Very similar color scheme here to my November Vivian Gown. I really like purple, orange, and green together. Also, I realized I hadn’t done a doll with glasses in a long long time, so I wanted to fix that.
One thing I’ve noticed this year is a lot of maxi-skirts and a lot of cropped tops, so I tried to use both of those in this set. The other thing I’ve noticed is that pants are starting to veer away from the skinny jean to more of a straight leg style which I think is great, because I much prefer it. Sort of sad to see tunics being less popular as I also tend to prefer those.
Oh well, can’t have everything.
Meanwhile, I wanted try to do something seasonal. Though it was -3 outside this morning and I had to plug my car in (I live just below the arctic circle), so the battery would survive my work day and all I could think was, “Why do I live here?”
Also, it’s only November, she whined.
Still, I love Alaska and 90% of the time, I don’t mind the cold so much.
So, two little things:
If you’re a patron, there’s a poll on last Friday’s post about the future of Vivian. Please vote. Thanks!
If you want to get in on some Newsletter paper doll goodness, be sure to sign up for the newsletter. Next issue comes out Friday! And I am super excited.
One of my favorite things is taking a historical silhouette and just playing with it. It’s pretty much just a chance to draw pretty dresses for paper dolls. Don’t get me wrong, I love doing variety (like this Cybergoth Set), but I think anyone whose a regular here knows my first loves are the fantasy and historical stuff.
The fantasy stuff is easier than the historical stuff, because there’s no research involved. I simply am unable to call something historical if I haven’t actually done some research to back up that claim. And sometimes, I just don’t wanna do research.
Despite the research free nature of these dresses, they are based on Regency Era styles. In my head, the dress on the left with the yellow skirt is a ballgown, because it is the lowest cut and fanciest. The dresses on the left are a dinner dress (the blue one) and day dress (the one with the vest).
If you want some actual regency dresses, rather than these regency fantasy dresses, I recommend my Regency tag and as I was working on this post, I realized I do have other regency fantasy dresses- enough that maybe I should make a tag for that too, so I did.
I now have a regency inspired tag for all my non-historical forays into this silhouette, including my regencycore modern stuff which I think I’m going to draw more of. I really enjoy drawing romantic dresses. And yes, I am eagerly waiting for season 3 of Bridgerton.
Meanwhile, this is Newsletter week, so if you haven’t, sign up and get an extra paper doll coloring page in your inbox every two weeks.
We had out first super hard frost a few days ago and now there’s been some snow mixed with rain. Winter is coming! I can tell as the days keep getting shorter. Sigh. Well, that’s the downside of living as close to the arctic circle as I do. Let’s move on.
So, there’s a lot of Xena Warrior Princess/Hercules and the Legendary Journeys wrapped up in this set. Not gonna lie. I wanted an autumnal color scheme without feeling too obvious and I figured the jewelry could help tie together the colors of the dresses. Evening here hasn’t gotten as many sets as some of the other dolls. She’s the newest, but she’s catching up fast.
As I mentioned in my last goals review post, this is my 7th Dolls Du Jour doll this year. Woot!
I want to do a few more historical themes for Dolls Du Jour. I’ve been asked for 1950s. Is there another period people would like to see? I’m leaning towards either 1950s (because someone asked) or 1400s (like this, if you’re wondering.)
By the way, did you know I have a newsletter? You can sign up for that Newsletter here. There’s going to be some super cute Halloween content in there come October. I’m excited, at least.
So, today’s 1920s printable paper doll was something I drew, because I was a little tired and the great thing about historical paper dolls from time periods I know pretty well is that they aren’t a ton of work. Especially because resources like Good House Keeping can be found online in their complete run. It makes this fun!
Some of you may recall from my Goals of 2022 was more historical paper dolls and more Dolls Du Jour, so I am super psyched that I got to kill two birds with one stone. Metaphorically speaking, I do not condone bird stoning.
This is my 10th historical paper doll for 2022! I reached my goal and it’s only August. It’s only my 6th DDJ paper doll, I still need four more to reach my goal. I like goals.
I digress.
So, today’s 1920s printable paper doll has two gowns designed to fit in with the theme of a 1920s wardrobe. The dress on the left is a blue and cream day dress and the dress on the right is a coral colored evening dress. It’s not really a super formal evening dress- more like something for an evening garden party. You know, if you have a lifestyle where evening garden parties are your thing.
