Over the years, I have done a fair number of steampunk or neo-victorian inspired sets of paper doll clothing. I’d name them all, but I really don’t feel like digging through the blog’s massive archives to track them all down.
Generally, I see the whole steampunk thing as an version of the Arts and Crafts movement of the 19th century. A sort of call back to a fantasy of an analog time while ignoring major issues of the actual 19th century like lack of labor protection, colonization, and treatment of the mentally ill (to name a few), just as the Arts and Craft movement exalted the medieval and gothic periods while ignoring the plague. Within reason, I don’t find this troubling though sometimes I do worry that when we exalt certain periods of history, than it is far to easy to ignore their horrors.
And every period of history, including our own, has a few horrors.
Still, I have always found alternative fashion movement fascinating, be it goth, punk, steampunk or the dress reform movement and therefore have every intention of continuing to draw neo-victorian clothing for the blog.
Somehow today’s set got awfully Christmas looking with the red and the green color scheme. I was thinking more burgundy and olive while I started, but it came out a bit brighter than I’d intended it to be. Despite the small number of pieces in this set, there’s actually 18 outfit options and more if you include the shoes each of the Ms. mannequin paper dolls come with.
Okay, quick question to my readers. I’m debating working on Flock stuff this coming weekend or working on Pixies. Anyone want to express a preference?
I spent a chunk of my weekend coloring my Margot in Wonderland paper doll from last week. Today, Margot gets to be a blond and has, of course, a wardrobe of Alice inspired paper clothing pieces. As I mentioned last week, I’ve been inspired by Alice many times before and drawn her many times over the years.
After some time I decided to go with a jewel tone color scheme that was a bit bright. I wanted to capture the richness of color that could be captured with color lithography from the 19th century. I was also heavily inspired by this Lolita outfit. I really loved the rich colors since they are not the pastels or black that I normally associate with Lolita fashion.
As I mentioned with my Turn of the Century Pixie Paper Doll, I often collect ideas on my Pinterest boards, so you can check out the Lolita board I keep to see where some of these outfit pieces came from. Nothing was directly taken, but I find ideas and inspiration makes drawing paper dolls faster and easier than it would be without them.
The top hat’s floating tab is meant to be attached using the same method as I outlined in my instructions for attaching wigs and hats to paper dolls. This is one of my favorite methods of doing wig and hat attachment for the paper dolls I design and so I use it often.
I have been traveling a lot over the last three months. One trip every month which has made for scattered time for myself. I’ve mentioned many times on this blog that I normally work from a long backlog and that having a backlog of paper dolls allows me to plan my life.
Well… I’m out of backlog, so the fact that today’s Alice in Wonderland paper doll happened was a shock to me. I did not think I would get her done, but I am pleased that I did.
Alice in Wonderland themed paper doll sets are something I have drawn before. I think in total I have done three paper dolls that I’ve posted.
Today’s Alice in Wonderland paper doll uses Margot, whose been a bit neglected. Her costumes owe a lot to both Neo-Victorian and Lolita styles, which could be construed to be the same thing… but that’s a whole different discussion.
I had an awful lot of fun putting together the rabbit pattern and the card pattern for the two skirts. I attempted to draw a more realistic top hat than I have in the past, but I’m not pleased with it. There’s something off about the perspective, I think. However, I shall eventually get over my problems with hats. I just have to keep trying, so expect to see more hats and more me complaining about hats.
Alice’s Adventures in Wonderland and Through the Looking Glass are books I love, but that I don’t think have aged very well in many ways. The general lack of agency for Alice, not to mention the fact that most of the jokes don’t really resonate with modern life (how many of us had to recite in school? I mean… really?), means that when most of us think of Alice, we think of iconic characters and symbols without actually remembering the story. The Cheshire Cat, the Mad Hatter, or Dweedle-Dee and Dweedle-Dum are all so familiar it hardly matters that the Mad Hatter is a reference to the mercury poisoning common to men in that profession during the Victorian era.
This is either a testament to the power of the original, or a comment on how pop-culture makes things into what they need them to be at any given time and place.
We’re traveling to the turn of the century today for Viola, a printable paper doll with her wardrobe from 1895 and 1900. She can be printed in black and white or in full color. Viola’s name was selected from the Social Security Baby Name Index as popular in the 1890s. Fashion in the mid to late 1890’s exists between huge puffed sleeves and the rather horrid pigeon breasted look. Not being a fan of either style, I never thought I would do 1890s paper doll, but I found I liked the fashions at the end of the century, so here she is.
Honestly, the way I look at history has been heavily influenced by the historical paper dolls I had as a child, sparking my interest in social history and fashion history. So, I think historical paper dolls are great printable paper dolls for kids and I’ve only recently discovered that a number of people who use my paper dolls for home schooling activities. All of this increases the pressure to get the paper doll “right”, lest some child’s understanding of 1890’s dress be damaged by my paper doll creation. (Not that I think this would be devastating for the child in question- there are far worse things in this world.)
