I know some people have been waiting on this paper doll, so I hope she doesn’t disappoint. I’m not totally pleased with her skin tone. I based her coloring of a young girl who rides the bus with me, but I think she looks a little too grey-toned. I’ve been debating about the skin tone for the whole day and finally decided to go for it. I think it’s a nice color, if a little less warm then I’d intended. My frustration, if I have one, is that.
The weather is getting into fall here. The weather it turning cold and crisp. I’ve been walking to work and from work and I can feel the cold on my skin. Fall is fully here in the land of corn, so I suspect that soon it will be winter. Meanwhile, I’m doing my class work and working through my school stuff. Mid-terms just passed, so now it’s the long slow fight to the finish line. I always have trouble this time of the semester, but I’m in classes I enjoy.
So, I think I’m done with dolls for the Dictionary Girl’s for a while. I’d like to focus on clothing for them.
I am so happy to announce that Kat’s comment, number seven was the number which random.org decided was to be the winner of my drawing. Congratulations Kat and please email me [paperthinpersonas (at) gmail (dot) com] with a description and reference photos of what sort of paper doll you would like. And your paper doll doesn’t have to be a Marisole, it can be any of the paper doll series I draw (Pixie, Dictionary Girls, or Shadow and Light.)
Today’s Marisole paper doll has what I think of as my medium brown with cool undertones skin color and orange hair. It seemed like a good idea at the time… (mind you, “the time” was nearly midnight). I do love her muted, spring soft color palette, I’m just unsure about her hair/skintone combo. What do other people think?
In other news, I have had so much fun reading people’s comments and they have all made me smile. I thought I would post my favorite ten (okay, eleven) Marisole paper dolls in reverse chronological order. If you’re interested keep reading below. If you’re Kat, please email me. Otherwise, have a fantastic Monday and enjoy the paper doll.
I am really in love with this paper dolls hair and I like her ruched skirted outfit. She was heavily influenced by Japanese fashion dolls like Nippon. When I talk about things that inspire me, I don’t usually mention actual dolls- the three-dimensional kind, but they are a pretty strong influence, largely because an artist can create a whole “personality” with just changing the facial screening and the outfit and that interests me.
While I don’t collect fashion dolls or ball-jointed dolls, I love to look at the pictures and I follow a few blogs devoted to them even though I’ll probably never own one. Even as a child, I never wanted a lot of dolls, but I always wanted a lot of clothing. I think that is part of the reason I liked paper dolls- they could have thousand piece wardrobes with nothing but a piece of paper and some crayons. And my favorite paper dolls as a kid were those based on dolls, not based on people.
Collecting Fashion Dolls by Terri Gold features lots of news about the doll world, but also the most beautiful doll photographs. Doll Epic features more photos of beautiful dolls and a lot of whimsy. I love her fascination with tiny doll weapons (and I think I would share that fascination if I actually collected). I have just recently begun reading Black Doll Collecting. I have always been interested in the issue of racial diversity in toys and I really enjoy reading about issues and concerns of a black doll collector (though I’m never sure what to say… is it black or African American when it comes to dolls?).
Speaking of Marisole, I am having a little drawing in honor of my 65th Marisole paper doll, so check out this post for all the details on how to enter. The winner with be announced Monday and will get a custom paper doll.
I showed this paper doll as a sketch about a month ago, the reality is that it can take a long time before a paper doll goes from sketch book to blog. Largely, because I tend to draw a lot for one doll, lose interest and move onto another, so the drawing always happens in fits and starts.
I post on a schedule since I think it should be more even for the dolls and since it helps me not have long gaps in my posting. Plus inking is really boring, so I tend to do it in while I’m hanging out with people (who don’t mind chatting with me while I’m bent over a sketch book), watching TV or have an extra half an hour between classes and no homework to get caught up on. I have learned though that if I don’t keep up with my inking, I suddenly find myself with 15 pages to do and that always seems utterly overwhelming.
While these dresses have no real relation to historical costume, I did do a lot of reading up on the 18th Century for my Marisole paper dolls for the 4th of July and I used those books here too. Below I’ll talk about the books I used and why I used them and what I thought was helpful and not helpful about them- for paper dolling, I mean. This isn’t about academic costume research (though many of these books are good for that too).
I might have an addiction to exhibit catalogs. An Elegant Art: Fashion and Fantasy in the Eighteenth Century is older from an exhibition catalog produced by the Los Angeles County Museum of Art for an exhibition in 1983 on 18th century costume. The number of lovely full color photos show off the costumes and a full listing of the exhibit in the back allows you date everything. Close up of fabric and shoes and particularly nice. Shoe research is really important to me, so I’m always looking for good photos of historical footwear. The text has several essays on 18th century life, including one on movement which I found fascinating.
