Today Marisole printable paper doll is going cybergoth since there’s just not enough neon and shiny in Marisole’s eclectic paper wardrobe. This is the first new Marisole in a depressingly long time… I confess I spent time I probably should have spent revising a paper on this, but after five hours in the library my mind is pretty much non-functional anyway. And it’s nice to come home to paper doll coloring as a relaxing project to work on.
Now, I did recently get my hands on Gothic: Dark Glamour by Valerie Steele. While I normally I like Steele’s work, I was a bit disappointed by this book. It didn’t have the lavish pictures I have come to want in any costume book I buy. Still, it did have a fairly nice description of cyber-gothic and helped me narrow things down to black with neon accents. The hair was the hardest part of this paper doll, but I am actually quite pleased at how it came out. The other piece I am most proud of is the shiny black corset. Shiny fabrics are something I am still practicing and I am totally excited at how perfect the corset turned out to be. It’s rare that I really feel like I’ve achieved what I wanted with texture. Texture is hard.
Since my primary concern for the next few weeks is class work, thesis writing and job searching, I thought I would just post some Pixie paper dolls I have already posted in color, but post them in black and white. I felt a little guilty doing it as just one, so there are two this week- Blossom and Masquerade– both are paper dolls which I think would be fun to color as they have some pattern in their clothing and bows.. a lot of bows…
Plus I have been getting requests for paper dolls in black and white, so I guess I could pretend I was listening to people rather than just doing what I knew I could get done and posted without having to spend too much time on it. Despite the practical concerns of getting something up to, as I like to say, “feed the blog”, I know people like to color and I think its important to give people the chance to do that.
These are also both paper dolls which I really liked the full color versions of (which you can see here and here), so I hope people also like the black and white versions.
Embracing the gothic once more, we have another Shadow and Light paper doll. There’s something very saucy about both her outfits. Also today is Friday the 13th, so it seems only fitting we do something suitably gothic here in paper doll land. It’s finally started snowing here and I wish it would stop all ready. Not to say I don’t like the snow…. I do, but I walked through it quite a bit today padding from and to work and getting things sorted before my classes start next week.
I am not really ready for classes to start, but I am working on getting my schedule sorted out as I need to do that before classes begin. I have a big order of textbooks which I am waiting to come in from Amazon (along with a paper doll or two, I confess) and that’s taking what feels like forever.
Still, here we have a shadow and light paper doll and on Sunday there will be a Pixie and then Monday there will be Marisole and we’ll be off and running. In the mean time, vote in the poll if you haven’t and tell me what you’d like to see new for the blog in the coming year. It seems a male paper doll it getting the majority of the interest, so I might have to do what Boots suggested.
And here we have the first Shadow and Light paper doll of the new year. And we are here going into the third year of the blog, technically the fourth if you count the total collapse the site suffered after its first year. Anyway, I’m pleased with how I’ve done and pleased with how things went.
It’s been a good year for the blog and while I disappeared a bit, I was much better about posting this year than last year. We had a few contests, put up about 140 printable paper dolls (not inculding my magnetic ones), started two new series (Dictionary Girls and Shadow and Light) and retired two series (Flora of the Regency and Curves).
In the coming year, I would like to draw a male paper doll- a challenge from Boots of 19th Century Paper dolls and maybe try to post more sketchbook things. I’d also like to do some child paper dolls. Perhaps as erratically updating series rather then my weekly ones… would that bother people? Having both? Or should I just focus on doing more of what I’ve already committed too.
Today’s paper doll reminds me of Marlyn Monroe… a dark gothic Marlyin Monroe, I suppose. For those of you who want a far less gothic paper doll- something a little lighter, Lily & Thistle has this darling little girl printable paper doll with two dresses. There’s versions you can pay for as well, but the free version is enough for me. 🙂
I hope everyone is having a great holiday for this lovely time of the year. I’m visiting family, so things might be a little erratic around here. I’ve been thinking a lot about goals for next year for the blog- what I would like to improve and do better at and have more of. The list is long and expensive, but I have high hopes for things going well here in paper doll blog land.
Today’s Marisole is brought to you by the illustrations of Ivan Bilibin and Russian fairy tales and this random blog post I found of some fairy tale fashions from 2009. Also, the letter F.
