Hope: A Late 18th Century Paper Doll Set

logo-hope-1700sHope is based on the styles at the end of the 18th century. So, something major happened around the 1789 in France. It was, for those who weren’t asleep in high school history class, the French Revolution. To say that “everthing changed” wouldn’t be an understatement and the ripples of the events in France spread across Europe in dramatic ways. It is tempting when looking at the end of the 18th century to simply assume that after 1789 everyone just jumped into Empire styles and that was the end of it, but the reality is that there was a very slow evolution to the high waisted gowns we think of as “empire” or “Regency” dress.

So, I was less interested in worrying about the Empire look and much more interested in the every transitional styles that are easily forgotten and often ignored.

This all brings us rather neatly to Hope. Hope is our paper doll model for the later part of the 1700s. Her dresses will never get up the high waisted styles that characterized the transition into Empire. Rather, I think of her as being a woman of means right before everything gets radicalized. And, for her sake, let us assume she lives in England which was always behind on the fashions a bit anyway and a much safer place to be than France at the end of the 18th century. They don’t call it the Reign of Terror for nothing, after all.

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Hope’s hair is done up in a style known as coiffure à l’enfant. This was a style popularized by Marie-Antoinette in the early 1780s. The style is a frizzy halo of hair with several longer strands curled, braided or left straight. Here is a portrait that shows off the hair style from the Met and here is a fashion plate featuring it from the V&A. I have to confess that I am not totally pleased with her hair. I fear that it looks a little bit too “mad scientist” for my comfort.

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Moving away from her hair for a moment, Hope has undergarments, of course, and then a gown known as a Redingote. Redingote’s started their lives as actual riding coats, but eventually transformed into women’s gowns which were coat like and then cut away to reveal the petticoat underneath. The word “redingote” is believed to be a French transliteration of the English term “riding coat”. Hope’s redingote was based on this gown from LACMA circa 1790. The term “redingote” sticks around into the early 20th century as a term of long coats.

Her hat is from this hat from the MINT circa 1770. Her shoes are based on this pair from the Met from 1780. Her muff and her mitts are both from Colonial Williamsburg.

I think that’s all the sources I need to list for Hope. I might have forgotten something, but I think that’s everything. Next Friday, there will be the last set of outfits for the 18th Century Pixie Series all from the later part of the 18th century.

Ragamuffin Girl: Steampunk Printable Paper Doll in Color

logo-ragamuffin-colorYou’d think after having done hundreds of paper dolls that I would actually never struggle to come up with color schemes. And yet… I still have trouble.

The problem with steampunk or anything steampunk inspired, is that there’s a lot of brown. (This is actually the same problem I have with gothic things as well- too much black.) So, I selected several diverse shades of brown to use and then set them off with some ochre, orange, olive green, and teal. Pale blue was added so that every shirt wouldn’t be cream. I wanted to avoid red or pink- these are both colors I love and colors I tend to fall back on when I am trying to come up with color schemes and I also thought they were too girly for this menswear inspired set.

The tiny braids in Mia’s braided hair created a new series of challenges. There’s three choices when highlighting a feature like that- go darker than the main hair color or do lighter than the main hair color or go a radically different color than the main hair color. I knew I didn’t want to do option three and I decided the lighter braids looked better than darker braids.

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I will confess that this set took forever to color and while I really like how it turned out, doing the layout of all these pieces was a pain as well. I need to remember my “10 to 11 pieces plus 2 pairs of shoes” rule when I’m drawing or else doing the layout takes forever. This set was 13 pieces and 2 pairs of shoes, plus a lot of these pieces are big. Anyway, it might not seem like a big difference, but it does make a difference.

Anyway, I hope everyone enjoys Mia in her steampunk get up. Next Monday, there will be ballerinas. Actually, we’ll have a whole month of ballerinas- because I might have gotten a little carried away. 🙂

Ragamuffin Girl: Steampunk Paper Doll

logo-ragamuffin-bwI previewed this paper doll back in April, but even when I previewed it, the paper doll set had been sitting in my sketchbook for a month or more. I was dreading work on it, not because I didn’t like the paper doll, but because the idea of coloring all the detail was terrifying.

So, last week, when I was finally out of everything else I had drawn for Marisole Monday & Friends that I could feed the blog, I found myself finally tackling this paper doll set. Sometimes I have to be forced into these things.

