Things to say about today’s printable paper doll… It is my first Pixie paper doll in a while. She’s two pages and has a distinctly steampunk inspired wardrobe. If you’ve been following this blog for a while, you might remember the sketchbook post back in April of 2013 when I showed off the inked version of this set.
Wow… this was a long time coming, wasn’t it?
Shirin, in my continuing search for names I haven’t used ever, is a Persian name meaning “sweet”. Continuing the theme, her coloring is based on the Iranian actress Nazanin Boniadi, except with really curly hair, because I love curly hair and I’m trying to practice drawing it. You can expect to see more curly hair in the future on the blog.
Oh, and her clothing has nothing to do with Persia. I tried to think of a connection after I decided to base her coloring on Nazanin Boniadi, but I don’t have one as her clothing is distinctly Western without a hint of influence from the Middle East and is mostly based on the clothing of young men in the early 20th century.
Oh, and as sometimes happens when I saved these images for the web, Photoshop did odd things to the colors. I recommend looking at the PDF version of Shirin and Shirin’s Wardrobe to see what I really intended the color scheme to look like. Partly this was a challenge to do a steampunkish set without the color brown. Harder than it looks, actually… because the line between goth and steampunk is often one of color, not design. That, however, is a whole different discussion for another day.
Because color is something I love. I adore color and pattern and surprise and color… well color is something today’s paper doll set lacks.
Minimalism in fashion usually relies on a black and white color palette and is considered to be austere and simple. It has been popular for several years on the runways. I didn’t go as wild as I could have with shape, because I wanted everything to be wearable. This is not, after all, a fantasy paper doll set where I don’t care about realism and/or whether or not a person might actually be able to function in these crazy clothes. I am very pleased with the outcome (and this was the fastest coloring job I think I’ve ever done.)
Were I to make a list of things I’d never done before on the blog, I think doing a paper doll set entirely in black, white, and grey would end up on the list. I’m not certain, and I don’t really want to go pouring through over 500 posts to find out, but I’m pretty sure I’ve never done it before.
While I do agree that many of these shapes mirror Seagulls and Seaside, as was pointed out by a reader last week, I think the color really changes the tone of the entire set. I’m most pleased with Mia’s shoes (I love drawing shoes, though I really think one pair came out a little clunky) and the collared blouse.
I love March. I love March for the fashion magazines that come out in March. March, like September, is a big month in the Fashion magazine world. It’s right after Spring Fashion Week and the fashion magazines are stuffed with the new seasonal looks.
I always like to buy several when I go to the grocery store. I love Vogue for it’s amazing photo shoots, but for paper dolling purposes I want simple clear photos of clothing. (Models jumping around or standing in wierd poses are beautiful and all, but a pain to draw off of.) Generally, I pick from People StyleWatch, Elle, Instyle, Vogue or Bazaar. This time I wasn’t impressed with any of them except Instyle, and there wasn’t a new People Stylewatch to be had, so I just got my Instyle and spent Saturday drawing this paper doll set. (Also watching Escape from New York and Wall-e, but I digress.)
All of Mia’s clothing is based off items I saw in InStyle with a focus on things that were part of the minimalist collections that have been on the runway as of late, especially from Micheal Kors, Carolina Herrar and Ralph Lauren. I didn’t want to do pattern and I didn’t want to do anything elaborate, I wanted to focus on shape.
I’m really pleased with all the clothes, but a little less pleased with the doll. I decided to make her a Mia after I finished drawing the whole set, because I haven’t done a Mia yet this year, but once I finished her I realized that I have done a very similar hairstyle before for Mia before.
Anyway, I’m still pleased with this paper doll set and very excited to color it. It’s going to be a lot different I think than any other set I’ve done which is, to me, exciting.
So, historically, I’ve been posting a black and white B&B paper doll and then a full color version the next day.
I’ve decided that this technique is not time saving in any real way, unlike my spacing of my Marisole Monday & Friends paper dolls a week apart which saves me so many headaches, so I am going to start posting both and black and white version of the Buxom and Bodacious printable paper doll and the full color version on the same day. I hope no one minds this change, but I don’t think anyone will.
Anyway, to say something intelligent about the paper doll… I actually haven’t got much intelligent to say about the paper doll. This is one of those paper dolls the languished on my computer hard drive for weeks. I thought about working on it, got distracted and then moved on and eventually realized (like on Sunday) that all I really needed to do was layout and file formatting. So, feeling a little foolish I finished her up and here she is.
I confess to not being completely pleased with her color scheme. It feels a little sedate for my usual taste, but not every color scheme is a winner and that’s why the paper doll has a black and white option for coloring yourself.
Lastly, I want to give a shout out to Lina’s Paper Dolls. I’ve had her on my Links Page for a while, but keep forgetting to give her a little spotlight here. As I always say, new paper doll blogs make me happy. Check her out and drop her a comment when you have a chance. Paper doll bloggers need all the encouragement we can get. 🙂
One of my January drawing winners, Gwendolyn, who asked for this paper doll has been very kind as I slowly did my research and then set to work on drawing the set. I won’t pretend it hasn’t been both stressful and time consuming, because it has, but I am utterly pleased with the outcome and I hope she is as well.
