It has been a while since we’ve had to visit to Greta’s Trousseau. I have had these drawn for a few mnths and it has been taking me a long time to get my act together and sort out the adding of tabs. I loath having to add tabs, but it’s easier to add them than to remove them later for the fashion plates and I do like putting together the fashion plates.
So, in this page of Greta’s ever expanding trousseau, there is a ballgown which also has a more conservative long sleeved bodice. Dresses with two bodices were very common in the 19th century. Most “gowns” of the period are actually a top and a separate skirt. This women’s dress from the Museum of Fine Arts in Boston has an evening bodice and a day bodice. I imagine that Greta’s dress is more of a “ballgown” and then “dinner-dress” sort of arrangement.
Her traveling attire has two major outfits. One is a pair of bloomers with a blouse and hat for exploring or slightly rough and tumble travel. The other is a crisp traveling suit with a jacket, skirt and gaiters (or really long spats). These pieces can be mixed and matched for other outfit combinations, of course.
In total, this takes Greta’s Trousseau to over fifty outfit pieces and seventeen outfits. Technically, based on my paper doll outfit math than there’s about 1300 outfit combinations, more if you include hats, of course. I don’t actually think most of those outfit combinations make a lot of sense, but it was fun to work out how many existed. Greta’s Trousseau isn’t over, by any means. There are more sporting outfits to be finished (including a really cute croquet dress) and a set of clothing for seaside visits which includes a scuba suit, complete with helmet.
Last week, the circus came to town in black and white for coloring, but here the paper doll set is in full color. I am really very pleased with how she came out. Sometimes, I know what I am doing with a paper doll set before I start coloring. Other times, I have no idea what I am going do with colors. In this paper doll’s case, I had a pretty clear idea of where I was going to go before I got there.
One thing I noticed as I was collecting images on my Dark Circus Pinterest board was that there was a bunch of red and black. I wasn’t sure what I wanted to do with the red and black, but I knew there was going to be a lot of it.
Creating a red and black paper doll set was kind a boring, so I did not go with a strictly red and black color scheme (though there is a lot of black and white here).
With straight red, black and white, I got bored very quickly and worried about the scheme clashing with the paper dolls pink hair. Instead, I decided to try basically creating two sets in one. There is a black and red set and also a pink and black set. Both sets had a pair of shoes and there are some pieces which can be worn with either color scheme.
I think this effect of “two sets” in one works, because circuses are all about costumes and costumes tend to match more than normal clothing.
Marisole’s gone to the circus this monday, complete with makeup.
I have mixed feelings about circuses truth be told. Sometimes I like them and sometimes I find them deeply creepy. I’m not afraid of clowns or anything, but there is something slightly off dark and strange that runs through the whole idea of circuses and carnivals.
So, I’ve been drawing paper dolls for a long time and I always expect to run out of the ideas, but then I run into new things on a fairly regular basis that I want to do or try out. I don’t know that I’ve ever really done anything like this set. I started collecting circus images that I liked on Dark Circus Pinterest board and then eventually those images evolved into this set of doodles which evolved into this paper doll set.
I was going for fashion as much as reality with these outfits. I can’t imagine a clown wearing such insane high heels, for example. My Dark Circus board where I was collecting images evolved into being as much about fashion as it was about circuses.
I’m nervous about coloring this set. I was going to go strictly black and red, but then I really want her to have pink hair.
Problem, will the pink hair clash with the red and black? I just don’t know. Guess the only way to find out is to start coloring.
Over the years, I have done a fair number of steampunk or neo-victorian inspired sets of paper doll clothing. I’d name them all, but I really don’t feel like digging through the blog’s massive archives to track them all down.
Generally, I see the whole steampunk thing as an version of the Arts and Crafts movement of the 19th century. A sort of call back to a fantasy of an analog time while ignoring major issues of the actual 19th century like lack of labor protection, colonization, and treatment of the mentally ill (to name a few), just as the Arts and Craft movement exalted the medieval and gothic periods while ignoring the plague. Within reason, I don’t find this troubling though sometimes I do worry that when we exalt certain periods of history, than it is far to easy to ignore their horrors.
And every period of history, including our own, has a few horrors.
Still, I have always found alternative fashion movement fascinating, be it goth, punk, steampunk or the dress reform movement and therefore have every intention of continuing to draw neo-victorian clothing for the blog.
Somehow today’s set got awfully Christmas looking with the red and the green color scheme. I was thinking more burgundy and olive while I started, but it came out a bit brighter than I’d intended it to be. Despite the small number of pieces in this set, there’s actually 18 outfit options and more if you include the shoes each of the Ms. mannequin paper dolls come with.
