Oh, Alice… How I adore you and have for many years. Today is Lewis Carroll’s Birthday and I thought I would honor it with a showcase of the Alice in Wonderland Paper Dolls which have appeared on the blog. (The actual title of the book is Alice’s Adventures in Wonderland, but it has been shorted so often that everyone seems to call it Alice in Wonderland.)
I still remember my Mother reading me and my sister Alice’s Adventures in Wonderland when we were children. I have an Alice paper doll set reprint from Ladies’ Home Journal that I keep framed on my wall. So, you might say, Alice and I have a long history together.
Alice paper dolls… well, I have drawn a few.
And chances are that I will draw more. There is something about Alice that I find myself returning to over again. It’s odd, actually, because are large amount of the humor in Alice is about Victorian educational practices that we are long removed from. Still, I think there is always a place for nonsense in childhood and adulthood.
Alice in Wonderland Paper Dolls
Click on the image it will take you to the paper doll post where you can download and print a PNG or a PDF file.
I contacted Jenny last year, around the same time I spoke to Dover Publishing. My original goal was to get this Q&A published in December, but that month turned out to be far more crazy than I intended. Plus, my visitor numbers always plummet in December and I thought this was an important post to go up when my readership was high. After all, Paper Studio Press is one of the only paper doll publishers in the United States today.
A Q&A Session With Jenny Taliadoros & Paper Studio Press
Did you play with paper dolls as a kid? And what were your favorites if you did?
Yes! I sure did. Most of my paper doll memories take place at my grandma’s house. We’d cut out paper dolls together, and in fact, she’s the one who taught me how to correctly cut paper dolls, “Keep the scissors steady in one hand while turning the paper in the other.” I had several antique fashion paper dolls that I loved and some contemporary characters of the time (1970s): “Denim Deb,” “Freckles and Sniffles,” and “The Sunshine Family.”
When did Paper Studio Press start publishing paper dolls? Roughly, how many paper doll titles are published in a year?
I started Paper Studio Press in 2005, not only to give collectors more access to paper dolls, but to create a new avenue for paper doll artists to get their work published. Through the Paper Doll Studio magazine, which I had been publishing for OPDAG, The Original Paper Doll Artists Guild, since 1991, I was already in touch with many talented paper doll artists. So with my new publishing venture, I was thrilled to work with so many of these wonderful artists and get more of their paper doll art on the market. I publish 12-16 books a year, most are beautifully illustrated by artists of today, while some are reproductions of vintage paper doll books of the past.
How do you select which paper doll titles to publish? Has the Internet changed any of this selection process?
I don’t think the Internet helps me choose paper doll topics; however, it certainly helps in researching content for paper dolls!
There are very few paper doll publishers left in the United States, how do you see paper doll publishing shifting in the future?
As the population ages, I’m afraid the younger generations are not as willing to collect paper dolls, in book form anyway. With online options like Pinterest, people can create their own virtual collections of paper dolls. Also, it’s easy to find free downloadable/printable paper dolls online, making it less necessary to buy printed books. But I hope we can continue to find that niche market so we can continue publishing books for many years (if not decades) ahead.
Paper Studio Press also publishes reprints of vintage paper doll books. How do you select what vintage titles to reprint?
First and foremost, the art must be very well done and it must have an appealing cover design. The subject can range from sophisticated fashions to cute kids. The title must also clear copyright, and when doing a movie star reproduction that can be tricky. In some cases I’ve paid a licensing fee to reproduce a vintage star book. There are some grey areas in republishing and it’s important to do proper research and consult with an intellectual copyright attorney.
Can you outline the paper doll publishing process? Does Paper Studio Press accept unsolicited submissions?
The publishing process always starts with a creative concept. It could be a specific topic for a book or an idea for a series of books. Much of the time I present a topic to an artist. If he or she is excited about the idea I then prepare a contract which outlines the scope of the project and grants Paper Studio Press the right to publish the work. Once I receive the artwork everything gets scanned into Photoshop. At this point I might have to add page layout elements, add tabs to costumes and complete a cover design. The entire book is set up in a page layout program. The final stage is to create a high res PDF which I send to my printer. Because I feel it’s important to have our books printed in the USA, I work with a local printer in Maine.