The blue dress was based on this McCall 5120 sewing pattern from 1927. I assume this is a day dress, but I don’t know for certain. It seems to be more casual daywear. That’s a guess based on other dresses I’ve seen. Her clutch was based on this one, but I modified it to match the dress better.
The coral colored evening gown is from 1924 and was first published in Good House Keeping from June 1924. The dress is described as a light weight option for summer parties. I am always playing around with how to show transparency in linework. The purse comes from a French design and I made the color match the dress.
The paper dolls underwear was inspired by this combination from the Met Museum. You can see similar styles here and here. These teddies or combinations seem to have been pretty popular given the number that have survived.
Sometimes people ask me if my paper dolls are historically accurate and I wince a little. Not because I can’t tell you my sources (I clearly can, I just did), but because the entire idea of historical accuracy is sort of impossible. We simply don’t know enough about the past and we never will. So much about the clothing a person choses to wear has to do with unwritten rules that people conform to in society.
I have no idea how an actual woman from the 1920s would feel about these dresses and I never will. That’s impossible. As a result, I have no idea how accurate anything I draw really is. All I can do is tell you where I found my sources and what decisions I made.
And I hope you enjoy these little expeditions into historical clothing as much as I do.
I fell in love with the 1980s power fashion clothing as I was looking through these old catalogs. So, clearly, the thing I needed to do was draw a 1980s fashion paper doll ready to take over the board room.
The mix and match options seemed really cool here, because so many pf these clothing pieces were designed to match with the black pencil skirts and black trousers, specifically pleated ones. Pleated trousers are super comfortable, so I can get behind that. One perk of this was that just doing two bottoms and then five tops gives a lot of options which I think is a big part of paper doll functionality- which is a passion of mine. This paper doll has 11 outfits, which is a lot for 9 pieces of clothing.
Listen, some people contemplate how to make the perfect pulled pork bbq, I think about how to make a functional one sheet paper doll. We all have our hobbies.
A few other thoughts- one thing that really struck me about 1980s clothing was how color was used. If you look at the black and white sweater (original here), it’s really the way the shirt is color blocked that makes it 1980s. The pattern could be today, but something about the color blocking really dates it to the decade of the 1980s.
So now Amethyst is ready to go rock the corporate world in huge shoulder pads!
Honestly, the 1940s and the 1980s are both super into the giant shoulder pad thing and I try to get it (I do), but I just don’t. I guess if I’m going to draw a 1980s fashion paper doll I just need to get into the whole shoulder pad thing, but… Oh well, I barely understand modern fashion. I just like drawing paper dolls.
I have a pretty bad tendency to get super tangled up in myself. For the last few years, my Patrons have been requesting two historical time periods in every poll- the 1980s and Italian Renaissance. In my whole costume book collection, I only own one book on Italian Renaissance clothing and it’s a translation of a 1590s text, so not the most useful when trying to do overview research.
What became abundantly clear to me as I did my digging into the topic was that styles in Italy were not standardized across the entire country, as we know it today. At the time, Italy was a collection of city-states (it remained this way until it unified around the 1870s), so every area had its own fashion which makes things super confusing.
Plus, since most of these are taken from portraits of the period and the identify of the sitters isn’t always known, it’s nigh impossible to be certain where the paintings were painted. Is that lady wearing Naples fashions or those from Rome? Who knows?
Anyway, I got myself all wrapped up in my worry about not being “right” that I avoided drawing anything claiming to be Italian Renaissance for two years. Finally, I realized I was being ridiculous. So, I looked through all the paintings I had collected on my Pinterest Board devoted to Italy. I read what I could find and then I set to work. Here’s what I know- These dresses are based on those in two portraits.
Portrait of a Lady by Pier Francesco Foschi, 1530-1535?La Bella by Titian, c. 1536
The dress on the left is based on Portrait of a Lady by Pier Francesco Foschi. Dress on the right is based on La Bella by Titian. Both painting date from the 1530s.
Pier Francesco Foschi (1502–1567) was an Italian painter active in Florence. It’s possible the lady in this painting is also from Florence. There are other examples of this dress style here and here. Since those are also unidentified, it’s impossible to know exactly where this combination was being worn. The fur trimmed sleeves, black trimmed bodices, raised waists, long gridles, and high collared camisoles seem to be the common elements.
Meanwhile, on the right, Titian was a Venetian painter whose work is well regarded. The person in this painting is unknown, so the area this style of dress was worn is also unknown. Titian worked all over Italy, which adds to the confusion. The low neckline seems to be somewhat unusual for this period, as most dresses I saw had something filling in that space. In my rendition, I think I made the waist too high, but that’s neither here nor there.