The mid to late 1890s wardrobe that Viola has is based on museum objects, primarily, and a few costume plates. The Met, The Museum at FIT and MFA Boston, as well as the UK National Trust were a few of my sources. When I am researching a new paper doll, I tend to collect my sources on my Pinterest boards (feel free to follow) and today’s printable paper doll is no exception. I gathered her clothing sources on my Turn of the Century board, before I started drawing.
One of her parasols was based on this one, but the other I rather invented based on a lot of various parasols I looked at. The Met actually has a really large collection of parasols, who knew?
Her seaside or yachting costume was inspired by this dress from 1895. There seems to have been a real “sailor” trend in the end of the Victorian period during the bridge into Edwardian.
The carriage toilette in green is from this fashion plate I found on flickr, though I confess to usually trying to avoid finding things on flickr, since I don’t always trust the accuracy of the sources.
Were I to draw today’s historical paper doll again, I would have included a pair of gloves and another pair of shoes, but that would have made her three pages and I wasn’t about to that. Of course, should you wish to add gloves, than I will direct your attention to the Regency Pixie Paper Dolls whose gloves could certainly be adapted here.
Today, in honor of Han Christian Andersen who was born in 1805, we have two regency pixies and their wardrobe. This is the last big Pixie set for a while, though I do have some one page Pixie paper dolls in the works that I am looking forward to sharing. I don’t think I’ll do another multipage set for a while. They are a lot of work.
Theses paper doll’s dresses are from about 1800 to about 1815, or so. The latest one being the morning dress with the neck ruff looking thing for Lydia (or Emma, either doll can wear the dresses) which was popular for a while though I find the style a little absurd, myself.
There is a tendency to make everything in this period white, as that’s what fashion plates usually show, but women aren’t stupid and there are plenty of dark fabrics with prints that were popular for day dresses. They don’t show stains as much as white (does anything show stains as much as white?) and they could go longer between washingings. There’s also a tendency to talk about women being out of corsets. This was sort of true, but as anyone with boobs can tell you, having no support is darn painful.
Since bonnets were going to be featured in this set (and I do confess I’m not very good at drawing bonnets), I knew I had to keep both of the paper dolls hair close to their heads. Lydia, above, has a braid and Emma, also above, just has her hair pulled back somehow. I imagine it in a neat bun, but whatever.
It was important to me to give these dolls some clothes, so I decided to do a separate sheet for their dresses. After all, one dress hardly makes a very fun paper doll. So, here is a riding habit, a few day dresses, a ballgown and one of the cropped spencer jackets which I’ve always liked. As for other regency paper dolls, there’s always Flora of the Regency, and two Marisole Monday & Friends sets- Empire Elegance and Regency Romance.
Thoughts? Do the Pixies need more historic outfits?
In the continuing epic of Greta’s Trousseau, today we have a bunch of outfits designed to help Greta do more mundane activities than fencing or hunting. Like any fashionable neo-victorian lady, Greta simply must have a costume for all occasions and her trousseau provides.
Today’s outfit set includes an opera toilette which fitted into a rather odd spot in the ladies wardrobe. Opera attire and ballgowns were both considered to be full dress (the most formal sort), but opera outfits usually included some sort of cloak (which I have omitted because eventually I’ll do a whole set of outerwear) and some sort of hat or headdress. I’ve also noticed that they seem to be a little more fanciful than other costumes. Greta’s consists of an off the shoulder top with a boned bodice, a floral decorated top hat and a full skirt without a train. She wears matching shoes.
Her promenade costume and visiting attire would have both been semi-formal wear. The promenade costume features a military influenced jacket where as the visiting attire is softer and more lady-like. Both outfits have matching hats. Her only costume without a hat is her tea dress which she could have worn while receiving guests in her own home and therefore wearing a hat would have been odd. Changing the bodice and adding a hat, turns this outfit into a walking suit, less formal than a promenade costume but with the same military influences.
Hmm… I really should have drawn her a parasol. I shall have to do that in the future.
All of the shoes, except the ones with the opera costume, are “borrowed” for the other sets in Greta’s Trousseau. I just find that I can only draw so many pairs of button up boots in one sitting, though I will be doing more shoes as we expand Greta’s activities. I know I need do to some winter boots for her and she’ll be needing some for the seaside as well.
Faye has decided to do a little time traveling and visit the 1920’s. I love drawing 1920s paper dolls and this one was no exception. Inspired by Anna May Wong (the first Asian-American famous film actress), I knew I wanted to use Faye, my Asian Mini-Maiden in this set.
(I did not give Faye Anna May’s wonderful bangs because every time I tried to draw them they looked… off somehow. Bangs and I just don’t always get along.)