Regarding unsolicited submissions, this doesn’t work so well with my publishing company. Although we’ve published nearly 130 titles, we’re still considered small with a small budget. Because I’m not able to pay artists high fees, it’s imperative that I have a good working relationship with my artists and that they truly enjoy the projects they do for my publishing company. So I feel it’s important to build a rapport with an artist before we agree to publish a book.
Do you have any advice for aspiring paper doll artists?
It’s important to get your work out there. Set up a website or blog to show off your paper dolls. If you want to sell them, try Etsy or Ebay or even your own e-store. I recommend starting with self-publishing. Get copies made at a local printshop or office supply store and sell paper dolls as individual sheets or sets or as stapled books. Join OPDAG (The Original Paper Doll Artists Guild) and share your work in the pages of our magazine, “Paper Doll Studio.” If possible, attend regional paper doll parties/events or the national paper doll convention. Visit http://opdag.com/convention.html for more info.
What do you believe makes for a successful paper doll book?
Having the right topic is key. There’s a big fan base out there for classic films so we’ve done very well with our classic star books, especially Doris Day, Marilyn Monroe, Esther Williams and Bette Davis. There’s also a big nostalgia market, so we’ve had success with titles such as Cinderella, Nancy Drew, Rosie the Riveter and Fun With Grandma. Paper doll collectors also love fashion history, brides and royalty, so we’ve done dozens of books representing those subjects. No matter what the topic the book must be well illustrated, with an attractive cover design.
Again, a big thank you to Jenny Taliadoros for her willingness to talk about paper dolls with me.
Questions? Comments? A favorite paper doll book from Paper Studio Press? Let us all know in a comment.
Normally, I have a long list of goals that I know I want to get to this time of the year. Some of them are personal, some are professional, and some are blog related, but I’ve struggled to come up with a strong list this year.
I think I might be a little overwhelmed this year.
Still, I settled down last night and came with a sketchbook and carefully wrote out a list. I spoke with my patrons and seriously thought about what I wanted.
Writing a blog for as long as I have means you are learning constantly. To be honest, I’m a little overwhelmed right now. I somehow didn’t think about the “need” for posts past the end of December and now I am scrambling a bit. I’ll get back into the flow of things soon. Goal #1: Create 10 Male Paper Dolls in 2016
Seriously, I need to do this. I need to draw more men. So, here we go. Ten male paper dolls in 2016. Let’s live the dream. 🙂
Goal #2: Create 10 Historical Paper Dolls in 2016
Yeah, this was a goal last year, but that’s okay. I really want to try this again this year and if it is a goal than I will go for it. My patrons voted for fantasy sets to be the focus, not historical, but last year I did over ten fantasy sets without it being a goal. Fantasy tends to be my fallback, so I suspect I’ll still hit ten even if I don’t make it my “focus.”
Goal #3: Focus on Sprites, Bodacious & Buxom and Ms Mannequin
I polled my patrons and they all voted for these three series to be the focuses of this year. I agree they all need some more love. I was surprised how many people loved Ms Mannequin series, since that’s one of the series that I have mixed feelings about.
Goal #4: Submit something to OPDAG
I am so so embarrassed that I have never sent something to the OPDAG magazine. It’s rather sad, but true. I need to get over my nerves about it and just go for it. It’s not like it’s juried or anything, after all.
Goal #5: Sell Stuff! (Probably paper dolls!)
Actually sell stuff. This might seem like a small goal, but it actually is complex. There’s business paper work and taxes and a whole realm of stuff. I strongly believe it’s important to do that stuff right the first time. It’s all overwhelming! But that’s the goal.
Goal #6: Draw a little, every day, not paper doll related
Okay, so not directly paper doll related- aka- no paper dolls. I mean, I’ll probably practice hands or doddle dresses or experiment with hair styles. I want to loosen up, draw more and learn to be more confident in my art. To start out, I am taking this class on Creativebug and posting my daily drawings on Instagram. (Be nice to me, I’m still learning to use Instagram.)
So, those are my goals. Let’s see how 2016, shapes up.
Wondering how to become a patron? You can do that here. Thoughts on these goals? Drop me a note in the comments.
As a kid, my favorite paper dolls were historical paper dolls. I had everything from paper doll flappers to knights. I still tend towards historical paper dolls in my own collecting, especially those depicting an era that I don’t see very often.