A few things I noticed generally, unlike Tudor dress which is super stiff, the sleeves and skirts of these gowns fall more softly. I wasn’t able to find any full length portraits of these dresses, so I am guessing they fell to the floor without knowing for sure.
There’s some debate if these dresses were worn over some sort of stays. I have no idea, but I do know the flattened bust of these dresses wouldn’t have been possible without either some sort of support in the bodice of the dresses or underneath them. It does seem like wide open necked shifts were often worn and are referenced in several books I have.
Anyway, shoes were snagged from a few different places like here and my favorite- Stepping Through Time by Olaf Goubitz. Of course, from Stepping Through Time focuses on Netherlands and this is Italian, so… mileage may vary.
All in all, while there’s things I would change for next time, I’m okay with that. I have one more Italian renaissance foray to share and I just got a few books on order about the period from the library so… there may yet be more of this to come. I’m sure after I’ve done more research, I’ll approach it differently, but I didn’t want my own need to “be sure” get too much in the way of finishing some new paper dolls.
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Oh, where to start… Okay, so Purim begins at sunset tonight and as it is a Jewish holiday where dressing up is a tradition, I’m sort of embarrassed I haven’t done a Purim paper doll since this one way back in 2011. So, here we are to rectify that situation. To be honest, I tend to forget about Purim until after the fact which is not really fair to what is technically one of my favorite Jewish holidays (which I am like 80% into because of the amazing cookies involved.)
So, what is Purim? Well, Purim is a holiday that usually falls in March or April and commemorates the saving of the Jewish people from Haman, who was planning to have all of Persia’s Jewish subjects killed, by Esther and Mordecai as recounted in the Book of Esther. There’s more to the story of course (some of it involving a lot of drinking and nudity, oh my!), but to make a long story short, the day that the Jews weren’t killed is now remembered as Purim. If any of this did actually happen (a subject of some debate) it would have been around 400-500 BCE in the Persian empire of the time. By the way, this is the cutest 4 minute video of this story ever, if you want a kid-friendly primer.
Reading the Book of Esther from the Esther Scroll (the Book of Esther doesn’t appear in the Torah) is a religious requirement of Purim, as is giving to the poor, exchanging food with friends, and eating a celebratory meal. Non-religious traditions of the holiday include making noise (using a noise maker or just booing loudly) when the name Hamen heard during the reading of the Book of Esther, dressing up in costume as characters in the story (or just costume in general), and making hamentashen. Hamentashen are a traditional cookie shaped like a triangle and filled with poppy seed, prune, or apricot filling (or, if you’re me, raspberry). It is said they looked like Hamen’s hat, but I think there’s no historical backing for that one.
I like this hamentashen recipe, though I sub out the brandy usually with orange juice, and I think it is better than my Grandma’s recipe. (Don’t tell!) I usually buy my poppy seed filling, because I’m a little lazy about it. However, you can make your own poppy seed filling which I might have to do, because poppy seed filling is super hard to find in the grocery stores around here. I would add that if you’re used to making cookies with butter, than traditional hamentashen will taste odd perhaps, because they’re usually made without dairy for kosher cooking reasons. I’ve been known to make hamantashen outside of Purim as a non-dairy cookie for friends who don’t eat dairy.
Anyway, as a kid, I loved Purim. I love getting to dress up as Esther, or one memorable year, as a hamantashen. I loved getting to use a noise maker, hearing the story of Esther, and the general feeling of celebration the holiday creates. There’s also something about the slow slog towards spring when everything still is frozen up here in Alaska which makes baking some cookies and having a party seem like a really good thing to be doing.
I didn’t want to make a paper doll of Esther, because honestly, that was way more research than I was about to undertake. What did Jewish people wear in Persia in 400BCE? No idea!
Instead, I decided to draw someone celebrating Purim with a hamantashen t-shirt (because that’s fun) and some Esther costumes. For some reason I had it in my head that this whole thing took place in 1400 BCE, not 400 BCE, while I was sketching, so these outfits are way too early for the actual period, but I’m not sweating it. The trim on the second costume is supposed to look a little like hamentashen. I also included a traditional noise maker called a gragger (or grogger, or grager, or… there’s like a million ways to transliterate Yiddish, I swear) and plate of hamantashen. (Note: Drawing a plate of cookies is hard!)
For anyone else celebrating, have a happy Purim! For everyone not celebrating, have an amazing Wednesday evening and Thursday! I’m spending mine baking.