Seventeenth and Eighteenth-Century Fashion in Detail is part of a series of books from the Victoria and Albert Museum costume collection. The upside of the books is that each garment has a clear line drawing of the front and (sometimes) the back. The downside is that the only photos are of detailed sections giving you a clear beautiful photograph of a button hole or embroidery, but not of the entire garment. I wouldn’t recommend this book on its own, but with other books that give clear all over photographs, it’s a great text and the line drawings are wonderfully clear and easy to work from. If I was going to give a numerical score, I would say eight out of ten. It also covers the 1600’s as well as the 1700’s which is useful (1600’s costume books can be hard to find).
Despite some really catty reviews on Amazon.com, Corsets: Historical Patterns & Techniques is a pretty good book about corsets. There are patterns, flats (which are useful since they show the backs of the corsets) and one full color photo each of the corsets in question. The text isn’t written to be an academic study, so don’t even go looking for that- it’s a book written by a costumer about corsets, with photos, a bibliography and a really nice range. The regency corsets are what made me pleased with it, but it also shows several different sets of stays from the 18th century. Good as a supplement to other books on this list. I do wish she’d given the full citations for her museum examples though… but that’s just the librarian in me.
Dangerous Liaisons: Fashion and Furniture in the Eighteenth Century is the catalog from a show at the Metropolitan Museum of Art. Each room of the exhibit depicted an aspect of aristocratic life, with costumed figures talking, getting dressed, making music, and other activities. The scenes follow the plot of the novel Dangerous Liaisons, but you don’t need to know the story to enjoy the images. What is delightful about the book is that it places the often over the top dresses of the era within their context in period settings. The posed figures sometimes make seeing the costumes clearly a little difficult, so I don’t consider it an ideal book for paper dolling, but it’s a lot of fun to look at and there are some nice essays included on the culture of leisure in the 18th century. It’s not the first book I go too when I need source material, but the full color photos put it in the top few.
Patterns of Fashion 1: Englishwomen’s Dresses & Their Construction C. 1660-1860 is not just a book of patterns, though it includes patterns for all of the garments shown. It is a wonderful book about historical costume with beautiful pencil drawings, lots of black and white photos of primary sources and excellent text. It doesn’t have the visual appeal of some of the other books on this list, but it does have some really useful images and each item shown comes with a detailed description. I used to avoid Janet Arnold’s books because I thought they were nothing but patterns. In reality, the patterns are only a part of the great material. It has no color photos though, so look elsewhere for eye-candy. If I could only own one book on 18th century dress, I might just pick Revolution in Fashion: European Clothing, 1715-1815 from the Kyoto Costume Institute. The text I can take or leave, but the photos are outstanding. Despite the title, the clothing is really more from about 1750 to 1815, there isn’t anything shown from really early in the 17th century. The costumes shown include formal, informal, underwear, accessories and, my favorite, shoes. I also love this book for the regency period costumes it shows. Because it’s from 1990 and because it was a short print run to start with, the book is really expensive on the secondary market. I have not cross compared, but I believe the same photos were used in Fashion from the The Kyoto Costume Institute which is not insanely overpriced on the secondary market. In fact, it is still in print.
Lastly, I’d like to mention one of my favorite books about 18th century costume that has very few photos and isn’t useful at all for paper dolling, but it is a lot fun and that is Queen of Fashion: What Marie Antoinette Wore to the Revolution. The subtitle alone makes me really happy, but the book is a wonderful non-fiction work about the history of costume in the 18th century, French politics and Marie Antoinette, who was more sympathetic then I ever thought she would be.
And this was a really much longer post then I had intended… I suppose that is what happens when you let a book lover talk about favorite fashion books. I hope it is helpful to anyone who wants to do a little research into what they used to wear in the 17th century.
I had so much fun drawing and researching this paper doll. I’d forgotten what a blast it is to settle down in the library with a big stack of historical costume books. (Okay, so maybe that makes me all kinds of geeky, but I can be cool with that.) The early teens of the 20th century are fascinating to me, because they are before the Great War (also known as World War 1) and repersent the last hurrah of a culture that was ended by the time was war ended. The Great War truly changed the cultural and poltical and geographic landscape of Europe and when it was over, nothing would ever be the same. While historical interesting, the Second World War’s cultural upheavel can not be compared to the devestation wrought by the First World War.
Along with historical costume and libraries, I am a bit of a World War One buff.
Today we have Alyssa’s partner in crime, Bianna. I spent a while debating if I should post clothing before I posted another doll, but in the end the other doll won out, mostly because I’m rather in love with her wigs and her lips.
I promise next week there will be some clothing, so the poor girls aren’t running around in their girdles for too much longer. I’m having a lot of fun digging around the Vintage Pattern Wiki looking for dress ideas while fretting about how I don’t like their feet placement.
Oh, well, I don’t think I’ll ever have a perfect paper doll. 🙂
Bianna is not named after anything or anyone specific, except that her name starts with B and I liked how it sounded. Do cut along the dotted lines on her wigs and by her arm to help her wear her costumes. I’ve spent the last few days working hard to finish up assignments for my summer course work and I must confess I have little intelligent to say in this blog post, so enjoy the paper doll and, as always, I love to hear what people think.
