So, the black and white version of today’s paper dolls went up last week and I, being a space cadet, sorta forgot to post the color version, though I finished it on Sunday. I hope a little belated paper doll posting will be forgiven.
Our first page of this set is just the dolls and the second page is more clothing for them. I chose a soft blue, green color scheme with red accents. Of all the eras of men’s clothing, I confess a soft side for the 18th century.
Have I mentioned this week has been INSANE? Because it has been, and classes get into full swing next week, so things are not looking to be much more peaceful. Despite that, I’m enjoying it. As I know I’ve said before, I would far rather be busy then bored. I also seem to have a lot of stuff inked, but I’m having trouble getting it onto the blog, so I am going to put some more effort into getting it scanned this weekend, so that it can go up.
Here we are today with the colored version of last Monday’s post. Color for historical garments is complicated, because colors are very much a matter of taste and a matter of time. Just as the avocado and burnt orange polyester shirts of the 1970’s seem dated to us today, the colors of the past are rarely how we imagine them to be. I always picture the Victorians in tones of sepia, not because that was what they wore, but because I always see sepia photographs. I once had a professor point out that the way we picture the past has little to do with how the past actually was, but I enjoy my fantasies of the past as much as the next person.
For this set of paper dolls, I chose to use colors from reproduction quilting cottons as a basis for the garment. They turned out to be a little muddier than perhaps I would have chosen on my own, but I wanted something different than the oranges, blue, pink, and green combination of colors I find myself most often drawn too. The ballgown in pink and black is based on the fashion plate which I drew it from, though I made a slightly darker version of the original.
I’ll confess openly that I’m not entirely pleased with how some of these came out in color. I went muted and I think that was the right call, but I’m not sure that I didn’t lose some of the lusciousness and the vibrancy of the era. They also came out less romantic than I had hoped they would be. I do think Margot is awfully cute with her freckles and red hair (yes, I do have a weird thing for redheads). In truth, I am pleased with both the dolls. I think Marisole is a warm brown this time and I like how Margot came out. All in all, though I had some second thoughts about drawing a new face for Marisole, I am pleased with Margot and I think she’ll show up a bit more around the blog.
On an unrelated note, child paper dolls have pulled into the lead in the polling… a fact which I am very much surprised by.
I’ve mentioned before my “skintones make shoes a pain” thing, and so I wanted to give this Marisole a skintone that was shared by another doll so that she could share shoes. I chose Candy Coated Couture, but I don’t think the skintones are actually the same. In fact, a quick check with photoshop’s eyedrop tool tells me they aren’t. This has something to do, I think, with how Photoshop saves things for the web.
So, I did a little internet research and found a lovely article
I am going to try a few other methods and see if they help. It’s a strange problem indeed.
Since it’s Christmas Eve, I wanted to wish a everyone a lovely Christmas. Be safe and be merry. I am back in Alaska with my family celebrating.
I’m a little ashamed of how long it took me to get this paper doll up and I have absolutely no excuse since the paper doll was colored weeks ago, but with family visits and a nasty cold, it took longer than it should have to be done. If you’ve forgotten, the black and white version contained a rant about how complicated the floral pattern was. I’d like to say it was easier to color than it was to draw, but that would be a lie.
Coloring that floral pattern was a pain in the neck.
Still, I’m quite pleased with how it came in and, while I am in a bit of a cold medication induced haze, I think the whole paper doll is fairly charming. I sort of regret not making her blond so that her hair net things would be more obvious, but that’s my only complaint.
By the way, lately Marisole’s face has been reminding me a little to much of an insect. If I redrew her head, would people be horridly upset? I’d make sure her clothing still fit. Let me know in comments.
So, back when I drew this paper doll, I was like “I’ll get her up for Speak like a Pirate Day” and now I’m like… “Clearly, that didn’t happen.” I didn’t even have her inked until last week which is a pretty fast turn around for me. I have been playing around with the Pixies lately, so here is the first two page one. I think I will do this again, I enjoyed building a larger pirate wardrobe than I usually can on a Pixie page.
Also, I finished inking a few Pucks yesterday and just got them scanned in, so people can expect some Pucks to be posted this month. I have been thinking it would be nice to do some Pucks aimed at boys just like the Dover Paper Action Figures, but I have no idea what little boys might want in a paper doll.
Anyone with a son want to help me out on this one?
Also, I get so giddy and excited when someone I don’t know at all links my site. NZ Ecochick posted pictures of her set of magnetic Marisole’s and it filled me with an unhealthy amount of glee. Paper dolls are so much fun to share and I love it when people do so.