So, for last post of 2015, I thought it would be fun to post a round-up of all the historical paper dolls on Paper Thin Personas from 2010 when I did my first historical paper doll (a teddy bear with regency fashions) until 2015.
As some of you may recall, one of my goals in 2015 was to create at least ten historical paper doll posts in 2015. I surpassed my goal.
Mostly though, I wanted to a chance to dig back into my passion for historical dress research which I had let slip a little as I went through grad school. So, today I am going to share every historical paper doll on the blog organized by era of history.
I was going to save this post for January, but then I realized I have all my posts lined up for the rest of the year and so I figured I could share this a tiny bit early.
My goals for 2015 were many and varied. This isn’t really a post about how I did on those, but rather a chance to talk about where the blog went this year and a few lessons I learned along the way. PTP was born in January of 2009. It died in December of 2009 and came back stronger in 2010. It is six years old.
In the last six years of blogging, I don’t often look at where I am and what I am proud of. Being a librarian, I am constantly reading articles about blogging and social media- trying to learn what I should be doing. While this is often helpful, it sometimes leaves me feeling depressed. There is so much I should be doing. It is hard to remember what I am doing.
So, today, I am going to look at how the blog did in 2015.
Paper Doll Sets Posted on Paper Thin Personas in 2015
For those keeping track, that’s a total of 76 printable paper doll sets (not counting each black and white page of the same designs as separate sets).
Now, I haven’t gone back and done a date by date analysis of when each paper doll posted. However, since Marisole Monday & Friends Sets post over a two week period there would have to be 26 sets in a year to be a full year’s worth. The other paper doll sets there needs to be 52- one for each week. At 76 sets, I am just two sets short of the 78 I would need to have done two a week for an entire year- nothing shabby about that.
I am a tiny bit shamed by the 1 Flock paper doll set, especially since I actually have sets for that series that have been sitting in my Working Folder for months and month. Oh well… There’s always next year.
Types of Paper Doll Sets Posted on Paper Thin Personas in 2015
I thought it would be kinda fun to look at a few of my tags (which I use as metadata for each post) rather than the major paper doll series. Some of you may remember my goal for 2015 was ten historical paper doll sets and there will be 20. Yes, there is one historical set to be posted before 2016.
Oh, the anticipation.
I only got up three male sets. That’s a little troubling… though there were only 25 Marisole Monday & Friends sets in total, so that’s not quite as bad as it might seem. Still, not great though.
So, much for staying positive…
Contemporary sets are generally contemporary fashion. I don’t include specialized sets like the ballerinas in that group.
When calculating fantasy sets, I included sci-fi, steampunk and fantasy all into one category. I just think they all belong together, since the differences are kinda semantic. One has rayguns. One has gears. One has swords.
Moving away from paper doll sets for a moment, I averaged 37,335 page views per month which is a rather useless stat. I mean, it just means the number of times a page on the blog was loaded on someone’s computer.
However, sessions and users are more interesting. Each time a unique person (as far as Google Analytics can tell) visits the blog than it is logged as a user. Sessions are the number of times a user loads the site. Multiple page views might be included in the same session. For example, if you visit the site and load five pages, than it is one session and five page views.
Clear as mud, I hope.
So, that’s it. A summary of where PTP is in the end of 2015. I hope to do one of these every year from now on as a way of tracking where I am.
Well, not a rule, but a guideline. I don’t start a new series unless I have at least six paper dolls ready to post for that series.
Six paper doll sets is a good minimum for two reasons.
Reason 1: Can I stand this style enough to draw six printable paper dolls?
Reason 2: Even if I decide I hate it, at least there are six and six isn’t a number to be ashamed of.
The Sprite paper doll series is going to replace the Pixies & Punks paper doll series in 2016 and I’ve been working on it quietly for quite a few months. It is basically the same two poses redrawn- something I have wanted to do for ages.
The series will feature both male paper dolls and female paper dolls. The plan is to go one for one- so for every female paper doll there will be a male paper doll in the same theme. For example, if there is a male elven warrior than there will be a female elven warrior for the next post. If there is a female mermaid than there is a male mermaid for the next post.
The first paper doll to go up will be Zachary. There are two different version of Zachary at the moment. One is a cyberpunk version and the other is a more normal casual version.
The second paper doll will be Yukimo who also has a casual version and a cyber version.
I plan to name the paper dolls in reverse alphabetical order.