I did a few different things over the weekend and during the week of blog neglecting (actually, I wasn’t neglecting the blog, I was just busy with a lot of other things for the blog, that weren’t ready to be posted). So, I have a few things to talk about today. I have rewritten my FAQ. I’ve added a few more blogs, not paper doll specific, and removed a few dead links from the Links page. Obviously, the menus have been reorganized. One of these days I will over-haul the Gallery page. I don’t like it. I don’t know what to do with it. It seemed like a good idea at the time, but now I’m dissatisfied with it. I need to think about it.
I’d kill the Gallery if I knew what the heck to do with the content already posted there. Decisions decisions.
So, I should say that this new paper doll series evolved out of the number of comments I had from people who really liked the shadowed style of paper dolls. I was surprised by the interest in them since I’d always thought I was the only one who liked those paper dolls. How wrong I was.
The truth is that I began this series a long time ago, but never posted it since I didn’t know how to fit it into the schedule and then recently when I looked at the bulging folder full of drawings and the ones in my sketchbook I was really quite proud of, I thought, “I’m bored with Flora. I avoid drawing for her. Just got for it.”
And here we are today with a new paper doll series. I’m excited and pleased (and have songs from the musical Into the Woods stuck in my head, but that’s got nothing to do with this post) and I’d love to hear what people think, as always.
It is entirely possible that my least favorite part of posting paper dolls is coming up with the title. (Adding tabs is a close second on the list of least favorite activities, I should just draw them rather then using Photoshop. I don’t know why I insist on Photoshop. It just makes things more annoying.) I think I might just start numbering the things. Or using some strange code…. Seriously….
So it’s very late and it’s been over 90 here for the last week. I am hot. I am sweaty. I am dying from a combination of humidity and heat. We had a thunderstorm this morning which woke me up and dropped the temp, so that it was only 90 degrees today. How nice.
It’s times like this when I miss the cold damp climes of my Alaskan home.
Anyway, enough about the weather. There are paper dolls. They are wearing stylish fantasy dresses. These dresses were inspired by the Renaissance in the same way Disney’s Hunchback of Notre Dame was actually inspired by the novel, which is to say only in the smallest and slightest way. Truly, I don’t know what Disney was thinking turning a book in which all of the main characters die into a children’s film, though I recommend the novel to anyone who has a really long plane ride and doesn’t mind being depressed during it. Does it show that I’m not a huge Victor Hugo fan? In the novel’s defense I should say the language is beautiful, but the plot is rather depressing. I can’t fault Hugo’s skill as a novelist, but I’d rather read Dumas.
Hmmm… I think that’s enough literary criticism for one blog post. Enjoy the paper dolls. (You can decide if she should die in a mass grave while clutching the dead body of her love. I won’t judge.)
To celebrate the 4th of July, I thought I would check out books from the library, sit down and set to work on drawing some historical costumes for Marisole set in the 18th century since the Revolutionary War (Or, as the Brits call it, the Rebellion of the Colonies) was in the 1770s. I’ve only done one other set of historical costumes for the paper doll and they were regency dresses (One set one in July and one in August in 2010). This is about as far from the Regency aesthetic as you can get- the French Revolution did have a way of changing fashion, also of decapitating an awful lot of people. Those wiley French.
So, I’ll confess that when I have to name my favorite periods of historical fashion the 18th century doesn’t get a lot of attention. I’m just not that huge of a fan, but when I was in England I went to the Fashion Museum in Bath and I saw an actual 18th century gown in person. Despite my tendency to dismiss such costumes as too poofy, too over the top, too absurd for my taste, the actual dress was among the most astonishing pieces of craftsmanship I have seen.
The frustration of drawing historical costumes for Marisole is that her proportions are so darn strange. While I like how she looks, it means that historical dresses (which rely on a specific silhouette) look off. As I drew these costumes, I realized I was going to a have to allow myself to be a little more liberal then my natural leaning for historical accuracy allows and, besides, I don’t really know enough about the 18th Century to be hyper critical of my own work. I won’t say these costumes are historically accurate, I will say they are historically inspired.
Sometimes, paper dolls don’t come out like you wanted.
I had planned to do some Sweet or Gothic Lolita style dresses, maybe with striped stockings and some neat hats. I really think the heavy shadowed style lends itself well to all things gothic and that was what I wanted to tap into that. Sort of a dark Alice in Wonderland vibe.
I like the doll- I love her hair and I think her face is quite pretty. Both dresses failed to be what I had hoped they would be. I should have redrawn them, but I didn’t want too. I suppose this is part of the reason I am working on a series to replace this one when I stop caring enough to really edit my work it tends to be a bad sign.
I’ve been thinking a bit about the request to show more work in progress. It is something I have been wanting to do for a while, I just have trouble scanning pencil and I’m not sure I like how it comes out… I need to give it more thought. I haven’t given up on the idea yet, I’m just not sure how to make it work.
