This is the paper doll set I abandoned last week and instead posted the doodles. I am so happy I gave it another week to be refined. Jo was one of the two winners of my drawing in January. She asked for a “groovy” late 60s early 1970s Marisole paper doll based on pattern covers from patterns she actually had sewn at the time. How cool is that?
You can see a PDF of the pattern covers Jo sent me here. I loved all of the pattern covers and I wish I had been able to draw them all, but, of course, that would be way more than a one page paper doll.
Normally, I do two pairs of shoes for each Marisole and friends set, but I wanted to focus on things the patterns had, so a simple pair of clogs did the trick. Tiny calico patterns were the “in” thing in the 70’s, so I created some to decorate these groovy outfits using a new method that I’m experimenting with involving Photoshops pattern making tools. I think they came out pretty well considering that I only sort of know what I am doing.
I drew a new Marisole paper doll face for this set, because I wanted to try to capture some of the whimsy of the pattern cover’s faces. I don’t think I did a good job of that, but I did have fun. Jo asked for bangs and brown hair, or I would have given into the temptation and tried to do Farrah hair.
(Okay, I did try. I confess. It came out… weird looking.)
I had so much fun dabbling in the 1970s, especially since I’m not very familiar with the clothes of this era. So, fans who remember the 1970s… how did I do?
When I started the Ms Mannequin paper doll series, my goal was to draw primary contemporary clothing. I had high plans of doing stylish designers and other things. Maybe dabbling a little into vintage Dior, but mostly being contemporary. The dolls were designed to be models, not curvy at all, so they could wear the contemporary styles.
However, it wasn’t long before I was sketching and suddenly pirates reared their heads and demanded to be drawn. I ignored them for a while, but soon they were saying, “DRAW US.”
And I said, “Okay. No need to shout.”
And so this pirate set was born.
What can I say? I like pirates. I feel like there’s nothing “new” about this pirate set though, so I’m not sure it’s my best set. Still… sometimes you just have to draw pirates.
By the way, I’m doing site clean up, sometime I do every Jan/Feb to tidy up categories, fix things that seem broken and a little spring cleaning is done. So, things might be morphing and changing around here in subtle ways. Nothing to worry about, just me tidying up my files. 🙂
When I first drew the Poppets paper dolls, I knew I wanted to do historical costumes. This isn’t historically accurate by the way, but it does have a 1300s flair, I think. One of the reasons I steer clear of certain periods of history is that I feel like I don’t know enough about them. I am familiar enough with Victorian and 18th century costume that I feel fairly comfortable simplifying it without losing it’s authenticity, but I know very little about clothing in Europe before 1400.
As a result, I tend to categorize my forays into the “medieval” look as fantasy, rather than history. It keeps me from feeling guilty about not really knowing what I’m doing. However, Gwendolyn asked for a paper doll of a 10th century Anglo-Saxon when she won my drawing last week, so I guess I better learn something about the 10th century.
In the meantime, here’s a Poppet Medieval outfit strictly in the realm of fantasy being modeled by Petunia. I like to think she might be a princess, but I haven’t given her a crown, so the jury is out.
I’m also really pleased to say I’ve recently stumbled across a new paper doll blog called Paper is Suffcient. It’d a new blog, so go over there, check it out and drop Natalie a comment. We need all the paper doll blogs we can get. 🙂
Last week, I posted this paper doll set in black and white for coloring. I promised I would talk a little about each of the gowns and where they came from.
I need to learn to streamline my method for dealing with elaborate florals, or I need to never do one ever again. Normally coloring a paper doll set takes about 2 to 4 hours, at most. Sometimes longer, but only if I take a lot of breaks and am doing a lot of other stuff. If I have my colors picked out and I’m on a roll, I can do the set in about an hour when I’m really on the ball, though formatting, saving and other detail work takes longer. That single floral dress took me nearly an hour, by itself, to color. NEVER AGAIN.
(I say that and I’m already thinking of other cool florals I might draw… I have a problem, people.)
Let’s talk about where each gown came from. The floral gown, the blue gown and the red gown are all from the V&A in London.