All right, so inspirations for today’s paper doll set include the film Newsies and that’s really about it. Though I confess I do rather see today’s version of Mia hanging out with my airship mechanic Marcus. I mean they both have tools and newsboy caps.

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I try to create for all my Marisole Monday & Friend’s paper dolls somewhat evenly. Currently though, this is only Mia’s second set this year. That puts her behind well… everyone else. So, she’ll get some more love soon though since I’ve got a ballerina set in the works for her and Monica. (Yes, I tackled my fear of tutus.)

Today’s paper doll set will, of course, be up in color next week and then… I have no idea what’s next, actually. Probably ballerinas.

Greta’s Trousseau: Traveling Suit and Evening Attire

It has been a while since we’ve had to visit to Greta’s Trousseau. I have had these drawn for a few mnths and it has been taking me a long time to get my act together and sort out the adding of tabs. I loath having to add tabs, but it’s easier to add them than to remove them later for the fashion plates and I do like putting together the fashion plates.

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So, in this page of Greta’s ever expanding trousseau, there is a ballgown which also has a more conservative long sleeved bodice. Dresses with two bodices were very common in the 19th century. Most “gowns” of the period are actually a top and a separate skirt. This women’s dress from the Museum of Fine Arts in Boston has an evening bodice and a day bodice. I imagine that Greta’s dress is more of a “ballgown” and then “dinner-dress” sort of arrangement.

Her traveling attire has two major outfits. One is a pair of bloomers with a blouse and hat for exploring or slightly rough and tumble travel. The other is a crisp traveling suit with a jacket, skirt and gaiters (or really long spats). These pieces can be mixed and matched for other outfit combinations, of course.


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In total, this takes Greta’s Trousseau to over fifty outfit pieces and seventeen outfits. Technically, based on my paper doll outfit math than there’s about 1300 outfit combinations, more if you include hats, of course. I don’t actually think most of those outfit combinations make a lot of sense, but it was fun to work out how many existed. Greta’s Trousseau isn’t over, by any means. There are more sporting outfits to be finished (including a really cute croquet dress) and a set of clothing for seaside visits which includes a scuba suit, complete with helmet.

For anyone whose interested, here is the rest of Greta’s paper trousseau.

Circus Paper Doll for Coloring

logo-circus-bwMarisole’s gone to the circus this monday, complete with makeup.

I have mixed feelings about circuses truth be told. Sometimes I like them and sometimes I find them deeply creepy. I’m not afraid of clowns or anything, but there is something slightly off dark and strange that runs through the whole idea of circuses and carnivals.

So, I’ve been drawing paper dolls for a long time and I always expect to run out of the ideas, but then I run into new things on a fairly regular basis that I want to do or try out. I don’t know that I’ve ever really done anything like this set. I started collecting circus images that I liked on Dark Circus Pinterest board and then eventually those images evolved into this set of doodles which evolved into this paper doll set.


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I was going for fashion as much as reality with these outfits. I can’t imagine a clown wearing such insane high heels, for example. My Dark Circus board where I was collecting images evolved into being as much about fashion as it was about circuses.

I’m nervous about coloring this set. I was going to go strictly black and red, but then I really want her to have pink hair.

Problem, will the pink hair clash with the red and black? I just don’t know. Guess the only way to find out is to start coloring.

Steampunk Paper Doll Clothes for the Ms. Mannequinn Series

logo-mannequin-steampunk-clothesOver the years, I have done a fair number of steampunk or neo-victorian inspired sets of paper doll clothing. I’d name them all, but I really don’t feel like digging through the blog’s massive archives to track them all down.

Generally, I see the whole steampunk thing as an version of the Arts and Crafts movement of the 19th century. A sort of call back to a fantasy of an analog time while ignoring major issues of the actual 19th century like lack of labor protection, colonization, and treatment of the mentally ill (to name a few), just as the Arts and Craft movement exalted the medieval and gothic periods while ignoring the plague. Within reason, I don’t find this troubling though sometimes I do worry that when we exalt certain periods of history, than it is far to easy to ignore their horrors.

And every period of history, including our own, has a few horrors.

Still, I have always found alternative fashion movement fascinating, be it goth, punk, steampunk or the dress reform movement and therefore have every intention of continuing to draw neo-victorian clothing for the blog.

