Last week, we got to see my mid-1300s paper doll set in black and white. This week, here she is in color. Historical printable paper dolls always make me a little nervous. In inevitably, choices have to be made about what to include or not include and how to render a period’s fashion. These choices are easier the more you know about the period and harder the less you know. One of the reasons I often turn to Medieval inspired or Renaissance inspired rather than actual historical paper dolls is the knowledge that I don’t know enough to always make appropriate choices.
What I am not comfortable doing is always trusting the many sites out there that don’t cite their sources with enough detail to actually find the material if you needed it or want to confirm it’s authenticity. While I love the internet, I find that I don’t use it that much when I am doing this sort of research. I seem to fall back on my library training and rely on reputable secondary sources published in scholars with names in the field, backed up my own knowledge of solid collections of digitized medieval manuscripts where I can dig for source images, plus a few tumblers and blogs that seem to know what they are doing.
And this method worked great until I got down the problem of color. Now, I always think of the 1300s as being richly red and blue and gold, because those are colors I have seen in medieval manuscripts. Just because, however, they made a dress red in a book doesn’t mean the dress was commonly red in real life. Pigments used for illumination aren’t the same a pigments used for dyeing cloth and medieval art is heavy on analogy and symbolism.
What I really didn’t want to do was do a ton a research on natural dye processes, because a lot of people have written a lot on the topic. Textile fragments like this one, an incredible velvet cope or this equally amazing cope from the V&A Collections proved to me that colors were rich in the 1300 hundreds. So, I used those images along with this Medieval Colors article from Aux Mailles Godefroy. The resulting colors are a little more muted than was probably possible in the 1300s, but I just couldn’t get over my preconceived notions of muted tones despite seeing examples of bright yellows produced with natural dyes. The truth is that both linen and wool, common fabrics in the 1300s, take dye really well. The world was likely a lot more vibrant than my preconceived notions of history suggest.
By the way, most of my primary and secondary sources for this paper doll set are listed on the black and white version. It was a long list and I didn’t want to repeat it here. So go check that out, if you want to see what I used to create my mid-1300’s paper doll.
Today’s printable paper doll is from the mid-1300s when set in sleeves came into existence and fashion was all about layers and hanging strips of fabric off sleeves called “tibbets.”
There are topics upon which I can speak authoritatively and there are topics where I know basically nothing. I would say that I am fairly knowledgeable about certain periods of Western dress, but there are others that are beyond me. As someone who just isn’t that into the medieval period in Europe (though it is growing on me), I have never spent much time doing research. After last years adventures in the 10th century, I knew I wanted to explore some more early periods and the 1300s seemed like a smart choice.
I settled on the 14th century (or the 1300s), because I’ve been wanting to illustrate that period ever since I stumbled across the entire Roman d’Alexandre digitized from the Bodleian Library which is full of illustrations of ladies in fashionable dress. As I usually do, I cobbled together my decisions about this paper doll from a variety of secondary and primary sources. One website that deserves a shout-out is Illumanu which not only posts manuscript images, actually cites them properly. Makes the librarian in me so happy.
A few specific choices I should note. The pattern on the sidecut surcoat was from Romance of Alexander from the Bodlein Library. The far left dress is based on this casket lid from the Met and the Romance of Alexander from the Bodlein Library folio 181 verso. The green dress on the far left seems to have buttons down the front and hanging sleeves. The other two gowns are mixtures of literally dozens of primary and secondary sources. You can check out below some of the sources I used.
The stockings are scrunched below the knee. I wasn’t able to find any records of garters being worn in the 1300s. The shoes are both from Stepping through Time: Archaeological Footwear from Prehistoric times until 1800 which I would totally buy if I could find it for a reasonable price. I also designed a new face for this paper doll. I like it a lot, so it might become a regular member of the family. I haven’t decided yet. What do you all think?
I had grand plans to get my 1300s Marisole Monday & Friends set done yesterday, but obviously that didn’t happen. So, we have Bodacious and Buxom instead with queens & dragons! (Sort of.)
So, when I posted my blog goals for 2015, I didn’t mention in my ten posts for Bodacious and Buxom that I had this post waiting quietly in the wings. Technically, I finished it when I finished the 1940s paper doll set, but I saved it as I don’t like to post two of the same series in a row.
I also have a nearly finished regency combined with steampunk set and a weird sort of farm girl thing in the works.
But today there are dragons, or at least humanoids who have some reptilian features. One of the things that my alchemist paper doll taught me is how many long dresses I can fit on a single page of the B&B series. The answer seems to be two dresses with a pair of shoes and some accessories. As a result, our Dragon Queen paper doll has two gowns, a sword, a mirror, a book and some shoes. Somehow I always imagine dragons as very vain creatures.