The blue gown is based on this red dress from 1957. The red evening dress was drawn from this evening gown by Hardy Amies was made right after fabric rationing was lifted in England (1949), so lacks the layers of lace and silk that were common in evening gowns on this period. I love the simplicity and shape of the dress. The last dress from the V&A is my favorite, the floral evening gown made in Paris and worn by the wife of the British Ambassador. I tried, but I don’t think I captured the beauty of the rose patterned skirt and layered bodice.
The last pink dress comes from The Met, known as “Tree” this gown was designed by Charles James. Of all of the gowns I drew, I feel like this one didn’t work. My style of flat color just can’t capture the layering of the gowns beautiful fabric. Liana did a beautiful version of Charles james Butterfly dress on her blog several years ago which I think captures his work better than I did here.
Okay, that’s everything. Happy MLK Day to those in the US who are celebrating like me.
I’m pretty pleased with the year as it has turned out. I’ve been more consistent with my posting and I think the blog has grown in positive ways. I do have changes I would like to make in the future and some of them are the same changes I’ve been wanting to make for a while.
2014 will be here in a few days and I will return to work in a few days. I’m excited and nervous and looking forward to the New Year. The next post on this blog will be in 2014. YAY!
Meanwhile, I am totally pleased to show off the Queen of the Dusk fully colored. (By the way, I keep typing Queen of the Duck, which would be a totally different paper doll set, I think.) I started with a more traditional color scheme for me, which means I found a set of colors which I liked and was going to use on each paper doll dress, but after I used them I decided I really didn’t like them and instead went with each paper doll dress being monochromatically one color. I think this causes some problems for the shoes, but I rather like how the dresses came out.
So… again with the channeling Kate Greenaway thing, also a little bit of Peakswoods (a Korean ball jointed doll company), their fairies of fairytales were one of the inspirations for the Poppets series in general. I have noticed a tendency for ball jointed dolls to be dressed in totally over the top ruffled outfits (like this Little Red Ridinghood ensemble), so there’s a little of that here as well. I have a few dresses in process for the Poppets that take that concept on in a more fluffy way.
This set was drawn to go along with my second poppet paper doll Primrose. The dress, cape and hat, are all in the same color scheme and therefore can be mixed and matched. I am particularly fond of her little button up boots with spats on them.
I realize now that I’ve mentioned Kate Greenaway twice and I probably should pause to say who she was. Greenaway was an artist whose work was published mostly between the 1870s and the 1890s. She drew idealic angelic looking children in pseudo-regency costumes. You can see scans of her work at the Digital Library of illuminated books.
Last, but not least, I’d like to wish a very Merry Christmas to all my readers who celebrate it. I hope people have fun with family and friends today. I am with family myself and quite content.
Yesterday, I posted this paper doll in black and white. Today, she’s going up in color. I’m not sure if I like doing this whole… one day black and white next day color thing. It sort of defeats the point of being able to reduce workload. I might start spacing them out a week, depending on how things seems to work out as I get into the crazier time of the year for me.
I went back and forth and back and forth about so much with this paper dolls color scheme. As I often do with questions of paper doll fashion, I think I spent more time on it than was totally rational. I wanted her to be stylish, but not overtly girly. I couldn’t decide between pinks and blues and then I originally conceived of the blouse as being burnt orange with teal flowers. Yeah… that wasn’t my greatest idea ever.
In the end, I settled on a color scheme that was cheerful (which I think we need on these grey days of winter) and mix and matched pretty well, though not as perfectly as some of my other paper dolls have done. There’s really only nine outfit options here, and I think I’d like to do more, but the dolls are fairly large and that limits how much clothing I can fit on a page with them. I have been thinking about doing some sets that are “clothing only” as I have always liked clothes more than dolls, but I don’t want to disappoint people who feel otherwise.
Paper doll outfits or dolls? That’s always the most complicated of questions, isn’t it?