Okay, quick question to my readers. I’m debating working on Flock stuff this coming weekend or working on Pixies. Anyone want to express a preference?
I draw a lot more paper dolls than I post. This is why I sometimes am unsure about posting sketchbook images, because there are things which end up never migrating into the blog, or migrate onto the blog so much later than I meant them too.
And when I create a new series of paper dolls, as B&B is still in my mind, I often draw a lot and then lose interest for a while. This is my basic pattern of paper doll production. I am passionately fascinated with a series for a few weeks and then, after a while, I lose interest and move onto other things. One of the reasons I try to build a backlog is that if I didn’t have one, I would post nothing but say… Pixies for two months and then nothing but Flock for two months and… you get the idea.
Since, I’ve been struggling to get things finished over the last few weeks, I have devoted myself to digging through my folders and finding old things I haven’t finished and finishing them up. Truth is that I have a fair number of orphaned drawings which got scanned and then never got cleaned up and colored. This is one of those orphaned sets. I first drew this when I first drew B&B.
I often go back to themes I’ve done before. Styles which have, for best or for ill, been used in previous paper doll experiments or have shown up in other forms on the blog. I think everyone does this. Whenever I think I am “always drawing the same thing”, than I am reminded that some of my favorite paper doll artists (like Boots and Liana) have themes they return to as well.
I mean, can I help that I have a love of corsets? And leggings tucked into boots.
Also, I clearly have a thing for redheads. I have always had a thing for redheads. My grandmother was a redhead and I have always wished that I inherited that gene, sadly, I did not. Plus, I saw the movie Anne of Green Gables at a young and impressionable age.
Meanwhile, a few other announcements. Once again, my email system for mailing people with blog updates seems to be having trouble. I shall do my best to try to fix it.
And I have finally moved into the 21st century and am now on Twitter. You can follow me @paperpersonas though it’s not strictly blog related and there are plenty of comments about librarianship and my general life that happen as well.
Thoughts? Questions? Comments are always appreciated.
By my nature, I tend to be a private person, particularly online. It’s not that I’m irrationally scared of stalkers (rationally scared of stalkers maybe…), but I do feel that it’s important not to post anything on a blog that you wouldn’t want your boss/mother/random stranger to read. So, I tend towards the general rather than the specific. It’s a habit I urge anyone who wants to do this for a while to get into.
Remember, the internet has a LONG memory.
Never the less, I’ve already admitted to playing Shadowrun, an table top RPG with some cyberpunk overtones, so I suppose it shouldn’t come as a surprise to anyone that when I’m doing a fair bit of that than cyberpunk paper dolls tend to emerge. I guess in the grand scheme of things, admitting to pretending to be in a dystopian future on Sunday nights isn’t really that embarrassing of a confession.
Ololara was chosen as the paper doll’s name, because I liked how it sounded. I don’t really know much about the name, to be frank. The websites I found it on said it was “African”, but that’s about as specific as saying, “Asian” and ignoring the fact that Africa is a continent, not a language. It maybe entirely invented by the internet, but I thought it was a pretty name anyway.
So, I wanted to go with a black and white based color scheme for this paper doll set with only a few other accent colors. Bright green is I think a cheerful choice and the blue seemed a nice counter balance. I had some red in the set at the beginning, but I ended up cutting it when I decided that it clashed with my greens and felt a bit harsh.
By the way, I was recently asked by a reader named Amy if there would ever be another Marcus paper doll. The answer is… um… Probably not. Marcus was originally meant to be a companion to Marisole, but actually the proportions are pretty far off for that to happen. I have been very very slowly working on revamping him, but it is taking a LONG TIME. In the meantime, feel free to draw your own male friends for Marisole. Male paper dolls would get more love if I liked drawing men more.
I spent a chunk of my weekend coloring my Margot in Wonderland paper doll from last week. Today, Margot gets to be a blond and has, of course, a wardrobe of Alice inspired paper clothing pieces. As I mentioned last week, I’ve been inspired by Alice many times before and drawn her many times over the years.
After some time I decided to go with a jewel tone color scheme that was a bit bright. I wanted to capture the richness of color that could be captured with color lithography from the 19th century. I was also heavily inspired by this Lolita outfit. I really loved the rich colors since they are not the pastels or black that I normally associate with Lolita fashion.
As I mentioned with my Turn of the Century Pixie Paper Doll, I often collect ideas on my Pinterest boards, so you can check out the Lolita board I keep to see where some of these outfit pieces came from. Nothing was directly taken, but I find ideas and inspiration makes drawing paper dolls faster and easier than it would be without them.
The top hat’s floating tab is meant to be attached using the same method as I outlined in my instructions for attaching wigs and hats to paper dolls. This is one of my favorite methods of doing wig and hat attachment for the paper dolls I design and so I use it often.
