Today, my Monica paper doll ballerina is being joined by Mia, also getting to be a ballerina. Mia’s costumes are from (left to right) Swan Lake, Giselle, Don Quixote, Scheherazade and Romeo and Juliet. I do feel rather that Monica got the better known ballets since most people have heard of Swan Lake and the Nutcracker, but haven’t heard of Scheherazade, despite being an amazing piece of music.
When I was first compiling my list of ballets to draw for these paper doll sets, I wanted to show the range of ballet costumes beyond the tutu. Romeo and Juliet is usually costumed in a renaissance inspired style and Scheherazade is usually done as an orientalist fantasy set in the Middle-East. So, those are my two nods to the “non-tutu” look for these paper dolls. After all, not every dance costume is a tutu.
Mia has practice clothing as well- a simple wrap skirt, leg warmers, a long sleeved leotard, tunic top and flat soled dancing shoes. Of course, she can share her warm up clothes with Monica and between the two of them, I think there is a nice variety of options. I didn’t, to be frank, want to spend a lot of time on practice clothing. It is not nearly as fun to draw as fancy tutus.
I have been spending a lot of time looking at the work of Charles Ventura and Pat Stall, both of whom had a mastery of black and white line-work that I can only dream of one day achieving. I have been collecting their work, along with other black and white paper doll artists, on my black and white paper dolls Pinterest board for a while.
Studying the techniques of artists you admire is a great way to learn how to try new things.
Does anyone know if Charles Ventura or Pat Stall are still alive? I really feel like I should write them and tell them how much I love their paper dolls.
Out of curiosity, Rachel, what is the font you use on the Marisole dolls?
I love Charles Ventura. His Mucha inspired paper doll from Dover (published 2011) is gorgeous! Information on him online is nearly non-existent. I believe I’ve seen his work in Paper Doll Studio magazine. Contacting the editors there might be a good way to find out more.
I’m not sure what colors you have in mind for this set, but I would love to see it in lush tertiary tones! Lots of red-violet and bright greens and oranges…!