I’ve also posted three new pages of clothing for the magnetic Marisole paper dolls. One is a page of fantasy clothing and the other two are historical sets of clothing. I will be posting a new magnetic paper doll set later this week which should be exciting. 🙂 If anyone wants to print out the magnetic paper dolls, this is a great time of the year to find cheap tins all over the place. I’ve seen them at Walgreens and the Dollar Store.
I showed this paper doll as a sketch about a month ago, the reality is that it can take a long time before a paper doll goes from sketch book to blog. Largely, because I tend to draw a lot for one doll, lose interest and move onto another, so the drawing always happens in fits and starts.
I post on a schedule since I think it should be more even for the dolls and since it helps me not have long gaps in my posting. Plus inking is really boring, so I tend to do it in while I’m hanging out with people (who don’t mind chatting with me while I’m bent over a sketch book), watching TV or have an extra half an hour between classes and no homework to get caught up on. I have learned though that if I don’t keep up with my inking, I suddenly find myself with 15 pages to do and that always seems utterly overwhelming.
While these dresses have no real relation to historical costume, I did do a lot of reading up on the 18th Century for my Marisole paper dolls for the 4th of July and I used those books here too. Below I’ll talk about the books I used and why I used them and what I thought was helpful and not helpful about them- for paper dolling, I mean. This isn’t about academic costume research (though many of these books are good for that too).
I might have an addiction to exhibit catalogs. An Elegant Art: Fashion and Fantasy in the Eighteenth Century is older from an exhibition catalog produced by the Los Angeles County Museum of Art for an exhibition in 1983 on 18th century costume. The number of lovely full color photos show off the costumes and a full listing of the exhibit in the back allows you date everything. Close up of fabric and shoes and particularly nice. Shoe research is really important to me, so I’m always looking for good photos of historical footwear. The text has several essays on 18th century life, including one on movement which I found fascinating.
Seventeenth and Eighteenth-Century Fashion in Detail is part of a series of books from the Victoria and Albert Museum costume collection. The upside of the books is that each garment has a clear line drawing of the front and (sometimes) the back. The downside is that the only photos are of detailed sections giving you a clear beautiful photograph of a button hole or embroidery, but not of the entire garment. I wouldn’t recommend this book on its own, but with other books that give clear all over photographs, it’s a great text and the line drawings are wonderfully clear and easy to work from. If I was going to give a numerical score, I would say eight out of ten. It also covers the 1600’s as well as the 1700’s which is useful (1600’s costume books can be hard to find).
Despite some really catty reviews on Amazon.com, Corsets: Historical Patterns & Techniques is a pretty good book about corsets. There are patterns, flats (which are useful since they show the backs of the corsets) and one full color photo each of the corsets in question. The text isn’t written to be an academic study, so don’t even go looking for that- it’s a book written by a costumer about corsets, with photos, a bibliography and a really nice range. The regency corsets are what made me pleased with it, but it also shows several different sets of stays from the 18th century. Good as a supplement to other books on this list. I do wish she’d given the full citations for her museum examples though… but that’s just the librarian in me.
Dangerous Liaisons: Fashion and Furniture in the Eighteenth Century is the catalog from a show at the Metropolitan Museum of Art. Each room of the exhibit depicted an aspect of aristocratic life, with costumed figures talking, getting dressed, making music, and other activities. The scenes follow the plot of the novel Dangerous Liaisons, but you don’t need to know the story to enjoy the images. What is delightful about the book is that it places the often over the top dresses of the era within their context in period settings. The posed figures sometimes make seeing the costumes clearly a little difficult, so I don’t consider it an ideal book for paper dolling, but it’s a lot of fun to look at and there are some nice essays included on the culture of leisure in the 18th century. It’s not the first book I go too when I need source material, but the full color photos put it in the top few.