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Somehow today’s set got awfully Christmas looking with the red and the green color scheme. I was thinking more burgundy and olive while I started, but it came out a bit brighter than I’d intended it to be. Despite the small number of pieces in this set, there’s actually 18 outfit options and more if you include the shoes each of the Ms. mannequin paper dolls come with.

Okay, quick question to my readers. I’m debating working on Flock stuff this coming weekend or working on Pixies. Anyone want to express a preference?

Curvy Printable Fantasy Paper Doll Set In Color or Black and White

logo-studs-paper-dollI draw a lot more paper dolls than I post. This is why I sometimes am unsure about posting sketchbook images, because there are things which end up never migrating into the blog, or migrate onto the blog so much later than I meant them too.

And when I create a new series of paper dolls, as B&B is still in my mind, I often draw a lot and then lose interest for a while. This is my basic pattern of paper doll production. I am passionately fascinated with a series for a few weeks and then, after a while, I lose interest and move onto other things. One of the reasons I try to build a backlog is that if I didn’t have one, I would post nothing but say… Pixies for two months and then nothing but Flock for two months and… you get the idea.

Since, I’ve been struggling to get things finished over the last few weeks, I have devoted myself to digging through my folders and finding old things I haven’t finished and finishing them up. Truth is that I have a fair number of orphaned drawings which got scanned and then never got cleaned up and colored. This is one of those orphaned sets. I first drew this when I first drew B&B.

studs-paper-doll-black-white {Download a PDF of this paper doll to Color} {View a 150 dpi PNG of this Paper Doll to Color}
I often go back to themes I’ve done before. Styles which have, for best or for ill, been used in previous paper doll experiments or have shown up in other forms on the blog. I think everyone does this. Whenever I think I am “always drawing the same thing”, than I am reminded that some of my favorite paper doll artists (like Boots and Liana) have themes they return to as well.

I mean, can I help that I have a love of corsets? And leggings tucked into boots.

So, the legging, boots and tops with swords have down up many times before like in this paper doll set and this paper doll set (the cape) and this paper doll set and this paper doll set (the leggings) and… I digress.

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Also, I clearly have a thing for redheads. I have always had a thing for redheads. My grandmother was a redhead and I have always wished that I inherited that gene, sadly, I did not. Plus, I saw the movie Anne of Green Gables at a young and impressionable age.

Meanwhile, a few other announcements. Once again, my email system for mailing people with blog updates seems to be having trouble. I shall do my best to try to fix it.

And I have finally moved into the 21st century and am now on Twitter. You can follow me @paperpersonas though it’s not strictly blog related and there are plenty of comments about librarianship and my general life that happen as well.

Thoughts? Questions? Comments are always appreciated.

A Futuristic Cyberpunk Paper Doll Named Ololara

logo-ololara-cyberBy my nature, I tend to be a private person, particularly online. It’s not that I’m irrationally scared of stalkers (rationally scared of stalkers maybe…), but I do feel that it’s important not to post anything on a blog that you wouldn’t want your boss/mother/random stranger to read. So, I tend towards the general rather than the specific. It’s a habit I urge anyone who wants to do this for a while to get into.

Remember, the internet has a LONG memory.

Never the less, I’ve already admitted to playing Shadowrun, an table top RPG with some cyberpunk overtones, so I suppose it shouldn’t come as a surprise to anyone that when I’m doing a fair bit of that than cyberpunk paper dolls tend to emerge. I guess in the grand scheme of things, admitting to pretending to be in a dystopian future on Sunday nights isn’t really that embarrassing of a confession.

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Ololara was chosen as the paper doll’s name, because I liked how it sounded. I don’t really know much about the name, to be frank. The websites I found it on said it was “African”, but that’s about as specific as saying, “Asian” and ignoring the fact that Africa is a continent, not a language. It maybe entirely invented by the internet, but I thought it was a pretty name anyway.

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So, I wanted to go with a black and white based color scheme for this paper doll set with only a few other accent colors. Bright green is I think a cheerful choice and the blue seemed a nice counter balance. I had some red in the set at the beginning, but I ended up cutting it when I decided that it clashed with my greens and felt a bit harsh.