Gwendolyn wrote me that:
I have actually thought a little bit about what I would choose if I ever won, so I can tell you now that I am interested in a Marisole-family doll, who is 10th century Anglo-Saxon. I would love a set or two of daily clothes, but I would also love a maille shirt and helm.
Speaking of the maile shirt, it is based on Anglo-Saxon finds in York and the helm is also based on the same thing. As women didn’t wear maile, I didn’t spend a huge amount of time researching the historical accuracy of such a garment. Personally, I’ll confess, armor doesn’t get me going like clothes do.
So, let’s talk about the clothes. As I explained yesterday, 10th century Anglo-Saxon’s women dress consists of several layers of clothing. To begin with Margot (our Anglo-Saxon model with a French name…) wears a pair of leggings with windings around the calves and shoes. The shoes come from Anglo-Viking finds in York dating from the 9th Century. The windings around her calves are based on an illustration from the manuscript Psychomachia (British Library MS Additional 24199) which shows a barefoot women on horseback. Sadly, the manuscript hasn’t be digitized, but there is an illustration in Owen-Crocker’s Dress in Anglo-Saxon England. There is no way to know what the top of such leggings looked like. I made them like this so they could be worn with the maile shirt.
The shift’s neckline is based on an illustration of a male farmer’s tunic illustrated in Tiberius B v calendar (British Library MS Cotton Tiberius B v, fol. 4r) and the sleeves are wrinkled as I discussed yesterday. The necklines of the other dresses are also based on the necklines of men’s tunics in the 10th century.
The veils are based on manuscript illustration, though I had added visible pins. Pins are commonly found from this period and it seems logical they were used to hold veils together. The green veil with broach is based on an illustration of the Virgin Mary from the first half of the 9th century (see Plate 1). The brown “poncho” is based on several illustrations and I discuss these cloaks a lot more in yesterday’s post.
Lastly, the embroidery on the red dress is not based on anything specifically. I wanted to use some patterns I found online, but they were far to detailed to easily make tiny enough to work as illustrations at such a small size. I did not include girdles as there is almost no published information on them and I didn’t want to just invent stuff. The colors used in these garments are based on the colors of the famous Bayeux Tapestry (which is not actually a tapestry, but that’s neither here nor there).
Well, I hope everyone has enjoyed the last two days in the 10th century. I certainly have had fun researching and I hope to do some more medieval period paper dolls now that I know more about the eras in question. (I think my next one will be 1300s, a little easier than 900s.)
Faye has decided to do a little time traveling and visit the 1920’s. I love drawing 1920s paper dolls and this one was no exception. Inspired by Anna May Wong (the first Asian-American famous film actress), I knew I wanted to use Faye, my Asian Mini-Maiden in this set.
(I did not give Faye Anna May’s wonderful bangs because every time I tried to draw them they looked… off somehow. Bangs and I just don’t always get along.)
Faye has shoes, stockings, a girdle, a house dress, two day dresses and then a swimsuit. She should probably also have a swimming cap, but I didn’t really think about that until after I finished the set and then it was too late. But she’s got a pretty good set of 1920s clothing to print and color, I think.
I really had fun with this set since I just bought a few more books about 1920’s clothing and wanted an excuse to play with them.
I’m trying to give more information on where I do my costume research when I say something is historically accurate, so I’m including a sources list, in case anyone else wants to dabble in the 1920s. It’s not exhaustive. There’s some other great books out there, just what I happened to use for this set and have on my own shelves at home.
A Few Sources for 1920’s Fashion History
1920s Fashions from B. Altman & Company. Mineola, NY: Dover Publications, 1999.
Atelier Bachwitz. Classic French Fashions of the Twenties. Mineola, NY: Dover Publications, 2012.
Blum, Stella. Everyday Fashions of the Twenties as Pictured in Sears and Other Catalogs. New York: Dover Publications, 1981.
Lussier, Suzanne. Art Deco Fashion. Boston: Bulfinch/AOL Time Warner Book Group, 2003.
Peacock, John. 20th-century Fashion: The Complete Sourcebook. London: Thames and Hudson, 1993.
Do people find this idea of sources lists useful? I don’t want to do them all the time, but for my historical stuff I thought it might be helpful for folks. Thoughts from my fabulous readers?
So, last week I was feel very meh about this paper doll set.
Now, I’m rather in love with it.
I have a very on again, off again relationship with my paper dolls sometimes. I mean, if I was dating this blog, I would definitely declare the relationship highly unhealthy. As it is, the Blog is a demanding associate.
Anyway, I have decided on a name for this new “face” of Marisole. I’m calling her Magnolia, after the magnolia trees that aren’t blooming at all in the dead of winter in Alabama, but which are beautiful anyway. She’s stuck in the Other Friends category though until I decide if I like her enough to draw more sets for her.
I went back and forth and back and forth about Magnolia’s skin tone. I wanted to something darker than my standard Marisole skintone. I’ve posted before about my Skintone Pallette which I use to select skin tones for the blog. Now I was going to go with my darkest color which is #3b2219 which, as you can see, is a very dark brown. The trouble with #3b2219 is that it makes seeing the black lines on the drawing nearly impossible, especially when you print out the paper doll.
So, I lightened the skin-tone to a new shade which is #502e22 which I like a lot better, though it lacks the richness of the darker brown. I want to use #3b2219 more, but I am having trouble with it allowing the line-work to show up. I need to think about how to fix that problem in the future.