Normally, I try not to post two fashion paper doll sets in a row, but somehow my life just didn’t let me finish up the other sets I had hoped to have done. Sometime’s life is like that, so for today’s paper doll dress up, you’ll just have to live with another contemporary fashion set.
A lot of these pieces are based on things from fashion magazines.
One of my goals with this set was to use more pattern on each piece. So, I decided to focus on floral patterns. It was fun to create the patterns for these pieces. Of all of the different pieces, my favorite is the drop waisted floral dress. (The polkadot covered jeans are a close second, I confess. They are based on a pair owned by my sister.)
I will openly confess that I really don’t remember everything I was thinking when I designed this set, except that I really wanted to play with pattern. See? Not very set has a deep philosophical story behind it.
I’m not sure exactly what season this clothing would really work for. I mean, the turtlenecks are much more autumnal, but the florals are certainly a summer thing. I gave it the title Summer Garden, so I guess it’s summery?
A friendly reminder that if you like the blog and you’d like to support it, I do have a Patreon page where you can donate to keep things around here up and running. It’s also home to the Vivian Project.
I’m also pleased to show off my draft version of my new paper doll index page. It’s still being tweaked, so I’d love to hear what people think of it as well.
I have been thinking about spring, but it feels a long away off. Even here in Alabama where the winters are so mild compared to what I have experienced in Alaska and the Midwest. Still, today’s paper doll to print is celebrating the possibility of warm spring fashions.
As I mentioned back when I first introduced the Sprite paper dolls, I want to establish a limited collection of dolls who will get outfits much like the Marisole Monday & Friends and the Mini-Maidens. So, this is the second Yumiko paper doll to print.
I figured after her foray into cyberpunk, the she deserved a chance to be a little more casual. I think her casual wardrobe is a little disconnected. I love all the pieces by themselves, but together they feel less the cohesive. I am getting over my mixed feelings by reminding myself that eventually there will be other Sprite paper dolls with casual clothes she can share with.
I struggled a bit to select colors for today’s paper doll to print. I am, personally, a lover of color. In the end, I settled on black as the neutral (though I worry with this paper doll’s black curls does that make too much black?) and pale blue as the other neutral. The patterned blouse over the striped skirt caused some problems since the complicated patterned needed a lot of colors to look right, but I think maybe the chose to many different colors for this collection? I think that’s adding to the lack of cohesion that is bothering me so much.
So, clearly, in case you couldn’t notice, I’ve got mixed feelings about today’s Sprite paper doll. Don’t get me wrong. There are things I love about her- those blouses, that darling purse with the tassel, her cute red shorts. But she feels… a tiny bit discombobulated.
Oh well, not every paper doll is perfect and if I only posted the paper dolls I was “totally in love with”, than I rather suspect I wouldn’t ever post anything at all.
Also, if you love the blog and want to help it keep going- support it through Patreon. There’s a special behind the scenes blog, perviews of sets, and I am way more likely to make patron requests, because… well, they are giving me money. So, consider joining up– it’s a fun group.
What do you think of Yumiko? Let me know in a comment.
So, today we have Maiden of the North in color. Originally, I was used going to use any neutrals, but I realized that wasn’t really working out part way though coloring and changed my mind. I reserve the right to change my mind about just about anything.
Paper doll hair colors are usually picked based on what I think will look good with the set or on what I think I haven’t done in a while. I try to have a wide diversity of paper doll hair colors, skin tones and other things, so if I feel like I’ve done a lot of red-heads or blonds lately, than I’ll often do something else.
Otherwise, I think every paper doll would have red-hair.
For those of you who missed last week’s post, the costumes are largely inspired by Viking dress with a fair amount of fantasy elements. The oval or dwarf brooches at the shoulders are the distinctly Viking element. I have discovered a strange affection for dwarf brooches.
So, if you happen to see some weird pharmacy stuff on the site, don’t worry. I mean, it is a problem, but I’m working on fixing it. Hopefully, it won’t effect anyone at the moment. It’s bad code that needs to be cleaned up manually left over from a hack. Annoying, but part of website ownership. Thanks for your patience while I deal with it.
And if you like my paper doll (and want to see Marisole Monday & Friends before Monday), please consider supporting me through Patreon.
Hope is based on the styles at the end of the 18th century. So, something major happened around the 1789 in France. It was, for those who weren’t asleep in high school history class, the French Revolution. To say that “everthing changed” wouldn’t be an understatement and the ripples of the events in France spread across Europe in dramatic ways. It is tempting when looking at the end of the 18th century to simply assume that after 1789 everyone just jumped into Empire styles and that was the end of it, but the reality is that there was a very slow evolution to the high waisted gowns we think of as “empire” or “Regency” dress.
So, I was less interested in worrying about the Empire look and much more interested in the every transitional styles that are easily forgotten and often ignored.
This all brings us rather neatly to Hope. Hope is our paper doll model for the later part of the 1700s. Her dresses will never get up the high waisted styles that characterized the transition into Empire. Rather, I think of her as being a woman of means right before everything gets radicalized. And, for her sake, let us assume she lives in England which was always behind on the fashions a bit anyway and a much safer place to be than France at the end of the 18th century. They don’t call it the Reign of Terror for nothing, after all.
Hope’s hair is done up in a style known as coiffure à l’enfant. This was a style popularized by Marie-Antoinette in the early 1780s. The style is a frizzy halo of hair with several longer strands curled, braided or left straight. Here is a portrait that shows off the hair style from the Met and here is a fashion plate featuring it from the V&A. I have to confess that I am not totally pleased with her hair. I fear that it looks a little bit too “mad scientist” for my comfort.
