’s Spring House Dress for April 2023

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Jewels & Gemstones: Floral Elves Paper Dolls

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Well, when I decided to shift to this newsletter and monthly update schedule, I did not consider the downsides. The biggest one being that it’s much harder for me to step away as might be needed from time to time. I need to think on that, but I am enjoying the newsletter most of the time.

This month has just been very busy with non-paper doll related tasks. The statewide library conference was in-person for the first time in years, so I went to that. And I have two more library related conferences I’m attending this year. Plus, I’ve been working on a side project that isn’t quite ready for prime time (soon it will be and I couldn’t be more excited). And I’ve been prepping things to become prints for the paper doll party in May. Any leftovers from the party, I plan to offer for sale on Etsy, so maybe that’ll be an interesting change of pace.

Anyway, about this paper doll set- I admit that I started on these paper dolls largely, because I wanted to work with an old Marisole Monday set- Fabulous Fairy that I’ve always had a fondness for. Originally, I had planned on drawing wings, but actually ended up running out of paper in a sketchbook and not having a back up one. Opps. I really didn’t want to deal with paper I didn’t like. So, needless to say, the wings never happened.

Influences were largely flowers and the fact that I like gardens. I’m not much of a gardener, though I keep thinking I should take it up. I rent, so I don’t really know if tearing up the yard would be okay. I do keep herbs on my porch when spring comes and I like flowers. Flowers are pretty, useful to insects, and smell nice. It’s hard to be opposed to them, really. Plus, you can eat some of them.

The other big influence over this drawing fantasy hair which I don’t get to do nearly as much as I’d like. I love complicated hairstyles. You can check out some of my influences on my fantasy section of my Hair pinterest board.

If you’re a patron, there will be a Vivian gown sometime next week (exact date depending on how life shapes up) and we’ll continue on from there.

Vivian’s Dinner Dress for March 2023

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Nordic Winter Wishes: The February Printable Paper Doll

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For those of you who have been following along in my newsletter, you’ll likely notice there’s a few extra pieces on this set (specifcally the winter coat and one pair of the shoes). I went back and forth about what to do with that coat. I’m not 100% sure it will layer over all the sweaters and I didn’t feel right giving just one of the dolls a coat (what if the other dolls get cold?). So, I thought- I’ll just keep it as a fun extra for folks when they get the whole set.

Another little detail I didn’t talk about in the newsletters was the coffee cups. I don’t know why I thought it was a fun idea to draw a mug for every paper doll with a different motif, but I did and so I drew one. To give a secret look at my process- I actually did all this layout and design work before I split it up for the newsletters. I’m very happy with how it turned out.

A few differences in these dolls and my usual stuff- I gave the dolls permanent shoes. I go back and forth on this a lot. I used to be strictly anti-attached shoes. But then I spoke with my 5 year old niece and she was deeply bothered by my paper dolls that didn’t have shoes.

So, I realized that shoes were more important than I had often thought. If you’re an attached shoes fan, you can thank her for showing me the error of my ways (though I still think I’m a bit ambivalent on the subject.) And I tend to think it depends on the paper doll- like mermaids SHOULD not have attached shoes.

That’s just silly.

Speaking of shoes- largely thanks to the shoes, there’s over 85 outfit combinations- well over 100 if you add in the scarf or the coat into the mix. So, that’s super fun!

Anyway, I hope you enjoy this collection of paper dolls as much I enjoyed drawing and sharing them all with you!

Vivian’s House Dress for February 2023

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Vivian’s Skating Costume for January 2023

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Dolly And Her Dresses for December 2022

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