Initially, I didn’t do it, because I couldn’t find any 1950’s evening gowns that I liked. Eventually I felt guilty enough to check out the V&A and the Met, both have strong collections from the 1950s.
I told the requester that I was working on the paper doll and asked what the hair should look like. The immediate answer was, “Like Mine.”
“Well,” I said, “Micro-braids with streaks weren’t really a thing in 1950 something, but okay. If that’s what you want…”
So, we have Marisole here, rocking her micro-braids with some couture 1950’s evening gowns to show off. As inspired by Liana’s comment a few days ago about stories, I offer the following scenario to justify this strange juxtaposition:
- Marisole, working as the fashion editor of a major publication, has been invited to the Met’s annual gala whose theme, this year, is the designers of the 1950s. Eager to make an impression on the red carpet, she’s choosen to wear a vintage gown from the period. I am sure she will be the hit of the party when she arrives.
By the way, in a totally unrelated note, that floral pattern on the full skirted gown was the most complicated floral pattern I have ever done. I’ll rant more about coloring next week when I post the colored version. All I have to say is that normally, a paper doll takes me four to six hours to color, layout and get set up for blog. This paper doll… took longer. Much Longer.
I will talk about the sources for each gown next week when I post it in color.
Also, my little drawing/contest is open until midnight on the 15th. Feel free to enter.