Moving away from her hair for a moment, Hope has undergarments, of course, and then a gown known as a Redingote. Redingote’s started their lives as actual riding coats, but eventually transformed into women’s gowns which were coat like and then cut away to reveal the petticoat underneath. The word “redingote” is believed to be a French transliteration of the English term “riding coat”. Hope’s redingote was based on this gown from LACMA circa 1790. The term “redingote” sticks around into the early 20th century as a term of long coats.
I think that’s all the sources I need to list for Hope. I might have forgotten something, but I think that’s everything. Next Friday, there will be the last set of outfits for the 18th Century Pixie Series all from the later part of the 18th century.
Today’s 18th century paper dolls is my second of three. Joy, all of these paper dolls will have virtue names, is from between the 1760s though 1780s. She has underwear and a gown in the polonaise style. Poloniase gowns had a skirt that is raised up and bunched over the petticoat. Usually a gown could be worn either with the skirt looped up in the polonaise or with the skirt down- offering some versatility to the 18th century silhouette. The polonaise gown sticks around into the 19th century and is sometimes mistaken for a bustle.
It has been so much fun to share this paper doll series over the last few weeks. We have four more pages with one more doll and three more sets of gowns. The whole collection, so far, can be seen here.
Sometimes, I get started on projects and they don’t seem “insane” and then a few weeks later I find myself further into them and I am thinking, “Was I crazy to start this?” and, of course, “Will this ever be done?”
So, over the next seven weeks on every Friday, I will be sharing pieces from a historical paper doll project that started with a simple, “I should draw some 18th century clothing for the Pixies.”
It kinda grew a bit unexpectedly.
My original plan was to do three Pixie paper dolls, all with different skin-tones, and each would focus on the first part, middle part and then last part of the 18th century.
No plan, as they say, survives contact with the enemy.
Instead of three clearly defined sets, I ended up with three paper dolls and four pages of dresses and only one set, my late 18th century set, seemed clear cut. So, I did what any rational paper doll artist would do, I said, “Meh. I’m just going to go forward anyway.”
Today I am pleased to present the first of my three Pixie paper dolls and for the next six weeks, each Friday, there will be another Pixie paper doll or a set of dresses for the 18th century Pixies.
As you can see from my 18th Century Color Palette graphic above, I knew I wanted to use a consistent color palette through all of these seven pages of paper dolls. I chose to based my colors on a stomacher, also from the V&A Museum. I wanted all the colors to be fairly soft, but also rich, reminiscent of what you see in portraits of the era.
Today, I am pleased to present Faith, the first of this seven week series.
Faith wear’s her hair in a style known as tête de mouton (or “sheep’s head”) and it was extremely popular in the 1750s. She, of course, has her hair powdered, through powder was not universally worn, despite what some people seem to think. Her underwear consists of stays and hoops. As with many of my forays into historical underwear, her undergarments won’t fit under all the dresses of this set. Her stays are based on Stays from the V&A Museum . These type of wide narrow hoops were usually used to support the wide skirted formal gowns of the 18th century, but Faith doesn’t have a formal gown on this page. Instead, she has a riding habit. Her riding habit is based on Riding Habit from the V&A museum dated between 1750 and 1759. Her small hat is a combination of a hat from the Met Museum and the hat in this portrait of Princess Marie-Thérèse-Louise de Savoie-Carignan which was sold at Christie’s.
The colors of her garments were, of course, influenced by the original riding habit, but also by the stomacher I showed above. I wanted a consistent color scheme across all these paper doll pages, for maximum mix and matching possibilities. Playability, a word I am not sure is a word, is something that I value very highly in my paper dolls. While I rarely cut them out and actually play with them, I like to think about how people would cut them out if they were going to do so.
Tune in next Friday for a page of dresses and then the next week a paper doll and then a page of dresses and then… well, you get the idea. 🙂
Summer in Alabama is probably my least favorite season. First of all, it is very hot and humid. Secondly, there are cockroaches. Thirdly, it rains in the afternoons, but the rain doesn’t actually cool anything down.
We are having a freakishly hot June. It’s been in the high 90s for the last week and it is not looking to cool down at all next week. I am miserable in this heat, but I suppose it could be worse.
Someone who is not miserable in the heat (or at least isn’t showing it) is Marisole in today’s colored version of Beautiful Boho. A big part of color selection for me is finding colors I wouldn’t normally think to combine. Part of this is instinct, but I borrow most of my color schemes from various sources around the internet and then alter them as needed. Design Seeds more muted palettes were what I used on this paper doll set. I wanted to use colors that felt like they were modern and came from nature.
I went back and forth about what to do about Marisole’s glasses in this set. Originally, I had them plain silver, but it just seemed so… well, plain. So, after some debate, I decided to make them a soft grey-teal color. It’s a color that shows up a lot in the paper doll set, but it is also fairly neutral. I also had a lot of fun painting her toe nails with her different sandals.
I don’t think I mentioned this last time, but the paper doll’s hair is based in part on the last hairstyle in this fantastic video of 100 years of black hairstyles 1910 to 2010. My only complaint about the video is that it ignores wigs which were commonly worn by black women, particularly 1940s through the 1960s. Never the less, it is a fascinating time-lapse piece.
Later this week there will be the first Flock post of 2015 (embarrassing but true).