Relatedly, one of the search terms that came up for the blog last month was “purple paper doll” and I am going to be honest. I have NO IDEA what that even means… we live in a strange strange internet, my friends.
goldenSo, I did this paper doll set once before, well… not this set exactly, but a very similar paper doll set called Mint and Roses. Now the idea was to try a similar color scheme and see if I liked it better. I think I do. I traded the grey for a dark chocolate brown (which has a lot of blue undertones) and the green is less muddy. On the whole, I think this set works better, though I sort of miss the orange hair of the other paper doll.
Things are up a little later tonight then I had planned. I have been fighting with the United States Postal Service lately about if I do or do not exist. They think I don’t exist. I swear I do exist. I’ve called them twice now and spoken to them in person once. I am getting ready to leave a nice little note in my mailbox for my carrier assuring him or her of my continued residency. I should add that I actually love the USPS. They do amazing things. They get mail across this country in a remarkably short period of time. They are amazing.
Anyway… on an unrelated, look its a paper doll. She’s cute. She has a really puffy skirt.
I really am quite pleased with my paper doll Prudence. Her skin tone, like Kadeem’s and Gabriel’s skin tones, was based on my recent searching around for skin tones on the web.
After a few weeks of looking and collecting, I have over 50 different swatches, but I am working on narrowing that down to a manageable number- probably 10 to 15. The truth is that a lot of them are so close in color, I don’t think there would be a visible difference once they were printed anyway.
It’s rare I produce a paper doll that I can’t find anything wrong with, but Prudence is pretty close. I lover her glasses and her vintage wardrobe and the color scheme turned out better then I imagined it would. Her hair didn’t come out quite as I had planned it (afro’s are hard to draw), but I’m still pleased with how it looks.
Personally, I would pop her into her cream dress and put her on a date with Kadeem or Gabriel for a night on the town. Or maybe slip her into something more fancy and have her strut down the red carpet (I’m sure Roxanne or Yasmine would be happy to share). In fact, if you don’t like any of those options, there’s a black and white version of Roxanne and you can color any color dress for Prudence that you think she needs.
Happy Halloween! And to celebrate this festive day, I have a halloween paper doll.
Now, this isn’t the first Halloween paper doll I have done. After all, there was the vampire paper doll from last year, so you can celebrate with her too. (Also, there’s a zombie who would fit in well.)
I always have these high expectations and plans for Halloween. I mean, is there a better holiday for paper dolls? It’s all about costumes, for gods sake. It’s perfect. And yet, somehow, I never manage to actually get my act together enough to do anything major for the holiday. Sad, but true.
Last year, I actually drew this paper doll set. The idea was to do a whole month of costumes. Obviously, that didn’t happen last year and it didn’t happen this year, but since I’d never finished coloring this set, I thought I would post it now. The strapless white dress can either be used as the base for the Egyptian Queen costume set or the Angel costume set. The wings should be glued to the back of the doll along the white strip.
I hope everyone has a safe and fun Halloween. I’m planning on spending mine doing laundry, cleaning the apartment and handing out candy to small children.
I am so happy to announce that Kat’s comment, number seven was the number which random.org decided was to be the winner of my drawing. Congratulations Kat and please email me [paperthinpersonas (at) gmail (dot) com] with a description and reference photos of what sort of paper doll you would like. And your paper doll doesn’t have to be a Marisole, it can be any of the paper doll series I draw (Pixie, Dictionary Girls, or Shadow and Light.)
Today’s Marisole paper doll has what I think of as my medium brown with cool undertones skin color and orange hair. It seemed like a good idea at the time… (mind you, “the time” was nearly midnight). I do love her muted, spring soft color palette, I’m just unsure about her hair/skintone combo. What do other people think?
In other news, I have had so much fun reading people’s comments and they have all made me smile. I thought I would post my favorite ten (okay, eleven) Marisole paper dolls in reverse chronological order. If you’re interested keep reading below. If you’re Kat, please email me. Otherwise, have a fantastic Monday and enjoy the paper doll.
I showed this paper doll as a sketch about a month ago, the reality is that it can take a long time before a paper doll goes from sketch book to blog. Largely, because I tend to draw a lot for one doll, lose interest and move onto another, so the drawing always happens in fits and starts.
I post on a schedule since I think it should be more even for the dolls and since it helps me not have long gaps in my posting. Plus inking is really boring, so I tend to do it in while I’m hanging out with people (who don’t mind chatting with me while I’m bent over a sketch book), watching TV or have an extra half an hour between classes and no homework to get caught up on. I have learned though that if I don’t keep up with my inking, I suddenly find myself with 15 pages to do and that always seems utterly overwhelming.
