This holiday totally snuck up on me. I kept thinking… I have time before I need to worry about a Valentine’s Day paper doll and then I turned around and it was here.
I’ve done other Valentine’s Day paper dolls over the years, and this year I wanted to do a Poppet Valentine’s Day paper doll (partly because I ran low on time and it was easy). I like only having to draw one paper doll outfit rather than several. It’s very liberating.
I have fond memories of Valentine’s Day in Elementary school when my mother would insist we hand make the Valentines and I’d get to play with glitter and dollies and red construction paper.
As I got older, Valentine’s Day became one of my least favorite holidays in the real world. I’ve had a series of rather horrible Valentine’s Days over the years, but I am looking forward to a quiet night this year. That seems like the ideal way to spend Valentine’s Day to me. Meanwhile, enjoy the paper doll.
When I first drew the Poppets paper dolls, I knew I wanted to do historical costumes. This isn’t historically accurate by the way, but it does have a 1300s flair, I think. One of the reasons I steer clear of certain periods of history is that I feel like I don’t know enough about them. I am familiar enough with Victorian and 18th century costume that I feel fairly comfortable simplifying it without losing it’s authenticity, but I know very little about clothing in Europe before 1400.
As a result, I tend to categorize my forays into the “medieval” look as fantasy, rather than history. It keeps me from feeling guilty about not really knowing what I’m doing. However, Gwendolyn asked for a paper doll of a 10th century Anglo-Saxon when she won my drawing last week, so I guess I better learn something about the 10th century.
In the meantime, here’s a Poppet Medieval outfit strictly in the realm of fantasy being modeled by Petunia. I like to think she might be a princess, but I haven’t given her a crown, so the jury is out.
I’m also really pleased to say I’ve recently stumbled across a new paper doll blog called Paper is Suffcient. It’d a new blog, so go over there, check it out and drop Natalie a comment. We need all the paper doll blogs we can get. 🙂
So… again with the channeling Kate Greenaway thing, also a little bit of Peakswoods (a Korean ball jointed doll company), their fairies of fairytales were one of the inspirations for the Poppets series in general. I have noticed a tendency for ball jointed dolls to be dressed in totally over the top ruffled outfits (like this Little Red Ridinghood ensemble), so there’s a little of that here as well. I have a few dresses in process for the Poppets that take that concept on in a more fluffy way.
This set was drawn to go along with my second poppet paper doll Primrose. The dress, cape and hat, are all in the same color scheme and therefore can be mixed and matched. I am particularly fond of her little button up boots with spats on them.
I realize now that I’ve mentioned Kate Greenaway twice and I probably should pause to say who she was. Greenaway was an artist whose work was published mostly between the 1870s and the 1890s. She drew idealic angelic looking children in pseudo-regency costumes. You can see scans of her work at the Digital Library of illuminated books.