Right now, I have drawn Zachary, Yumiko, Xavier and Willow.
I can’t speak for others, but for me Dover paper dolls were the best of the best when I was a kid. Sure, Golden Book made some nice paper dolls, but Dover books were what I would order from the local bookstore by bringing in the hand copied ISBN numbers from the back of the books. This was before the internet, so I had to just ask the bookstore in town to custom order them for me, often sight unseen. I still remember my joy at getting a copy of the Victorian Cat Family special order. I was 14, far to old for paper dolls, I thought. So, I carried it home in its bag and didn’t open it until I was safely in my room where no one would see me pouring over the book in delight.
A few weeks ago, I contacted Dover to see if anyone there would be willing to answer some questions about paper doll publishing. Truth be told, I wasn’t expecting a response, so imagine my surprise and excitment when Jason Schneider contacted me back. Jason was Dover’s Children’s Publishing Manager.
Born in 1975 in Valley Stream, NY, Jason attended Hofstra University (1993-1997). A life-long book lover, Jason decided to leverage this interest in publishing. He was the acquisitions manager for Barnes & Noble’s Children’s Publishing line for several years. Beginning in 2007, he joined Dover and has worked on a rich variety of content, brought interesting licenses to the company’s program and directed the hardcover Calla line of books. He also worked on the paper doll collections published by Dover and he was kind enough to answer some questions.
In the time since I wrote Jason and this post getting published, Jason has joined Skyhorse Publishing as Editorial Director of the new Racehorse Publishing and Clydesdale Books imprints. I wish him the best at his new position.
Big thank you to Jason for his time.
A Q&A with Jason Schneider of Dover Publishing
So, I have to ask, did you play with paper dolls as a kid? And what were your favorites if you did?
No, I don’t recall having many paper doll books as a child, outside of a Sesame Street Seasons Paper Dolls book which I wound up republishing with Dover a few years ago.
And, of course, how did you get into children’s publishing?
I majored in English Literature and Publishing Studies in college. The process of book creation always interested me and getting into publishing was my goal. Children’s Publishing was where I wanted find myself, but my first jobs in the business were as far away from that as possible. I started with educational reference and Math and Science publishers because I needed experience. I would up at Barnes & Noble Publishing in 2000 as an Assistant Editor for their Children’s Program and things developed from there.
When did Dover start publishing paper dolls?
Dover’s publishing of paper dolls certainly predates my tenure here. I believe that the decision to publish them grew from the company’s continuing interest to preserve and feature content that has since went out of print. The first titles were compilations of Antique Paper Dolls and were published in 1975. Both titles (Antique Paper Dolls 1915-1920 edited by Arnold Arnold and Antique Paper Dolls: The Edwardian Era) have recently gone out of print after 40 years. However, it wasn’t until Tom Tierney’s Glamorous Movie Stars of the Thirties was published in 1977 that Dover started to view it as a category.
Roughly, how many paper doll titles are published in a year?
There are a lot of variables. The market has changed considerably since we started publishing paper dolls, so there has to be the right niche for a new book. Whether it is a fashion trend or other growing area of interest, something has to strike a chord.
How do you select which paper doll titles to publish? Has the internet changed any of this selection process?
Most of the paper doll books that we publish are generated from in-house ideas that we bring to a talent pool of artists that we use. While we have published some submissions that have been artist generated in the past, the practice is far less common now. For instance, we had the idea to work with Bunny Meyer who has a substantial YouTube following under the pseudonym of Grav3yard Girl and produce a paper doll of her. We worked with Bunny and brought the concept to artist Ted Menten who brought it to life. Eileen Rudisill Miller, Bruce Jones, Tim Foley, Charlotte Whatley and Ted Menten are just a few of the contributing artists that Dover works with.
There are very few paper doll publishers left in the United States, how do you see paper doll publishing shifting in the future?
There’s us and Paper Studio Press. I don’t think anyone else views it as line. Any other publisher will publish one-offs here and there.
I think the shift has already happened. Dover doesn’t publish quite as many titles as we once did, since there is unfortunately a lack of market demand for the type of depth we once would produce. While we are still active in the area, we definitely try to link new product closely with timely events such as Pope Francis Paper Dolls, or the brand new Scream Queens Paper Dolls that links up with the show. We’re also producing paper dolls for a younger age group and while we’ve done Mermaids, Pretty Ponies, and Ballet, we’ve also produced books recently with licensed properties such as Olivia, Grumpy Cat and Betty Boop.