By the way, I was recently asked by a reader named Amy if there would ever be another Marcus paper doll. The answer is… um… Probably not. Marcus was originally meant to be a companion to Marisole, but actually the proportions are pretty far off for that to happen. I have been very very slowly working on revamping him, but it is taking a LONG TIME. In the meantime, feel free to draw your own male friends for Marisole. Male paper dolls would get more love if I liked drawing men more.

Margot in Wonderland… Full Color Paper Doll to Print

logo-aliceI spent a chunk of my weekend coloring my Margot in Wonderland paper doll from last week. Today, Margot gets to be a blond and has, of course, a wardrobe of Alice inspired paper clothing pieces. As I mentioned last week, I’ve been inspired by Alice many times before and drawn her many times over the years.

After some time I decided to go with a jewel tone color scheme that was a bit bright. I wanted to capture the richness of color that could be captured with color lithography from the 19th century. I was also heavily inspired by this Lolita outfit. I really loved the rich colors since they are not the pastels or black that I normally associate with Lolita fashion.

As I mentioned with my Turn of the Century Pixie Paper Doll, I often collect ideas on my Pinterest boards, so you can check out the Lolita board I keep to see where some of these outfit pieces came from. Nothing was directly taken, but I find ideas and inspiration makes drawing paper dolls faster and easier than it would be without them.

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The top hat’s floating tab is meant to be attached using the same method as I outlined in my instructions for attaching wigs and hats to paper dolls. This is one of my favorite methods of doing wig and hat attachment for the paper dolls I design and so I use it often.

By the way, yesterday I put up a new Featured Paper Doll Artist interview with Irma of Pabernukublogi. Check it out when you have a chance. 🙂

Viola, A Paper Doll to Print from the 1890s

thumnail-edwardian-logoWe’re traveling to the turn of the century today for Viola, a printable paper doll with her wardrobe from 1895 and 1900. She can be printed in black and white or in full color. Viola’s name was  selected from the Social Security Baby Name Index as popular in the 1890s. Fashion in the mid to late 1890’s exists between huge puffed sleeves and the rather horrid pigeon breasted look. Not being a fan of either style, I never thought I would do 1890s paper doll, but I found I liked the fashions at the end of the century, so here she is.

Honestly, the way I look at history has been heavily influenced by the historical paper dolls I had as a child, sparking my interest in social history and fashion history. So, I think historical paper dolls are great printable paper dolls for kids and I’ve only recently discovered that a number of people who use my paper dolls for home schooling activities. All of this increases the pressure to get the paper doll “right”, lest some child’s understanding of 1890’s dress be damaged by my paper doll creation. (Not that I think this would be devastating for the child in question- there are far worse things in this world.)

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The mid to late 1890s wardrobe that Viola has is based on museum objects, primarily, and a few costume plates. The Met, The Museum at FIT and MFA Boston, as well as the UK National Trust were a few of my sources. When I am researching a new paper doll, I tend to collect my sources on my Pinterest boards (feel free to follow) and today’s printable paper doll is no exception. I gathered her clothing sources on my Turn of the Century board, before I started drawing.

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The Sources, Left to Right: The pair of shoes from the Museum of Fine Arts in Boston from 1898. Her corset was an amalgamation of several corsets which you can see on my Turn of the Century pinterest board, however, this corset from 1900 and another corset from 1900 were big influences. I chickened out of making the corset patterned, a fact I regret.

One of her parasols was based on this one, but the other I rather invented based on a lot of various parasols I looked at. The Met actually has a really large collection of parasols, who knew?

Her seaside or yachting costume was inspired by this dress from 1895. There seems to have been a real “sailor” trend in the end of the Victorian period during the bridge into Edwardian.

A visiting or afternoon dress based on a gown from the National Trust Collections of the UK.

The carriage toilette in green is from this fashion plate I found on flickr, though I confess to usually trying to avoid finding things on flickr, since I don’t always trust the accuracy of the sources.

Her gym suit is based on this French one with the shoes borrowed from this gymsuit from 1893-1898.

The ballgown comes from a design by The House of Doucet circa 1898-1900.

Were I to draw today’s historical paper doll again, I would have included a pair of gloves and another pair of shoes, but that would have made her three pages and I wasn’t about to that. Of course, should you wish to add gloves, than I will direct your attention to the Regency Pixie Paper Dolls whose gloves could certainly be adapted here.