Faye has shoes, stockings, a girdle, a house dress, two day dresses and then a swimsuit. She should probably also have a swimming cap, but I didn’t really think about that until after I finished the set and then it was too late. But she’s got a pretty good set of 1920s clothing to print and color, I think.
Oh well…
I really had fun with this set since I just bought a few more books about 1920’s clothing and wanted an excuse to play with them.
I’m trying to give more information on where I do my costume research when I say something is historically accurate, so I’m including a sources list, in case anyone else wants to dabble in the 1920s. It’s not exhaustive. There’s some other great books out there, just what I happened to use for this set and have on my own shelves at home.
A Few Sources for 1920’s Fashion History
1920s Fashions from B. Altman & Company. Mineola, NY: Dover Publications, 1999. Atelier Bachwitz. Classic French Fashions of the Twenties. Mineola, NY: Dover Publications, 2012. Blum, Stella. Everyday Fashions of the Twenties as Pictured in Sears and Other Catalogs. New York: Dover Publications, 1981. Lussier, Suzanne. Art Deco Fashion. Boston: Bulfinch/AOL Time Warner Book Group, 2003. Peacock, John. 20th-century Fashion: The Complete Sourcebook. London: Thames and Hudson, 1993.
Do people find this idea of sources lists useful? I don’t want to do them all the time, but for my historical stuff I thought it might be helpful for folks. Thoughts from my fabulous readers?
When I started the Ms Mannequin paper doll series, my goal was to draw primary contemporary clothing. I had high plans of doing stylish designers and other things. Maybe dabbling a little into vintage Dior, but mostly being contemporary. The dolls were designed to be models, not curvy at all, so they could wear the contemporary styles.
However, it wasn’t long before I was sketching and suddenly pirates reared their heads and demanded to be drawn. I ignored them for a while, but soon they were saying, “DRAW US.”
And I said, “Okay. No need to shout.”
And so this pirate set was born.
What can I say? I like pirates. I feel like there’s nothing “new” about this pirate set though, so I’m not sure it’s my best set. Still… sometimes you just have to draw pirates.
By the way, I’m doing site clean up, sometime I do every Jan/Feb to tidy up categories, fix things that seem broken and a little spring cleaning is done. So, things might be morphing and changing around here in subtle ways. Nothing to worry about, just me tidying up my files. 🙂
Today, we have some sporting outfits for our steampunk paper doll bride. Since the fun of Victorian trousseaux (or should it be neo-victorian trousseaux?) are their costumes for every occasion, I had a lot of fun thinking up outfits for Greta to wear while she did a few different sports. Being a highly talented paper doll, I’m sure no sport is beyond her skill (and I have a few more sporting outfits planned- though perhaps not for a while).
Greta has a steampunk/neo-victorian inspired riding habit, a hunting costume, a skating toilette and a fencing toilette. What else could a steampunk paper doll bride want? (Okay, more outfits, but I am working on that. 🙂 )
Wealthy women have actually been involved in sporting activities for longer than most people think. Archery teams in the Regency were regularly co-ed. I’ve been 18th century illustrations of women doing archery, but I’m not sure women actually did it that often, sepcially since a lot of those illustrations are intended to be erotic- oh, the scandal. Women had been riding horses forever and in the South, prior to the Civil War, hunting or shooting was a common activity for women of wealth. By the 1900s, women could choose between tennis, golf, bicycling, skating, croquet and a variety of other sporting events.
My favorite is the fencing toilette. Someone asked for a fencing outfit (a long time ago) and I don’t know much (anything) about fencing, but I had a lot of fun drawing it. I suspect having open laces on the sides of your leggings is not… you know… very practical, but what’s the fun of drawing steampunk fashions if they have to be practical?
So… again with the channeling Kate Greenaway thing, also a little bit of Peakswoods (a Korean ball jointed doll company), their fairies of fairytales were one of the inspirations for the Poppets series in general. I have noticed a tendency for ball jointed dolls to be dressed in totally over the top ruffled outfits (like this Little Red Ridinghood ensemble), so there’s a little of that here as well. I have a few dresses in process for the Poppets that take that concept on in a more fluffy way.
This set was drawn to go along with my second poppet paper doll Primrose. The dress, cape and hat, are all in the same color scheme and therefore can be mixed and matched. I am particularly fond of her little button up boots with spats on them.
I realize now that I’ve mentioned Kate Greenaway twice and I probably should pause to say who she was. Greenaway was an artist whose work was published mostly between the 1870s and the 1890s. She drew idealic angelic looking children in pseudo-regency costumes. You can see scans of her work at the Digital Library of illuminated books.
Last, but not least, I’d like to wish a very Merry Christmas to all my readers who celebrate it. I hope people have fun with family and friends today. I am with family myself and quite content.