Patterns of Fashion 1: Englishwomen’s Dresses & Their Construction C. 1660-1860 is not just a book of patterns, though it includes patterns for all of the garments shown. It is a wonderful book about historical costume with beautiful pencil drawings, lots of black and white photos of primary sources and excellent text. It doesn’t have the visual appeal of some of the other books on this list, but it does have some really useful images and each item shown comes with a detailed description. I used to avoid Janet Arnold’s books because I thought they were nothing but patterns. In reality, the patterns are only a part of the great material. It has no color photos though, so look elsewhere for eye-candy. If I could only own one book on 18th century dress, I might just pick Revolution in Fashion: European Clothing, 1715-1815 from the Kyoto Costume Institute. The text I can take or leave, but the photos are outstanding. Despite the title, the clothing is really more from about 1750 to 1815, there isn’t anything shown from really early in the 17th century. The costumes shown include formal, informal, underwear, accessories and, my favorite, shoes. I also love this book for the regency period costumes it shows. Because it’s from 1990 and because it was a short print run to start with, the book is really expensive on the secondary market. I have not cross compared, but I believe the same photos were used in Fashion from the The Kyoto Costume Institute which is not insanely overpriced on the secondary market. In fact, it is still in print.
Lastly, I’d like to mention one of my favorite books about 18th century costume that has very few photos and isn’t useful at all for paper dolling, but it is a lot fun and that is Queen of Fashion: What Marie Antoinette Wore to the Revolution. The subtitle alone makes me really happy, but the book is a wonderful non-fiction work about the history of costume in the 18th century, French politics and Marie Antoinette, who was more sympathetic then I ever thought she would be.
And this was a really much longer post then I had intended… I suppose that is what happens when you let a book lover talk about favorite fashion books. I hope it is helpful to anyone who wants to do a little research into what they used to wear in the 17th century.
From a kingdom high in the mountains, Marisole has come. It’s a harsh, rocky landscape and its princess is a practical oriented woman with a love of sword fighting and literatre. Her mother insists she still practice her stitching for when she is married, but would rather be out riding her horse. Someday, she will marry and rule this hard beautiful land, but until then she must study and wait.
I don’t usually think about characters when I’m drawing Marisole, but after the Yellow Princess set, I wanted to do a more practical princess and I began to wonder what sort of world would spawn such a logical and down to earth member of the royalty. I choose cool calm colors for her clothing and decided to rely on gray rather then brown as my neutral. My favorite of her costumes is her grey leather jumper over her purple skirt. I imagine this is a fencing outfit to go with her sword and her practical boots.
I have done quite a few “princesses” over the years, often based on color. Princess In Pink was one of my first with a very pink and blue based color scheme. I love her hair style, but the color is redder then I think it should be. Before her, there was Green Princess who had a unique crown and only two dresses, because I forgot to draw a left sleeve onto the other dress and didn’t notice until I’d scanned and colored it. Opps… And then in June of last year, there was the Elven Princess who had pointy ears, purple eyes and one of my favorite sets of clothing. Lastly, there was the Yellow Princess who went up just a few weeks ago.
So, Marisole has been a princess quite a few times, though this is the first Marisole with Asian features to be a princess. I wanted her to resemble Filipino coloring, but I’m not sure I liked how her skin tone turned out. I think she looks a little sickly.
I’ve never really liked roses as a flower. I don’t buy them when I’m buying flowers, I’d rather have poppies or foxglove or tulips. But my grandfather grew roses and I remember learning how to prune them, so I have a certain soft spot for roses and I always will. I wanted to draw a formal paper doll, something fantasy based and a little over the top and roses seemed to fit the bill.
I am trying to get better at writing things for this blog. I’m a rather private person by nature and I don’t really like to expose myself even to people in the real world. Adding to that is the feeling that I really shouldn’t talk about my job (at which I spend about 20% of my waking life) and I can’t imagine my classes would be that thrilling and the only other thing I do a lot is play board games which also doesn’t seem ripe for discussion. Winning at Settlers of Catan four times in a row is hardly the stuff of interesting blog reading. (Though I do tend to build entire empires based on sheep and sheep alone, I am the queen of sheep.)
In short, I never know what to say. I am trying to get better and more comfortable and not put off writing something to the last minute. I am getting better at it. It’s just not my strength.
Adalind was in the same vein as Blossom and, at least some ways related to, Tones and Shades,Tokyo Meets Georgia and Inspired by Africa of Marisole. I know a lot about historical costume in the western world. I’ve read up on it, I understand it and to tell you the truth I really enjoy it.
Despite that, or perhaps because of it, I have found myself drawn to the costumes of other groups. I’ve been reading up on Africa and Asia and the Middle East, but as I did my reading I stumbled across the traditional dress of Sweden and Austria and became interested in it as well. So, Adalind was born out of that interest.
It is funny the complicated routes paper dolls can take from idea to creation.