Today is Friday the 13th which is apparently bad luck, though I have no idea where that came from. Does anyone know? Anyway, I figured a good way to get rid of bad luck was to post some paper doll fashions. 🙂
As a lot of my longtime readers know, I am often playing around with patterns for my printable paper doll clothes. I think pattern, while a pain in the behind, is important for the diversity of paper doll outfits. Solid colors are all well and good, but most of us have some patterned things in our closets and there’s not real good reasons why paper dolls shouldn’t be the same.
When thinking about pattern, I tend to fall into the same styles repeatedly. I suppose I can only be so creative on any given paper doll set. Still, I am always looking for new pattern inspirations- even if they don’t make their way onto the blog. I really admire the pattern work of Julie of Paper Doll School. Her patterns rock.
(She can also use Illustrator. I’m so jealous. I have the program, but I think that like a wild dog it can smell my fear.)
Anyway… Miss. Mannequin and friends are getting pretty girly today with their full patterned skirts and rose printed strapless dress.
Before I forget, I wanted to mention that I recently stumbled across a Peal Chang paper doll. Soft Film is a blog devoted to Chinese film, as far as I can tell, and the author commissioned a fantastic paper doll of Pearl Chang, who was an actress. I confess to not being at all familair with Pearl Chang, but I knew the name Kwei-Lin Lum from her incredible paper doll work. Check it out, it’s a pretty neat paper doll.
Of course, now I have to go on Netflix and see if I can find any of these movies. Does anyone know anything about her?
I have a lot of readers who love my magnetic paper dolls (which is understandable, I love them too) and I often get asked about a boy paper doll for the boys out there who might want to play some dress up too.
I don’t have a lot of male paper dolls on this blog (because I don’t find them as interesting as girl paper dolls) and I’ve only done about fifteen Puck paper dolls over the years. The result is that I don’t have a lot of “stock” to pull from when creating a magnetic version. After some debate about what to include, I decided for my first Puck magnetic set (posted early enough for people to print them for the holidays), I would include three boys and some contemporary clothing choices.
The magnetic paper dolls have three sets of shoes, five tops, five bottoms and a few different accessories. All of the pieces can be used interchangeably amongst the three boys, meaning that there’s a lot of fun mix and match outfit options (about 75 different outfits to be exact).
It’s not as exciting as some of my other sets, I confess, but I think they’re very versatile. Since I haven’t done that many Puck paper dolls, it was a little challenging to put together a set for magnetic printing, but I hope this serves some of the readers I have with boys.
Well… hmmm… I confess I try to avoid talking to much politics on this blog. The truth is that I like paper dolls. My readers like paper dolls. And really… that’s why we’re all here right? To enjoy paper dolls, play with paper dolls and feel guilt free about being in my late twenties and still in love with these tiny ephemeral objects.
Still, I think Stella deserves some commentary. I drew her several years ago, like most of the Mannequin’s while I was reading a book on the history of Asian-American theater, creatively titled, A History of Asian American Theater. I picked it up for a class I couldn’t take and ended up reading it anyway, because I was curious. So, when I sat down to draw my Mannequin heads, as I do when I’m starting a new paper doll series, I was full of thoughts about repression of Asian-Americans and stereotypes of the “oriental”.
I knew I wanted to create diversity in the paper doll series, but I also felt weird drawing an Asian paper doll and not acknowledging that Asia is a very large, very diverse place. Is it fair to simply stick Stella up, note in my tags that she’s Asian and then move on with my life? I just wasn’t and still am not sure.
Which brings us to Stella and what I can say about her. She’s based on no one in particular. I have struggled to draw Asian features, particularly eyes which have epicanthic folds and a single eyelid, for a long time, so I don’t trust myself to do them very well. I think she looks good though. She’s based, very vaguely, off a very kind Korean student I knew and also some Chinese girls who rode the same bus I did in the afternoons and with whom I struck up conversations sometimes. They were both law students.
Personally, I think Stella is Asian-American, perhaps Chinese or Korean in descent (in honor of my various models), I think she is going to university and studying to become a historian. That’s all I’ve decided about her. Perhaps other people have other ideas?