Dover divides their paper dolls into two categories. Those for children and those for collectors. Can you talk a little about how those audiences differ?
I think that the books are more of a keepsake for the adult market and a consumable for children. This isn’t to say that there isn’t crossover in interest for some of our books, but we usually have the dolls punch out for the more juvenile titles for ease of use. I don’t think kids are going to be as precious with the books. After attending a few paper doll conventions and asking the attendees how they use their books, some have told me they’ll buy two copies – one to keep and one to cut.
Recently, two books of Paper Action Figures, which were essentially paper dolls for boys, were published. Can you tell me more about what prompted these books? Are more Paper Action Figures planned?
It was an attempt to do something different within the medium. I wanted to update the concept, and not necessarily make paper dolls for boys but simply try a modern approach which was less gender-specific. We did Glow-in-the-Dark Ghouls and Robot Battle. The Glow-in-the-Dark element we used is really cool, but we do not have any plans to do more at this time.
What do you believe makes for a successful paper doll book? How is a traditional paper doll different from, for example, a sticker paper doll?
Victorian Vixen Paper Dolls by Ted Menten I feel a sticker paper doll is more of a sticker activity product. It’s going to be played with several times until the stickers lose their adhesiveness. I think a paper doll has more of a novelty and collectible aspect. You get more costumes, more dolls. It’s just a grander presentation.
I’d be remiss if I didn’t say that sales makes for a successful paper doll book. A beautiful book is great, but if no one is buying it, then it isn’t a success. Beyond that, with a classic paper doll it has to have great illustration with the dolls’ figures rendered meticulously. If it is based on a person, the likeness has to be impeccable. The costumes have to be interesting, which was something Tom Tierney always excelled at and Tim Foley is currently doing a great job with. Personally, I like when we add something novel and interesting to the format, such as with additional elements and backgrounds that Ted Menten provided the Victorian Vixens Paper Dolls with or Rudy Miller’s Dream Weddings. It just makes the book feel more complete and adds more to the overall experience, especially for collectors.
Will mainstream publishers be producing paper dolls in 25 years?
It’s hard to say what publishers will be producing in 25 years, if they are still producing books as we know them now. No one would have predicted the quick influx of ebook technology which changed the industry and there is always a new advancement which is a step away from revamping our perspective on the way things are done. I don’t know when it will happen or how it will alter the business. In the end, if there’s an audience that is interested, and mainstream publishers see potential to make money then paper dolls will still be published.
Jason mentioned Paper Doll Studio Press and I am pleased to report that I’ll have a Q&A with them in a few weeks. So, that should be fun too. Oh, and if you haven’t picked up Robot Battle or Glow in the Dark Ghouls for your collections, then I recommend them. I just got my copies and the glow in the dark feature is really cool. 🙂
I just wish there was a child in my life who needed robot paper dolls.
I hope everyone has a wonderful Thanksgiving tomorrow. Friday there will be another paper doll set. 🙂
Today, I am pleased to announce that my Patreon support page is live. So, if you’d like to donate to support Paper Thin Personas, this is one way you can do so. Feel free to support at any level you’d like, because all is appreciated. However, for those of you who support at 5 dollars a month, you get to join the Vivian Project.
What, you might ask, is the Vivian project? Well… let me explain.
I moved recently and part of the moving process was going through my massive collection of every single paper doll I ever drew as a child. Some I kept. Some I tossed and then, at the bottom of a box, I found Vivian.
Viviean lives in a cookie tin and she was a huge part of my youth and now I am going to re-draw her. Viviean began in June of 1998, but I have no idea when I stopped drawing clothing for her. I think sometime around freshmen year of high-school, maybe a little longer.
Viviean was traced from an advertisement (I think in Seventeen or something) for a prom dress designing contest. I did not enter the contest, but I used their little fashion figure to create a paper doll for whom I drew over 200 outfits.
How do I know that? Because I literally indexed her whole collection on pieces of paper. Each outfit is numbered on the back and there is a corresponding description of the outfit on one of the pages of clothing index. Each set of outfits, usually five, were placed in a small envelope and sub-labeled such as “Futuristic Fashions” or “History Lesson 1910-1940”. Seriously, I should have known I was destined to be a librarian once I started indexing my own paper dolls.