In my mind, today’s paper doll is either a dragon in humanoid form or from a species that believes they are descended from dragons. Her homeland is mountainous and rich in minerals. I imagine her people are sophisticated and tend to rely on their innate magic rather than technological acumen to solve their problems. Isolationists, they are uninterested in contact with other humanoid species, but maintain slight contact with the Dwarfs, for their technology and metalworking skills, and minor contact with the Elves, for their magic. Humans are, well, beneath them.
I chose a rich jewel toned color scheme for this paper doll set. I knew I wanted some sort of green skin, but I didn’t want it to feel too “lizard” like. I went with a rich teal. I also wanted her dresses to coordinate with her skin, as though they were chosen specifically to do so. I imagine she is wealthy enough to have her clothing tailored to match her coloring.
It has been a while since we’ve had to visit to Greta’s Trousseau. I have had these drawn for a few mnths and it has been taking me a long time to get my act together and sort out the adding of tabs. I loath having to add tabs, but it’s easier to add them than to remove them later for the fashion plates and I do like putting together the fashion plates.
So, in this page of Greta’s ever expanding trousseau, there is a ballgown which also has a more conservative long sleeved bodice. Dresses with two bodices were very common in the 19th century. Most “gowns” of the period are actually a top and a separate skirt. This women’s dress from the Museum of Fine Arts in Boston has an evening bodice and a day bodice. I imagine that Greta’s dress is more of a “ballgown” and then “dinner-dress” sort of arrangement.
Her traveling attire has two major outfits. One is a pair of bloomers with a blouse and hat for exploring or slightly rough and tumble travel. The other is a crisp traveling suit with a jacket, skirt and gaiters (or really long spats). These pieces can be mixed and matched for other outfit combinations, of course.
In total, this takes Greta’s Trousseau to over fifty outfit pieces and seventeen outfits. Technically, based on my paper doll outfit math than there’s about 1300 outfit combinations, more if you include hats, of course. I don’t actually think most of those outfit combinations make a lot of sense, but it was fun to work out how many existed. Greta’s Trousseau isn’t over, by any means. There are more sporting outfits to be finished (including a really cute croquet dress) and a set of clothing for seaside visits which includes a scuba suit, complete with helmet.
Last week, as you may recall, I posted my Court Alchemist paper doll. This week I am posting three more printable paper doll dresses and two pairs of shoes which gives her five outfits in total. I really do think the clothing makes the paper doll. I was always that kid who would have rather have had dozens of outfits over dozens of paper dolls.
In fact, I remember when American Girl magazine published paper dolls and I used to get so annoyed that the dolls were “almost” in the exact same pose, but not quite. So, they couldn’t perfectly share clothing. Drove me just nuts as a kid. Here is a picture of one of the paper dolls.
Are there any children’s magazines left that still publish paper dolls?
I recall with much fondness the feeling to getting to check the mail for my American Girl magazine and it’s promised paper doll. In fact, if you want a similar experience (and you have an HP web enabled printer), then you might consider my HP Paper Thin Personas Printer Ap which prints a full color or black and white paper doll every Monday, automatically. You can also print the paper dolls on demand directly from the printer which is, I have to confess, pretty neat.
So, there are three dresses in this set. In my head, these are all fairly informal dresses. And who doesn’t need socks held up by some odd sock suspenders? (There is something inherently hilarious to me about sock suspenders… I might have a problem.)
I went back and forth about the patterned dress. I wanted it to look like a pattern that could be woven on a simple loom, but it ended up looking sort of like abstract eyes and now all I can think is, “The dress is staring at me…”
As for tools, along with last week’s tool collection, this set adds a sextant, which is a tool for measuring the angle between any two visible objects, most often the horizon and stars. It was crucial for navigating back in the days before high levels of technology. As a girl with NO sense of direction, I am totally grateful to whoever invented GPS. If I had to navigate via sextant, I think I would end up lost way more often than I already am.
So, Friday there will be another page of Her Ladyship and Monday there will be an elf.
Meanwhile, you can follow me on twitter @paperpersonas for blog updates, random paper doll thoughts, and a smattering of librarianship.
Last week, the circus came to town in black and white for coloring, but here the paper doll set is in full color. I am really very pleased with how she came out. Sometimes, I know what I am doing with a paper doll set before I start coloring. Other times, I have no idea what I am going do with colors. In this paper doll’s case, I had a pretty clear idea of where I was going to go before I got there.
One thing I noticed as I was collecting images on my Dark Circus Pinterest board was that there was a bunch of red and black. I wasn’t sure what I wanted to do with the red and black, but I knew there was going to be a lot of it.
Creating a red and black paper doll set was kind a boring, so I did not go with a strictly red and black color scheme (though there is a lot of black and white here).
