Today’s ballerina paper doll is created from some pieces you might recognize. I have complicated feelings about ballet, as some of you may know. On one hand, I love watching ballet. On the other hand, ballet is a problematic relationship with body image. I am super into the importance of learning to accept (if not always love) your body.
I know too many people in recovery for eating disorders, so I can’t create a ballerina doll without mentioning that amateurs ballerinas have some of the highest rates of eating disorders among any type of non-professional athletes. This 2003 study from the journal Psychopathology is both fascinating and a little sad. A slightly less intense article is this one from last year in Medium- Why Ballet Hasn’t Yet Caught Up to the Body Positivity Movement. There are some amazing dance troupes and projects working to change the idea that dancers must be skinny such as the Big Moves Dance Company: Beyond Body Positive Towards Fat Liberation.
I firmly believe you can both love an art form and recognize the art form has issues.
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There are several different traditional styles of tutus. The Pancake style tutu (left) has a shorter skirt style with a wired hoop in-between the layers of tulle to help the tutu keep its shape. The romantic/classical tutu (right) is longer and not wired. Both are very traditional in ballet.
Ballet’s strict “rules” govern how shows are costumed. It’s a little wild. The pancake tutu is the traditional purple of the sugar plum fairy. The classic tutu is a “country maiden” look like Giselle in the first act. Act two is costumed entirely in white. I’m sure it looks amazing on stage, but maybe less fun to color.
Lastly, between the two tutus (try saying that five times fast), there’s a firebird unitard. The Firebird was written for the 1910 Paris season of the Ballets Russes company. It was first costumed by Léon Bakst. His designs rarely feature tutus. So, I thought it was a fun chance to draw something that was not a tutu. Nothing against tutus, but they start to all look the same after a while.
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One of the other interesting things I learned about when researching this ballerina paper doll was about toe shoes (of which she has three sets). There’s this concept in ballet costuming called “breaking the line”. The goal is to make the dancer’s legs look as long as possible. You don’t want the color of the shoes to break the smooth expanse of leg. Pointe shoes for nonwhite dancers have historically been super hard to find, this article about introduction of brown pointe shoes in 2018 from NY times is super interesting.
I love it when drawing paper dolls teaches me things I didn’t know about the world.
In case you’d like to grab some practice clothing to go with today’s performance clothing, check out this Amethyst dancer paper doll.
And, of course, if you want a paper doll or outfit every Friday, head over to Patreon. The Gisselle costume was a patron creation from last year.