We’re traveling to the turn of the century today for Viola, a printable paper doll with her wardrobe from 1895 and 1900. She can be printed in black and white or in full color. Viola’s name was selected from the Social Security Baby Name Index as popular in the 1890s. Fashion in the mid to late 1890’s exists between huge puffed sleeves and the rather horrid pigeon breasted look. Not being a fan of either style, I never thought I would do 1890s paper doll, but I found I liked the fashions at the end of the century, so here she is.
Honestly, the way I look at history has been heavily influenced by the historical paper dolls I had as a child, sparking my interest in social history and fashion history. So, I think historical paper dolls are great printable paper dolls for kids and I’ve only recently discovered that a number of people who use my paper dolls for home schooling activities. All of this increases the pressure to get the paper doll “right”, lest some child’s understanding of 1890’s dress be damaged by my paper doll creation. (Not that I think this would be devastating for the child in question- there are far worse things in this world.)
The mid to late 1890s wardrobe that Viola has is based on museum objects, primarily, and a few costume plates. The Met, The Museum at FIT and MFA Boston, as well as the UK National Trust were a few of my sources. When I am researching a new paper doll, I tend to collect my sources on my Pinterest boards (feel free to follow) and today’s printable paper doll is no exception. I gathered her clothing sources on my Turn of the Century board, before I started drawing.
One of her parasols was based on this one, but the other I rather invented based on a lot of various parasols I looked at. The Met actually has a really large collection of parasols, who knew?
Her seaside or yachting costume was inspired by this dress from 1895. There seems to have been a real “sailor” trend in the end of the Victorian period during the bridge into Edwardian.
The carriage toilette in green is from this fashion plate I found on flickr, though I confess to usually trying to avoid finding things on flickr, since I don’t always trust the accuracy of the sources.
Were I to draw today’s historical paper doll again, I would have included a pair of gloves and another pair of shoes, but that would have made her three pages and I wasn’t about to that. Of course, should you wish to add gloves, than I will direct your attention to the Regency Pixie Paper Dolls whose gloves could certainly be adapted here.
In the continuing epic of Greta’s Trousseau, today we have a bunch of outfits designed to help Greta do more mundane activities than fencing or hunting. Like any fashionable neo-victorian lady, Greta simply must have a costume for all occasions and her trousseau provides.
Today’s outfit set includes an opera toilette which fitted into a rather odd spot in the ladies wardrobe. Opera attire and ballgowns were both considered to be full dress (the most formal sort), but opera outfits usually included some sort of cloak (which I have omitted because eventually I’ll do a whole set of outerwear) and some sort of hat or headdress. I’ve also noticed that they seem to be a little more fanciful than other costumes. Greta’s consists of an off the shoulder top with a boned bodice, a floral decorated top hat and a full skirt without a train. She wears matching shoes.
Her promenade costume and visiting attire would have both been semi-formal wear. The promenade costume features a military influenced jacket where as the visiting attire is softer and more lady-like. Both outfits have matching hats. Her only costume without a hat is her tea dress which she could have worn while receiving guests in her own home and therefore wearing a hat would have been odd. Changing the bodice and adding a hat, turns this outfit into a walking suit, less formal than a promenade costume but with the same military influences.
Hmm… I really should have drawn her a parasol. I shall have to do that in the future.
All of the shoes, except the ones with the opera costume, are “borrowed” for the other sets in Greta’s Trousseau. I just find that I can only draw so many pairs of button up boots in one sitting, though I will be doing more shoes as we expand Greta’s activities. I know I need do to some winter boots for her and she’ll be needing some for the seaside as well.
Wow, it’s been a while since I posted one of these paper dolls, hasn’t it? My last set was East of the Sun, West of the Moon which I was quite proud of. I took a little break from the Flock dolls and now I’ve returned with a Cinderella set. To be honest, my return was partly inspired by Paper Doll School’s fairytale paper dolls and by the Toy Box Philosopher’s wonderful reviews of the Ever After High dolls that Mattel is making (though they include characters that are not fairytale characters… Alice’s Adventures in Wonderland is NOT a fairytale…)
Anyway, for my Cinderella, I decided to stick to the Grimm version of the tale where Cinderella is a little more proactive. The Grimm version of the tale includes three balls, no pumpkin, lots of birds and eventually people cutting off parts of their feet (ewww). Actually, like a lot of Grimm tales it is a pretty… well… Grimm tale.
One of the challenges of all the fairytale Flock sets is trying to figure out which parts of the tale make logical symbols for the paper doll set. For Cinderella, I chose to use birds and clocks as my two thematic elements, since both play a major role in the tale of Cinderella.