With straight red, black and white, I got bored very quickly and worried about the scheme clashing with the paper dolls pink hair. Instead, I decided to try basically creating two sets in one. There is a black and red set and also a pink and black set. Both sets had a pair of shoes and there are some pieces which can be worn with either color scheme.
I think this effect of “two sets” in one works, because circuses are all about costumes and costumes tend to match more than normal clothing.
Marisole’s gone to the circus this monday, complete with makeup.
I have mixed feelings about circuses truth be told. Sometimes I like them and sometimes I find them deeply creepy. I’m not afraid of clowns or anything, but there is something slightly off dark and strange that runs through the whole idea of circuses and carnivals.
So, I’ve been drawing paper dolls for a long time and I always expect to run out of the ideas, but then I run into new things on a fairly regular basis that I want to do or try out. I don’t know that I’ve ever really done anything like this set. I started collecting circus images that I liked on Dark Circus Pinterest board and then eventually those images evolved into this set of doodles which evolved into this paper doll set.
I was going for fashion as much as reality with these outfits. I can’t imagine a clown wearing such insane high heels, for example. My Dark Circus board where I was collecting images evolved into being as much about fashion as it was about circuses.
I’m nervous about coloring this set. I was going to go strictly black and red, but then I really want her to have pink hair.
Problem, will the pink hair clash with the red and black? I just don’t know. Guess the only way to find out is to start coloring.
So, today the Poppets paper doll series is traveling to the 18th century and rocking some beautiful clothes. One of the great myths of historical costume is that children in the 18th century were dressed “just like adults” and while there is some truth to the fact that children wore very similar clothing to adults, it was rarely identical. Skirt length is a common way to tell that a dress was intended for a child, rather than an adult, along with simpler lines and decorations.
As I explained with the black and white version of today’s paper doll set, both of these paper doll dresses are based on Wa lolita and Qi lolita fashions. I really find fusions of different cultures fashions fascinating, plus sometimes drawing absurd dresses make me happy and Mia doesn’t get as much love as I think she should.
When I draw in black and white, I sometimes dread coloring, especially when the coloring means hyper detailed patterns like those in today’s paper doll dresses. I’ve been doing more playing with color and pattern lately. I like patterns, but they are a lot of work. Even though I usually just draw one motif and use Photoshop to manipulate it on each dress. The size of these pattern motifs made their placement on the dresses important. Though I wanted it to feel organic, I also wanted the detail of the complex patterns to shine through.
No point in drawing complex things if no one can appreciate them, after all. In my mind, that’s like sewing a fantastic wardrobe for an ugly doll… why bother?
I based the color scheme on this kimono which I found online. Every time I reference kimono, I am reminded of the fantastic posts on Liana’s Paper Doll Blog about Japanese dress. She’s far more an expert of this topic than I.
Personally, I thought it was very a beautiful kimono and I really liked the color combination. What looks black isn’t actually black, it is a very dark purple-red color. I used the same color for her hair. I like doing that, because I think a color scheme should be about making a harmonious set.
Every set should be a complete work, rather than just a collection of clothing pieces and should be able to stand alone, even if it is part of a larger collection of paper dolls. That’s part of my paper doll philosophy. Is it okay to have one of those? Because I totally do.
Today, we have a pair of paper doll ballgowns which were heavily influenced by wa lolita and qi lolita dresses. I showed off the rough sketches last Monday. Wa lolita and qi Lolita are substyles of the Japanese street style Lolita. F Yeah Lolita (a blog I have come to rather enjoy reading) discusses lolita in detail, but I actually think the wikipedia article is nice for people who know nothing about it.
Anyway, both Wa Lolita (influenced by Japanese traditional dress) and Qi Lolita (influenced by Chinese traditional dress) are styles I think are fascinating, because cultural fusion always interests me. However, I try to be careful about how I borrow from cultures which are not my own, because I am very aware of the problematic and complicated issues of cultural appropriation which underlie children’s toys and visual representations of culture. I could ramble on about that topic until… well, for a every long time… but I figure most people are really here for the printable paper dolls, so I’ll restrain myself.
A few of my ideas came from this dress by FanplusFreind and this dress, also by FanplusFriend. I first discovered qi lolita through this dress which is actually a doll’s dress. The shoes are just sort of random inventions, though the ones on the right with the stockings were influenced by rocking horse shoes which are pretty cool (though maybe hard to walk in… I don’t know, I’ve never worn them.)
I can’t wait to share these in color next week, though I openly confess the pattern on the left dress is giving me fits. Every-time I do a complicated pattern, I swear I will never do it again and then… well… I do it again. Isn’t insanity doing the same thing over and over again expecting different results?
Oh, and before I forget, the fast of Ramadan officially ends this evening I think, so Happy Eid al-Fitr to any of my readers who are Muslim. I don’t know much about Ramadan, but the mosque by my apartment has been busier than usual this month.