While these dresses have no real relation to historical costume, I did do a lot of reading up on the 18th Century for my Marisole paper dolls for the 4th of July and I used those books here too. Below I’ll talk about the books I used and why I used them and what I thought was helpful and not helpful about them- for paper dolling, I mean. This isn’t about academic costume research (though many of these books are good for that too).
I might have an addiction to exhibit catalogs. An Elegant Art: Fashion and Fantasy in the Eighteenth Century is older from an exhibition catalog produced by the Los Angeles County Museum of Art for an exhibition in 1983 on 18th century costume. The number of lovely full color photos show off the costumes and a full listing of the exhibit in the back allows you date everything. Close up of fabric and shoes and particularly nice. Shoe research is really important to me, so I’m always looking for good photos of historical footwear. The text has several essays on 18th century life, including one on movement which I found fascinating.
Seventeenth and Eighteenth-Century Fashion in Detail is part of a series of books from the Victoria and Albert Museum costume collection. The upside of the books is that each garment has a clear line drawing of the front and (sometimes) the back. The downside is that the only photos are of detailed sections giving you a clear beautiful photograph of a button hole or embroidery, but not of the entire garment. I wouldn’t recommend this book on its own, but with other books that give clear all over photographs, it’s a great text and the line drawings are wonderfully clear and easy to work from. If I was going to give a numerical score, I would say eight out of ten. It also covers the 1600’s as well as the 1700’s which is useful (1600’s costume books can be hard to find).
Despite some really catty reviews on Amazon.com, Corsets: Historical Patterns & Techniques is a pretty good book about corsets. There are patterns, flats (which are useful since they show the backs of the corsets) and one full color photo each of the corsets in question. The text isn’t written to be an academic study, so don’t even go looking for that- it’s a book written by a costumer about corsets, with photos, a bibliography and a really nice range. The regency corsets are what made me pleased with it, but it also shows several different sets of stays from the 18th century. Good as a supplement to other books on this list. I do wish she’d given the full citations for her museum examples though… but that’s just the librarian in me.
Dangerous Liaisons: Fashion and Furniture in the Eighteenth Century is the catalog from a show at the Metropolitan Museum of Art. Each room of the exhibit depicted an aspect of aristocratic life, with costumed figures talking, getting dressed, making music, and other activities. The scenes follow the plot of the novel Dangerous Liaisons, but you don’t need to know the story to enjoy the images. What is delightful about the book is that it places the often over the top dresses of the era within their context in period settings. The posed figures sometimes make seeing the costumes clearly a little difficult, so I don’t consider it an ideal book for paper dolling, but it’s a lot of fun to look at and there are some nice essays included on the culture of leisure in the 18th century. It’s not the first book I go too when I need source material, but the full color photos put it in the top few.
Patterns of Fashion 1: Englishwomen’s Dresses & Their Construction C. 1660-1860 is not just a book of patterns, though it includes patterns for all of the garments shown. It is a wonderful book about historical costume with beautiful pencil drawings, lots of black and white photos of primary sources and excellent text. It doesn’t have the visual appeal of some of the other books on this list, but it does have some really useful images and each item shown comes with a detailed description. I used to avoid Janet Arnold’s books because I thought they were nothing but patterns. In reality, the patterns are only a part of the great material. It has no color photos though, so look elsewhere for eye-candy. If I could only own one book on 18th century dress, I might just pick Revolution in Fashion: European Clothing, 1715-1815 from the Kyoto Costume Institute. The text I can take or leave, but the photos are outstanding. Despite the title, the clothing is really more from about 1750 to 1815, there isn’t anything shown from really early in the 17th century. The costumes shown include formal, informal, underwear, accessories and, my favorite, shoes. I also love this book for the regency period costumes it shows. Because it’s from 1990 and because it was a short print run to start with, the book is really expensive on the secondary market. I have not cross compared, but I believe the same photos were used in Fashion from the The Kyoto Costume Institute which is not insanely overpriced on the secondary market. In fact, it is still in print.
Lastly, I’d like to mention one of my favorite books about 18th century costume that has very few photos and isn’t useful at all for paper dolling, but it is a lot fun and that is Queen of Fashion: What Marie Antoinette Wore to the Revolution. The subtitle alone makes me really happy, but the book is a wonderful non-fiction work about the history of costume in the 18th century, French politics and Marie Antoinette, who was more sympathetic then I ever thought she would be.
And this was a really much longer post then I had intended… I suppose that is what happens when you let a book lover talk about favorite fashion books. I hope it is helpful to anyone who wants to do a little research into what they used to wear in the 17th century.