Viviean is has an outfit for just about every occasion a person might ever find themselves in. (And a few, I doubt anyone would likely find themselves in.) For formal occasions, she might slip on Outfit #2: “Long dark blue ball dress with whiet (white) gloves”. I tried to get the gloves to stay on, but they didn’t fit very well.
Or if she feels like rocking out, she has Outfit #144, part of the Rock Star Clothing set, including “a very short leather jacket, yellow dress and black boots.” I didn’t see a short leather jacket in the envelope though, so perhaps it has gone missing? Or maybe it got misfiled?
After being a rock star, Vivian might need to relax by slipping into into Outfit #174, “a yellow-green terri (terry) cloth bath rope (bathrobe).” I clearly struggled with spelling at that age. Actually, I still can’t spell worth a darn, but that’s why there is spellcheck.
And if after relaxing, she wants to fight bandits, than Outfit #156 “Xena- brown leather top with gold decoration” is available. I love the tiny chakra.
The process of re-drawing Viviean into the new Vivian has been fun. She has the same hair, a very similar pose and the same bright pink and lime green swimsuit of her former-self. She’s different as well, because I’ve changed as an artist a lot since Viviean was created. Vivian isn’t a copy, exactly. I think of her more as an “ode” to who I was when I drew her all those years ago.
So, why do all this? Well, because I have wanted too for a long time, but also because I was looking for a project that I could do with my Patreon subscribers. So, if you would like to get involved, you can.
If you choose to join the Vivian Project than every month you’ll receive a redrawn outfit (or two) from the original Vivean clothing collection and, of course, a Vivian doll of your very own.
One month you might receive Outfit #6, a fuchsia above the knee length dress, and then next month you might get Outfit #164, a dress meant to represent the fall with leaves on top, a wreath and cloak, colored orange/red. Patrons will get to vote on the dresses that will be included sometimes and sometimes I’ll just pick something I think is fun to work on. Either way, there will be two versions of each outfit. One is a redraw of the original and other my sense of how I would draw the same concept today.
For twenty-five dollars a month, you’ll get to customize a “Friend of Vivian” paper doll by picking out her face, hair style, skin tone, hair color, and eye color. So, if you want a freckled blue haired paper doll, than this is your chance. There are over a hundred options for that customized paper doll.
There’s other support levels too from one dollar up and beyond. No pressure, of course, as I’ve said before. If you have to choose between something like rent or paper dolls- choose rent! The blog isn’t going anywhere.
This is a LONG post. Just as a warning, you know, before you get started. 🙂
So, a few weeks ago I did a survey of my readers. I asked a bunch of questions and I got some great feedback. Today I am going to show some of the data that I am comfortable sharing that came out from my survey results.
I’ll be honest- I’ve never tried to write up something like this. I want to be transparent as I go out into this world, but there are also things I’ve not yet fully processed and things that I feel like aren’t really anyone’s business but mine. Despite running a blog for the last five years, I am actually rather private by nature.
So, I’ve done by best to summarize some stuff and write about it. It’s long and has graphs and there are no paper dolls, so proceed knowing all that.
I am super excited to be making this announcement. Julie, of Paper Doll School, and I are hosting a paper doll round robin. We have our model drawn thanks to Julie, but she desperately needs gowns to wear to the Halloween Masquerade Ball!
Step 2: Print the file at Full Size or Open the file with your favorite graphics editor.
Step 3: Draw a fantastic masquerade gown. It can be in color or black and white. No judgement here. Just create something that inspires you.
Step 4. Save or scan your gown at 300 dpi as a JPG or PNG. (This part is important to I can make sure all the gowns are high quality for the finished set.)
Step 4: Email your gown to me at email@example.com or Julie at firstname.lastname@example.org before Midnight (Eastern Time) on the 24th of October. Be sure to include how you’d like to be credited and if you want to say something about your design, than tell us that too!
Step 5: Wait until the 31st of October when Julie and I will post the finished gowns and the doll, all ready to attend the Masquerade Ball!
See? That isn’t so hard.
We hope lots of people will come play with us and join in the fun, so please consider creating a gown for our Lady of the ball. 🙂
If you have any questions, please just ask in a comment. This is going to be so much fun.