Dark Victoriana Printable Paper Doll

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This weekend was Rosh Hashanah, so I spent some time in synagogue, made challah, heard the shofar, and ate apples and honey. Rosh Hashanah is the Jewish New Year, so it is now the year 5784. I often get introspective this time of year, but I don’t know that I’m ready to share any of those thoughts.

I wanted to do something a little romantic and with a darker color scheme, but fairer skin, so I could see how the contrast worked with the dark linework and the added texture. I think it works well.

All this paper dolls clothing sort of reminds me of the clothing of Regina/Evil Queen in Once Upon a Time when not in the fairytale world. I never got through season 3 last time I watched this, so hopefully I’ll be more engaged this time. I honestly think the show works better when you can binge it and don’t so easily loose track of all the threads (there’s a lot of them.) I do really enjoy most of the costuming. Everytime I argue at the TV that there’s more ethical nuance than the show allows, my husband is like, “It’s fairy tales.”

And I am like, “Okay, fair.”

So, if you look closely at this set, you might notice one of the neat things about working digitally. Two of the blouses (the red sleeveless one and the purple button up) became the templates from which I drew the two other blouses- the cream and black one and the teal cropped one. This adaptation is much more possible, because of the digital nature of the art. It’s not something I’ll probably do all the time- because I honestly like drawing- but the possibility excites me.

Also, like how many ways are there to draw a pair of skinny jeans before it gets absurd? Really?

Oh, and I messed around a little with the layout to facilitate printing and getting more clothing onto the page. Not sure I love the thicker gray line, so that might change.

Let me know what you think in a comment! I love hearing from folks.

A Stylish Paper Doll July: A Gown with Pleats and Ruffled Rossettes

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And this is the last of the Stylish July project- 31 pieces in 31 days. Wow.

And if you’re wondering, I have no idea what I am going to do next.

For this gown, I wanted to play around with drawing pleats. Pleats are something I love drawing with pen and ink, but try as I might, I can’t seem to get pleats quite right in Procreate. I think they worked really well on this dress, but somehow they feel too flat on today’s dress. Clearly, pleats are something I need to practice drawing more, which is fine. That’s the process, right?

I think some of this comes from the zooming capacity of Procreate. It is so easy to zoom in and then you lose the “shape” of the whole garment. This utterly fascinates me. I have always preferred working super zoomed in Photoshop for my clean up work, but that’s maybe not the best way for me to work in Procreate.

So, that maybe a habit I work to break or at least get better at zooming out on occasion.

I had this fantasy in my head that I’d get done with this project and then I would 100% know exactly what I wanted to do next. I would finish and then, clouds would part, and I would see a path clearly before me. Sort of like that moment in a musical when the heroine spins around and suddenly knows her destiny.

But as I do not live in a musical, there is not been a helpful personal epiphany. Clearly, my life needs a better script writer.

So, I’m going to take stock of things, maybe do a round-up post of all these pieces together just for fun, and then decide what to do with myself for August.

A Little Steampunk Paper Doll Experiment in Color

Download Color PDF | More 365 Paper Dolls

So, I decided to dip my toes into color in Procreate with this paper doll. I also did some experimentation with noise and backgrounds and other things.

While I wouldn’t recommend home printing for this one, because the ink usage will be through the roof, I have added a link to the PDF if you feel the urge to try to see what happens if you do.

East of the sun and West of the Moon illustrated by Kay Nielsen in 1913.

You do you!

And if you do print it, it is scaled to mix and match with the 365 paper dolls.

I’ve been trying to sort out how to get texture. Of course, I think the effect doesn’t work super well unless you zoom in at which point, like maybe it doesn’t work at all?

Hmm….

So, here’s what I was trying to mimic…

One of the things I love very much is the illustrations of the turn of the century. Generally done with a trichromatic printing process (sometimes black was added and sometimes green was added, which is fascinating in it’s own right), the screens used result in a very specific texture to the solid colors in the prints. You can see it in classic illustrators like Arthur Rackham, Kay Nielsen, or fashion illustrations from things like Bon Ton. You can see the texture I’m talking about here and here.

Anyway, trying to archive that effect digitally is not as simple as you might think. So I have been experimenting with noise and other texture effects in Photoshop and Procreate. The result, however, is probably not “strong” enough to be obvious. This is one of the problems of working digitally- you are zoomed in or zoomed out or… whatever. It’s actually super hard to tell what the finished product is going to look like at true scale.

The other factor is that digital printing introduces a bit of noise and I don’t like how it looks, but only because it feels unintentional and I really really value being intentional in my work. I want control, or an active lack of control (hello ceramics, I’m looking at you.)

As I keep saying on these posts, Julie has been a huge help in referring me to tools to try to get this effect.

There are many tools and brushes and things for Procreate that it is super overwhelming. There’s a million different tools and things you can do with those. But I suspect I’ll eventually find 3 or 4 I like and use them 90% of the time. That tends to be how I roll.

But you can’t find the three or four you like without trying out a few dozen, so that’s been the current challenge.

Next up, I’ll be sharing an experiment using a less smooth brush and seeing what happens when I have a “rough” line texture. More on that one next week.